Soon after Eric meets gorgeous Stephanie he discovers she and her uncle are being forced out of their store by unscrupulous property developers. Martial arts devotee Eric and his high-kicking friend Brad prepare to take on the bad guys.
Its easy to forget that before fronting the British war effort through most of World War II, Winston Churchill had spent the previous decade isolated in Parliament and in internal opposition to the Conservative party. Winston Churchill: The Wilderness Years dramatises this period in which the growing menace of Nazism in Germany was met with indifference, even fear by governments of the day who were more concerned with their survival than in serving those who had elected them. Churchill is perceptively played by Robert Hardy, confirming the image without falling into caricature. Visionary and obstinate by turns, he galvanises his supporters and enrages his enemies with a passion borne of conviction. A seasoned British cast includes Peter Barkworth as the amiable but ineffectual Stanley Baldwin, Eric Porter as the truly "out of time" Neville Chamberlain, Edward Woodward as the scheming Samuel Hoare and Nigel Havers as the tragically flawed Randolph Churchill. Martin Gilbert has done a persuasive job transforming his novel into a TV script, the scenes in the House of Commons having a gritty reality that makes compulsive viewing. On the DVD: its a pity that the Southern Pictures production, first screened in 1981, has emerged so dimly in this incarnation. Has the master tape eroded so badly, or was it simply not available? However, its worth putting up with the technical defects to enjoy this historically informed and grippingly dramatic serial. --Richard Whitehouse
Theres little doubt that much of what we now take for granted about cinema owes much to the vision of director D W Griffith. Monumental Epics collects five of his most influential silent masterpieces. The Birth of a Nation (1915) is also the birth of the epic film. Made to commemorate the 50th anniversary of the end of the American Civil War this provocative film unflinchingly shows the humiliation of Southern culture, the "heroism" of the Ku Klux Klan, and links the Union and Confederacy by a common Aryan birthright. All of which has to be viewed in its period context if it is to be viewed at all. Intolerance (1916) is film-making of epic complexity. Human intolerance is related through a modern tale of wrongful conviction, intercut by three stories from Babylonian, Judean, and French history to point up the issue through the ages. The intricacy of the intercutting is breathtaking even now, but those as confused as the first audiences evidently were can opt to see each story separately. Sensitively tinted, this is Griffith's finest three hours. Broken Blossoms (1919) has Griffith venturing into domestic melodrama. Although there's a clear moral to be drawn from this tale of compassion in the face of ignorance and brutality, neither the over-acting of Lillian Gish and Donald Crisp, nor the vein of sentimentality that creeps into their characters' relationship allow the viewer to forget the period-piece nature of the film. Here an appropriately expressive musical score helps keep viewing at an attentive level. Way Down East (1920) shows Griffith moving from the epic to the personal, though still on a large scale. The combining of old-style melodrama with latter-day female emancipation is tellingly brought off, and Lillian Gish excels as the country girl used and abused by male society, until "rescued" by a farmer of true moral scruples. Unconvinced? Then go straight to the climactic snowstorm and ice floe sequences--Eisenstein et al are inconceivable without this as trailblazer. Abraham Lincoln (1930) marked Griffith's entry into the talkie era. Tautly directed, it offers a historically accurate account of the 16th US President's rise to power and his visionary outlook on American society. Civil War scenes are implied rather than enacted, and its Walter Huston's robust yet understated acting that carries the day, with sterling support from Una Merkel as Ann Rutledge and Hobart Bosworth as General Lee. On the DVD: Stylishly packaged, restoration and digital remastering has been carried out to Eureka's usual high standard, and the 4:3 aspect ratio has commendable clarity. Birth of a Nation has Joseph Carl Breil's original orchestral score and a pithy "making of" film by Russell Merritt. Intolerance contains a useful rolling commentary and a great wurlitzer soundtrack too. Way Down East includes a commentary. Abraham Lincoln also has a commentary, though Hugo Riesenfeld's score often verges on the mawkish. Overall this set is a must for anyone remotely interested in film as a living medium.--Richard Whitehouse
When Jan Scruggs returns from the Vietnam War he feels alienated from the world he left only two short years ago. Jan only feels comfortable when he is in the company of someone with whom he shares a common bond - another Vietnam veteran. Jan forms an idea to heal the wounds of a nation split apart by war and at a veterans' meeting he suggests a memorial to those who fought in vietnam. Jan's idea is met with angry disapproval and so he takes on the memorial as his personal goal determined to honour those who served.
Based freely on the classic novels by C. Forester, Hornblower is a series of TV films following the progress of a young officer through the ranks of the British navy during the Napoleonic Wars. The series greatest asset is the handsome and charismatic Ioan Gruffudd in the lead role, surely a major star in the making. For television films the production values are very good, though as Titanic, Waterworld and The Perfect Storm demonstrated, filming an aquatic adventure is a very expensive business, and it is clear that the Hornblower dramas simply make the best of comparatively small budgets. No more faithful to Forester's books than the 1951 Gregory Peck classic Captain Horatio Hornblower, the real inspiration seems to have come from the success of Sharpe, starring Sean Bean, which likewise featured a British hero in the Napoleonic Wars. Nevertheless, while rather more easy going than the real British navy of the time, the Hornblower saga delivers an entertaining adventure, greatly enhanced by the presence of such guest stars as Denis Lawson, Cheri Lunghi, Ronald Pickup and Anthony Sher.--Gary S Dalkin
Murder, and its tale-telling aftermath, is the compelling subject of CSI: Crime Scene Investigation. Since its inauguration in late 2000 CSI has been a ratings triumph, spawned two spinoffs (CSI: Miami and CSI: New York and positioning itself for long-term success. Creator Anthony Zuiker's foolproof formula was established early on, bolstered by a fine ensemble cast and requiring minimal tweaking as the seasons progressed; its Las Vegas-based "criminalists" eventually became "CSIs" steeped in the scientific minutiae of forensic investigation, but the series arrived essentially intact, with an irresistible (and seemingly inexhaustible) supply of corpses and the mysteries that surround them. Influenced by the graphic precedent of movies like Seven and Kiss the Girls, CSI matches morbidity with dispassionate methodology; viewers are so fascinated by the investigative process that they're unfazed by intimate autopsies and internal (i.e., digitally animated) views of traumatized flesh, bone, and sinew. While keeping abreast of cutting-edge technologies, CSI combines the ingenuity (and fallibility) of villains with the appealing humanity of its heroes. CSI director and entomologist Gil Grissom (played by series co-producer William Petersen) is introverted but ethically intense; he's both mentor and moral compass for his night-shift team, including a former stripper-turned-CSI (Marg Helgenberger); a recovering gambler (Gary Dourdan); an eager ace (George Eads) with room for improvement; a workaholic (Jorja Fox) who can't always remain emotionally detached from her cases; and a chief detective (Paul Guilfoyle) who's a necessary link to police procedure. Like The X-Files, CSI supports its characters with feature-film production values, employing a Rashomon structure that turns murder into a progressively accurate study of cause and effect. Script quality is consistently high ("Blood Drops" and "Unfriendly Skies" are exceptional), direction is slick and sophisticated, and the mysteries are complex enough to invite multiple viewings. Despite a regrettable shortage of DVD features, CSI remains addictively worthy of its lofty reputation. --Jeff Shannon
Its easy to forget that before fronting the British war effort through most of World War II, Winston Churchill had spent the previous decade isolated in Parliament and in internal opposition to the Conservative party. Winston Churchill: The Wilderness Years dramatises this period in which the growing menace of Nazism in Germany was met with indifference, even fear by governments of the day who were more concerned with their survival than in serving those who had elected them. Churchill is perceptively played by Robert Hardy, confirming the image without falling into caricature. Visionary and obstinate by turns, he galvanises his supporters and enrages his enemies with a passion borne of conviction. A seasoned British cast includes Peter Barkworth as the amiable but ineffectual Stanley Baldwin, Eric Porter as the truly "out of time" Neville Chamberlain, Edward Woodward as the scheming Samuel Hoare and Nigel Havers as the tragically flawed Randolph Churchill. Martin Gilbert has done a persuasive job transforming his novel into a TV script, the scenes in the House of Commons having a gritty reality that makes compulsive viewing. On the DVD: its a pity that the Southern Pictures production, first screened in 1981, has emerged so dimly in this incarnation. Has the master tape eroded so badly, or was it simply not available? However, its worth putting up with the technical defects to enjoy this historically informed and grippingly dramatic serial. --Richard Whitehouse
Autobiographical movies rarely get more truthfully moving than Antwone Fisher. The title is also the name of this fine drama's first-time screenwriter, a former Navy seaman who was working as a film-studio security guard when his life-inspired script was developed as Denzel Washington's directorial debut. This Hollywood dream gets better: unbeknown to the filmmakers, Derek Luke--a newcomer who won the title role over a throng of famous contenders--was also a friend of Fisher's, and the whole film seems blessed by this fortunate coincidence. Washington's sharp instincts as an actor serve him well, as both a subtle-handed director and Luke's costar playing Jerome Davenport, a Navy psychologist assigned to assess Fisher's chronic violent temper. Their therapy sessions prove mutually beneficial, as this touching true story addresses painful memories, broken desires, and heartfelt reunions without resorting to a contrived happy ending. Fisher's good life is worth celebrating, and Washington brings a delicate touch to the party. --Jeff Shannon Originally, Men of Honour was simply called Navy Diver and no doubt all involved held high hopes that it would be an award-winning biopic. Unfortunately, Carl Brashear's life as the first African-American Master Diver went through that vaguely distasteful contemporary Hollywood Marketing makeover and the result is not quite so worthy of its subject and intentions. The film's hopelessly clichéd tagline reads, "History is made by those who break the rules"; the direction is shot through with sunsets 'n' slow-mo; and the script is peppered with foreshadowing dialogue ("don't end up like me, son"). The plot devices follow a predictable arc: family poverty, a swiftly sweet romance, a shock accident, court hearing and, naturally, a grisly antagonist. It's with the last of these that the movie comes to life. We may have seen DeNiro spit nails countless times before, but his saltily intractable Master Chief is a terrific screen creation. Next to him, Cuba Gooding Jr really does shine as the endlessly persecuted Brashear. All-too brief cameos from Charlise Theron and Michael Rapaport lend sparkle too. But the film's message about how social attitudes toward race have changed is lost in a murky haze of Hollywoodisation. As one character declares, "some things just don't mix". --Paul Tonks
When beloved mentor Judge Pettitt (Richard Farnsworth) is murdered lawyer Sandy Albright (O'Neill) is faced with the agonising task of having to defend his alleged killer. But even before the suspect a migrant worker who may or may not be guilty can be brought to trial Sandy finds herself in a life or death battle with a vigilante posse and a corrupt police deputy who will stop at nothing including cold-blooded murder to ensure that neither she nor her client survive to see their
Richard Gere stars as Navy recruit Zack Mayo while the stunning Debra Winger is his love interest. Lou Gossett Jnr. won an Academy Award for his brilliant portrayal of a tough drill instructor. David Keith plays Zack''s struggling fellow candidate. Zack Mayo is a young loner with a bad attitude. Tempted by the glamour and admiration of the life of a Navy pilot he decides to sign up for Officer Candidate School. After thirteen tortuous weeks under Gunnery Sergeant Emil Foley (Gossett Jnr.) he slowly begins to learn the importance of discipline love and friendship. Foley warns Zack about the local girls who will do anything to catch themselves a pilot for a husband but despite this Zack finds himself falling in love with Paula (Winger).
An all-action tale in which a modern-day bounty hunter becomes involved in an unusual murder mystery where the laughs fly faster than the bullets.
This 4 Disc box set encompasses the complete Series 1 2 3 & 4 of the award-winning comedy The Peep Show following the inner lives of two very ordinary weirdoes; wannabe popstar Jeremy (Robert Webb) and Mark (David Mitchell) a 50 year old in a twentysomething body.
Two insurance investigators are attempting to uncover truth behind the death of a colleague but their routine inquiry turns deadly when they are led to some dark truths about the company for which they work and the very people they consider as their friends...
Former Gulf War hero Rowdy Welles (Davi) is framed for murder by unscrupulous CIA boss Dick Althorp (Gazzara). As the price of his freedom Welles is ordered to undertake a deadly mission to destroy a nuclear processing plant in a foreign nation owned by dangerous tyrant Lothar Krasna (Godunov)...
Can Miyuki and Natsume save both themselves and Tokyo? The fastest and wildest policewomen in Japan are up against their greatest challenge ever!
Men Of Honour: One of those rare films that grabs you by the gut and never lets go 'Men Of Honour' was inspired by the life of Carl Brashear (Cuba Gooding Jr.) an African American who dared to dream of becoming a U.S. Navy Master Diver. Despite a bigoted training officer (Robert De Niro) and a tragic shipboard accident Carl never gives up and achieves the impossible in an incredible finish that will leave you cheering. Tigerland: Roland Bozz after being conscripted into the US army joins a platoon of other young soldiers preparing to fight in Vietnam. He has no interest in fighting for his country and tries to get sent home as a trouble maker but his superiors mistake his defiance as intelligence and he soon gets a chance to try his hand at leadership... The Thin Red Line: A powerful front line cast including Sean Penn Nick Nolte Woody Harrelson and George Clooney explodes into action in this hauntingly realistic view of military and moral chaos in the Pacific during World War II. Nominated for seven Academy Awards including Best Picture and Best Director (Terrence Malick) The Thin Red Line is an unparalleled cinematic masterpiece.
A compilation of ragtime / blues featuring archive performances....
It's easy to forget that, though fronting the British war effort through most of World War Two, Winston Churchill had spent the previous decade isolated in Parliament and in an internal opposition to the Conservative party. Winston Churchill: The Wilderness Years dramatises this period, in which the growing menace of Nazism in Germany was met with indifference, even fear by governments of the day who were more concerned with their survival than in serving those who had elected them. Churchill is perceptively played by Robert Hardy who confirms the image without falling into caricature. Visionary and obstinate by turns, he galvanises his supporters and enrages his enemies with a passion borne of conviction. A seasoned British cast includes Peter Barkworth as the amiable but ineffectual Stanley Baldwin, Eric Porter as the truly "out of time" Neville Chamberlain, Edward Woodward as the scheming Samuel Hoare, and Nigel Havers as the tragically flawed Randolph Churchill. Martin Gilbert has done a persuasive job transforming his novel into a TV script, the scenes in the House of Commons having a gritty reality that makes compulsive viewing. On the DVD: It's a pity that the Southern Pictures production first screened in 1981 has emerged so dimly in this incarnation. Has the master tape eroded so badly, or was it simply not available? However, it's worth putting up with the technical defects to enjoy this historically informed and grippingly dramatic serial. --Richard Whitehouse
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