A fallen aristocrat with a mountainous gambling debt enlists three men with similar financial instabilities to assist him in a mail van robbery.
With just 28 days until before his impending execution young attorney Adam Hall sets out to trace the events of a grisly event in an effort to prevent his grandfather from going to the gas chamber for a racist murder... Chris O'Donnell and Gene Hackman star in this electrifying thriller based on the novel by John Grisham with a screenplay from Oscar winner William Goldman.
Robert Bolt's successful play, A Man for All Seasons, was not considered a hot commercial property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make the film as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint". Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worth savouring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton, Amazon.com
Short stories from Jim Jarmusch that all have coffee and cigarettes in common.
A stylish piece of neo-noir, D.O.A. was directed by Rocky Morton and Annabel Jankel during their glory days as creators of Max Headroom. Sometimes mocked at the time for its extravagant visual imagery, this is a film which has aged better than might have been expected. Vastly reworked from the 40s original, D.O.A. stars Dennis Quaid as the burned-out campus novelist who discovers he has been fatally poisoned and sets out to find his killer in the short time left to him, along the way rediscovering his love for the life he is going to lose. Quaid is good enough both at chain-smoking cynicism and angry zest that this becomes emotionally credible; a worryingly young Meg Ryan is excellent as the hero-worshipping sophomore he co-opts into his search. With camerawork of sometimes hallucinatory vividness, rather too many shots of fans and Ferris wheels, and Charlotte Rampling playing a dragon-lady villainess to the hilt, this is a film which teeters on the brink of camp, but has the courage of its individuality. On the DVD: D.O.A. comes to disc with almost no special features whatever save for a Spanish soundtrack and subtitles in Spanish and the Scandinavian languages. Its widescreen visual aspect is 1.85:1 and the Dolby sound does full justice to a very loud score by bands like Timbuk 3.--Roz Kaveney
A hard-boiled mystery starring Frank Sinatra as the tough-as-nails Detective Joe Leland The Detective was based on a novel by Roderick Thorp. Called in to investigate the murder of Teddy Leikman the homosexual son of a well-connected department store mogul Leland executes an open-and-shut investigation. He quickly elicits a confession from Teddy's crazy roommate and the defendant is convicted and executed while Leland scores a promotion. But when the widow of an accountan
Holly Hunter plays a network news producer who, much to her chagrin, finds herself falling for pretty-boy anchorman William Hurt. He is all glamour without substance and represents a hated shift from hard news toward packaged "infotainment", which Hunter despises. Completing the triangle is Albert Brooks, who provides contrast as the gifted reporter with almost no presence on camera. He carries a torch for Hunter; she sees merely a friend. Written and directed by James L. Brooks, Broadcast News shows remarkable insight into the people who make television. On the surface the film is about that love triangle. If you look a little deeper, however, you will see that this behind-the-scenes comedy is a very revealing look at obsessive behaviour and the heightened emotions that accompany adrenaline addiction. It is for good reason this was nominated for seven Academy Awards (though it did not win any). There are scenes in this movie you cannot shake, such as Hunter's scheduled mini-breakdowns, or Brooks' furious "flop sweat" during his tryout as a national anchor. Watch for an uncredited Jack Nicholson as a senior newscaster. --Rochelle O'Gorman
Jack London's classic tale of the Klondike Gold Rush as we follow the lives of the dog Buck and his master John Thornton.
The smash hit sequel to Deanna Durbin's debut film 'Three Smart Girls' THREE SMART GIRLS GROW UP saw Deanna once more taking on the role that made her name and singing her signature song 'Because'.Deanna stars as Penny Craig the youngest of three sisters. When the handsome and debonair Richard Watkins (William Lundigan) proposes to her sister Joan everyone in the Craig household is delighted except for Penny's other sister Kay. She was secretly in love with Richard too...Determined to help young Penny turns to the family butler for advice. He says that Kay will forget all about Richard when she meets another 'tall dark and handsome' man. Never one to duck a challenge Penny finds just such a man to court her sister Kay - Harry Loren. Only Harry then falls madly in love with Joan... and everyone thinks Penny secretly loves Harry! Will the course of true love ever run smoothly in the Craig Household?Apart from the captivating 'Because' THREE SMART GIRLS also sees Deanna Durbin performing three other charming musical numbers 'Invitation to the Dance' 'La Capinera' and 'The Last Rose of Summer'.
In this explosive story of revenge and urban violence, Charles Bronson plays Paul Kersey, a bleeding-heart liberal who has a change of opinion after his wife and daughter are violently attacked by a gang of thugs in their apartment. His daughter is sexually assaulted and his wife is murdered. Bronson then turns vigilante as he stalks the mean streets of New York on the prowl for muggers, hoodlums and the like. Death Wish is a violent, controversial film that is frank and original in its treatment of urban crime and the average citizen's helplessness in dealing with it. Herbie Hancock wrote the musical score. And watch for a young Jeff Goldblum in his film debut as one of the thugs. Features: Theatrical Trailer
High school buddies Joe ""Coop"" Cooper & Doug Remer (""South Park"" creators Trey Parker & Matt Stone) invent a driveway game a combination of baseball and basketball. As they move into adulthood their increasingly popular game goes big-time with the help of eccentric billionaire Theodore Denslow (Borgnine) the founder of the National BASEketball League and owner of the Milwaukee Beers. After Denslow chokes to death on a hot dog the team is left in Coop's hands. The future of the ga
The fourth in the hilarious Bob Hope/Bing Crosby 'Road To...' series is a blizzard of laughs with Bob and Bing playing turn-of-the-century vaudevillians who search for Klondike gold - and find the beautiful Dorothy Lamour instead! After stealing the map to a gold mine from two Alaskan ne'er-do-wells Hope and Crosby assume the identities of the bad guys swagger into Skagway and meet saloon singer Lamour. A series of misadventures ensues as the boys Lamour the criminals and other c
Before Hollywood had entirely typecast Alfred Hitchcock as the master of suspense, with Mr & Mrs Smith he was allowed to fashion an elegant romantic trifle starring Robert Montgomery and Carole Lombard. It probably won't replace Rear Window or Psycho in your affections, but the film is more than a curious footnote to the director's career. The two leads play David and Ann Smith, a devoted but endlessly squabbling couple who discover their three-year marriage isn't legal. When he unexpectedly hesitates to arrange a second wedding, she storms out in a huff and soon begins dating his solid, dependable business partner Jeff (Gene Raymond). The rest follows the formula laid down by such previous screwball comedies as The Awful Truth (1937) and Bringing Up Baby (1938): David employs fair means or foul to win back Ann's heart, causes all sorts of complicated mischief, then... well, three guesses what happens in the end. The intriguing thing about the movie is how Hitchcock takes Norman Krasna's paper-thin script and adds sly undercurrents of menace. You may note, for instance, that the ostensibly happy Smiths treat each other with subtle sadism right from the start, and that David's tactical pursuit of his ex-wife (spying on her and deliberately offending Jeff's parents) involves them both in humiliations that are really quite sinister and ugly. Violence seems about to erupt in the recurring scenes where Ann shaves her husband (suggestively holding a razor up to his throat)--and make what you will of our hero's symbolic nosebleeds. There's a touch of Vertigo in one scary moment when a jammed amusement park ride leaves two characters dangling helplessly high above the ground--and a touch of shall we say relief for Hitchcock's well-known love of toilet humour in another oddball sequence. Montgomery and Lombard keep the mood acceptably frivolous, while indicating the flawed nature of the marital relationship. From the evidence of this one-off, Hitchcock might have been among the best comedy directors in the business, had he so wished. --Peter Matthews
It's a grand tour of the Nightmare legacy and the people who helped to make it real Wes Craven.Murderer. Dream Demon. The bastard son of a hundred maniacs. Any way you slice it, there can be only one man-one monster-who epitomises those words; Freddy Kruger.For Decades, he has slashed his way through the dreams of countless youngsters and shows no signs of ever resting in peace. A Nightmare on Elm Street star Heather Langenkamp is your dream guide in this thrilling shockumentary that takes you deeper into Freddy Kruger's realm than ever before, featuring exciting clips, never-before-seen photos, behind-the-scenes footage, conceptual art, publicity materials and exclusive new interviews with over 100 key cast and crew from every Nightmare, including Wes Craven, Robert Englund, Heather Langenkamp, Jack Sholder, Mark Patton, Kim Myers, Chuck Russell, Jennifer Rubin, Renny Harlin, Lisa Wilcox, Tuesday Knight, Stephen Hopkins, Kelly Jo Minter, Rachel Talalay, Lisa Zane, Alice Cooper, Patrick Lussier, Miko Hughes, Monica Keena, Brendan Fletcher, Ronny Yu and many more.So get ready for Freddy, in the definitive account of modern cinema's eternal bogeyman and what has been called the most frightening and imaginative horror franchise in motion picture history.
Not quite ready to surrender himself to responsibility or mainstream society, a young American travels to Asia and discovers he is not alone in his feelings
The prequel to ATV's famous boardroom drama The Power Game, The Plane Makers follows the fortunes of the Scott Furlong airplane development company and its managing director, the ruthless John Wilder (Patrick Wymark). Never previously available in any format, this release contains the first 13 episodes of series two - only one episode still exists from series one and that is included on disc one as a special feature. After months of work, a new passenger airliner, The Sovereign, is almost ready for its first flight. When John Wilder discovers that the Sovereign's French competitor is due for its maiden flight he gives orders to get the plane off the ground in two days, a decision he may come to regret... ? Don't Worry About Me - the only surviving episode from series one ? Image Galleries
One of legendary director Douglas Sirk's most cherished passion projects this spectacular adaptation of William Faulkner's Pylon has risen in stature to become one of his most acclaimed films. Reuniting with his core creative team from oil tycoon saga Written on the Wind Sirk this time examined the marginal lives and lost souls living one rung from the bottom with surpassing delicacy and artistry. Rock Hudson stars as journalist Burke Devlin fascinated by the sordid lives of a trio eking out a living in carnival circuit daredevil air shows - Roger Shumann (Robert Stack) former WWI fighter pilot forced into races and parachute routines with the help of his wife LaVerne (Dorothy Malone) and faithful mechanic Jiggs (Jack Carson). Evoking Depression-era New Orleans with glorious black-and-white CinemaScope photography Sirk's spellbinding chronicle of personal obsession romantic longing and irreconcilable desires now appears as one of the most extraordinary films to come out of 1950s Hollywood. The Masters of Cinema Series is proud to present The Tarnished Angels on Blu-ray for the first time. Special Features: Beautiful new 1080p high-definition master Feature-length audio commentary by film critic Adrian Martin Talk About the Business an interview with supporting actor William Schallert Infernal Circle an interview with critic Bill Krohn Acting with Douglas Sirk a collection of archival interviews with Douglas Sirk producer Albert Zugsmith and actors Rock Hudson Robert Stack and Dorothy Malone Original theatrical trailer Isolated music and effects track Optional English subtitles for the deaf and hearing impaired on the feature 40 Page Booklet featuring the words of Douglas Sirk vintage reportage from the film set rare imagery and more!
In My Favorite Brunette we witness Bob Hope's own unique brand of film comedy as he teams up with the great screen beauty Dorothy Lamour (who later co-starred with him in many of the classic Road To... movies along with Bing Crosby). Co-starring Peter Lorre and Lon Chaney Jr. Hope romps through this yarn playing a bumbling photographer turned private eye and finds himself involved with a spy caper the mob and a dangerous brunette.
Once again returning to the genre to which he was perhaps best-suited, director Lewis Milestone traces the fate of a Marine platoon during WWII. The film stars Richard Widmark as the no-nonsense Lt. Carl Anderson, an officer charged with the responibility of leading his unit on a scouting mission to capture prisoners from an experimental rocket-launching facility and bring them back for interrogation. Among his platoon are veterans Pidgeon Lane (Jack Palance), Doc (Karl Malden), and Sgt. Zelenko (Neville Brand), as well as raw recruits Coffman (Robert Wagner) and Cpl. Stuart Conroy (Richard Hylton). Anderson is skilled at subtly motivating the varied group of characters, while suffering himself from crushing headaches. The platoon attacks the island, taking losses on the heavily defended beach. When they try to take a strategic ridge, they're pinned down by rocket fire whose source is impossible to locate. In desperation, Anderson is ordered to take a hand-picked patrol behind enemy lines to bring back prisoners. After some painful losses, they finally return with prisoners. Despite occasional war movie cliches, this is a solid, exceptionally well acted effort, which gives full weight to the terrible human cost of war. The film is also notable for great performances by Malden, Palance, Widmark, Webb, and the very young Wagner.
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