Directed by William Friedkin this cult classic stars William Petersen as Chance the risk-seeking maverick Secret Service agent and Willem Dafoe as the slick and stylish yet truly psychopathic Rick Masters. Chance's partner Jack who is near to retirement is close to completing a case against Rick Masters a ruthless ex-con and expert counterfeiter who has been selling millions worth of almost undetectable fake currency to support his weird fetishes. Unfortunately Jack gets a l
A FEDERAL AGENT IS DEAD. A KILLER IS LOOSE. AND THE CITY OF ANGELS IS ABOUT TO EXPLODE. In the seventies William Friedkin made The French Connection, The Exorcist and Sorcerer. In the eighties he equalled them with To Live and Die in L.A., one of the most stylish thrillers the decade had to offer. When his partner is murdered just days before retirement, Secret Service Agent Richard Chance (William Petersen, Manhunter) begins an obsessive hunt for his killer counterfeiter and all-round psychopath Eric Masters, played by Willem Dafoe at his villainous prime. Beautifully shot by Robby Muller (Repo Man, Paris, Texas) and with a driving score with British new wave act Wang Chung, To Live and Die in L.A. looks and sounds exceptional in this brand-new 4K restoration from the original 35mm negative. SPECIAL EDITION CONTENTS: Brand new 4K restoration from the original 35mm negative supervised and approved by director William Friedkin High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original Uncompressed Mono PCM audio Optional English subtitles for the deaf and hard of hearing Audio commentary by director and co-writer William Friedkin Counterfeit World: The Making of To Live and Die in L.A. archive featurette containing interviews with Friedkin, actors William Petersen and Willem Dafoe, and others Alternative ending Deleted scene Stills gallery Trailers MORE SPECIAL FEATURES TO BE ANNOUNCED! Reversible sleeve featuring original and newly commissioned artwork by the Twins of Evil FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by Anne Billson
Every college in the country wants Johnny. 'Cause when he's good he's very very good. And when he's bad he's better. It's an avalanche of wine women and cash kickbacks when two of the biggest college football factories in the country scramble to get Johnny Walker on their rosters. They'd give anything for an arm like Johnny's. And they're willing to offer anybody to see that they get him. Moving from lusty limousine rides to all-night strip joints Johnny (Anthony Michael Hall The
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