From the most controversial of all the Italian horror directors CANNIBAL FEROX man Umberto Lenzi comes SPASMO – a slick and sick psycho-thriller that stands tall as one of the giallo genre’s most colourful crime-capers. Starring a cast of Euro-shock veterans such as sexy Suzy Kendall (THE BIRD WITH THE CRYSTAL PLUMAGE) and the chiselled-chinned Ivan Rassimov (LAST CANNIBAL WORLD) Lenzi’s carefully paced and frequently surreal murder-mystery shows that he is about more than just the gore. A genuinely accomplished achievement with plot twists galore and a mind-boggling climax SPASMO is a must-see for anyone who misses the classic era of Rome-based bloodshed.
Capote (Dir. Bennett Miller ): In November 1959 the shocking murder of a smalltown Kansas family captures the imagination of Truman Capote (Philip Seymour Hoffman) famed author of Breakfast at Tiffany's. With his childhood friend Harper Lee (Catherine Keener) writer of the soon-to-be published To Kill a Mockingbird Capote sets out to investigate winning over the locals despite his flamboyant appearance and style. When he forms a bond with the killers and their execution date nears the writing of In Cold Blood a book that will change the course of American Literature takes a drastic toll on Capote changing him in ways he never imagined. In Cold Blood (Dir. Richard Brooks 1967): Richard Brooks' stylish and powerful 1967 drama adapted from Truman Capote's novel about a shocking real-life murder case. This daring cinematic portrait employs flashbacks to fully examine what drives an individual to commit thoughtless and brutal crimes while using a highly innovative jazz score by Quincy Jones to capture the moody atmosphere. A prosperous and respected Kansas farmer his wife and his two teenage children are wantonly and brutally slaughtered. The murderers are two mindless ex-convict drifters. Neither man is sane enough to regret their crime. The story penetrates the inner workings of the criminals' minds as it follows their purposeless meandering through Mexico and the United States in evasion of the law...
Peter Pan - the hero who never grows old - has grown up! And he's even forgotten how to fly! Enter the magical, mystical world of a hundred fun summers as the ageless avenger and faithful fairy Tinkerbell return to Never Never Land in search of Peter's forgotten childhood, his lost children, and a fearless confrontation with his evil pirate enemy - Captain Hook.Dustin Hoffman, Robin Williams, Juila Roberts and Bob Hoskins hook up for the fantasy flight for a lifetime, as dream-maker Steven Spielberg brings this amazing tale of adventure to the screen. All children grow up... except one!
Titles Comprise:Meet The Parents: First comes love. Then comes the interrogation!Male nurse Greg Focker (Ben Stiller) is poised to propose to his girlfriend Pam (Teri Polo) during a weekend stay at her parents' home. But here's the catch... he needs to ask her father first. Alas, the fur flies as Jack Byrnes, Pam's cat-crazy, ex-CIA father (Robert De Niro), takes an immediate dislike to her less-than-truthful beau. Greg's quest for approval gets seriously sidetracked as Murphy's Law takes over and a hilarious string of mishaps turn him into a master of disaster and total pariah in the eyes of the entire family... all except for his shell-shocked girlfriend, who can't believe she still loves her one-man wreaking crew.'Meet The Parents', from the director of Austin Powers, is an uproarious blockbuster hit that bombards you with one laugh after another, as true love tries to conquer all, against all the odds!Meet The Fockers: And you thought your parents were embarrassing.Domestic disaster looms for male nurse 'Greg' Focker (Stiller) when his straight-laced, ex-CIA father-in-law (De Niro) asks to meet his wildly unconventional mom (Streisand) and dad (Hoffman). It's family bonding gone hysterically haywire in this must-see comedy!Little Fockers: Greg Focker (Ben Stiller) has finally begun to earn the respect of his ex-CIA father-in-law, Jack Byrnes (Robert DeNiro) but one important test still lies ahead: will Greg prove that he has what it takes to be the family's next Godfocker ... or will the circle of trust be broken for good?Returning co-stars Owen Wilson, Blythe Danner, Teri Polo, Dustin Hoffman and Barbra Streisand are joined by newcomers Jessica Alba, Laura Dern and Harvey Keitel in this hysterical family affair.
From the most controversial of all the Italian horror directors CANNIBAL FEROX man Umberto Lenzi comes SPASMO – a slick and sick psycho-thriller that stands tall as one of the giallo genre’s most colourful crime-capers. Starring a cast of Euro-shock veterans such as sexy Suzy Kendall (THE BIRD WITH THE CRYSTAL PLUMAGE) and the chiselled-chinned Ivan Rassimov (LAST CANNIBAL WORLD) Lenzi’s carefully paced and frequently surreal murder-mystery shows that he is about more than just the gore. A genuinely accomplished achievement with plot twists galore and a mind-boggling climax SPASMO is a must-see for anyone who misses the classic era of Rome-based bloodshed.
Meet The Fockers (2004): And you thought your parents were embarrassing. Domestic disaster looms for male nurse Greg Focker (Stiller) when his straight-laced ex-CIA father-in-law (De Niro) asks to meet his wildly unconventional mom (Streisand) and dad (Hoffman). It's family bonding gone hysterically haywire in this must-see comedy! Meet The Parents - Special Edition (2000): First comes love. Then comes the interrogation! Male nurse Greg Focker (Ben Sti
Contains the dance-based dramas STEP UP, STEP UP 2 THE STREETS, and HONEY.In STEP UP, a sullen young thug named Tyler winds up doing community service at the Baltimore High School for the Performing Arts. At first he's just smirking and mopping the floors, but then Nora, a talented dancer and choreographer, loses her partner to a fractured ankle mere weeks before the big showcase, and Tyler steps in as her partner. At first he doesn't take it too seriously but then again, he's never had a real chance in life. His best friend from the street gets jealous and forces Tyler to decide which side of the tracks he thinks he belongs on.In STEP UP 2 THE STREETS, Andie is a newcomer at the Maryland School of the Arts, and her bad girl streak and street style threaten to keep her from finding her place. But she pairs up with the popular Chase, and they find a group of students to dance in a secret competition that suits Andie's talents.HONEY is a scorching hip-hop based dance fable about a talented girl's struggle to express herself in a fickle and corrupt industry. New York City dancer-choreographer Honey Daniels (Jessica Alba) has the talent to be a dance sensation but is forced to wise up when her dreams come true only to turn into a less than perfect reality.
During the 1960s Luciano Lutring committed more than one hundred armed robberies in Italy and on the French Riviera. To the media he was the ‘machine gun soloist’, a name he’d earned as he kept his weapon in a violin case. To the public he was a Robin Hood figure, one who only targeted the wealthy, stealing more than 35 billion lire during his criminal career. Wake Up and Kill was the logical extension of such fame. It became the first feature to commit Lutring’s story to celluloid, shooting having begun mere months after his eventual arrest. Capitalising on the breakthrough success of his performance in French television’s The Adventures of Robinson Crusoe, Robert Hoffmann is perfect as Lutring, bringing just the right amount of charisma and youthful exuberance to his first major big screen role. Directed by Carlo Lizzani (Requiescant), scored by Ennio Morricone, penned by the future screenwriter of Investigation of a Citizen Above Suspicion, and featuring that film’s star, Gian Maria Volonté, in a key supporting role, Wake Up and Kill’s true-crime thrills serve as an enthralling dry run for the poliziotteschi movies that would follow a few years later. During the 1960s Luciano Lutring committed more than one hundred armed robberies in Italy and on the French Riviera. To the media he was the ‘machine gun soloist’, a name he’d earned as he kept his weapon in a violin case. To the public he was a Robin Hood figure, one who only targeted the wealthy, stealing more than 35 billion lire during his criminal career. Wake Up and Kill was the logical extension of such fame. It became the first feature to commit Lutring’s story to celluloid, shooting having begun mere months after his eventual arrest. Capitalising on the breakthrough success of his performance in French television’s The Adventures of Robinson Crusoe, Robert Hoffmann is perfect as Lutring, bringing just the right amount of charisma and youthful exuberance to his first major big screen role. Directed by Carlo Lizzani (Requiescant), scored by Ennio Morricone, penned by the future screenwriter of Investigation of a Citizen Above Suspicion, and featuring that film’s star, Gian Maria Volonté, in a key supporting role, Wake Up and Kill’s true-crime thrills serve as an enthralling dry run for the poliziotteschi movies that would follow a few years later. Special Edition Contents: Brand new 2K restoration of the film from the original camera negative High Definition Blu-ray (1080p) and Standard Definition DVD presentations Optional English and Italian soundtracks presented in their original mono audio (uncompressed PCM on the Blu-rays) Newly-translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Reinhard Kleist Brand new 2K restoration of the film from the original camera negative High Definition Blu-ray (1080p) and Standard Definition DVD presentations Optional English and Italian soundtracks presented in their original mono audio (uncompressed PCM on the Blu-rays) Newly-translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Reinhard Kleist
Charlie Wilson's War features Tom Hanks Julia Roberts and Philip Seymour Hoffman in an adaption of George Crile's extraordinary novel. Charlie Wilson's Waris the true story of how a playboy congressman a renegade CIA agent and a beautiful Houston socialite joined forces to lead the largest and most successful covert operation in history. Their efforts contributed to the fall of the Soviet Union and the end of the Cold War with consequences that reverberate throughout the world today.
Coming soon to a hotel pay channel near you, Stripshow, with its rednecks and top-heavy trailer-trash, is the American softcore equivalent of movies like Bridget Jones's Diary, which are more-or-less targeted at the kind of people who are in them. Tane McClure plays a stripper who acquires a suitcase full of money from an aged punter who expires during a show. She than attempts to track down an ex-lover, who eventually wanders off into the desert to die rather than risk appearing in the sequel. The end. Actually, there's rather a lot of wandering off into the desert in this movie. There's also some--but not much--of the usual faked bonking, but the closest thing to a genuinely erotic scene is the obligatory lipstick-lesbian encounter which takes place in a Native American teepee (although you can't help thinking that, somewhere off-camera, Fox Mulder is being distracted from communing with a shaman), and even that's a pretty truncated episode--after all, Billy-Bob, it just ain't natural. Anyone who'd like to see McClure in a real film may prefer to check out Fear and Loathing in Las Vegas instead. On the DVD: Stripshow has nothing extra on this 4:3 release other than a few cast biogs--not even subtitles, so listening to the dialogue is unfortunately compulsory. --Roger Thomas
The first thing you need to know about Sleepers is that it's based on a novel by Lorenzo Carcaterra that was allegedly based on a true story. The movie repeats this bogus claim, which was attacked and determined by a wide majority to be misleading. Knowing this, Sleepers becomes problematic because it's too neat, too clean, too manipulative in terms of legal justice and dramatic impact to be truly convincing. And yet, with its stellar cast directed by Barry Levinson, it succeeds as gripping entertainment, and its tale of complex morality--despite a dubious emphasis on homophobic revenge--is sufficiently provocative. It's about four boys in New York's Hell's Kitchen district who are sent to reform school, where they must endure routine sexual assaults by the sadistic guards. Years after their release, the opportunity for revenge proves irresistible for two of the young men, who must then rely on the other pair of friends (Brad Pitt, Jason Patric), a loyal priest (Robert De Niro), and a shabby lawyer (Dustin Hoffman) to defend them in court. Despite the compelling ambiguities of the story, there's never any doubt about how we're supposed to feel, and the screenplay glosses over the story's most difficult moral dilemmas. At its best, Sleepers grabs your attention and pulls you into its intense story of friendship and the price of loyalty under extreme conditions. The movie's New York settings are vividly authentic, and Minnie Driver makes a strong impression as a long-time friend of the loyal group of guys. --Jeff Shannon, Amazon.com
Titles Comprise: Accidental Tourist: After the death of his son Macon Leary a travel writer seems to be sleep walking through life. Macon's wife seems to be having trouble too and thinks it would be best if the two would just split up. After the break up Macon meets a strange outgoing woman who seems to bring him back down to earth. After starting a relationship with the outgoing woman Macon's wife seems to think that their marriage is still worth a try. Macon is then forced to deal many decisions. All The President's Men: In the Watergate Building lights go on and four burglars are caught in the act. That night triggered revelations that drove a U.S. President from office. Washington reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) grabbed the story and stayed with it through doubts denials and discouragement. The entire President's Men is their story. The film also explores a working newspaper where the mission is to get the story - and to get it right. Bonfire of the Vanities: Sherman McCoy was Wall Street's Master of the Universe - and everything in his life was right. Then one night he was in the wrong place with the wrong woman. And nothing as gone right since. Tom hanks as McCoy Bruce Willis as jaded Journalist Melanie Griffith as McCoy's self-centred mistress and Morgan Freeman as an outspoken judge ignite The Bonfire Of The Vanities the quintessential story of the go-for-it 80's. Based on the novel by Tom Wolfe.
A group of white US city kids aspire to the black hip hop lifestyle, but only encounter conflict.
It's summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world - but the toughest part might be keeping the whole thing a secret from their parents! Featuring an all-star cast including Ashley Tisdale, A...
Titles Comprise: Charlie Wilson's War: The true story of how a playboy congressman a renegade CIA agent and a beautiful Houston socialite joined forces to lead the largest and most successful covert operation in history. Their efforts contributed to the fall of the Soviet Union and the end of the Cold War with consequences that reverberate throughout the world today. Philadelphia: Up-and-coming young lawyer Andrew Beckett (Tom Hanks) has just been fired by his prestigious law firm. They say he hasn't got what it takes. Andrew knows it's because he's got AIDS. Determined to defend his professional reputation Andrew hires fierce brilliant personal-injury attorney Joe Miller (Denzel Washington) to sue his former employers for wrongful dismissal. Joe is initially reluctant to take on the case. Although he as grown up knowing the pain of prejudice he's never had to confront his own prejudices against homosexuality and AIDS...until now. One man is fighting for his reputation his life and for justice. The other is battling to overcome his own and society's ignorance and fear. 'Philadelphia' is one of the most powerful and critically acclaimed movies of our time. Apollo 13: Stranded 205 000 miles from Earth in a crippled spacecraft astronauts Jim Lovell (Hanks) Fred Haise (Paxton) and Jack Swigert (Bacon) fight a desperate battle to survive. Meanwhile at Mission Control astronaut Ken Mattingly (Sinise) flight director Gene Kranz (Harris) and a heroic ground crew race against time and the odds to bring them home.
The Heartbreak Kid Ben Stiller and the Farrelly brothers bring out the best in each other. In The Heartbreak Kid, Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment-phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobby and Peter Farrelly push Stiller away from his increasingly schticky "tense guy" persona and draw out his sweeter, more multilayered earnest side. On his end, Stiller provides a human core to what could just be a festival of raunch and absurdity (the movie features aroused donkeys, deviated septum jokes, and digitally-enhanced body hair, among other items of questionable taste). It only takes a quick comparison with Jim Carrey in Me, Myself & Irene or Jack Black in Shallow Hal to see what a surprisingly delicate balance that is. The Heartbreak Kid may not be quite as wildly sublime as There's Something About Mary, but it comes extremely close, with kudos to Akerman for her unrestrained nuttiness. --Bret Fetzer Meet the Parents Randy Newman's opening song, "A Fool in Love," perfectly sets up the movie that follows. The lyrics begin, "Show me a man who is gentle and kind, and I'll show you a loser," before praising the man who takes what he wants. Greg Focker (Ben Stiller) is the fool in love in Meet the Parents. Just as he's about to propose to his girlfriend Pam (Teri Polo), he learns that her sister's fiancé asked their father, Jack Byrnes (Robert De Niro), for permission to marry. Now he feels the need to do the same thing. When Greg meets Jack, he is so desperate to be liked that he makes up stories and kisses ass rather than having the courage of his convictions. It doesn't take an elite member of the CIA to see right through Greg, but that's precisely what Jack is. Directed by Jay Roach (the Austin Powers movies), Meet the Parents is an incredibly well-crafted comedy that stands in nice opposition to, say, the sloppy extremes of the Farrelly brothers. Stiller is great at playing up the uncomfortable comedy of errors, balancing just the right amount of selfishness and self-deprecating humour, while De Niro's Jack is funny as the hard-ass father who just wants a few straight answers from the kid. What makes the Jack character all the funnier is Blythe Danner as his wife, the Gracie to his George Burns, who is the true heart of the movie. Oh, and Owen Wilson turns in yet another terrific comic performance as Pam's ex-fiancé. --Andy Spletzer Meet the Fockers Meet the Parents found such tremendous success in the chemistry produced by the contrasting personalities of stars Robert De Niro and Ben Stiller that the film's creators went for broke with the same formula again in Meet the Fockers. This time around, Jack and Dina Byrnes (De Niro and Blythe Danner) climb into Jack's new kevlar-lined RV with daughter Pam (Teri Polo), soon-to-be son-in-law Gaylord (Stiller), and Jack's infant grandson from his other daughter for the trip to Florida to meet Gaylord's parents, Bernie and Roz Focker (Dustin Hoffman and Barbra Streisand in a casting coup). The potential in-laws are, of course, the opposite of Jack, a pair of randy, touchy-feely fun-lovers. The rest of the movie is pretty much a sitcom: put Bernie and Roz together with Jack, and watch the in-laws clash as Gaylord squirms. As with the original, there is a sense of joy in watching these actors take on their roles with obvious relish, and the Hoffman-Streisand-Stiller triumvirate is likeable enough to draw you in. But the formula doesn't work as well in Fockers mostly because much of the humour is based on two obvious gimmicks: Gaylord Focker's name, and the fact that Streisand's character is a sex therapist. As a result, the movie itself is more contrived and predictable, and a lot less fun than the original. The casting is grand, but one wishes more thought was put into the script.--Dan Vancini Zoolander Charge your micro-mini cell phones and whip up some orange mocha Frappuccino, 'cuz Zoolander is on the runway, and you're gonna laugh your booty off! Based on a sketch created by writer-director Ben Stiller and cowriter Drake Sather for the 1996 VH1/Vogue Fashion Awards, Zoolander is a delirious send-up of New York's fashion scene as epitomised by male model Derek Zoolander (Stiller), a dimwitted preener who's oblivious to a Manchurian Candidate-like plot to turn him into a brainwashed assassin. Tipped off by a reporter (Christina Taylor), Zoolander teams with rival model Hansel (Owen Wilson) to foil the poodle-haired fashion designer (Will Ferrell) who's behind the nefarious scheme. The goofy plot's only half the fun; with roles for Stiller's parents (Jerry Stiller and Anne Meara), dozens of celebrity cameos, endlessly quotable dialogue, and improvisational energy to spare, Zoolander is very smart about being very stupid, easily matching the Austin Powers franchise for inspired comedic lunacy. --Jeff Shannon
"Aliens in the Attic" is an adventure/comedy about kids on a family vacation who must fight off an attack by knee-high alien invaders with world-destroying ambitions while the youngsters' parents remain clueless about the battle.
In this awkward live-action version of the classic cartoon Dudley Do-Right, the considerable charm Brendan Fraser displayed in George of the Jungle and The Mummy is much needed. The first half of the movie lays out the basic elements of the cartoon (none-too-bright Canadian Mountie battles melodramatic villain Snidely Whiplash with pluck and dumb luck) with little wit or imagination, but lots of pratfalls and broad gags. But about halfway into it, when Whiplash has taken over the town of Semi-Happy Falls and become its leading citizen, the movie takes a curious turn: since Whiplash has become, to all appearances, a good guy, Dudley decides the only way to fight him is to turn into a bad guy. Next thing you know, Dudley is decked out in black leather and cruising around on a motorbike while Whiplash fumes impotently. Fans who are familiar with the original US TV series Bullwinkle from which Dudley originated may decry this departure, but it gives the movie a much-needed burst of energy and the opportunity for some entertainingly surreal images--like Whiplash up to his neck in a mud bath with cucumber slices on his eyes, consulting with his henchmen about dealing with that unpredictable Do-Right. The film also features Alfred Molina, Sarah Jessica Parker and Monty Python's Eric Idle. --Bret Fetzer, Amazon.com
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