Bradley Cooper and Robert De Niro star in Limitless, a paranoia-fuelled action thriller that'll blow your mind.
This new comedy from the director of Austin Powers: The Spy Who Shagged Me follows Greg Focker (Ben Stiller) in his doomed attempts to impress his would-be father-in-law Jack Byrnes (Robert De Niro)
"What Just Happened" is a sharp comedy about two nail-biting, back-stabbing, roller-coaster weeks in the world of a middle-aged Hollywood producer (Robert De Niro).
Robert De Niro and Billy Crystal return in this comedy sequel as a gangland boss and his put upon psychiatrist.
A low-level mafioso battles with his guilty conscience as he tries to save his misfit friend from the same world of crime that he was born into. Product Features Dual format edition including both UHD and Blu-ray with main feature and bonus features on both discs New 4K restoration supervised and approved by Director Martin Scorsese and Collaborator Thelma Schoonmaker UHD presented in Dolby Vision HDR Restored original mono audio New audio commentary by Demetrios Matheou (author of BFI Classics Mean Streets) and David Thompson (Co-Editor of Scorsese on Scorsese) Scene specific audio commentary with Martin Scorsese and Actor Amy Robinson Keep Moving Forward: a new interview with Producer Jonathan T Taplin Saints and Sinners: Dr Catherine Wheatley on Mean Streets 2011 Film at Lincoln Center screening introduction, interview and Q&A with Martin Scorsese Mardik: Baghdad to Hollywood feature-length documentary Archive featurette: Back on the Block Archive featurette: Home Movies Trailer Limited Edition Contents Rigid slipcase with original artwork 178-page book with new essays by Mark Asch, Daniel Bird, Charles Bramesco, Lillian Crawford, Extract from Scorsese on Scorsese, Elena Lazic, Manuela LaziÄ and Christina Newland 8 collectors' art cards
Robert De Niro stars as an American intelligence operative adrift in irrelevance since the end of the Cold War--much like a masterless samurai, a.k.a. "ronin." With his services for sale, he joins a renegade, international team of fellow covert warriors with nothing but time on their hands. Their mission, as defined by the woman who hires them (Natascha McElhone), is to get hold of a particular suitcase that is equally coveted by the Russian mafia and Irish terrorists. As the scheme gets underway, De Niro's lone wolf strikes up a rare friendship with his French counterpart (Jean Reno), gets into a more-or-less romantic frame of mind with McElhone, and asserts his experience on the planning and execution of the job--going so far as to publicly humiliate one team member (Sean Bean) who is clearly out of his league. The story is largely unremarkable--there's an obligatory twist midway through that changes the nature of the team's business--but legendary filmmaker John Frankenheimer (Seconds, The Manchurian Candidate) leaps at the material, bringing to it an honest tension and seasoned, breathtaking skill with precision-action direction. The centerpiece of the movie is an honest-to-God car chase that is the real thing: not the how-can-we-top-the-last-stunt cartoon nonsense of Richard Donner (Lethal Weapon), but a pulse-quickening, kinetic dance of superb montage and timing. In a sense, Ronin is almost Frankenheimer's self-quoting version of a John Frankenheimer film. There isn't anything here he hasn't done before, but it's sure great to see it all again. --Tom Keogh
In lesser hands than director David O. Russell, Silver Linings Playbook could have been a typically cringe-inducing throwaway Hollywood rom-com. As it is, this unusual and deeply affecting story of crazy love is a bold observation about the joys and tragedy of life lived by deeply flawed characters facing triumph and adversity against a backdrop of painfully familiar family dysfunction. It's also a tremendous achievement in formal structure, with a flair for storytelling that's as moving as it is delightful. Bradley Cooper plays Pat, an until-recently undiagnosed bipolar person who's just home from a lengthy stay in a mental institution and doing his darnedest to get his head and his life back on track. His concerned parents, vividly embodied by Robert De Niro and Jacki Weaver, have plenty of troubles of their own when they warily take him in and tiptoe around the eggshells of a psyche that still veers wildly from seeming self-control to scary bouts of mania. Pat has a plan to win back the unfaithful wife whose restraining order is still in force because of the violent episode that sent him away after he nearly killed her lover. Interjected into this wobbly family scenario is Tiffany, a friend of a friend who is embroiled in her own turmoil of mental instability following the recent death of her husband. Jennifer Lawrence is a charming revelation as Tiffany, flexing sensitive acting muscles that are as toned as her lithe form. She throws herself into the role of a depressed, promiscuous young woman who needs Pat in her life about as much as she needs another personal tornado to rip her apart. But the movie magically reveals that these two disturbed souls have a destiny that's never really in doubt; although the whirlwind turns the movie takes to get them there are often breathtaking. Russell liberally adapted the movie from Matthew Quick's 2008 novel, and he deftly imbues the story with a vibrant sense of place (suburban, blue-collar Philadelphia) and each character, no matter how tangential to Pat and Tiffany's journey, with quirks and nuances that brilliantly reveal their essence. The subject of mental illness has rarely been portrayed with such honesty and candid respect. Constantly keeping us off guard, Silver Linings Playbook soars from darkness to a kind of screwball comedy that is as tender and touching as it is unpredictable. There are several tour-de-force moments that Russell constructs with the surest hand of direction, dialogue, and the talents of his cast. A key scene unfolds in a small living room where eight people are crammed together, each adding important pieces to the whole, and which thrums with a masterfully rhythmic pace. Another sequence follows the buildup to one of Pat's manic outbursts with a dizzying and increasingly stressful manifestation of the madness careening around in his head. It seems hard to believe that a love story with real humour, real pain, and genuine resonance that gets from point A to point B--it begins with a lone figure mumbling to himself and ends with a jubilantly staged ballroom dance--can succeed with so few missteps. But Silver Linings Playbook turns it all into an absorbing reality wherein life stumbles heartwarmingly toward what real love is all about. --Ted Fry
Robert De Niro gets top billing, but young Leonardo DiCaprio is the revelation of This Boy's Life, an astute, often painful drama of growing up in the 1950s Pacific Northwest, based on the autobiographical novel by Tobias Wolff. DiCaprio plays Tobias, a good kid with a bad boy streak but an unwavering love for his divorced mother (Ellen Barkin). "I want to be a better boy", he promises from under a greasy pompadour, and tries to prove it when she marries single father Dwight (DeNiro), a bully who parents through intimidation and humiliation. A pre-Titanic DiCaprio is magnetic in his first starring role, full of anger, hope and confusion as he drifts back to juvenile delinquency and his intensity gives the true story of survival and triumph its charge. DeNiro is frightening and pathetic as Dwight, and Dwight's youngest daughter is played by future star and vampire slayer Eliza Dushku. --Sean Axmaker
JOY is the wild story of a family across four generations centered on the girl who becomes the woman who founds a business dynasty and becomes a matriarch in her own right. Betrayal, treachery, the loss of innocence and the scars of love, pave the road in this intense emotional and human comedy about becoming a true boss of family and enterprise facing a world of unforgiving commerce. Allies become adversaries and adversaries become allies, both inside and outside the family, as Joy's inner life and fierce imagination carry her through the storm she faces. Jennifer Lawrence stars, with Robert De Niro, Bradley Cooper, Edgar Ramirez, Isabella Rossellini, Diane Ladd, Virginia Madsen, Elisabeth Röhm and Dascha Polanco. Like David O. Russell's previous films, Joy defies genre to tell a story of family, loyalty, and love.
Sam Bowden has always provided for his family's future. But the past is coming back to haunt them. Master filmmaker Martin Scorsese brings heart - pounding suspense to one of the most acclaimed thrillers of all time. Fourteen years after being imprisoned vicious psychopath Max Cady [Robert De Niro] emerges with a single - minded mission to seek revenge on his attorney Sam Bowden [Nick Nolte]. Cady becomes a terrifying presence as he menancingly circles Bowden's increasingly unstable family. Realising he is legally powerless to protect his beautiful wife [Jessica Lange] and his troubled teenage daughter Danielle [Juliette Lewis] Sam resorts to unorthodox measures which lead to an unforgettable showdown on Cape Fear. Visually stunning images and brilliant performances from a talented cast highlight this roller-coaster ride through relentless psychological torment.
Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film", Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political and societal anxiety. Robert De Niro, as the tortured, ex-Marine cab driver Travis Bickle, made movie history with his chilling performance as one of the most memorably intense and vividly realised characters ever committed to film. Bickle is a self-appointed vigilante who views his urban beat as an intolerable cesspool of blighted humanity. He plays guardian angel for a young prostitute (Jodie Foster), but not without violently devastating consequences. This masterpiece, which is not for all tastes, is sure to horrify some viewers, but few could deny the film's lasting power and importance. --Jeff Shannon
This limited edition steelbook includes exclusive collectible character art cards. In a countryside town bordering on a magical land, a young man makes a promise to his beloved that he'll retrieve a fallen star by venturing into the magical realm.
Mean Streets heralded Martin Scorsese's arrival as a new filmmaking force - and marked his first historic teaming with Robert De Niro. It's a story Scorsese lived a semi-autobiographical tale of first-generation sons and daughters in New York's Little Italy. Harvey Keitel plays Charlie working his way up the ranks of a local mob. Amy Robinson is Teresa the girlfriend his family deems unsuitable because of her epilepsy. And in the starmaking role that won Best Supporting Actor Awards from the New York and National Society of Film Critics De Niro is Johnny Boy a small-time gambler in big-time debt to the loan sharks.
Robert DeNiro plays the ageing master thief persuaded to take on one final job by criminal mastermind Marlon Brando and young hotshot Edward Norton.
The critics and public agree. Brian De Palma's The Untouchables is a must-see masterpiece – a glorious, fierce, larger-than-life depiction of the mob warlord who ruled Prohibition-era Chicago... and the law enforcer who vowed to bring him down. This classic confrontation between good and evil stars Kevin Costner as federal agent Eliot Ness, Robert De Niro as gangland kingpin Al Capone and Sean Connery as Malone, the cop who teaches Ness how to beat the mob: shoot fast and shoot first. Special Features: The Script, The Cast Production Stories Reinventing the Genre The Classic Original Featurette: The Men Theatrical Trailer
The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The film is more "rum" than "punch", though, with a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Federal Agent Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows him to heap on black culture and language, something he has a gift and passion for, though the film is not a salute to Grier's blaxploitation films beyond the soundtrack. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The Academy Awards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town. Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
Raging Bull is arguably the finest work produced from the Scorsese and De Niro partnership. De Niro gives an amazing portrayal of real-life boxer, Jake LaMotta, whose animal side lurks just beneath the surface, ever ready to erupt. Vivid and unremitting in its uncompromising brutality and honesty, the fight sequences are famed for their realism. Jake LaMotta is a boxer whose psychological and sexual complexities erupt into violence both in and out of the ring. Joe Pesci and Cathy Moriarty ar...
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