2038: George Almore is working on a true human-equivalent AI. His latest prototype is almost ready, an android version of his wife who died in a car crash. Is this romantic or something much more sinister? George is playing God, creating a woman not from a rib but from electrical components, This sensitive phase is also the riskiest. Especially as he has a goal that must be hidden at all costs. The plot certainly has elements of Bride of Frankenstein as Theo James's George seeks to bring his wife back from the dead. Transferring her consciousness from an Archive unit to a A.I. humanoid.
Tom Selleck stars as Jimmie Rainwood an average citizen and hardworking honest man whose life becomes a living nightmare when he is framed by a pair of crooked cops and sent to prison for a crime he did not commit. Unable to prove his innocence he is thrown into a maximum security prison with a bunch of sadistic thugs and forced to endure dangerous subhuman conditions. During his incarceration Jimmy takes a crash course in prison survival from fellow inmate Virgil Cane (F. Murray
Make every move as if it were your last. Richard Gere portrays Vincent Eastman an award-winning architect whose personal life is on shaky ground. Separated from his beautiful but aloof wife (Sharon Stone) Vincent has an affair with a joyful and passionate writer (Lolita Davidovich) whose love promises a new beginning. But Vincent remains emotionally torn between the two women leaving his future happiness - and that of his thirteen year-old daughter - hanging in the balance. A
Stephen King's The Shining is a new adaptation from the author himself, made for American television, that bears very little resemblance to the 1980 Stanley Kubrick version. Which is not surprising since Kubrick practically threw out most of King's novel and presented his own version of the story. Here King redresses the balance in a mini-series that follows his original almost to the letter, and manages to be effectively creepy despite the budget and censorship limitations of the TV format. Stephen Weber takes over the role of Jack Torrance, the caretaker who slowly descends into madness in the haunted Overlook Hotel. His performance is as far from Jack Nicholson as you could get, with his insanity building slowly and menacingly rather than being virtually mad from the get-go. Rebecca de Mornay is superb as Wendy Torrance, struggling to hold her fragile family together amid the spooky goings on. Young Courtlan Mead plays Danny, whose unique gifts give the story its title, as one of those infuriating TV brats who overacts left right and centre. Fortunately, there are enough creepy moments and a fair few frights to hold the whole thing together: the woman in the bathtub scene being a stand out shocker. Sure, there is nothing quite like Nicholson's "Here's Johnny!" moment, but this is the story King wanted to tell and it still shines brighter than most of the other recent screen adaptations of his work. On the DVD: Stephen King's The Shining is a nicely packaged set, with the film spread over two discs complete with a commentary featuring Stephen King himself, instantly making this set a must-have for his fans. There are also several deleted scenes which add some interest to parts of the movie. The transfer is good, considering its TV origins, and the crisp sound captures every spooky moment on this well-thought-out and presented set. --Jonathan Weir
It Came from Beneath the Sea appeared two years after Ray Harryhausen unleashed The Beast from 20,000 Fathoms upon New York City. This time the master special-effects creator turned loose a giant (albeit six-armed) octopus on San Francisco, and the result is another enjoyable atom-age adventure that should please fans of vintage science fiction. Kenneth Tobey, who battled The Thing (From Another World) in 1951, stars as a Navy captain pursuing a monstrous octopoid (sextapoid?) after it attacks his atomic sub. After it wreaks havoc with shipping lanes, he tracks the creature to San Francisco for a final showdown. Scripting by George Worthing Yates (Them) and Hal Smith and direction by Robert Gordon are perfunctory at best, which gives the always-reliable Tobey and costar Faith Domergue little to do, but this is Harryhausen's show, and his monster, though the budget was restrained, is still impressive. Younger audiences weaned on digital FX may find this creaky, but nostalgic viewers will enjoy its simple thrills. --Paul Gaita
Allan Quatermain and the Lost City of Gold had the task of bettering its hilarious predecessor, King Solomon's Mines. It failed. Looking back from the age of slick computer graphics, it's painfully distracting to spot obvious back-projection, shoddy miniatures and some of the worst wire-work ever. Instead one must concentrate on the easy chemistry between Richard Chamberlain and Sharon Stone reprising their roles, this time in a quest for Quatermain's lost brother. Together they traipse across Africa, encountering all the usual pitfalls (literally) as well as jungle animals, restless native tribes and fast-flowing rivers and so on. James Earl Jones takes the money and runs through his wooden dialogue, all the time backed by endless repetitions of Jerry Goldsmith's sub-Indiana Jones hero theme. Taken on its own it's pretty atrocious viewing, but played back-to-back with the first movie The Lost City of Gold's surreal self-contained universe of hilarious adventure movie clichés is a lot of fun. Sharon Stone's hair remains perfect throughout, of course. On the DVD: Allan Quatermain and the Lost City of Gold, like King Solomon's Mines, is presented on disc in a surprisingly pristine print, and in 2.35:1 widescreen. Also like its predecessor, the sound is in Dolby 2.0, which again reflects the limited number of spot effects layered into the soundtrack. The original trailer is the only extra feature. --Paul Tonks
In Echo Park a neighbourhood of Los Angeles the friendships frustrations and love affairs of everyday life come to a head. Right now they're gym instructors pizza deliverers and strip-o-gram artists but someday they'll be stars in this charming low-key comedy about the lives and loves of these would-be entertainers.
The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. Baryshnikov was at the height of his career as a classical dancer in 1977 when he staged this beloved holiday classic for the American Ballet Theatre. Gelsey Kirkland had left the New York City Ballet to dance with the Russian superstar and their partnership was magical. In this Soviet-influenced version Baryshnikov casts himself as the hero who is transformed from a wooden figure to a soaring prince and Kirkland plays an adolescent girl of delicacy and vulnerability. Alexander Minz portrays Drosselmeyer a mysterious wizard who not only conjures the fantasy but aslo dances with the romantic couple. Kenneth Schermerhorn conducts the National Philharmonic in a fast-paced performance of Tchaikovsky's music. Celebrated by critics and public alike Baryshnikov's The Nutcracker delivers a brilliant and sparkling adaptation of the famous E.T.A. Hoffmann tale along with Tchaikovsky's classic score.
On a moonlit night in a remote research laboratory a major scientific breakthrough is about to have some disastrous side effects. A chemical compound that was created to 'hunt and destroy' deadly cancer ells has leaked from the buildings waste disposal system into the basement. Suddenly the rodents used in the laboratories experiments are not the only rats in the facility that will become an Altered Species.
Ronald Howard takes up the mantle of the super sleuth in 4 classic episodes from 1954.
Ronald Howard takes up the mantle of the super sleuth in 4 classic episodes from 1954.
On a moonlit night in a remote research laboratory, a major medical breakthrough is about to have deadly results...
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