Agnes Varda focuses on the intertwined lives of two women brought together during the struggle of the Woman's Movement in 1970s France.
Jack a police officer is taken hostage inside a house that is being used by a gang of bank robbers. When he is left alone with gang member Erin they become attracted to each other... Based on a short story entitled 'The House on Turk Street' by classic pulp novelist Dashiell Hammett.
There have been many film and TV adaptations of Oliver Twist but this 1948 production from director David Lean remains the definitive screen interpretation of the Charles Dickens classic. From the ominous symbolism of its opening storm sequence (in which Oliver's pregnant, ill-fated mother struggles to reach shelter before childbirth) to the mob-scene climax that provokes Bill Sikes's dreadful comeuppance, this breathtaking black-and-white film remains loyal to Dickens while distilling the story into its purest cinematic essence.Every detail is perfect--Lean even includes a coffin-shaped snuffbox for the cruel Mr. Sowerberry--and as young Oliver, eight-year-old John Howard Davies (who would later produce Monty Python's Flying Circus for the BBC) perfectly expresses the orphan's boyish wonderment, stern determination and waifish vulnerability. Best of all is Alec Guinness as Fagin, so devious and yet so delightfully appealing under his beak-nosed (and, at the time, highly controversial) make-up. (Many complained that Fagin's huge nose and greedy demeanour presented an anti-Semitic stereotype, even though Lean never identifies Fagin as Jewish; for this reason, the film wasn't shown in the US until three years after its British release.) Likewise, young Anthony Newley is artfully dodgy as Fagin's loyal accomplice, the Artful Dodger. Guinness's performance would later provide strong inspiration for Ron Moody's equally splendid portrayal of Fagin in the Oscar-winning Oliver! and while that 1968 musical remains wonderfully entertaining, it is Lean's film that hews closest to Dickens' vision. The authentic recreation of 19th-century London is marvellous to behold; Guy Green's cinematography is so shadowy and stylised that it almost qualifies as Dickensian film noir. Lean is surprisingly blunt in conveying Dickens's theme of cruelty but his film never loses sight of the warmth and humanity that Oliver embodies. --Jeff Shannon
A one-act production performed at The Royal Opera House Covent Garden with Maria Ewing in the lead role ably supported by Michael Devlin and Kenneth Riegel. The Orchestra of The Royal Opera House is conducted by Edward Downes. Directed by Derek Bailey. English subtitles.
Before The Twilight Zone there was One Step Beyond. Here are twenty eerie episodes on five devilish DVDs showcasing the very best of this landmark look at the paranormal; featuring such up and coming stars as Charles Bronson Robert Blake and Suzanne Pleshette. Classic cult TV and a must for all sci-fi fans.
It starts with a broken marriage and turns rapidly into fear - that instinctive emotion with a vice-like grip. The throat dries and tightens and the heart pounds; the small hairs know and contort while the flesh crawls; there is nausea panic and a complete lack of logic from the brain. Jaclyn Smith and Robert Mitchum star in this nightmare of fear intrigue double-cross and terror.
Randolph Scott plays Kirk Jordan a cattle herd driver who is instrumental in carving out the Chisholm Trail a commercial route from Texas to Kansas. Indians are only part of the problem as Kirk must also contend with the Ku Klux Klan and crooked carpetbaggers to fulfill his duties.
Blackbeard's Ghost (Dir. Robert Stevenson 1968): Award-winning actor Peter Ustinov stars in this hilarious fantasy as the ghost of the legendary pirate Blackbeard. The once blackhearted scoundrel materializes in a small New England town cursed to wander in limbo until he performs a good deed. He gets his chance when he decides to help a local college track team... that hasn't a ghost of a chance of winning! Blackbeard finds himself full of team spirit and dispensing his own brand of invisible coaching... in this warmhearted comedy that will have you laughing from his first fade-in to his final fade-out! Treasure Island (Dir. Byron Haskin 1950): In this swashbuckling high-seas adventure Walt Disney has vividly brought to life Robert Louis Stevenson's thrilling tale of buccaneers and buried gold - presented for the first time in it's original uncut theatrical version! Authentic locales and musket-roaring action set the stage for the stouthearted heroics of young Jim Hawkins (Bobby Driscoll) and the skullduggery of that wily one-legged pirate Long John Silver.
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