Boys
TWILIGHT sensation Robert Pattinson stars in the new, quirky, offbeat, post teen-life crisis comedy HOW TO BE.
Waking the Dead, like director-writer Keith Gordon's earlier films (The Chocolate War, A Midnight Clear, Mother Night), is based on a well-regarded modern novel (by Scott Spencer) and has a great many quiet virtues: a genuine engagement with near-contemporary America, complicated characters well-played by a cast of perfectly selected not-quite-star performers and a questioning approach that sits ill with the too-easy answers of most contemporary films. The complex story opens in 1974 with the death in a car bomb explosion of Sarah Williams (Jennifer Connelly), a radical working with a faction of left-wing Catholics to rescue dissidents from Chile. This has a devastating effect on her straighter boyfriend, Fielding Pierce (Billy Crudup), who is working within the system with an eye on rising in the Democratic Party through the patronage of a senior figure (Hal Holbrook), the man who is eventually to become the President. We flash back to 1972 and Fielding's intense relationship with Sarah, marked by romantic and political differences that feel far more real than the contrived oppositional arguments in most political movies. Then skip 10 years forward to find a sleeker, hollow-faced Fielding running for Congress, tormented not only by memories of Sarah but her actual or phantasmal appearances. Another film might play this as a paranoid mystery thriller, but this goes for psychology, and Crudup delivers an intense portrait of a man cracking up by the loss of his ideals as much as his life's love--climaxing in a terrific restaurant outburst to his needy, congratulatory family. Unreleased theatrically in the UK, this outstanding film has award-quality performances from Crudup and Connelly, both doing their best screen work to date. On the DVD: The picture is presented in 1.85.1 anamorphic widescreen, with Dolby Digital sound. You get the usual trailer, filmographies and puff piece featurette, but also three superb extras: a commentary from Gordon that passionately and intelligently addresses the thematic material and production circumstances of the film; a package of deleted scenes that goes well beyond the usual irrelevant snippets--everything here offers additional insights into the plot and character; tracks from the composers Tomandandy which play over the menus--a rare feature that's liable to become more common. --Kim Newman
Cotton Club: Welcome to the Cotton Club where crime lords rub shoulders with the rich and famous. Director Francis Ford Coppola and co-writers William Kennedy and Mario Puzo create a panorama of love crime and entertainment centered on the legendary Harlem Nightclub owned by Owney Madden (Bob Hoskins). Cornet player Dixie Dwyer (Richard Gere) gets a job in Harlem's famous Cotton Club while his brother gets a job as Dutch Schultz's (James Remar) bodyguard. Dwyer falls for Schultz's mistress Vera Cicero (Diane Lane) and finds himself caught in the middle of mobster rivalry in this stylish gangster film. Chaplin: Directed by Sir Richard Attenborough and starring Robert Downey Jr and an extraordinary cast 'Chaplin' is a loving grand-scale portrait of the Little Tramp's amazing life and times. His poverty-stricken childhood in England comes to life along with his friendships with Mack Sennett (Dan Aykroyd) and Douglas Fairbanks (Kevin Kline) his many wives and scandalous affairs and his relentless pursuit by J. Edgar Hoover. Chaplin is the larger-than-life story of the actor behind the icon and a stunning depiction of a bygone era when Hollywood was at its most glamorous. Chorus Line: An adaptation of one of the most successful and unusual musicals of all time. A group of Broadway hopefuls auditioning for a place in the chorus line of a new show relate the stories of their lives -- their disappointments their dreams and the professional rejections and successes. Among the dancers trying to make the grade is the director's former lover a woman who once made it big and now would be grateful just to dance in the chorus.
Two masterpieces of British cinema are paired here--Powell and Pressburger's first Technicolor triumph, The Life and Death of Colonel Blimp (1943) and their even more ambitious A Matter of Life and Death (1946). Both pictures are transcendent examples of the filmmakers' craft, and remain models of great cinema long after their original wartime propaganda brief has expired. Based on a famously satirical cartoon strip that mocked outmoded attitudes of fair play at a time of "total war", Blimp subsequently became notorious as the film Churchill tried to have banned. Because the War Office objected to the screenplay, they refused to allow P&P's first choice for the role, Laurence Olivier, and the duo cast unknown stage actor Roger Livesey in his place. It is Livesey's sympathetic performance that transforms Clive "Sugar" Candy from an object of satire to one of warm affection, effectively reversing the film's intended message about old-fashioned decency versus wartime pragmatism. Anton Walbrook is a profound presence in a role that mirrored the actor's own plight as a German in Britain, while Deborah Kerr is a living leitmotif in the film, playing no fewer than three distinct but deliberately related roles. Briefed by the Ministry of Information to make a film that would foster Anglo-American relations in the post-war period, the duo, known as "the Archers", came up with A Matter of Life and Death, an extravagant and extraordinary fantasy in which David Niven's downed pilot must justify his continuing existence to a heavenly panel because he has made the mistake of falling in love with an American girl (Kim Hunter) when he really should have been dead. National stereotypes are lampooned as the angelic judges squabble over his fate. In a neat reversal of expectations, the heaven sequences are black and white, while earth is seen in Technicolor. Daring cinematography mixes monochrome and colour, incorporates time-lapse images, and even toys with background "time freezes" 50 years before The Matrix. Roger Livesey and Raymond Massey lead the fine supporting cast. On the DVD: The Life and Death of Colonel Blimp and A Matter of Life and Death are presented in reasonably sharp 4:3 ratio with good mono sound. Blimp comes with a 25-minute documentary feature that tells us nothing revelatory about making the film, but has good new interviews with cinematographer Jack Cardiff (then an apprentice) and eloquent admirer Stephen Fry. Text biographies and stills are also included. Life and Death has no extras. --Mark Walker
The great love story of the Great War. Hollywood once again looks back at the undeniably compelling story of D-Day this time through the device of two officers facing the coming battle one American and one British recalling their love for the same woman.
Meet The Maniac & His Freinds. Nearly a decade before he donned Freddy Krueger's famous red and green sweater, horror icon Robert Englund delivered a supremely sleazy performance in Eaten Alive another essay in taut Southern terror from Tobe Hooper, director of The Texas Chain Saw Massacre. Deep in the Louisiana bayou sits the ramshackle Starlight Hotel, destination of choice for those who like to check in but not check out! Bumbling Judd, the patron of this particular establishment, may seem like a good-natured ol' Southern gent but he has a mean temper on him, and a mighty large scythe to boot Oozing atmosphere from its every pore (the entire film was shot on a sound-stage which lends it a queasy, claustrophobic feel), Eaten Alive matches The Texas Chain Saw Massacre for sheer insanity helped in no small part by some marvellous histrionics from Chain Saw star Marilyn Burns and William Finley (Phantom of the Paradise).
Robert De Niro stars in this his second film for director Brian De Palma. 'Greetings' is a satirical comedy focusing on the lives of three New Yorkers each with his own personal fixation ranging from sex and voyeurism to Kennedy assassination theories. Their common interest is discussing the ways to dodge the draft board. De Palma's originalty captures perfectly the spirit of late sixties America. And De Niro even in this early performance displays all the hallmarks that has e
Four Italian-Americans from New York's lower East Side hang around at a local bar. Charlie (Harvey Keitel), the most responsible of the group, tries to protect his girlfriend's cousin Johnny Boy (Robert De Niro) from the local debt collectors, but his young charge seems determined to live fast and die young. Heavily influenced by the French New Wave, 'Mean Streets' provided the first high-profile success for director Martin Scorsese and star Robert De Niro.
Wanted: Dead Or Alive
Top Gun: In the role that made him one of the world's biggest stars, Tom Cruise rides into the Danger Zone in the smash-hit film that defined the modern-day blockbuster! Cruise plays Maverick, a hotshot flyer who is sent to the Navy's prestigious Top Gun program. But in order to become the best of the best, he'll need the help of his wingman (Anthony Edwards) and new-found love (Kelly McGillis). Co-starring Val Kilmer, this high-octane hit will take your breath away! War of the Worlds: An earth-shattering adventure that both rivets and amazes (Michael Wilmington, Chicago Tribune),War of the Worlds reunites superstar Tom Cruise and Academy Award-winning director Steven Spielberg for one of the most awe-inspiring cinematic experiences of all time! A contemporary retelling of H.G. Wells classic, the sci-fi thriller reveals the extraordinary battle for the future of humankind through the eyes of one American family. Fleeing from an extraterrestrial army of killer Tripods that annihilate everything in their path, Ray Ferrier (Cruise) races to keep his family safe. War of the Worlds is an action-packed adventure that explodes with spectacular special effects! Mission: Impossible: Tom Cruise ignites the screen in the hit big-screen blockbuster that launched one of today's biggest, and still-growing, action movie franchises. Ethan Hunt (Cruise), is a top secret agent, framed for the deaths of his espionage team. Fleeing from government assassins, breaking into the CIA's most impenetrable vault, clinging to the roof of a speeding bullet train, Hunt races like a burning fuse to stay one step ahead of his pursuers... and draw one step closer to discovering the shocking truth. Days of Thunder: From the engine roar and fever pitch of professional stock car racing, Days of Thunder explodes with some of the most spectacular racing action ever captured on film. Tom Cruise plays race car driver Cole Trickle, whose talent and ambition are surpassed only by his burning need to win. Discovered by businessman Tim Daland (Randy Quaid), Cole is teamed with legendary crew chief and car-builder Harry Hogge (Academy Award®winner Robert Duvall*) to race for the Winston Cup at the Daytona 500. A fiery crash nearly ends Cole's career and he must turn to a beautiful doctor (Nicole Kidman) to regain his nerve and the true courage needed to race, to win and to live Jack Reacher: Ex-military investigator Jack Reacher (Tom Cruise, Mission: Impossible-Ghost Protocol) leaps off the pages of Lee Child's bestselling novel and onto the big screen in the explosive thriller that critics are calling a superior thriller. When an unspeakable crime is committed, all evidence points to the suspect in custody who offers up a single note in defence: Get Jack Reacher! The law has its limits, but Reacher does not when his fight for the truth pits him against an unexpected enemy with a skill for violence and a secret to keep.
En route to Normandy an American and a British officer reminisce about their romances with the same woman.
Cattle baron Matt Devereaux (Spencer Tracy) rules his vast empire with a ruthless hand. Matt's greatest love is for his Indian wife, Princess (Katy Jurado) and their son Joe (Robert Wagner). Matt's three sons from a previous marriage deeply resent them. When Devereaux illegally raids a copper mine that has been polluting his water, it leads to trouble for his youngest son. Joe takes the rap for his father's crime and is sent to jail. When Joe emerges from prison he finds that his world has.
He went to bed an all-American kid and woke up the son of Russian spies. Roy Parmenter is an FBI agent in San Diego; 20 years ago his partner was killed by a Soviet spy nicknamed Scuba still at large. Scuba is now trying to extort the Soviets; to prove he's serious he's killing their agents one by one including ""sleepers "" agents under deep cover awaiting orders. Roy interviews a high school lad Jeff Grant an applicant to the Air Force Academy. In a routine background ch
Coming soon to a hotel pay channel near you, Stripshow, with its rednecks and top-heavy trailer-trash, is the American softcore equivalent of movies like Bridget Jones's Diary, which are more-or-less targeted at the kind of people who are in them. Tane McClure plays a stripper who acquires a suitcase full of money from an aged punter who expires during a show. She than attempts to track down an ex-lover, who eventually wanders off into the desert to die rather than risk appearing in the sequel. The end. Actually, there's rather a lot of wandering off into the desert in this movie. There's also some--but not much--of the usual faked bonking, but the closest thing to a genuinely erotic scene is the obligatory lipstick-lesbian encounter which takes place in a Native American teepee (although you can't help thinking that, somewhere off-camera, Fox Mulder is being distracted from communing with a shaman), and even that's a pretty truncated episode--after all, Billy-Bob, it just ain't natural. Anyone who'd like to see McClure in a real film may prefer to check out Fear and Loathing in Las Vegas instead. On the DVD: Stripshow has nothing extra on this 4:3 release other than a few cast biogs--not even subtitles, so listening to the dialogue is unfortunately compulsory. --Roger Thomas
He fed their fears and turned neighbour against neighbour! Arriving in a sleepy southern town on the eve of integration slick charismatic Adam Cramer (William Shatner) is an ominous influence inciting its white citizens into a racial fervor and plunging the once quiet community into a state of chaos. The film features a cameo from the screenwriter - and author of the original novel - Charles Beaumont appearing alongside fellow scribes William F. Nolan and George Clayton
After serving time for murder Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did and so as the town gossips tales of Josh's part spiral out of control!
Greed, revenge, world dominance, high-tech terrorism - it's all in a day's work for James Bond, who races to defuse an international power struggle with the world's oil supply hanging in the balance
The Burnistoun Boys are back for one last tour of Scotland's favourite city. Jolly Boy John is putting on his glasses, ready to Get Real for the last time. The Quality Polis are shining up their boots and ordering their farewell pakora. Wherever there are widden pallets, terrible new football songs, or lassies wearing jammies in the street, there will always be a Burnistoun. There are comedy DVDs, and there are comedy DVDs, and then there's this. One more visit, then Up Eh Road forever! Special Features: The Burnistoun DVD Extras Chat Show Extra Sketches
Science or madness? Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face and a tendency to kill...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy