It's not the 1935 Hitchcock classic, but this sturdy 1978 adaptation of John Buchan's The Thirty Nine Steps is still a rollicking good adventure. In keeping with the Boys' Own derring-do of the story (set in Edwardian London and the Scottish Highlands), the movie maintains a brisk pace that's interrupted only for tea or cocktails. Robert Powell is Richard Hannay, the man who unwittingly becomes embroiled in a dastardly Prussian plot to assassinate the Greek Prime Minister. Framed for murder, Hannay must flee to Scotland and attempt to clear his name whilst outwitting the prune-faced Prussian agents. Among all the deftly choreographed action sequences and careful period settings there's a strong vein of humour in the film, and if it wasn't for the numerous murders there would be little reason for PG certification. The grand dénouement comes with the realisation that the predicted time for the assassination is linked to Big Ben; unlike the earlier movie this version climaxes memorably with Powell hanging from the clock's minute hand. It might not be Hitchcock behind the lens, but it's still jolly good fun. --Joan Byrne
""I never knew that love could hurt so much yet I love you and all I want is to love you."" This cry from the heart comes from bachelor Oxford don C.S.Lewis (Hopkins) who discovers exquisite happiness in later life through his marriage to American Joy Davidman (Winger). His beliefs and new found fulfillment are shattered by Joy's struggle against an unexpected and devastating illness. Based on the true-life love story of C.S.Lewis the author of 'The Lion The Witch and the W
Fred Astaire plays a fashion photographer based on real-life cameraman Richard Avedon, in this entertaining musical directed by Stanley Donen (Singin' in the Rain). The story finds Astaire's character turning Audrey Hepburn into a chic Paris model--not a tough premise to buy, especially within this film's air of enchantment and surrounded by a great Gershwin score. Based on an unproduced play, this is one of the best films from the latter part of Astaire's career. --Tom Keogh, Amazon.com
A series of blood-thirsty murders is investigated by Inspector Quennell and Sgt. Allan of Scotland Yard. But when their search for the killer leads them to the door of strange entomologist Dr. Carl Mallinger and his beautiful daughter Clare, events take a nightmarish turn in this 19th-century tale of transformation, monsters, and terror. Starring the legendary Peter Cushing and directed by Vernon Sewell (Curse of the Crimson Altar) this Tigon cult classic offers up a heady mix of late 60s British horror.
Fifty years on, it's hard to appreciate just how shocking one key scene in The Blue Lamp was considered by British audiences. Young delinquent Tom Riley (played with sensuous malevolence by Dirk Bogarde) guns down kindly, benevolent copper, PC Dixon (Jack Warner.) In early 1950s Britain, murdering a policeman was the ultimate taboo. Even the underworld's denizens help the police flush Riley out. Made by Ealing Studios, The Blue Lamp is not a comedy but shares many of the studio's characteristic comic hallmarks, as well as the same writer (TEB Clarke) for their classics Hue And Cry and The Lavender Hill Mob. Consensus and tolerance are the watchwords. Individualism is frowned upon. There are no extravagant displays of emotion, not even from Mrs Dixon (Gladys Henson) when she learns what happened to her husband. The understatement is very moving, although by today's standards the representation of the police seems absurdly idealised. Were they ever the doughty, patient sorts depicted here? It is no surprise to learn that Scotland Yard co-operated in the making of the film but this is much more than just police propaganda. Well-crafted, full of finely judged character performances, it ranks with Ealing's best work. It was made at an intriguing historical moment: before rock and roll and the era of teenage affluence, there was simply no place for young tearaways like Tom Riley. --Geoffrey Macnab
Peter Cushing (Dracula Star Wars)and Wanda Ventham (U F.O The Lotus Eaters.) star in this spine chilling 1968 British horror classic directed by Vernon Sewell (Curse Of The Crimson Altar Burke and Hare). Six young men have been brutally murdered their throats torn to ribbons and drained of all blood. The sole witness has been consigned to a lunatic asylum raving about something terrible with gigantic wings... Suspecting that some sort of giant bird of prey may be loose Inspector Quennell (Peter Cushing) turns to local zoologist Dr. Mallinger (Robert Flemyng) and his beautiful daughter Clare (Wanda Ventham) for help in solving the case. But Mallinger has terrible secrets all of his own - secrets that may soon endanger both Quennell and his innocent young daughter Meg (Vanessa Howard)... Special Features: Audio Commentary by 'English Gothic' author Jonathan Rigby and Peter Cushing biographer David Miller Interview with Wanda Ventham Theatrical Trailer Stills Gallery Booklet Notes Best of British Trailers
Fifty years on, it's hard to appreciate just how shocking one key scene in The Blue Lamp was considered by British audiences. Young delinquent Tom Riley (played with sensuous malevolence by Dirk Bogarde) guns down kindly, benevolent copper, PC Dixon (Jack Warner.) In early 1950s Britain, murdering a policeman was the ultimate taboo. Even the underworld's denizens help the police flush Riley out. Made by Ealing Studios, The Blue Lamp is not a comedy but shares many of the studio's characteristic comic hallmarks, as well as the same writer (TEB Clarke) for their classics Hue And Cry and The Lavender Hill Mob. Consensus and tolerance are the watchwords. Individualism is frowned upon. There are no extravagant displays of emotion, not even from Mrs Dixon (Gladys Henson) when she learns what happened to her husband. The understatement is very moving, although by today's standards the representation of the police seems absurdly idealised. Were they ever the doughty, patient sorts depicted here? It is no surprise to learn that Scotland Yard co-operated in the making of the film but this is much more than just police propaganda. Well-crafted, full of finely judged character performances, it ranks with Ealing's best work. It was made at an intriguing historical moment: before rock and roll and the era of teenage affluence, there was simply no place for young tearaways like Tom Riley. --Geoffrey Macnab
Three times Oscar nominated Clifton Webb, Robert Flemying and Oscar winner Gloria Grahame star in this highly acclaimed 1956 British war film, based on an incredible true story. In 1943, two intelligence officers from the Royal Navy (Clifton Webb, Robert Flemying) attempt to pull off the most daring espionage mission of the Second World War. The Allies are about to invade Sicily - but the Germans must be convinced that their real target is Greece. A briefcase containing plans for the fake invasion is attached to a body dressed as a British major and given an elaborate false identity. The 'man who never was'is then left at sea for the Germans to find. However, Nazi intelligence believes that the find may be just too good to be true – and a desperate cat-and-mouse game begins in the heart of war torn London... Special Features: Theatrical Trailer Stills Gallery
One day the necrophiliac tendencies of Dr Hichcock (Robert Flemyng, The Quiller Memorandum) go too far and his wife dies from an overdose. Bereft, the doctor leaves his house but returns years later with a new wife, Cynthia (Barbara Steele, Black Sunday). The house they return to is eerie and Cynthia hears strange things, meanwhile, she doesn't realise Dr Hichcock intends to use her body to re-animate his dead wife's corpse. Released at the height of the Italian horror boom that was produced in the wake of the influence of Hammer's era-defining horror productions, director Riccardo Freda (The Iguana with the Tongue of Fire) and screenwriter Ernesto Gastaldi (The Whip and the Body) create a dark and wicked gothic horror that brings in sly allusions to the work of Alfred Hitchcock while the period detail of Victorian London provides a lush backdrop. Product Features New 2023 2K restoration of the film from the original negative presented in three versions across two Blu-rays: Disc 1: the 87-minute export version The Terror of Dr Hichcock with extras; Disc 2, exclusive to the limited edition: the re-ordered 76-minute North American version The Horror of Dr Hichcock; and the English dub of the complete 87-minute Italian cut Raptus: The Secret of Dr. Hichcock Audio commentary by critics Kat Ellinger and Annie Rose Malamet New interview with screenwriter Ernesto Gastaldi (2023) Visual essay on Bluebeard in gothic film by Miranda Corcoran (2023) An interview with Madeleine Le Despencer on necrophilia and taboo gothic (2023) Trailers Gallery Reversible sleeve featuring designs based on original posters Limited edition booklet featuring new writing by critics and experts including Chris Fujiwara on the film; an archival piece by Alan Y. Upchurch, Tim Lucas and Luigi Boscaino on the making of the film featuring interviews with Freda, Steele, Flemyng and others; a comparison of the different versions by Tim Lucas; and a critical overview by Cullen Gallagher Limited edition of 5000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
Three times Oscar nominated Clifton Webb, Robert Flemying and Oscar winner Gloria Grahame star in this highly acclaimed 1956 British war film, based on an incredible true story. In 1943, two intelligence officers from the Royal Navy (Clifton Webb, Robert Flemying) attempt to pull off the most daring espionage mission of the Second World War. The Allies are about to invade Sicily - but the Germans must be convinced that their real target is Greece. A briefcase containing plans for the fake invasion is attached to a body dressed as a British major and given an elaborate false identity. The 'man who never was' is then left at sea for the Germans to find. However, Nazi intelligence believes that the find may be just too good to be true - and a desperate cat-and-mouse game begins in the heart of war torn London...
British intelligence officer is sent to investigate an anonymous letter sent to the foreign secretary accusing a key officer of communist affiliation. When the officer commits suicide the investigator suspects murder and presses his inquiry. The culprit is finally exposed in a surprise climax.
Richard Burton stars as successful novelist John Morlar who believes he has 'a gift for disaster' - the power to cause death and destruction through unconscious telekinesis. When Morlar is viciously assaulted and left for dead the night of the Moon Mission disaster and a jet crash police investigating the attack quickly turn to Morlar's mysterious therapist Zonfeld (Lee Remick) in the belief that there is a link between the assault and Morlar's disturbing complex...
S'Wonderful S'Marvelous! Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing How Long Has This Been Going On? a Basal Metabolism dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his Let's Kiss And Make Up matador diversion a heavenly dance with Hepburn to He Loves And She Loves and again with Hepburn the title-tune enchantment I Love Your Funny Face. Now and forever so do we.
The Holly And The Ivy
Based on John le Carré's first novel, Call for the Dead (which introduced spymaster George Smiley), The Deadly Affair sees an ageing British secret agent (James Mason) set out to uncover the truth behind a government employee's apparent suicide. Eschewing the glamour of the era's Bond thrillers, Lumet's chilling and intelligent take on the spy drama presents a palpable and darkly sinister picture of Cold War intrigue. The exemplary cast also includes Maximilian Schell, Harriet Andersson, Harry Andrews, Roy Kinnear and Lynn Redgrave. Extras High Definition remaster Original mono audio Audio commentary with film historians Michael Brooke and Johnny Mains The National Film Theatre Lecture with James Mason (1967, 48 mins): archival audio recording of an interview conducted by Leslie Hardcastle The Guardian Lecture with Sidney Lumet (1983, 89 mins): archival audio recording of an interview conducted by Derek Malcolm at the National Film Theatre, London A Different Kind of Spy: Paul Dehn's Deadly Affair (2017, 17 mins): writer David Kipen discusses the life and work of screenwriter Paul Dehn Take One and Move On (2017, 5 mins): camera operator Brian West on The Deadly Affair Lumet's London (2017, 4 mins): the London locations of The Deadly Affair explored Original theatrical trailer Image gallery: on-set and promotional photography New English subtitles for the deaf and hard-of-hearing
A lavish British musical from the 1950s, this glamorous romantic comedy stars actress and dancer Vera-Ellen, whose Hollywood pedigree included films with Gene Kelly, Fred Astaire and Bing Crosby. Co-starring singer and actor Tony Martin and then-rising British starlet Zena Marshall, Let's Be Happy is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio. On receiving an inheritance from her grandfather, Canadian Jeannie MacLean decides to visit the family's Scottish roots. On the plane she meets businessman Stanley Smith, and romance blossoms in Edinburgh. The complications begin when Stanley breaks a date with Jeannie to woo voluptuous redhead Helene, and Jeannie is flattered by the attentions of the impoverished Lord McNairn; he's heard about her good fortune, and gallantly offers to show her the city... much to the annoyance of Stanley!
In West Berlin secret agent Quiller (Segal) is assigned to unmask the leaders of a suspected Neo-Nazi organisation. The last two men given this job have already been killed and the agent soon realises that he can trust no-one not even the people on his own side...
The unending battle of the city streets. When PC George Dixon is shot whilst on duty the Paddington Green police investigate the West London underworld to bring the culprit to justice...
The brittle marriage of Alec and Lee Windom is on the verge of breakdown. With Alec working in a remote Asian village as a doctor and Lee back home in England the strain cannot continue. So Lee decides she will move to be with her estranged husband hoping to re-kindle their affections. However on arrival Lee realises that both their lives are in danger as local plantation workers and the authorities are clashing on an ever increasingly violent scale. The predicament the Windom's find themselves in strengthens their marriage but will they survive the escalating conflict...
Tess Of The D'Urbervilles: Thomas Hardy's classic novel remains one of the most popular books ever written. This lavish production vividly depicts the powerful tale of a peasant girl whose life is torn apart by the love and jealousy of two men - Alec D'Urberville and Angel Clare. Wuthering Heights: Emily Bronte's classic tale of all-consuming love. When Mr. Earnshaw encounters Heathcliff a ragamuffin orphan he kindly brings the boy into his home and makes him part of the family. And from the start Heathcliff falls hopelessly in love with the daughter of the house the beautiful headstrong Catherine. She adores him too but when a wealthy neighbour woos her Catherine's material instincts get the better of her and she agrees to marry the man. However Catherine discovers that she cannot forget Heathcliff so easily and that not even death can make them part... Far From The Madding Crowd: An evocative and sumptuous adaptation of Thomas Hardy's classic novel set in the 19th Century. The arrival of Bathsheba Everdene as mistress of Weatherbury Farm causes quite a stir in the all-male environment of the Corn Exchange. A beautiful and proud young woman with a fiercely independent spirit she soon ensnares and almost destroys the lives of the three men who love her...
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