From playful romantic comedies to variety extravaganzas the British musical films of the 1930s offered audiences a source of much-needed escapism throughout the decade haunted by the Great Depression and the growing menace of war. Often adapting much-loved hits of the music hall as well as serving as vehicles for the era's composers performers and band leaders they showcased home-grown talent alongside some of Hollywood's most bankable stars. This ongoing multi-volume collection makes available a wealth of rare gems from the very earliest days of the British talkies many of which have remained unseen since their original release; each film is presented uncut in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Blossom Time (1934)World-renowned tenor Richard Tauber features in a dramatisation of the life of Schubert focusing on the composer's unrequited love for a dance master's daughter. Black and White / 86 mins / 1.33:1 / Mono / English Over The Garden Wall (1934)An aunt objects to the romance between her nephew and a neighbour's niece and the two aunts step in to put an end to the love affair - with comic consequences...Black and White / 64 mins / 1.33:1 / Mono / English Mister Cinders (1934)The Cinderella story is reversed in this light-hearted adaptation with Cinders a young man who eventually wins the 'princess' - in this case an oil millionaire's daughter!Black and White / 69 mins / 1.33:1 / Mono / English Everything Is Rhythm (1936)Based on the spectacular rise of bandleader and vaudevillian Harry Roy this is the comic tale of a Ruritanian princess who elopes with a dance-band leader.Black and White / 69 mins / 1.33:1 / Mono / English
From playful romantic comedies to variety extravaganzas, the pre-war British musical films offered audiences a source of much-needed escapism throughout the decade haunted by the Great Depression and the growing menace of war. Often adapting much-loved hits of the music hall as well as serving as vehicles for the era's composers, performers and band leaders, they showcased home-grown talent alongside some of Hollywood's most bankable stars.This ongoing, multi-volume collection makes available a wealth of rare gems from the very earliest days of the British talkies, many of which have remained unseen since their original release; each film is presented uncut, in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.FOR THE LOVE OF MIKE (1932)A useless secretary and his private detective friend try to help an heiress from being swindled by her guardian.FACING THE MUSIC (1933)A joyful medley of farce, romance, song and slapstick starring Stanley Lupino as an impressionable youth whose pursuit of an opera singer's niece lands him in trouble!MY SONG GOES ROUND THE WORLD (1934)Set in Venice, the touching and sometimes comic story of a diminutive tenor who falls in love whilst striving for success.HEART'S DESIRE (1935)Richard Tauber, the great Austrian tenor, features in the story of a singing peasant from a Vienna beer-garden who conquers London, but at a cost...
Road To Bali: Bob Hope Bing Crosby and Dorothy Lamour team up in their sixth ""Road"" picture Road To Bali which was the only film in the series to be shot in color. Hope and Crosby star as two out-of-work vaudeville performers who are on the lam. The two are hired by a South Seas prince as deep-sea divers in order to recover a buried treasure. They meet beautiful Princess Lala (Lamour) and vie for her affections. Of course the boys run into the usual perils such as cannibals
Something To Sing About: Cagney is at his best as a Manhattan bandleader who journeys to Hollywood when he is offered a contract with a studio but he is determined to do things his way and not theirs. A classic 1930's musical about Hollywood studio life that won an Oscar for best score. Basin Street Revue: Musical variety filmed at the Apollo Theatre in Harlem New York City. This is a collection of exciting R&B performances from the early-mid 1950's including Cab Ca
Belcanto: Tenors Of The '78 Era part 1
A charming joyous expertly crafted bon-bon of old Vienna full of fluffy cuddly girls of a bygone era gypsies romance gallantry and of course waltzing. The old guard views and waltz as immoral but at the end of the film it is adopted as the official court dance. Tauber is a shepherd and sings 'Break of Day' twice (mostly on camera). The others sing operetta-style arias and duets. Caressing violins punctuate the deft script.
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