Jesse Mach, an ex-motorcycle cop injured in the line of duty - now a police trouble shooter, has been recruited for a top secret government mission to ride Street Hawk, an all terrain attack motorcycle designed to fight urban crime, capable of incredible speeds of up to 300 miles an hour and immense firepower.Mach and his deadly super-powered bike use their unorthodox ways to wage war on a notorious drug ring. Christopher Lloyd stars as a drug baron who organises the hijacking of confiscated cocaine shipments.Only one man, Norman Tuttle, knows Jesse Mach's true identity.The Man, The Machine...Street Hawk.
Richard Johnson returns as Hugh 'Bulldog' Drummond in this action-packed take on the exploits of H.C. McNeile's famous fictional hero - this time with an added dose of late '60s whimsy when Drummond comes up against a gang of armed, gorgeous fembots! Some Girls Do is presented here as a new High Definition transfer from original film elements in its original aspect ratio. Drummond is hot on the trail of his nemesis, the devious Carl Petersen, who is hell-bent on sabotaging the new British fighter airplane. Peterson must be stopped - whatever the cost - but this time he's protected by a bodyguard of murderous female androids! SPECIAL FEATURES: Theatrical Trailer Extensive Image gallery
This box set features the entire seventh series of the classic British Television drama Inspector Morse. Episodes comprise: 1. Deadly Slumber: Avril Steppings was left with permanent brain damage after an operation went wrong. Morse is called in when the doctor who runs the clinic where the operation was performed is found murdered... 2. Day Of The Devil: Morse is involved in a man hunt when a dangerous mental patient escapes from a high security hospital...
Consumed by an unquenchable rage Captain Ahab (Gregory Peck) has but one purpose; revenge on Moby Dick the great white whale who maimed and disfigured him. The obsessed skipper of a whaling boat Ahab uses his command as an excuse to sail the seven seas in an unrelenting search of his prey. Battling a mutinous crew tropical heat and violent storms Ahab finally catches up to his quarry and begins a confrontation that culminates in an epic struggle of non-stop fury...and inevitable
Released just a few years before a similar British film ZULU this 1962 English gladiator film depicts the tiny army of Sparta and their efforts to stave off an attack by Persian forces which greatly outnumbered the Spartans. Led by King Leonidis (Richard Egan) the Spartans army consisted primarily of a security force who guarded the palace. This rousing gladiator epic boasts an incredible cast including Diane Baker Ralph Richardson and Kieron Moore.
Russell Crowe stars as "Lucky" Jack Aubrey, who pits his crew of the HMS Surprise against a much better armed and ruthless enemy in a chase that takes him all the way to the far side of the world.
The third series of the self-reliance sitcom. Episodes comprise: 1. The Early Birds 2. The Happy Event 3. A Tug Of The Forelock 4. I Talk To The Trees 5. Whos Fleas Are These? 6. The Last Posh Frock
Mean Streets: You don't make up for your sins in church. You do it on the streets... 'Mean Streets' heralded Martin Scorsese's arrival as a new filmmaking force - and marked his first historic teaming with Robert De Niro. It's a story Scorsese lived a semi-autobiographical tale of first-generation sons and daughters in New York's Little Italy. Harvey Keitel plays Charlie working his way up the ranks of a local mob. Amy Robinson is Teresa the girlfriend his family deems unsuitable because of her epilepsy. And in the starmaking role that won Best Supporting Actor Awards from the New York and National Society of Film Critics De Niro is Johnny Boy a small-time gambler in big-time debt to the loan sharks... (Dir. Martin Scorsese 1973) Taxi Driver: 'Taxi Driver' provoked fierce controversy when it was released running into censorship problems in America as some of the scenes of violence were described to be 'as gory as Clockwork Orange and Straw Dogs' (Evening News '76). In addition there was outcry at a 13-year-old schoolgirl actress (Jodie Foster) co-starring as a prostitute. (Dir. Martin Scorsese 1976) Casino: Robert De Niro Sharon Stone and Joe Pesci star in Director Martin Scorsese's riveting look at how blind ambition white-hot passion and 24-carat greed toppled an empire. Las Vegas in 1973 is the setting for this fact-based story about the Mob's multi-million dollar casino operation - where fortunes and lives were made and lost with a roll of the dice... (Dir. Matin Scorsese 1995) Sleepers: To four boys growing up on the streets in the mid 1960s Hell's Kitchen was a place of innocence ruled by corruption. The infamous New York City neighbourhood that stretched north from 34th to 56th Street and pushed west from the 8th Avenue to the Hudson River was guided by both priest and gangsters. The children who grew up there shared joyful times but subscribed to a sacred social code-crimes against the neighbourhood were not permitted and when they did occur punishment was severe. Four friends made a mistake that changed their lives forever... (Dir. Barry Levinson 1996) Cape Fear: Sam Bowden has always provided for his family's future. But the past is coming back to haunt them. Master filmmaker Martin Scorsese brings heart - pounding suspense to one of the most acclaimed thrillers of all time. Fourteen years after being imprisoned vicious psychopath Max Cady [Robert De Niro] emerges with a single - minded mission to seek revenge on his attorney Sam Bowden [Nick Nolte]. Cady becomes a terrifying presence as he menancingly circles Bowden's increasingly unstable family. Realising he is legally powerless to protect his beautiful wife [Jessica Lange] and his troubled teenage daughter Danielle [Juliette Lewis] Sam resorts to unorthodox measures which lead to an unforgettable showdown on Cape Fear. Visually stunning images and brilliant performances from a talented cast highlight this roller-coaster ride through relentless psychological torment. (Dir. Martin Scorsese 1991)
The final western from one of the genre's greatest directors, Budd Boetticher (Ride Lonesome), and the last screen appearance of war hero-turned-movie star Audie Murphy (To Hell and Back), A Time for Dying is an offbeat, elegiac look at the Old West, prefiguring Don Siegel's classic western, and John Wayne's final picture, The Shootist. Richard Lapp stars as a young man with fine shooting skills who crosses paths with real-life figures, such as Jesse James (played by Murphy) and Judge Roy Bean (Victor Jory), and discovers the true violence of the West. Beset by post-production and distribution problems, A Time for Dying is overdue the recognition it deserves. This world Blu-ray debut, featuring an all-new restoration and a host of insightful extras, will finally enable the film to find its rightful audience. Extras New restoration from a 2K scan of the original negative by Powerhouse Films Original mono audio Audio commentary with western experts C Courtney Joyner and Henry Parke (2022) Appreciation by filmmaker and author Christopher Petit (2022) Just Like Jesse James (2022): Kim Newman, author of Wild West Movies, discusses the many film portrayals of the famed outlaw New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Paul Duane, archival interviews with Budd Boetticher and Audie Murphy, and film credits World premiere on Blu-ray Limited edition of 2,000 copies for the US All extras subject to change
In the vastly overrated 1998 book Easy Riders, Raging Bulls, author Peter Biskind puts the blame for Hollywood's blockbuster mentality at least partially on Steven Spielberg's box-office success with this adaptation of Peter Benchley's bestselling novel. But you can't blame Spielberg for making a terrific film, which Jaws definitely is. The story of a Long Island town whose summer tourist business is suddenly threatened by great white shark attacks on humans bypasses the potboiler trappings of Benchley's book and goes straight for the jugular with beautifully crafted, crowd-pleasing sequences of action and suspense. This is supported by a trio of terrific performances by Roy Scheider (as the local sheriff), Richard Dreyfuss (as a shark specialist), and particularly Robert Shaw (as the old fisherman who offers to hunt the shark down). The sequences on Shaw's boat--as the three of them realise that in fact the shark is hunting them--are what entertaining moviemaking is all about. --Marshall Fine --This text refers to another version of this video.
An extraordinary portrayal of humanity set during one of history's most inhumane periods 'The Diary Of Anne Frank' features Millie Perkins as the insightful 13-year-old biographer of her family's two year hiding in an Amsterdam attic. At first the strong-willed teenager embraces her fugitive lifestyle as an adventure but in time the ever-increasing fear of discovery and close quarters prove nearly unbearableifor the eight personalities in hiding which include Mr. Dussell (Ed Wynn) the abrasive Mrs. Van Daan (the Oscar-winning Shelley Winters) her husband (Lou Jacobi) and their son Peter (Richard Beymer) for whom Anne develops an impossible love...
Once again returning to the genre to which he was perhaps best-suited, director Lewis Milestone traces the fate of a Marine platoon during WWII. The film stars Richard Widmark as the no-nonsense Lt. Carl Anderson, an officer charged with the responibility of leading his unit on a scouting mission to capture prisoners from an experimental rocket-launching facility and bring them back for interrogation. Among his platoon are veterans Pidgeon Lane (Jack Palance), Doc (Karl Malden), and Sgt. Zelenko (Neville Brand), as well as raw recruits Coffman (Robert Wagner) and Cpl. Stuart Conroy (Richard Hylton). Anderson is skilled at subtly motivating the varied group of characters, while suffering himself from crushing headaches. The platoon attacks the island, taking losses on the heavily defended beach. When they try to take a strategic ridge, they're pinned down by rocket fire whose source is impossible to locate. In desperation, Anderson is ordered to take a hand-picked patrol behind enemy lines to bring back prisoners. After some painful losses, they finally return with prisoners. Despite occasional war movie cliches, this is a solid, exceptionally well acted effort, which gives full weight to the terrible human cost of war. The film is also notable for great performances by Malden, Palance, Widmark, Webb, and the very young Wagner.
A robot is sent to an alternate dimension via a time-travel experiment gone wrong and wreaks havoc in the new world in which it finds itself. A scientist is sent to investigate and attempts to stop the disaster from happening in the first place.
Steven Seagal needed a new approach to his standard head-busting heroics, so he teamed up with Keenen Ivory Wayans for this routine 1996 action flick. This time stone-faced Steve plays Los Angeles homicide detective Jack Cole, newly transplanted from New York and teamed up with Jim Campbell (Wayans). They're assigned to track down "The Family Man," a serial killer who earned his nickname by crucifying entire families and leaving religious graffiti as his calling card. The case heats up when the latest victim turns out to be Cole's ex-wife, and Cole is considered a primary suspect. That makes Seagal get really mad--you don't want to get Seagal too upset, y'know--but he still has time to quote Buddhist wisdom and crack wise with Wayans, who plays it relatively straight as the practical half of this partnership. Glimmer Man is typical Seagal stuff all the way, with obligatory fight scenes every 10 minutes or so, but Seagal fans will enjoy it and Brian Cox makes a suitably hissable villain. --Jeff Shannon
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
Kerwin Matthews (5 Against the House) and J Lee Cobb (The Family Secret) star in a film noir exposé of murder and corruption in the fashion world. When a Korean war veteran takes a job at his father's fashion business, he finds they are paying the mob to shut out the union. When pro-union employees begin getting murdered, he decides to take on the gangsters. Based on true stories about mob involvement in the garment industry, The Garment Jungle stands as a pro-union response to On the Waterfront, and is no less tough and controversial than that film original director Robert Aldrich (Kiss Me Deadly) was fired for his refusal to compromise, with Vincent Sherman (Affair in Trinidad) stepping in to complete production. Extras: Indicator Standard Edition Special Features 2K restoration Original mono audio Audio commentary with film historian Kevin Lyons (2020) It's a Jungle Out There (2007, 20 mins): archival interview with actor Robert Loggia, conducted by Alan K Rode of the Film Noir Foundation following a screening of The Garment Jungle Law of the Jungle (2020, 15 mins): writer and film programmer Tony Rayns discusses Robert Aldrich and The Garment Jungle Rip, Sew and Stitch (1953, 17 mins): comedy starring the Three Stooges, in which the trio play tailors who find themselves caught up in criminal activities Original theatrical trailer Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
Gemma Jones stars as Louisa Trotter a cook for the upperclass at a fancy hotel. Very similar in style to 'Upstairs Downstairs' this classic British TV series first aired in 1976.
The Match is a contemporary romantic comedy, set in the idyllic Highland village of Inverdoune.
Director Martin Brest rocketed to the top of Hollywood's A list with the blockbuster success of Beverly Hills Cop, and this 1988 follow-up is even better. Midnight Run is a genuine rarity--an action comedy that's dramatically satisfying--thanks to a sharp script by George Gallo, the superb teaming of Robert De Niro and Charles Grodin, and Brest's consummate skill in combining suspense and humour with well-developed characters. De Niro plays a maverick bounty hunter whose latest assignment is Grodin, an accountant accused of embezzling from the Mob. De Niro thinks he's in for an easy job, transporting Grodin (who's afraid to fly) from New York to Los Angeles, but soon discovers that both the FBI and the Mafia are hot on Grodin's trail. Equal parts road trip, action thriller, and a quirky character study, Midnight Run moves at a breakneck pace but still gives De Niro and Grodin time to create rich, memorable performances as two men who seem to be opposites, but gradually develop mutual respect and admiration. Mainstream entertainment at its best. --Jeff Shannon
Heading an international cast - including German 'krimi' veteran Heinz Drache - Dam Busters star Richard Todd reprises his role as insurance investigator Harry Sanders in this rare crime adventure based on Edgar Wallace's 1911 novel Sanders of the River. Made in 1964, Coast of Skeletons was the second Sanders adaptation produced and co-written by legendary B-movie mogul Harry Alan Towers, and is presented here in a brand-new transfer from original film elements in its as-...
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