Former National Service Conscript - actor, Richard Wilson - takes a light hearted look at this taste of the army, experienced by so many young men after the war. 'Both Feet In The Army' illustrates the trials and tribulations, the laughs and lunacies, of post-war National Service, through excerpts from sitcoms such as 'Get Some In' and from films such as 'Carry On Sergeant' and 'Privates Progress', to name just a few. During the peak years of the 1950s, over a quarter of a million youngster...
Part 1 of the fourth series of the popular BBC drama series starring Richard Wilson and Maggie Steed.
Set Comprises: Hard Candy (2006): A smart and charming teenage girl Hayley probably shouldn't be going to a local coffee shop to meet Jeff a 30 something fashion photographer she met on the internet. But before she knows it she's mixing drinks at Jeff's place and stripping off for an impromptu photo shoot. It's Jeff's lucky night. But Hayley isn't as innocent as she looks and the night takes a turn when she begins to impose a hard hitting investigation on Jeff in an attempt to reveal his possibly scandalous past. Right At Your Door (2006): After multiple dirty bombs are detonated spreading deadly toxic ash across Los Angeles Brad (Rory Cochrane) inadvertently quarantines his wife Lexi (Mary McCormack) outside their new home by safely sealing himself inside. With the city under siege and Martial Law in affect Brad and Lexi struggle to survive with little supply limited time and no information-all the while separated by thin doors and thinner sheets of plastic. When 'help' finally does arrive it appears to be anything but. Mothman Prophecies (2002): Distraught by the sudden tragic death of his wife (Debra Messing) John Klein (Richard Gere) a journalist for The Washington Post finds himself mysteriously drawn to a small West Virginia town when his car inexplicably strands him. Rescued by the sympathetic but skeptical local police sergeant (Laura Linney) he soon learns that many of the town's residents have been beset by bizarre events including sightings of an eerie ""moth-like"" entity similar to the one seen by his late wife. Investigating further and having his own terrifying encounters with the creature he becomes obsessed with the idea that this supernatural being can predict impending calamities and is trying to warn the town of one. Is this a psychic delusion brought on by his grief or can he convince the police sergeant that there's a tragedy that must be averted? His life and potentially other's lives depend on his making the right choices before time runs out.
Tom and Arthur's relationship deteriorates when Tom is offered a job in New Zealand which Arthur promptly steals. As Tom is heading for the port Phyllis and Deborah discover that Ormston is under threat of demolition for a new road scheme. Len and Linda get their foster child. Jean and Eddie's wedding doesn't go according to plan and Jean's long-estranged mother Violet turns up which makes her happy but her father Wilf furious. Tom decides to make amends with his father when he r
Part 2 of the fourth series of Born and Bred starring Richard Wilson and Maggie Stead.
In 1954 four athletes across three continents were trying to run a mile under the milestone 4 minute mark. Based on Roger Bannister's sporting achievement this film is a story of dedication perseverance and glory.
Hot Metal: Complete Series 2
A world is dying torn apart by a colossal war the planet of Gaea is in turmoil. Civilizations have been wiped out and more are ready to fall. But a girl could change all that. An ordinary girl Hitomi finds herself suddenly transported to the mysterious planet Gaea where Earth hangs in the night sky. A planet filled with magic strange technology and legendary armor. She doesn't know it yet but her special abilities could be the key to saving an entire planet. Volume 4 of anima
A world is dying torn apart by a colossal war the planet of Gaea is in turmoil. Civilizations have been wiped out and more are ready to fall. But a girl could change all that. An ordinary girl Hitomi finds herself suddenly transported to the mysterious planet Gaea where Earth hangs in the night sky. A planet filled with magic strange technology and legendary armor. She doesn't know it yet but her special abilities could be the key to saving an entire planet. Volume 3 of animated adventures.
Presented by actor and National Service conscript Richard Wilson, this is a light-hearted look at the Army as experienced by so many young men after World War Two.
The Last Mimzy (Dir. Robert Shayle) (2007): Based on the acclaimed sci-fi short story by Lewis Padgett The Last Mimzy tells the story of two children who discover a mysterious box that contains some strange devices they think are toys. As the children play with these toys they begin to display higher and higher intelligence levels. Their teacher tells their parents that they seem to have grown beyond genius. Their parents too realize something extraordinary is happening. St Trinians (Dir. Oliver Parker & Barnaby Thompson) (2007): St Trinian's a school for young ladies with its anarchic doctrine of free expression brings together a motley crew of ungovernable girls who using their wit and ingenuity save the school from bankruptcy. Starring Stephen Fry Colin Firth Rupert Everett Mischa Barton Russell Brand and Gemma Arterton St. Trinian's is the sixth in a series of films based on the works of cartoonist Ronald Searle. The previous five films include: The Belles of St Trinian's (1954) Blue Murder at St Trinian's (1957) The Pure Hell of St Trinian's (1960) The Great St Trinian's Train Robbery (1966) and The Wildcats of St Trinian's (1980). Elf (Dir. Jon Favreau) (2003): After inadvertently wreaking havoc on the elf community due to his ungainly size a man raised as an elf at the North Pole is sent to the U.S. in search of his true identity. This charming fantasy is packed full of hysterically funny moments and is destined to be a future classic!
Captain Stanley (Ray Winstone) captures fugitive Burns brothers Charley (Guy Pearce) and Mikey (Richard Wilson) at the scene of bloody rape and murder. Informing Charley that he must kill his older brother Arthur (Danny Huston) in order to be set free Stanley drags Mikey to a decrepit jailhouse while he waits for Charley to carry out the deed... Director John Hillcoat's second collaboration with melancholic musician Nick Cave (here contributing the film's screenplay and soundtrack) is a taut character study of desperation amid the mesmerising backdrop of the 19th century Australian outback.
Hostel The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (Cabin Fever) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way pick up travelling companion Oli (Eythor Gudjonsson). In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. But when a fellow traveller tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures. Enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe. There, the sex farce to which the film's first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that gives its customers the opportunity to torture and kill a helpless victim. Much of what follows consists of the squirm-inducing surgical horrors that characterise precursors such as Saw, with the implications regarding the capitalist system and the human soul becoming ever darker. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary. Hostel Part II The inevitable sequel to one of the decade's most intriguing and well-made horror films, Hostel Part II, as the title implies, picks up pretty much where the last film left off. And it doesn't take too long for the sequel to find the same groove that earned its predecessor so much attention. The setting is once again an underground club, where people bid for the right to torture residents at the hostel of the title. Hostel Part II, however, lets us see events from the other perspective too, as we meet the wealthy businessmen who are availing themselves of the club's services. It's a logical dynamic for the movie, and it does bring a fresh perspective to a film that does eventually settle down to a cavalcade of gore and shock. As a director, Eli Roth has clearly improved since last time around, even if this time he too often succumbs to the temptation to show rather than imply, and Hostel Part II as a result feels a little less fresh and more uncomfortable than its predecessor. Yet it's most certainly an unsettling piece of cinema, and one likely to find favour with Roth's increasing fanbase. A word of warning, though: Hostel Part II isn't shy about pulling its punches, and it very much justifies its 18 certificate. It's also a cut above many of its modern day contemporaries in the genre, even though it fails to measure up to part one. --Jon Foster Vacancy A confined setting is a useful tool for thriller-makers, and Vacancy is definitely boxed in: a run-down motel way, way off the Interstate, the kind of place where unsuspecting movie characters go to get stabbed to death in the shower. If Vacancy doesn't quite live up to its Hitchcockian forebears, at least it provides 80 minutes of well-designed mayhem. You know somebody's paying attention just from the opening credits, a clever vortex with pounding music by Paul Haslinger. Then we meet unhappy couple Luke Wilson and Kate Beckinsale, driving along in the dark and forced to stay at the Pinewood Motel after a car breakdown. There's a night man (Frank Whaley, World Trade Center) in the tradition of Dennis Weaver's Touch of Evil gargoyle, but the real mess of trouble is waiting in room number four. Director Nimrod Antal, who scored a stylish international hit with the Hungarian thriller Kontroll, squeezes maximum juice out of the Route 66 atmosphere of the motel, although the movie doesn't get under your skin the way Kontroll did. Wilson and Beckinsale are a little too marquee-namish for this kind of heavy-breathing work, and the script doesn't give them much to play with. But hey, it's not that kind of movie. Where it really belongs is on the top half of a drive-in double bill, or maybe as a nightmare-scenario TV movie from the Seventies. Either way, it works. --Robert Horton, Amazon.com Bram Stoker's Dracula Francis Ford Coppola's take on the Dracula myth is visually stunning and overflows with passionate seduction and Gothic romance. In Bram Stoker's Dracula, Coppola draws from the original source of the Dracula story to create a modern masterpiece. Gary Oldman's metamorphosis as Dracula, who grows from old to young, from man to beast, is breathtaking. Winona Ryder brings as much intensity to the character of the beautiful young woman who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula and then dares to confront him. Opulent and irresistible, Bram Stoker's Dracula is an unforgettable film. The Covenant Renny Harlin (Die Hard 2, Deep Blue Sea) directs this supernatural thriller about descendants of powerful New England families. The sons of Ipswich are legendary at Spenser Academy, the local boarding school. Handsome and popular, these four teenage friends can trace their roots to the founding families of the Ipswich Colony, settled in the late 1600s. For years these Massachusetts families have harboured the secret that they possess supernatural powers. Their descendants--Caleb (Steven Strait), Reid (Toby Hemingway), Tyler (Chace Crawford), and Pogue (Taylor Kitsch)--have inherited magical powers that first manifested themselves when the boys turned 13 years old. In a nutshell, they can do anything. As they approach their 18th birthdays, they are preparing to 'ascend', which means their powers will grow stronger. The downside? The magic is seductive and addictive, and causes premature aging with each use. Ringleader Caleb tries to keep his friends from using magic recklessly, but as the school year begins, strange events and a strong gut instinct convince Caleb that someone is using very powerful magic. Meanwhile, Caleb is exploring his newfound affection for transfer student Sarah (Laura Ramsey). To Caleb''s dismay, Sarah becomes a pawn in a power struggle with a descendant of the fifth founding family of Ipswich, a line thought to be lost during Salem''s witch trials. Is Caleb strong enough to maintain his power and keep his family and friends safe, or will he yield to this new threat and sacrifice himself? The film draws interesting parallels between the luring, addictive power of magic and the addictions real teenagers face. The sufficiently creepy setting echoes New England and sets the stage for supernatural phenomena. The Covenant also stars Sebastian Stan as Chase Collins, a wealthy newcomer to Spenser, and Jessica Lucas as Kate, Sarah's roommate and Pogue's girlfriend.
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