Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust. Branagh has rounded up a mixed cast of stage vets and Hollywood stars, among the latter Denzel Washington and Michael Keaton, the latter playing a rather seedy, Beetlejuice-like version of Dogberry, king of malapropisms.--Tom Keogh
Intense, ferocious and deeply unsettling, I.D. is an excellent examination of Britain's unsavoury contribution to global culture: football hooliganism. Whereas Alan Clarke's The Firm showed the violence that lurked behind a seemingly normal façade, I.D. posits football hooliganism as a feral temptation. Dedicated, ambitious undercover policeman John (Reece Dinsdale) becomes seduced by the violence of an East London gang, ultimately becoming lost from his regular life with his wife (Clare Skinner). Dinsdale delivers a measured performance that sees him spiral from committed, right-minded policeman to shaven-headed, Nazi-saluting monster, revelling in the violent impulses he embraces with glee and, alarmingly, becoming a hero amongst those he is infiltrating. Warren Clarke is absolutely monstrous as the leader of the hooligan gang, a paragon of bigoted hatred and the embodiment of John's future. Often unnervingly realistic, director Phil Davis is adept at creating riotous mob scenes that chillingly accentuate the world into which John is drawn. It could be said that I.D.'s premise is too thin, and that hooliganism is not addressed in an effective manner, but it is without doubt a chilling character study of the temptation of violence and the horrific influences that lurk in the heart of society. --Danny Graydon
Churchill is transformed into a handsome G.I. in this spoof of the American way of rewriting and re-devising history from the writer and director of "Stella Street".
Crime drama directed by Philip Davis. Policeman John (Reece Dinsdale) is assigned with his superior, Trevor (Richard Graham), to a secret four-man squad set up to bust a violent football firm. The gang seem to be responsible for much of South London's violent crime, as well as regular crowd trouble at Shadwell Town football club. Not long after becoming fully integrated into the group, John gives Trevor cause for concern as his darker side is gradually unleashed, drawn in by the buzz of football hooliganism.
Van Helsing (Dir. Stephen Sommers 2004): Hunted as a murderer by those who do not understand his calling Van Helsing (Hugh Jackman) travels the globe as a fugitive. Accompanied only by Carl (David Wenham) a friar entrusted with providing Van Helsing's safety and a weapons arsenal to rival James Bond Van Helsing is despatched to the shadowy world of Transylvania. Home to the ravishing Anna Valerious (Kate Beckinsale) one of the last remaining descendents of a powerful royal family Van Helsing has been sent to terminate the evil and undefeatable Count Dracula (Richard Roxburgh) and his alluring bloodthirsty vampire brides. Herself a fearless hunter Anna joins forces with Van Helsing to confront her family's life long adversary and avenge the deaths of her predecessors. In a stunning showdown Van Helsing comes face to face with his mortal enemy but is also forced to confront his past... Bram Stoker's Dracula (Dir. Francis Ford Coppola 1992): Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)... Mary Shelley's Frankenstein (Dir. Kenneth Branagh 1994): It is the late 18th Century. After the death of his beloved mother young Victor Frankenstein leaves his father and Elizabeth the adopted sister he passionately loves to attend university. Here he becomes obsessed with the teachings of Professor Walman who believes that living creatures can actually be created from dead matter. One electrifying night Frankenstein's efforts are rewarded as his Creature struggles to life. Alone despised and driven by a rage of emotional agony it sets off to find its maker. And so begins the nightmare that will engulf Victor Frankenstein...
Green Street (Dir. Lexi Alexander 2005): Stand your ground. Expelled unfairly from Harvard Matt Buckner (Elijah Wood) flees to England to his sister (Claire Forlani). Once there he is befriended by her charming and dangerous brother-in-law Pete Dunham (Charlie Hunnam) and introduced to the underworld of British football hooliganism. Matt learns to stand his ground through a friendship that develops against the backdrop of his street and often violent world. Green Street is a story of loyalty trust and the sometimes brutal consequences of living close to the edge. I.D. (Dir. Philip Davis 1995): When you go undercover remember one thing: who you are. In an effort to halt the escalating violence of fanatical football supporters four young policemen are sent undercover. One of these John (Reece Dinsdale) soon finds his own personality changing and feels a sense of belonging he never felt on the force...
Jeepers Creepers: On a desolate country highway two homeward-bound teens (Gina Philips Justin Long) are nearly run off the road by a maniac in a beat-up truck only to later spot him shoving what appears to be a body down a sewer pipe. But when they stop to investigate they discover that the grisly reality at the bottom of that pipe is far worse than they could have ever suspected and that they are now the targets of an evil far more unspeakable and unstoppable than they could have ever imagined! The Gift: Annie Wilson (Cate Blanchett) possesses the gift of psychic powers and supports herself and her family by reading the cards to neighbours who want to know what the future may hold. When the wealthy beautiful and sexually promiscuous Jessica King (Katie Holmes) goes missing her bound and ravaged body begins to haunt Annie through her visions. When the murder investigation becomes short on leads the police are forced to turn to Annie's special powers for help. The supernatural becomes terrifyingly real when Annie's gift becomes her only hope to stop the killer before she becomes the next victim. The Mothman Prophecies: Distraught by the sudden tragic death of his wife (Debra Messing) John Klein (Richard Gere) a journalist for The Washington Post finds himself mysteriously drawn to a small West Virginia town when his car inexplicably strands him. Rescued by the sympathetic but skeptical local police sergeant (Laura Linney) he soon learns that many of the town's residents have been beset by bizarre events including sightings of an eerie moth-like entity similar to the one seen by his late wife. Investigating further and having his own terrifying encounters with the creature he becomes obsessed with the idea that this supernatural being can predict impending calamities and is trying to warn the town of one. Is this a psychic delusion brought on by his grief or can he convince the police sergeant that there's a tragedy that must be averted? His life and potentially other's lives depend on his making the right choices before time runs out.
Tom Baker returns as the Doctor in this his fourth story Genesis Of The Daleks. The Doctor re-visits the war-torn planet of Skaro - on a mission from the Time Lords themselves. Their mission is to put a halt to mad scientist Davros' plan to mutate aliens into a breed of killing machines - later to be known as Daleks - and in doing so alter the course of history!
When you go undercover remember one thing: who you are. In an effort to halt the escalating violence of fanatical football supporters four young policemen are sent undercover. One of these John (Reece Dinsdale) soon finds his own personality changing and feels a sense of belonging he never felt on the force...
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