This underground classic is available for the first time on DVD with bonus soundtrack CD. A twisted mid-90s comedy disguised as a 1970s drive-in film Kill The Moonlight is the story of Chance - fish hatchery worker toxic waste cleaner and aspiring racecar driver whose goal in life is to fix up his Camaro and follow his dreams of championship glory. Director Steven Hanft captures the West Coast slacker vibe with laconic pacing bizarre humour and a stock-car-racing
Basil Dean, Beloved by the British public for her string of hit pre-war films, Gracie Fields' Lancastrian earthiness, impish humour and memorable songs have endeared her to many generations of fans. Looking on the Bright Side sees Gracie starring opposite romantic lead Richard Dolman in this joyous, early '30s musical romance. It is presented here as a brand-new transfer from original film elements in its original theatrical aspect ratio. Gracie and Laurie are an item, both onstage and off - he writes the songs and she sings them. Then Laurie has a taste of fame when he gets his first song published and spurns Gracie in pursuit of a glamorous actress. SPECIAL FEATURE: Image gallery
Mr And Mrs Smith (Dir. Doug Liman 2005): Starring Brad Pitt and Angelina Jolie as the eponymous Mr. & Mrs. Smith in one of 2005's most entertaining and explosive blockbusters. After five (or six) years of vanilla-wedded bliss ordinary suburbanites John and Jane Smith (Pitt and Jolie) are stuck in a rut the size of the Grand Canyon - until the truth comes out! Unbeknownst to each other they are both lethal highly paid assassins working for rival organizations. When they discover they're each other's next target their secret lives collide in a spicy explosive mix of wicked comedy pent-up passion nonstop action and high-tech weaponry that gives an all-new meaning to ""Till death do us part!"" Fight Club (Dir. David Fincher 1999): First Rule: You do not talk about Fight Club. Second Rule: You do not talk about Fight Club. Third Rule: When someone says ""Stop"" or goes limp the fight is over. Fourth Rule: Only two guys to a fight. Fifth Rule: One fight at a time. Sixth Rule: No shirts no shoes. Seventh Rule: Fights go on as long as they have to. Eighth Rule: If this is your first night at Fight Club you have to fight... Jack (Edward Norton) is a chronic insomniac desperate to escape his excruciatingly boring life. That's when he meets Tyler Durden (Brad Pitt) a charismatic soap salesman with a twisted philosophy. Tyler believes self-improvement is for the weak; it's self-destruction that really makes life worth living. Before long Jack and Tyler are beating each other to a pulp in a bar parking lot a cathartic slugfest that delivers joys of physical violence. Jack and Tyler form a secret Fight Club that becomes wildly successful. But there's a shocking surprise waiting for Jack that will change everything... Pitt and Norton deliver knockout performances in this stunningly original darkly comic film from David Fincher based on the controversial book by Chuck Palahniuk.
Duet: The Mummy / Scorpion king
First Rule: You do not talk about Fight Club. Second Rule: You do not talk about Fight Club. Third Rule: When someone says Stop or goes limp the fight is over. Fourth Rule: Only two guys to a fight. Fifth Rule: One fight at a time. Sixth Rule: No shirts no shoes. Seventh Rule: Fights go on as long as they have to. Eighth Rule: If this is your first night at Fight Club you have to fight... Jack (Edward Norton) is a chronic insomniac desperate to escape his excruciatingly boring life. That's when he meets Tyler Durden (Brad Pitt) a charismatic soap salesman with a twisted philosophy. Tyler believes self-improvement is for the weak; it's self-destruction that really makes life worth living. Before long Jack and Tyler are beating each other to a pulp in a bar parking lot a cathartic slugfest that delivers joys of physical violence. Jack and Tyler form a secret Fight Club that becomes wildly successful. But there's a shocking surprise waiting for Jack that will change everything... Pitt and Norton deliver knockout performances in this stunningly original darkly comic film from David Fincher based on the controversial book by Chuck Palahniuk.
Murray Lewis is down on his luck as he heads to Mexico to attend his long lost father's funeral where he meets Nieves Blanco and his luck begins to change.
The Paris Jazz festival is a tradition in the Jazz calendar with artists from around the world delighted to accept an invitation to perform. The unique 1987 Paris Jazz Festival series not only captures some of jazz's finest innovators in concert but also the rehearsals for this prestigious event and candid backstage interviews with the artists. Tracklisting: 1.London 2.Dr. Jeckyll Again 3.Zipper Teaser 4.Para 5.Scofields Improv 6.Espace Sonore 7.Bulgare 8.Dr. Jeckyll 9.Scofi
All films require a certain suspension of disbelief, Fight Club perhaps more than others; but if you're willing to let yourself get caught up in the anarchy, this film, based on the novel by Chuck Palahniuk, is a modern-day morality play warning of the decay of society. Edward Norton is the unnamed protagonist, a man going through life on cruise control, feeling nothing. To fill his hours, he begins attending support groups and 12-step meetings. True, he isn't actually afflicted with the problems, but he finds solace in the groups. This is destroyed, however, when he meets Marla (Helena Bonham Carter), also faking her way through groups. Spiralling back into insomnia, Norton finds his life is changed once again, by a chance encounter with Tyler Durden (Brad Pitt), whose forthright style and no-nonsense way of taking what he wants appeal to our narrator. Tyler and the protagonist find a new way to feel release: they fight. They fight each other, and then as others are attracted to their ways, they fight the men who come to join their newly formed Fight Club. Marla begins a destructive affair with Tyler, and things fly out of control, as Fight Club is transformed into a nationwide fascist group. The depiction of violence in Fight Club is unflinching, but director David Fincher's film is captivating and beautifully shot, with camerawork and effects that are almost as startling as the script. The movie is packed with provocative ideas and images--from the satirical look at the emptiness of modern consumerism to quasi-Nietzschean concepts of "beyond good and evil"--that will leave the viewer with much food for thought to take away. Pitt and Norton are an unbeatable duo, and the film has a great sense of humour too. Even if it leaves you with a sense of profound discomfort this is a movie that you'll have to see again and again, if for no other reason than to just to take it all in. --Jenny Brown, Amazon.com
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