The first time was only a warning... Since the sudden and highly suspicious death of his parents 12-year-old Damien has been in the charge of his wealthy aunt and uncle (Lee Grant and William Holden). Widely feared to be the Antichrist Damien relentlessly plots to seize control of his uncle's business empire - and the world. Meanwhile anyone attempting to unravel the secrets of Damien's sinister past or fiendish future meets with a swift and cruel demise. In this chilling sequel to The Omen the forces of good and evil battle each other to a taut and terrifying end!
A group of white US city kids aspire to the black hip hop lifestyle, but only encounter conflict.
Temple stars as a young singer who entertains the New York crowds providing the window of opportunity for her pick pocket of a grand father to carry out his work. A rich lady sees the young girl performing - and after discovering her grim existence with her grand father - offers her an opportunity to rise out of lifestyle...
Director Michele Soavi does the impossible by squeezing a few more drops of blood out from the slasher genre. Not only that, Soavi lensed one of the most beautiful and suspenseful horror movies of the 1980s. A genuinely haunting horror where the killer dressed as an owl goes to bloody work with a chainsaw that slices through flesh and bone...
Victorian scientist and philanthropist Sir Hugo Cunningham (Robert Stephens) believes his experiments in photographing the dying at the very moment of their passing have somehow captured images of the victims' souls leaving their bodies. But when he unfortunately records on moving film the accidental death of his son and his fiance he discovers the apparition he has captured on film is moving toward the victims rather than away from them. Sir Hugo theorizes that it must be the m
A daring experiment in unconventional narrative inspired by Arthur C Clarke's short story "The Sentinel", 2001: A Space Odyssey is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. When Stanley Kubrick recruited Clarke to collaborate on "the proverbial intelligent science fiction film", it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience with the result. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanisation by technology, the notorious, seemingly omniscient, computer HAL 9000 has more warmth and personality than the human astronauts it is supposedly serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its post-millennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative and perfect. --Jeff Shannon, Amazon.com
Director William Wyler's suspense classic marks the only time cinema giants Humphrey Bogart and Fredric March worked together. And the result is everything you'd expect: taut terrifying and terrific. Bogart plays an escaped con who has nothing to lose. March is a suburban Everyman who has everything to lose - his family is held hostage by Bogart. As The Desperate Hours tick by the two men square off in a battle of wills and cunning that tightens into an unforgettable fear-drench
This time out Buddy the hoop-shooting hotshot canine tackles a new sport - American football. When his teenage owner reluctantly becomes the school's new quarterback Buddy catches the spirit and joins theiteam. Soon the two find themselves leading the Timberwolves to the state championship. But victory hopes are sidelined when two sinister Russian circus owners take a bite out of everyone's plans and dognap Buddy for their star attraction! Give three cheers for Air Bud full o
All is well at an afternoon barbecue until one of the guests decides to seduce the hosts wife and kill the next door neighbour (for being miserable). Things go from bad to worse as the friends plot against each other to cover up their part of the crime and keep hidden their own skeletons that are rapidly being discovered.
Made in Munich while Bergman was in self-imposed exile from Sweden, From the Life of the Marionettes is not so much a "whodunit" as a "whydunnit". The film opens with the shockingly violent and senseless murder of a prostitute by Peter, a young, successful businessman. Through a series of non-chronological flashbacks to a time before the crime, we attempt to fathom just what impelled Peter to perpetrate this terrible murder. Along with wife Katarina, the character Peter also featured in Bergman's 1973 film Scenes from a Marriage. Here, as there, we see that they are wedded in the sense of being emotionally chained to each other, yet hating each other for their mutual dependency. There is also a perturbing scene in which they both appear to "get off" when he takes a knife to her throat. His cold and duplicitous psychiatrist glibly ascribes the murder to a repressed homosexuality resulting in a violent outburst, while Katarina's business partner, who is gay, appears to harbour a desire to sabotage the pair's marriage. This film has an airless, fake-lit quality about it, which reflects the conditions of the characters' lives but by the end, leaves you mesmerised and still uncertain as to why what happened has happened. A late but great Bergman work. On the DVD: This edition adequately enhances the stark monochrome in which most of the film is set. Bergman's notes reveal that his depictions of Peter in his psychiatric ward were based on his own behaviour during a recent spell in a similar institution following his arrest for tax evasion. Philip Strick's critical notes observe that the sparing use of colour at the beginning and end of the film signify what may have been the only times in Peter's life when he "experienced reality". --David Stubbs
In 1972, before the internet, before the explosion of the adult film industry, Deep Throat was a phenomenon: the first scripted pornographic theatrical feature film, featuring a story, some jokes, and an unknown and unlikely star, Linda Lovelace (Amanda Seyfried; Les Miserables). Escaping a strict religious family, Linda discovered freedom and the high-life when she fell for and married charismatic hustler Chuck Traynor (Peter Sarsgaard; TVs The Killing). As Linda Lovelace she became an international sensation-less centerfold fantasy than a charming girl-next-door with some 'impressive skills'. Fully inhabiting her new identity, Linda became an enthusiastic spokesperson for sexual freedom and uninhibited hedonism. Six years later she presented another, utterly contradictory, narrative to the world-and herself, as the survivor of a far darker story. The all-star cast includes; Emmy Award winner Hank Azaria (The Simpsons), BAFTA winner Juno Temple (The Dark Night Rises), Adam Brody (Seeking a Friend for the End of the World), Academy Award nominee James Franco (127 Hours), Golden Globe nominee Chris Noth (Sex and The City), Emmy Winner Bobby Cannavale (TVs Nurse Jackie), Wes Bentley (The Hunger Games), Robert Patrick (Gangster Squad), Debi Mazar (Collateral), Eric Roberts (The Expendables, The Dark Night), Academy Award nominee Sharon Stone (Casino, Basic Instinct), and Academy Award nominee Chloe Sevigny (Boys Don't Cry).
The script for Fast Times at Ridgemont High is based on filmmaker Cameron (Jerry Maguire, Almost Famous) Crowe's time as a reporter for Rolling Stone. He was so youthful looking that he was able to go undercover for a year at a California high school and write a book about it. The film launched the careers of several young actors, including Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates and, above all, Sean Penn. The story line is episodic, dealing with the lives of iconic teen types: one of the school's cool kids, a nerd, a teen queen and, most enjoyably, the class stoner (Penn), who finds himself at odds with a strict history teacher (a wonderfully spiky Ray Walston). This is not a great film but very entertaining and, for a certain age group, a seminal film experience.--Marshall Fine, Amazon.com On the DVD: Amy (Clueless) Heckerling and Cameron Crowe's commentary is revealing and indicative of a time where nudity on celluloid was shocking rather than the norm as they talk about the issues which contributed to the film's original X-rating, as well as all the actors who originally auditioned for the roles. The transfer quality is high with little grain, and although the soundtrack is in mono rather than Dolby 5.1 it is not detrimental to the film. There's a retrospective documentary called "Reliving Our Fast Times at Ridgemont High" featuring new interviews with most of the cast and crew, plus a highly original feature about the locations used in the film, how they looked in 1982 and how they look now. For fact buffs there's the usual mix of biographies, theatrical trailer and production notes.--Kristen Bowditch
It's No Picnic! Brace yourself for mutant mayhem and pestilent payback in this scary (Los Angeles Times) and repulsively convincing (The Hollywood Reporter) creature feature about good bugs gone BAD! Starring queen of mean Joan Collins this incredible insect extravaganza is swarming with flesh-crawling chills hair-raising thrills and spine-tingling terror...with a venge-ANTS! A heavenly paradise becomes a hellish nightmare when a toxic spill turns harmless ants into rampaging radioactive reprobates! Stumbling into their creepy lair a sleazy land developer (Collins) and her clients are horrified to realize that the ants are having a picnic...and humans are on the menu! Fleeing for their lives - only to be squashed underfoot - they soon discover that these bad-boy bugs are hell-bent on exterminating mankind and building an evil empire where humans check in...but they can't check out!
VIPCO proudly presents Tobe Hooper's much-villified follow up to his wildly successful 'Texas Chainsaw Massacre'. 'Death Trap' tells the story of a deranged madman who uses the guests of his rundown hotel not only to be victims for his demented thirst for blood but also as food for the crocodile he keeps under the hotel... Whilst 'Texas Chaisaw Massacre' was almost gore free and relied on music atmosphere etc. 'Death Trap' goes straight for the jugular and delivers the goods
'Taggart' is the longest running police drama on TV. Thanks to its explosive storylines and tough-talking Glasgow detective Jim Taggart (Mark McManus) it has become a national institution with these next six feature length editions averaging nearly thirteen million viewers. Set Comprises: Evil Eye: A gypsy is found murdered in her caravan and Taggart and Jardine suspect a connection with a London jewel raid in which a young policeman was murdered. Rogues' Gallery: A body is found in a car that has just been put through a car crusher: Taggart and Jardine investigate a case that seems to link the world of drug pushers with the world of art and artists. Violent Delights: A sixth former Philip Dempster has a crush on his French Teacher the beautiful Francoise Campbell. When spying on her through his telescope he sees what looks like a murder take place in her bedroom. Taggart investigates the death of a young undertaker in a blazing car. Fatal Inheritance: When the verdict of ""Not Proven"" is returned in a murder trial Taggart decides to stay at the scene of the crime - a fashionable health farm. When another murder occurs there Taggart gets involved though officially he is not on the case. Death Benefits: Julia Fraser wife of a police sergeant is brutally murdered whilst he is on duty. During a search of their house a list of names is found. It appears that the people on the list are rapidly meeting with a series of accidents - and yet there is no connection between them except that they are on the list. Taggart is facing a race against time to find the connection. Gingerbread: The murder of his father sets Simon Barrow on a journey which moves from fairy-tale to nightmare. Taggart Jardine and Reid discover the bitter behind the sweet.
On a small island off the California coast it's July 4th and tourists are washing up dead in Babylon Bay... Aquanoids is a sea creature horror film that delivers a healthy dose of horror combined with a sexy star breathtaking scenery extensive underwater photography state of the art creature effects and a fast paced story with enough action to make anyone have to come up for air....
Two high school girls wake up one morning to find that a comet has wiped out most of the human race leaving them to do battle with hordes of mutant zombies.
A documentary examining the last truly 'Golden Age' of Hollywood film production the 1970s in which arthouse successes such as 'The Godfather' and 'French Connection' became bona fide blockbusters at the box office in the days before multimedia conglomerations and pre-release test scores...
Boxing drama following the lives of 5 different fighters and their reasons for becoming boxers.
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