The first movie ever filmed in CinemaScope The Robe was nominated for five Academy Awards in 1953 including Best Picture and Best Actor for Richard Burton. Burton stars as Marcellus Gallio the Roman centurion charged with overseeing the crucifixion. But when he wins Christ's robe in a gambling game at the foot of the cross his life is changed forever. With its inspired story set to a spectacular score and featuring an all-star cast including Victor Mature and Jean Simmon
The Hitman's Bodyguard The world's top bodyguard gets a new client, a hitman who must testify at the International Criminal Court. They must put their differences aside and work together to make it to the trial on time. The Hitman's Wife's Bodyguard The bodyguard Michael Bryce continues his friendship with assassin Darius Kincaid as they try to save Darius' wife Sonia.
The story of Brannigan a tough unconventional Chicago cop who trails an international racketeer to London where he finds his methods contrast sharply with those of the stiff-upper-lipped British...
Conceived by the French director Adrian Maben as "an anti-Woodstock film," Pink Floyd: Live at Pompeii was shot in October 1971 in the ancient city's vacant, 2,000-year-old amphitheatre--a venue chosen to accentuate the grandeur and spaciousness of the band's Meddle-era music. This disc contains a new, 90-minute director's cut as well as the original 60-minute concert film, whose production and effects feel inescapably dated. Maben's cut goes to great lengths to lend the film a more contemporary feel, but it's the earlier version that makes this disc such a gem, being more focused on the music and more holistic in vision. The anamorphic, 16:9 director's cut interweaves the Pompeii performances with fascinating but distracting interviews and music snippets filmed later (mostly during the recording of Dark Side of the Moon). The movie was originally prepared in a 4:3 aspect ratio, however, and the widescreen version crops perfectly framed images like the nine-square mosaic of drummer Nick Mason in "One of These Days". The original offers plenty of close-ups of fingers on frets and keys, with shots that are often luxuriously long in duration. And the picture quality from Pompeii is revelatory: outstandingly sharp and clear, rich in subtle grades of light and colour. Generous extras include everything from original posters, reviews, bootleg album covers and song lyrics, to a 24-minute interview with Maben. But for all the director's talk of the glorious acoustics in Pompeii's amphitheatre, there's little natural ambience to be heard. The Dolby Digital 2.0 sound is clear, dry and two-dimensional, though notably better than any previous video release. --Michael Mikesell
The pity of war has been a much-favoured film topic; the treachery of war much less so, though never more persuasively than in Paths of Glory, Stanley Kubrick's breakthrough feature from 1957. Kirk Douglas gives one of his finest screen performances as Colonel Dax, the idealistic First World War soldier appalled by the arbitrary court-marshal meted out to three of his men after an impossible attempt to storm German lines goes disastrously wrong. George Macready is an utterly believable Gerneral Mireau, obsessed with his own honour and standing, whom Adolphe Majou complements tellingly as the urbane and cynical General Bruler. Those who know Kubrick from his later sprawling epics will be surprised at the tautness and concision shown here, even though the screenplay--which he co-wrote--has a certain theatrical stiffness. On the DVD: Paths of Glory on disc reproduces well in full-screen format, and Gerald Fried's bitingly ironic score comes through powerfully. There are five dubbed and six subtitled languages. The original trailer is a masterpiece of gritty reportage, well worth reviving. Along with Dr Strangelove and 2001, this is Kubrick's most focussed and durable film. --Richard Whitehouse
The love every parent fears. A modern variation on the Romeo and Juliet theme Endless Love features that Oscar-nominated song performed by Lionel Richie and Diana Ross. Directed by Franco Zeffirelli this timeless romance stars Brooke Shields as Jade who becomes the true love and obsession of the boy next door David. However their young love is so overwhelming that they loose touch with everything else forcing the parents of these star-crossed lovers to tr
British intelligence officer Richard Burton poses as a high-ranking Nazi who leads a ragtag group of POWs on an impossible mission in this exciting World War II desert adventure. Based on the real life battle of Tobruk this action-crammed drama has Burton and his 'army' battling Nazi Panzer Divisions destroying fuel dumps and making a suicidal assault on Rommel's infamous gun emplacement that has the potential to destroy the British fleet...
Withnail And I portrays the last throes of an eccentric friendship during the final days of the sixties. Withnail and I are two young would-be actors who wake up one morning to find only ninety days left in the decade. Bound together by poverty and dreams of stardom they share a flat of indescribable squalor and live on a diet of booze pills and weed. The two friends decide to spend a soul-cleansing weekend in the country in a primitive cottage borrowed from Withnail's eccentric Uncle Monty. From the very start things go wrong and their dreams of an idyllic retreat rapidly degenerate into an hilarious nightmare.
CHURCHILL follows Britain's iconic Prime Minister Winston Churchill in the days before the infamous D-Day landings in June 1944. As allied forces stand on the south coast of Britain, poised to invade Nazi-occupied Europe, they await Churchill's decision on whether the invasion will actually move ahead. Fearful of repeating his mistakes from World War I on the beaches of Gallipoli, exhausted by years of war, plagued by depression and obsessed with fulfilling historical greatness, Churchill is also faced with constant criticism from his political opponents; General Eisenhower and Field Marshal Montgomery. Only the unflinching support of Churchill's brilliant, unflappable wife Clementine can halt the Prime Minister's physical and mental collapse and help lead him to greatness. CHURCHILL is directed by Jonathan Teplitzky (The Railway Man, Marcella) from an original screenplay by British historian Alex von Tunzelmann (Medici: Masters of Florence) in her feature debut. Starring Brian Cox (War & Peace, Coriolanus) as the legendary Winston Churchill, Miranda Richardson (Harry Potter, The Crying Game) as the Prime Minister's wife and confident Clemmie, John Slattery (Spotlight, Mad Men) as General Eisenhower, Supreme Commander of the Allied D-Day operations, and Julian Wadham (The Iron Lady, War Horse) as British military commander Field Marshal Montgomery.
When Harry Met Sally: Will sex ruin a perfect relationship between a man and a woman? That's what Harry (Crystal) and Sally (Ryan) debate during their trip from Chicago to New York. And eleven years later they're sill no closer to finding the answer. Will these two best friends ever accept that they're meant for each other... or will they continue to deny the attraction that's existed since the first moment when Harry met Sally? French Kiss: Straight-laced Kate (Ryan)has her future all planned out: marry her fiance Charlie (Timothy Hutton) and live happily ever after. What she didn't count on was Juliette the beautiful French woman Charlie falls for on a business trip to Paris! Determined to win him back Kate jumps on a plane where she meets Luc (Kline) a petty thief whom she immediately dislikes. But when Luc sneaks a stolen necklace into Kate's purse she finds herself travelling through France with him on a trip full of surprises: the biggest one being that this con man is stealing her heart! A sexy savvy and very funny romantic romp 'French Kiss' is a passionate heartfelt reminder that life can always surprise you. Jack And Sarah: Jack (Richard E. Grant) has it all - a perfect marriage a successful career and a dream home. But his world crumbles when his wife dies giving birth to their daughter Sarah. Even though he is struggling to cope with his broken heart and a newborn baby Jack rejects the offers of help from his family (Judy Dench and David Swift) in a bid to prove his independence. Instead he builds a quirky family of his own when he takes on a down-and-out (Ian McKellen) to be his housekeeper and American waitress Amy (Samantha Mathis) to be his nanny. Once Amy moves in life becomes a series of mishaps and conflicts with touchingly funny moments as the mis-matched characters learn to live with each other. But when Jack's female boss begins to show more than a professional interest in him the tension mounts as Amy and Jack begin to realise their true feeling for each other....
Driving through a stormy night a wolf runs in front of Will Randall's car. Checking to see if it is okay Will (Nicholson) is bitten and the wolf disappears into the night. From this moment on Will begins to change in subtle ways that he cannot explain his senses quicken and he becomes dynamic and adventurous in every aspect of his life. However Will's new-found lust for life has a price and he finds it increasingly difficult to contain the wild and predatorial spirit that is also growing within him... Starring Jack Nicholson Michelle Pfeiffer and James Spader Wolf is a supernatural tale with a delicious modern twist. Beware: the animal is out!
Every Day Above Ground Is A Good One. All the episodes of the quirky drama series created by American Beauty writer Alan Ball that takes a darkly comical look at members of a dysfunctional Pasadena family that runs an independent funeral home. Season 1: 1. Pilot 2. The Will 3. The Foot 4. Familia 5. An Open Book 6. The Room 7. Brotherhood 8. Crossroads 9. Life's Too Short 10. The New Person 11. The Trip 12. A Private Life 13. Knock Knock Season 2:
Fortitude is a place like nowhere else. Although surrounded by the savage beauty of the Arctic landscape Fortitude is one of the safest towns on Earth. There has never been a violent crime here. Until now. In such a close-knit community a murder touches everyone and the unsettling mysterious horror of this crime threatens the future of the town itself.
Peter Gibbons, thanks to a hypnotic suggestion, decides not to go to work at the same time his company is laying people off.
Hammer's To the Devil a Daughter was the last film made by the once great studio. Clearly ailing, Hammer again adapted a novel by Dennis Wheatley, the author behind one of their greatest successes, The Devil Rides Out (1967). Unfortunately for the studio, films such as Rosemary's Baby (1968) and The Exorcist (1973) had, in the intervening decade, radically changed horror cinema. With American star Richard Widmark echoing Gregory Peck's role in the far more polished The Omen (1976), the film seemed, rather than setting the pace as Hammer once had, to be very much jumping on the 1970's occult band-wagon. Christopher Lee is the satanic ex-communicated priest whose coven plan to incarnate the ancient demon Ashteroth, while a supernaturally beautiful Nastassja Kinski demonstrates the same willingness to disrobe as in Cat People (1982). Even so, this lacklustre, misogynistic film couldn't compete with Carrie and Suspiria (both also 1976) and Hammer thereafter concentrated on TV productions. Surprisingly, director Peter Sykes' next film, Jesus (1979), as well as being the most seen and internationally distributed film ever (with an audience of over two billion by 2000), is also the most faithful portrayal of Christ yet committed to celluloid. --Gary S. Dalkin
A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
Celebrate the 40th anniversary of Steven Spielberg's sci-fi blockbuster, now fully restored in 4K. Richard Dreyfuss stars as cable worker Roy Neary, who experiences a close encounter of the first kind - witnessing UFOs soaring across the sky. Meanwhile, government agents have close encounters of the second kind - discovering physical evidence of extraterrestrial visitors in the form of a lost fighter aircraft from World War II and a stranded military ship that disappeared decades earlier only to suddenly reappear in an unusual place. Roy and the agents follow the clues that have drawn them to reach a site where they will have a close encounter of the third kind - contact. Special Features: Three Kinds of Close Encounters Featurette Steven's Home Videos & Outtakes Close Encounters of the Third Kind Making-Of Documentary Steven Spielberg: 30 Years of Close Encounters 1977 Featurette Watch the SkiesĀ Deleted Scenes Extensive Photo Gallery Storyboard Comparisons Theatrical Trailers Includes all 3 versions of the film Theatrical Version Special Edition Director's Cut
Fattest Man In Britain
Twelve year old Owen is not only suffering from Hodgkinson's disease but is also plagued by nightmares. All this is made bearable by his special friend the enigmatic Mr. Rice (David Bowie) but when he disappears Owen is devastated. However Mr. Rice has left Owen a bizarre legacy: a letter written in code a treasure map and a series of clues about the 'Potion of Life'... As Owen embarks on an amazing treasure hunt each clue will lead him a little closer to his destiny and reveal a little more about the reclusive Mr. Rice. Owen is about to discover that great men can come in small packages and there is much to learn if one has the courage to embrace life's challenges: even one as daring as Mr. Rice's secret...
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