Confirming the testosterone-laced promise he showed in the earlier Drive, the charismatically lithe Mark Decascos stars as buff man-of-the-cloth Father Luke, whose plans for a successful food drive are put on hold when a covert kill squad forces him to confront his shadowy past in this surprisingly effective bullet ballet. The needlessly complex high-tech storyline may be somewhat shaky, but this adrenalised conspiracy thriller earns its wings by virtue of a strong cast (including a villainous Jaimz Woolvett, miles away from his role as the greenhorn gunslinger in Unforgiven), an impressively stylised lighting palette and a jaw-droppingly gonzo epilogue that cries out for--nay, demands--a sequel. Director Tibor Takacs was previously responsible for two unfairly forgotten 1980s horror gems The Gate and I, Madman. --Andrew Wright
Meet That Guild Gal...She gives as Good as She Gets! A man awakens in a Honolulu hospital with no memory of his identity. He has three personal items: a wallet a letter from an angry ex-lover and a note from one Larry Cravat and apparent business associate. Searching for Cravat the amnesiac heads to Los Angeles enlisting the help of a saloon singer (Nancy Guild) her boss (Richard Conte) and a police lieutenant (Lloyd Nolan). When he starts asking questions he's blindsided by goons and chased by cops... But ultimately makes a shocking discovery.
This is the life story of one of the most influential and controversial film directors in the history of Hollywood John Milius. From his childhood aspirations to join the military to his formative years at the USC Film School his legendary work on films such as ‘Apocalypse Now’ ‘Jaws’ ‘Conan The Barbarian’ ‘Dirty Harry’ and ‘Red Dawn’ to his ultimate dismissal from Hollywood due to his radical beliefs and controversial behaviour.
The League of Gentlemen is a sardonic crime drama in which Jack Hawkins plays an embittered retired army officer who recruits seven fellow ex-soldiers to carry out a bank raid with military precision. The film presents an England between post-war austerity and the more liberated 1960s where traditional moral certainties were rapidly being discarded; a London where ex-officers left on the scrapheap at war's end could justify turning their military experience to armed robbery. Unfortunately the tale is neither particularly amusing or thrilling, with an overlong central detour via an army camp prefacing the exciting heist and a largely anti-climactic ending. Nevertheless Hawkins effectively subverts his heroic officer type from The Cruel Sea (1953) and The Bridge on the River Kwai (1957), and there's excellent support from a great cast including Nigel Patrick, Richard Attenborough and Roger Livesey. Bryan Forbes not only wrote the cynical screenplay but costarred with wife Nanette Newman in her first significant screen role. More influential than truly classic, The League of Gentlemen has lent its name to a modern BBC comedy, an "Extraordinary" comic strip-turned-movie, and proved the template for heist films ever since, including both versions of The Italian Job (1969 and 2003). On the DVD:The League of Gentlemen is presented in an anamorphically enhanced 16:9 transfer from an excellent condition print and mostly looks and sounds fine. There's minimal print damage, though sadly Philip Green's ironically patriotic main title music suffers from significant distortion. The only extra is the original trailer, which is now something of a period piece itself. --Gary S Dalkin
West of the Pecos (1945): Robert Mitchum stars in this well plotted exciting Zane Grey Western. Thurston Hall and his daughter Barbara Hale are accosted by robbers en route to their Texas ranch from Chicago. This is only the start of their troubles as they encounter hold-ups horse stampedes and outlaws. Hiring Robert Mitchum and his sidekick to run their ranch leads to further problems because of Mitchum's checkered past. Plot twists and Suspense highlight this old west cla
Bodies banks and birds! Dennis (Bennett) and Hal (Holder) are inseparable. They are also irreverent boisterous highly sexed and eager to acquire a fortune by the most expedient method...robbery. The only problem is that they have to hide their loot. Fortunately Dennis works as an undertaker so a conffin seems like the perfect place to hide it. But the moment that they try to fit the loot and a stiff in to a coffin things start to go wrong...and soon the boys have trouble o
The White Countess: Set in Shanghai in the late 1930s this is the story of the relationship between a blind former US diplomat and a refugee Countess (Richardson) reduced to a sordid life in the city's bars. Todd Jackson (Fiennes) once an American diplomat filled with idealism now bitterly disillusioned by realpolitik and the seemingly unavoidable nature of war finds his life enriched by the beautiful spirited Sofia.... Remains Of The Day: Stevens is the perfect English butler. Now employed by Mr Lewis the new American owner of Darlington Hall Stevens has spent the best part of his working life serving Lord Darlington the host of many prestigious international conferences in the 1930s. It was only when war broke out in 1939 that Lord Darlington's involvement with the Nazi party was uncovered. Now twenty years later Stevens realizes that his unquestioning faith and dedication to duty were misplaced and cost him dearly in his own personal life. Over several years he carried on an intense relationship with the Estate's attractive young housekeeper Miss Kenton. But his unwavering sense of duty led Stevens to deny his emotions - and eventually drive away the one woman he loved. Now he wants to make amends... An extraordinary story of blind emotion and repressed love The Remains Of The Day achieved an astounding 8 Academy Award nominations including Best Picture Best Actor and Best Actress. Anthony Hopkins received the BAFTA Award for the Best Performance by an actor in a leading role. Howards End: ""Only Connect"". This famous command is the catalyst which brings together two very different Edwardian families - the one passionate and progressive the other hidebound by wealth and social status - with irreversible and devastating consequences. A dying woman's impulsive wish marks a turning point in the relationship between the cosmopolitan Schlegel sisters Margaret and Helen and the wealthy Wilcox family when Ruth Wilcox bequeaths her idyllic country house Howards End to Margaret (Emma Thompson). Convinced that he is acting in the best interests of his family the patriarcal Henry Wilcox destroys his wife's ""unofficial"" will. But as the lonely repressed Henry falls in love with Margaret and Helen's willful attacks on class and convention strike at the very heart of the Wilcox family fate decrees that Henry must pay dearly for his deceit.
A suspended cop (Cain) going to pick up his wife from her job gets wind of something fishy happening in the mall. He attempts to stop a major heist which eventually requires him to rescue several hostages including his wife...
After being shot on duty DI Crabbe decides to retires from the police force to set up his own restaurant 'Pie In The Sky'. While he would much rather be left to his own devices in the kitchen he is constantly called back on duty by his needy ex-boss Chief Constable Fisher (Malcolm Sinclair).
From 1954-1955 39 TV films were made starring Ronald Howard as Sherlock Holmes and Howard Marion Crawford as Dr. Watson. This DVD contains 4 of these TV films: The Case of the Night Train Riddle The Case of Lady Beryl The Mother Hubbart Case The Case of the Gravestone Inscription.
Winner of five Academy Awards including Best Picture and Best Director the beloved Rodgers and Hammerstein musical based on the lives of the Von Trapp Family singers will inspire and entertain young and old alike. When postulate Maria (Julie Andrews) proves a bit too high-spirited for Mother Abbess and the other nuns Mother Abbess arranges for Maria to become governess to the seven unruly Von Trapp children before joining the order. Captain Von Trapp (Christopher Plummer) a widowed naval officer who educates his children with military discipline prescribes stern child-raising but Maria wins the children over with her natural warmth and kindness and teaches them to sing. Only one thing threatens the happiness and laughter that Maria has brought into the Von Trapp household: the threat of Nazi occupation in Austria.
This is the true story of Dr Gwen Barry (Frances Fisher) a sexually repressed woman with a lifetime of passion simmering just below the surface. When she hires a day-release prisoner- the muscular Dalton (derwin Jordan)- to help with her garden they soon start an exhilarating affair. Gwen imagines they will stay together forever when Dalto leaves prison but he has his own ideas. When police find Gwen cowering naked next to a badly wounded Dalton they arrest him for attempted murder. Is this the work of an habitual criminal or the revenge of a woman scorned...
Martin Scorsese leaps into the madness of the Rolling Stones' organization in Shine a Light, barely controlling (in a most entertaining way) a documentary that culminates in the Stones' best concert on film. The movie's highly entertaining, pre-performance prologue finds a frazzled Scorsese trying to get a clue about the band's plans for a very special New York City date in 2006, a benefit hosted by Bill and Hillary Clinton. While Mick Jagger quibbles over concepts for the stage's set and peruses lists of possible songs to include in the show, Scorsese tries to figure out how to shoot something for which he has few production details. Everything falls into place eventually, and after an extraordinary meet-and-greet scene in which Jagger, Keith Richards, Ron Wood, and Charlie Watts catch up with the Clintons and sweetly introduce themselves to Hillary's mom, the Stones launch into a set that leans less heavily than usual on their greatest hits canon. Longtime fans are sure to appreciate the wealth of generally-untapped material from Let It Bleed ("You Got the Silver," "Live With Me"), Exile On Main Street ("All Down the Line," "Loving Cup"), and Some Girls ("Faraway Eyes," "Just My Imagination"). Jack White, Christina Aguilera and Buddy Guy are on hand for memorable collaborations, but the Stones all alone are truly on fire in the relatively intimate setting of a small theater. Among the highlights is a sexy and even thrilling call-and-response between Jagger and ace backup singer Lisa Fischer on "She Was Hot," Richards' gracious and expansive solo on "Connection," and Jagger's witty take on "Some Girls" (which manages to skip over the controversial verse about "black girls"). Throughout the show, Scorsese and an army of camera operators cover the action from every conceivable angle, which results not so much in another hyperkinetic concert film but rather in the kind of graceful, flattering portrayal of a great band that the director mastered with The Last Waltz. --Tom Keogh, Amazon.com
MacGyver (Richard Dean Anderson) is a modern-day ""knight-errant"" a person people turn to in a crisis. He has a penchant for arriving on the scene in the eleventh hour when the clock is ticking ominously and innocent lives often are at stake. MacGyver is a packrat collecting ordinary items of seemingly little value and stashing them in his knapsack ""for a rainy day"". And it is these same items that he uses to improvise his way out of trouble. MacGyver's ingenious solutions to see
A spin-off movie from Askey's popular BBC radio programme of the same name in which after being evicted from Broadcasting House Askey and Richard 'Stinker' Murdoch move to a castle where they come upon television equipment which they use to put on a show - not realising that is in use by German agents. The show is of course the ideal vehicle for the variety acts from the radio show.
A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
In the autumn of 2006 The Rolling Stones took time off from their stadium tour to play the legendary Beacon Theatre in New York City with some friends and played some songs - never performed live before - Martin Scorsese was there to capture it all!
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