"Actor: Robert Aiken"

• Stepmom | DVD | (31/01/2011) from £9.98   |  Saving you £-3.99 (N/A%)   |  RRP £5.99

  Although Stepmom was dismissed as a contender in the 1998 Oscar race, it's worth giving a second chance to this rather cogent, sharp-tongued look at second chances. Susan Sarandon's performance as a mum about to be replaced by her ex-husband's new girlfriend (played by Julia Roberts) has a lot of bite, and it's a shame the script opted to trivialise her plight in its final reel. Initially, the rancour that passes between divorced mum Jackie (Sarandon) and trendy fashion photographer Isabel (Roberts) rings true, aided by the sincerity of Jackie's ex-husband Luke (Ed Harris) and the emotional plight of their children, who have the most to lose in their parents' divorce. As the drama makes clear, the children are the real victims in the agony that ensues between old and new love. Director Chris Columbus, who is adept at showing familial chaos (he directed Mrs. Doubtfire and Home Alone) with a sanitised minimum of lingering emotional damage, actually manages to dig a trifle deeper than usual in exploring the jealousy and hurt that occur when the baton is passed between a birth mum and the younger wife who steps into her shoes. Stepmom fortunately manages to touch on that chord--showing how an ambitious woman might feel hampered by the responsibility of children just because she's fallen in love with their dad--as well as the haunting grief that it causes their birth mum. It's an issue that haunts millions of second wives everywhere, and while Roberts conveys the confusion of being taken for granted in the melee that follows, it's Sarandon who walks off with the film. She's relentless in her fury, and everyone else in the film--the generally excellent Harris included--is sideswiped. It's just a shame that Hollywood once again wimps out in the end, solving the problem by giving Sarandon a terminal illness. Instead of allowing Jackie and Isabel's relationship to unfold on something less than a high note, the movie has to quell its best thing with a false payoff because it doesn't know what to do with real life. --Paula Nechak, Amazon.com

• Erin Brockovich / Stepmom / Steel Magnolias | DVD | (03/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Erin Brockovich (Dir. Steven Soderbergh 2000): Erin Brockovich was never trained or indeed meant to work in a lawyers office. Circumstances take this down-on-her-luck twice-divorced mother of three into a legal practice. Here she discovers some legal files that don't add up... On investigation she discovers an injustice and decides against the odds to take on the bad guys on behalf of a poor and very ill community. Stepmom (Dir. Chris Columbus 1998): Jackie (Susan Sarandon) is a divorced mother of two. Isabel (Julia Roberts) is the career minded girlfriend of Jackie's ex-husband Luke (Ed Harris) forced into the role of unwelcome stepmother to their children. It is the universal dilemma of the 'non-traditional family' they all love the children but the complex interplay between parents step-parents step-children ex-spouses and significant others is decidedly tricky. But when Jackie discovers she is ill both women realise they must put aside their differences to find a common ground and celebrate life to the fullest while they have the chance. Steel Magnolias (Dir. Herbert Ross 1989): A beautiful bittersweet comedy set in deep south Louisiana Steel Magnolias unites talents of America's finest actresses as six very special friends bonded together by mutual triumphs and tragedies. Despite their differences beautiful Shelby (Julia Roberts) her strong-willed mother M'Lynn (Sally Field) beauty parlour owner Truvy (Dolly Parton) elegant wealthy widow Clairee (Olympia Dukakis) sharp tongued Ouiser (Shirley MacLaine) and mousey newcomer Anelle (Daryl Hannah) enjoy a friendship that spans the boundaries of age and status. Sharing each other's strength and loyalty they face their greatest fears and highest hopes with dry wit and a self-deprecating style...

• Viva Las Vegas | DVD | (30/08/2004) from £5.99   |  Saving you £8.00 (133.56%)   |  RRP £13.99

  It's pretty tough to beat Jailhouse Rock in terms of sheer entertainment, but Elvis lovers are particularly fond of this 1964 hit. The Big E plays race-car driver Lucky Jackson, who arrives in Las Vegas for an upcoming Grand Prix race. Lucky's car needs a new engine, so he gets a waiter job at a casino and starts working his crooning charms on Rusty Martin (Ann-Margret). It's their on-screen chemistry that makes this flick a lot of fun; Presley never had a better co-star than Ann-Margret, and their race-car romance is quintessential 1960s fluff. Then there are the songs, of course, including the snappy title tune, a rockin' rendition of Ray Charles's "What'd I Say?" and "The Yellow Rose of Texas". Viva Las Vegas is one of the Elvis movies that stands the test of time, when the legend was still at his peak. --Jeff Shannon

• D.W. Griffith - Monumental Epics | DVD | (24/06/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £49.99

  There’s little doubt that much of what we now take for granted about cinema owes much to the vision of director D W Griffith. Monumental Epics collects five of his most influential silent masterpieces. The Birth of a Nation (1915) is also the birth of the epic film. Made to commemorate the 50th anniversary of the end of the American Civil War this provocative film unflinchingly shows the humiliation of Southern culture, the "heroism" of the Ku Klux Klan, and links the Union and Confederacy by a common Aryan birthright. All of which has to be viewed in its period context if it is to be viewed at all. Intolerance (1916) is film-making of epic complexity. Human intolerance is related through a modern tale of wrongful conviction, intercut by three stories from Babylonian, Judean, and French history to point up the issue through the ages. The intricacy of the intercutting is breathtaking even now, but those as confused as the first audiences evidently were can opt to see each story separately. Sensitively tinted, this is Griffith's finest three hours. Broken Blossoms (1919) has Griffith venturing into domestic melodrama. Although there's a clear moral to be drawn from this tale of compassion in the face of ignorance and brutality, neither the over-acting of Lillian Gish and Donald Crisp, nor the vein of sentimentality that creeps into their characters' relationship allow the viewer to forget the period-piece nature of the film. Here an appropriately expressive musical score helps keep viewing at an attentive level. Way Down East (1920) shows Griffith moving from the epic to the personal, though still on a large scale. The combining of old-style melodrama with latter-day female emancipation is tellingly brought off, and Lillian Gish excels as the country girl used and abused by male society, until "rescued" by a farmer of true moral scruples. Unconvinced? Then go straight to the climactic snowstorm and ice floe sequences--Eisenstein et al are inconceivable without this as trailblazer. Abraham Lincoln (1930) marked Griffith's entry into the talkie era. Tautly directed, it offers a historically accurate account of the 16th US President's rise to power and his visionary outlook on American society. Civil War scenes are implied rather than enacted, and its Walter Huston's robust yet understated acting that carries the day, with sterling support from Una Merkel as Ann Rutledge and Hobart Bosworth as General Lee. On the DVD: Stylishly packaged, restoration and digital remastering has been carried out to Eureka's usual high standard, and the 4:3 aspect ratio has commendable clarity. Birth of a Nation has Joseph Carl Breil's original orchestral score and a pithy "making of" film by Russell Merritt. Intolerance contains a useful rolling commentary and a great wurlitzer soundtrack too. Way Down East includes a commentary. Abraham Lincoln also has a commentary, though Hugo Riesenfeld's score often verges on the mawkish. Overall this set is a must for anyone remotely interested in film as a living medium.--Richard Whitehouse

• Vixen | DVD | (28/03/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Is she woman ... or animal? Vixen (Erica Gavin) and her bush pilot husband Tom (Garth Pillsbury) live in the remote Canadian Northwest. A young robust woman Vixen eagerly finds ways to temper her fiery libido while Tom is off picking up passengers in his plane. Also a racist she takes pleasure in ridiculing conscientious objector Niles (Harrison Page) a black American friend of her brother's. When Tom brings Dave (Robert Aiken) and Janet (Vincene Wallace) an attractive young