C.S.I. is an acclaimed edgy fast-paced drama series about a passionate team of forensic investigators (among them William Petersen and Marg Helgenberger) who work the graveyard shift at the Las Vegas Criminalistics Bureau. Their job - to find the missing pieces at the scene that will help to solve the crime and vindicate those who often cannot speak for themselves - the victims. Between the hidden clues and the buried motives lies the trail to the truth because people lie... but t
Mel Gibson and Robert Downey Jr. are two renegade pilots ensnared in the madness of covert operations over Laos during the Vietnam conflict. They lead the crew of Air America a not-so-secret airline that drops everything from live pigs to opium over villages throughout the Vietnam countryside. Join Mel Robert and the crazy crew of wartime flyers in the funniest action-comedy since 'Lethal Weapon 2' and 'Good Morning Vietnam'!
The second half of CSI's first year takes Grissom and his untiring team down some darker paths than before. Nick finally gives in to his urges and sleeps with the hooker who has a crush on him in "Boom"--with predictably disastrous consequences. Sarah is badly affected by the rape and attempted murder of an unknown woman in "Too Tough to Die"; and even Grissom is shaken when dealing with the sudden death of an infant in "Gentle, Gentle". The final episode of the year, "Strip Strangler", is a real shocker, as the team track a brutal serial killer. Elsewhere, the morbid business of investigating corpses and crime scenes is enlivened with flashes of welcome humour: when a horse is found dead with packets of uncut diamonds concealed in its uterus, Grissom deadpans "This horse is a mule". Throughout, the show remains focused on its scientific remit, only revealing enough of the characters' private lives to provide added piquancy to each investigation: Sarah's complete lack of a life outside her work; Warrick's old gambling habit; Catherine's attachment to her daughter and troubles with ex-husband Eddie; Nick's over-eagerness to please. Grissom, meanwhile, like the Dalai Lama, is the model of inscrutable wisdom. The show itself, like a millennial antidote to a decade of X-Files, is relentlessly empirical: everything that initially seems mysterious--from spontaneous human combustion to an apparent case of vampirism--is always explicable and explained by the team's scientific dedication. On the DVD: CSI, Series 1 Part 2 contains 11 episodes on three discs. Extra features consist of a brief promo featurette, production notes and a series of on-set interviews with the cast. Oddly for such a cutting-edge show, picture is old-fashioned 4:3 with basic Dolby stereo sound. --Mark Walker
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
It's all here. All the cases. All the evidence. All the solutions. All 23 episodes of the Golden Globe nominated first season of CSI. Now available in this special edition DVD set. Episodes comprise: 1. Pilot 2. Cool Change 3. Crate 'n Burial 4. Pledging Mr. Johnson 5. Friends & Lovers 6. Who Are You? 7. Blood Drops 8. Anonymous 9. Unfriendly Skies 10. Sex Lies and Larvae 11. I-15 Murders 12. Fahrenheit 932 13. Boom 14. To Halve And To Hold 15. Table Stakes 16.
These first 12 episodes from the second series of CSI: Crime Scene Investigation consolidate the show's well-deserved popular appeal, while beginning to explore (gently at first) beneath the slickly professional surface of the investigators themselves. Gradually we learn more about what makes Grissom and his astonishingly gifted forensics team tick, beyond merely that they're workaholics who seem to require no sleep at all. The show's trademark reveals of vital evidence--be it on the autopsy slab or under the microscope--add a fresh spin to what is, at heart, a good old-fashioned whodunit series. William Petersen brings the requisite air of antiquarianism to a character whose meticulous demeanour and love of order consciously inherits the mantle of Sherlock Holmes (whose vast collection of tobacco samples and bottles of chemicals are the ancestors of CSI's high-tech crime lab). This is a series in which scientific evidence-gathering is elevated to the status of a religion. "When a tree falls in the forest, even if no one is around to hear, it does make a sound", affirms Grissom with the calm assurance of a yogi on the path to Enlightenment. And just when CSI starts to seem a little too pat, just when the trail of clues seems too neat, the show always seems able to throw a surprise or two at us: perhaps there has been no crime after all; perhaps the evidence concerns a completely different crime altogether; or perhaps, as in one brave episode concerning brothers implicated in multiple murders, the evidence simply isn't good enough to convict the right man, even when Grissom knows which one really is guilty. As a result, every episode is simply compulsive viewing. On the DVD: CSI: Crime Scene Investigation, Series 2 Part 1 comes in a three-disc set with several worthwhile extras. There are cast and crew interviews, an on-set tour, a peek at the workshop where all the bloody body parts are created, and, most informative, selected episode commentaries featuring writer-creator Anthony E Zuiker and director and producer Danny Cannnon among others. Picture and Dolby Digital sound are impeccable. --Mark Walker
Sid the Sexist: Sidney Smutt is a smooth talking sex machine a lady killing hard man who can drink anyone under the table... or so he thinks. Meet Sid Baz Bob and Joe on their adventures as they paint Newcastle red and jet off to sunny Spain in search of love excitement and a truly satisfying takeaway. Oh Lordy! It's The Fat Slags - 3 Saucy Adventures: Here it is. Raunchier than a Swedish rabbit and bluer than a baboon's arse. The two and only Fat Slags burst on
Mace is a street wise ex-cop who now tracks down criminals that have jumped bail. The mayor hires him to locate and shadow the person who murdered his daughter. Mace enlists the help of Sarah a hooker and Mitch the man who was unlucky enough to have been Donna's last date and now the prime suspect in her murder. When they get close to discovering the identity of the killer they find themselves hunted by the police.
C.S.I. is an acclaimed edgy fast-paced drama series about a passionate team of forensic investigators (among them William Petersen and Marg Helgenberger) who work the graveyard shift at the Las Vegas Criminalistics Bureau. Their job - to find the missing pieces at the scene that will help to solve the crime and vindicate those who often cannot speak for themselves - the victims. Between the hidden clues and the buried motives lies the trail to the truth because peopl
Exclusively available at Amazon.co.uk, this box set contains the complete second series of CSI: Crime Scene Investigation. The second series consolidates the show's well-deserved popular appeal, while beginning to explore (gently at first) beneath the slickly professional surface of the investigators themselves. Gradually we learn more about what makes Grissom and his astonishingly gifted forensics team tick, beyond merely that they are workaholics who seem to require no sleep at all. The show's trademark reveals of vital evidence--be it on the autopsy slab or under the microscope--add a fresh spin to what is, at heart, a good old-fashioned whodunit series. And just when CSI starts to seem a little too pat, just when the trail of clues seems too neat, the show always seems able to throw a surprise or two at us: perhaps there has been no crime after all; perhaps the evidence concerns a completely different crime altogether; or perhaps, as in one brave episode concerning brothers implicated in multiple murders, the evidence simply isn't good enough to convict the right man, even when Grissom knows which one really is guilty. Thanks to its focus on more single-case episodes, the latter episodes provide an even more highly concentrated dose of forensic puzzle-solving. With the whole team working together on one puzzle crime (or series of crime puzzles), the group dynamic is elaborated and the audience drawn deeper into each investigation. "Identity Crisis" sees the return of Grissom's nemesis, serial killer Paul Millander; in "The Finger", Catherine is caught up in an elaborate kidnap plot; in "Burden of Proof", a stray body in a "body farm" leads to a difficult case of child abuse; while "Chasing the Bus" brings the team together to unravel the mystery of a bus crash in the desert. "Stalker" is possibly the show's most terrifying episode to date, with a woman found murdered behind the safely locked doors of her apartment. The season concludes with "Cross Jurisdictions", a rather unsubtle way of introducing the spin-off show CSI: Miami and, finally, "The Hunger Artist", a somewhat strained attempt to comment on our society's obsession with glamour and self-image. --Mark Walker
A plane plummets from the sky above the jungles of Mexico crashing into the dense dangerous undergrowth. In the wreckage four medics lie seriously wounded - some near death. Amidst this hell-on-earth they have one hope: a group of nurses with little medical experience working at a remote clinic for the poverty-stricken local people. Only the nurses' compassion and dedication can defeat the odds and save the lives of the four distinguished doctors. But deep in the jungle with their medical supplies plundered by bandits and a violent drugs war raging round them the odds against success in this life-or-death mission seem overwhelming...
Mona Lisa Smile: Set in 1953 Katherine Watson (Roberts) is a free-spirited graduate of UC Berkeley who accepts a teaching post at Wellesley College a women-only school where the students are torn between the repressive mores of the time and their longing for intellectual freedom. A League Of Their Own: Tom Hanks Geena Davis and Madonna star in this major-league comedy from the team that brought you Big. Hanks stars as Jimmy Dugan a washed-up ball player whose big league days are over. Hired to coach in the All-American Girls League of 1943 - while the male pros are at war - Dugan finds himself drawn back into the game by the heart and heroics of his all-girl team. Jon Lovitz adds a scene stealing cameo as the sarcastic scout who recruits Dottie Hanson (Davis) the baseball dolly with a Babe Ruth swing. Teammates Madonna Lori Petty and Rosie O'Donnell round out the roster taking the team to the World Series. Based on the true story of the pioneering women who blazed the trail for generations of athletes. Maid In Manhattan: Marisa Ventura is a single mother born and bred in the boroughs of New York City. She works as a maid in a first-class Manhattan hotel. By a twist of fate and mistaken identity Marisa meets Christopher Marshall a handsome heir to a political dynasty who believes that she is a guest at the hotel. Fate steps in and throws the unlikely pair together for one night. When Marisa's true identity is revealed the two find that they are worlds apart even though the distance separating them is just a subway ride between Manhattan and the Bronx.
Truck driver Lincoln Hawks (Sylvester Stallone) loves his son, but when his wealthy father-in-law attempts to gain custody he finds that he has no money to pay the court fees. The solution: he uses his God-given talent and enters the world of professional arm-wrestling, winning contest after contest until he arrives at the Las Vegas final. With Robert Loggia, Susan Blakely, and a soundtrack by 1980s synthesizer wizard Giorgio Moroder; co-written by Stallone and Stirling Silliphant ('Shaft in ...
Now firmly established as one of the top-rated television dramas, by its third year CSI: Crime Scene Investigation is a show positively glowing with confidence. Even when individual cases seem either too contrived or too easily resolved, the indefatigable night shift at the Las Vegas PD crime lab always look the part, solving conundrums and discovering microscopic damning evidence while, apparently, never shedding their own loose hair or skin cells all over the supposedly quarantined crime scenes. In reality, Catherine Willows' flowing blonde locks would contaminate any evidence she collected, but in the world of CSI only the bad guys leave body parts behind--the CSIs themselves are so good they're positively pristine. The 23 episodes of season 3 on this five-disc set present more deliciously bizarre situations for the problem-solving sleuths: cannibalism, snuff movies, dwarfs, death while drag racing, bodies falling from the sky, and various dismemberments all tax the team's acumen. These are all double or multiple-case episodes, though in a characteristic trick of the writing sometimes apparently unrelated murders turn out to be connected (or vice versa, as in "Blood Lust," in which a road-accident victim is not what he seems, and the death of the driver at the hands of an angry mob is made all the more tragic). The mix of genuine forensic science with the glossiest Jerry Bruckheimer production values, plus the virtues of a good ensemble cast headed by William Peterson's modern-day Sherlock Holmes, remains as compelling as ever. --Mark Walker
Murder, and its tale-telling aftermath, is the compelling subject of CSI: Crime Scene Investigation. Since its inauguration in late 2000 CSI has been a ratings triumph, spawned two spinoffs (CSI: Miami and CSI: New York and positioning itself for long-term success. Creator Anthony Zuiker's foolproof formula was established early on, bolstered by a fine ensemble cast and requiring minimal tweaking as the seasons progressed; its Las Vegas-based "criminalists" eventually became "CSIs" steeped in the scientific minutiae of forensic investigation, but the series arrived essentially intact, with an irresistible (and seemingly inexhaustible) supply of corpses and the mysteries that surround them. Influenced by the graphic precedent of movies like Seven and Kiss the Girls, CSI matches morbidity with dispassionate methodology; viewers are so fascinated by the investigative process that they're unfazed by intimate autopsies and internal (i.e., digitally animated) views of traumatized flesh, bone, and sinew. While keeping abreast of cutting-edge technologies, CSI combines the ingenuity (and fallibility) of villains with the appealing humanity of its heroes. CSI director and entomologist Gil Grissom (played by series co-producer William Petersen) is introverted but ethically intense; he's both mentor and moral compass for his night-shift team, including a former stripper-turned-CSI (Marg Helgenberger); a recovering gambler (Gary Dourdan); an eager ace (George Eads) with room for improvement; a workaholic (Jorja Fox) who can't always remain emotionally detached from her cases; and a chief detective (Paul Guilfoyle) who's a necessary link to police procedure. Like The X-Files, CSI supports its characters with feature-film production values, employing a Rashomon structure that turns murder into a progressively accurate study of cause and effect. Script quality is consistently high ("Blood Drops" and "Unfriendly Skies" are exceptional), direction is slick and sophisticated, and the mysteries are complex enough to invite multiple viewings. Despite a regrettable shortage of DVD features, CSI remains addictively worthy of its lofty reputation. --Jeff Shannon
An all-action tale in which a modern-day bounty hunter becomes involved in an unusual murder mystery where the laughs fly faster than the bullets.
The history of the United States at war in the 20th century. Disc 1: World War 1 World War 2 1939-1943 Disc 2: World War 2 1943-1945 The Korean War Disc 3: The Vietnam War Operation Desert Storm
Recorded live at the Jazz Open in Stuttgart in 1994, ESP 2: A Tribute to Miles features former members of Miles Davis bands reunited for the second time since his death in 1991. Over the course of his career, Davis led bands that included, among others, John Coltrane, Joe Zawinul, Herbie Hancock, Wayne Shorter, Keith Jarrett and Bill Evans. While the players here are frighteningly proficient, none of them are quite of that calibre and their dress sense certainly doesn't measure up to their forbears: ESP 2 are a mess of ballooning trousers and garishly mismatched shirts. It falls to saxophonist David McMurray to take the lead. Respectfully, no one replaces Miles Davis on the horn, though his familiar, muted trumpet sounds do feature on "Desiree's Desire", replicated hauntingly on sampled keyboards as if broadcast from the hereafter. The "Opening Medley" is the best thing here, recalling the frenetic crosstown fusion fury of Miles early 70s work. Occasionally, ESP 2 are guilty of lapsing into the somnambulant jazz-funk blandness that characterised Miles last work. Still there are fitful moments of beauty here--the sepulchral ambience of "Blue n Green", for example--which distinguish this from a mere session musicians' workout, while "The Man with the Horn" affords an interlude of soulful warmth, courtesy of guest vocalist Carla Cook. Otherwise the band are as self-absorbed and uncommunicative as Davis himself notoriously was. On the DVD: A Tribute to Miles comes to disc with no extra features. The digital 5.1 soundtrack is clear as cut-glass, however, while the video aspect ratio is 4:3. --David Stubbs
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