For archaeologist Matt Fletcher (Casper Van Dien of Starship Troopers) it begins with the startling discovery of a 42-foot mummy buried beneath a desert valley in the American Southwest. But when additional evidence warns of a modern-day apocalypse Fletcher - along with a desperate industrialist (Robert Wagner of Austin Powers) and a skeptical engineer (Kristen Miller of She Spies) - must survive the rampage of the reanimated giant and the fury of a mysterious stranger who may be the most unholy incarnation of all.
Another series from Lew Grade's ITC stable, The Protectors attracted high ratings on both sides of the Atlantic when screened during 1971-3. Combining the high-tech ingenuity of Mission: Impossible with the glamour of The Champions, the basic premise of jet-setting special agents going where governments fear to tread is typical of its era. As Harry Rule, Robert Vaughn develops the thinking man of action persona he perfected in The Man from U.N.C.L.E, complemented by Nyree Dawn Porter's stylish Contessa di Contini. The underrated Tony Anholt makes the most of his Mediterranean good looks as Paul Buchet. Eight episodes are included here, all following a well-honed formula of intrigue and strategy, but with enough variety in scenario and setting--a range of European cities and resorts--to offset routine. Look out for a host of soon-to-be-familiar faces. There's also Tony Christie's full-throated rendition of the "Avenues and Alleyways" theme to round off each episode. On the DVD: The Protectors on disc comes in a full-screen format that reproduces excellently for its age (Lew Grade's productions always seem to last well). Each episode is divided into four chapter headings, with English subtitles available. With an informative run-down of how the series evolved and a gallery of captioned stills--some of which are curiously reproduced in black-and-white--taken with a healthy dose of nostalgia, entertainment is assured. --Richard Whitehouse
Sam Bowden has always provided for his family's future. But the past is coming back to haunt them. Master filmmaker Martin Scorsese brings heart – pounding suspense to one of the most acclaimed thrillers of all time. Fourteen years after being imprisoned vicious psychopath Max Cady [Robert De Niro] emerges with a single – minded mission to seek revenge on his attorney Sam Bowden [Nick Nolte]. Cady becomes a terrifying presence as he menancingly circles Bowden's increasingly unstable family. Realising he is legally powerless to protect his beautiful wife [Jessica Lange] and his troubled teenage daughter Danielle [Juliette Lewis] Sam resorts to unorthodox measures which lead to an unforgettable showdown on Cape Fear. Visually stunning images and brilliant performances from a talented cast highlight this roller–coaster ride through relentless psychological torment.
In one night for four best friends events take a surreal twist. One killing becomes an accidental double and after the third murder no longer seems like a crime to them. Now they have a car boot full of bodies and they need to save their own skins.
Harry Kantschneider has just been sentenced to a federal penitentiary: Maximum Security. A place where a lifetime sentence means a lifetime of hell. Harry has been stripped of his dignity and of his rights losing all his dreams to the nightmare of prison. But Harry is determined to get out no matter what it takes. Harry cleverly avoids the brutality of his inmates with his charming personality and a penchant for practical jokes. He becomes a hero to the other convicts and is befrie
This programme features interviews with Phil Lynott and his wife Caroline Crowther who speaks about him for the first time since his death. It also includes rare concert and television footage clips from some of the great Thin Lizzy gigs and classic Thin Lizzy videos. Brian Downey Scott Gorham Brian Robertson Eric Bell and Gary Moore managers Chris Morrison and Chris O'Donnell and rock stars Jon Bon Jovi Slash Bono Bob Geldof Huey Lewis Van Morrison Mark Knopfler and Midge Ure.
The terror has awakened... For archaelogist Matt Fletcher (Casper Van Dien) it begins with the startling discovery of a 42-foot mummy buried beneath a desert valley in the American Southwest. But when additional evidence warns of a modern-day apocalypse Fletcher - along with a desperate industrialist (Robert Wagner) and a sceptical engineer (Kristen Miller) - must survive the rampage of the reanimated giant and the fury of a mysterious stranger who may be the most unholy incarnation of all...
The Avenging Conscience:Nightmarish visions of ghouls and devils highlight this D.W. Griffith silent feature based around Edgar Allen Poe's The Telltale Heart and Annabelle Lee. A young man (Henry B. Walthall) finds himself prevented from wooing the girl he loves (Blanche Sweet) due to the tyrannical edicts of his mean old uncle (Spottiswoode Aitken). The poor lad becomes haunted by a series of visions that convince him to murder this interfering relative. After the murder has been planned and executed the man finds himself haunted by still more visions this time of the fire and brimstone variety. An inquiring detective (Ralph Lewis) adds to the ever-mounting paranoia. Birth Of A Nation: The first part of the film chronicles the Civil War as experienced through the eyes of two families; the Stonemans from the North and the Camerons of the South. Lifelong friends they become divided by the Mason-Dixon line with tragic results. Large-scale battle sequences and meticulous historical details culminate with a staged re-creation of Lincoln's assassination. The second half of the film chronicles the Reconstruction as Congressman Austin Stoneman (Ralph Lewis) puts evil Silas Lynch (George Siegmann) in charge of the liberated slaves at the Cameron hometown of Piedmont. Armed with the right to vote the freed slaves cause all sorts of trouble until Ben Cameron (Henry B. Walthall) founds the Ku Klux Klan and restores order and decency to the troubled land. While The Birth Of A Nation was a major step forward in the history of filmmaking it must be noted that the film supports a racist worldview. Broken Blossoms: This strangely beautiful silent film from D.W. Griffith is also one of his more grim efforts; an indictment of child abuse and the violence of western society. An idealistic Asian (Richard Barthelemess) travels to the west in hopes of spreading the Buddha's message of peace to the round-eyed sons of turmoil and strife. Instead he winds up a disillusioned opium-smoking shopkeeper in London's squalid Limehouse District. Down the street a poor waif (Lillian Gish) suffers horrific abuse at the hands of her boxer father (Donald Crisp). When fortune delivers the battered girl into the Asian's tender care a strange and beautiful love blossoms between them a love far too fragile to survive their brutal environment. Intolerance: D.W. Griffith's biggest most ambitious spectacle uses stories from different times and places to illustrate humanity's intolerance of religious differences throughout the ages. The most visually impressive of these chronicles is the fall of Babylon for which Griffith built the largest sets in Hollywood and filled them with thousands of extras; there's also Christ's crucifixion and the massacre of the Heugenots in 15th century France. The most emotionally involving tale is the modern one about a poor girl (Mae Marsh) whose life is repeatedly ruined by the zealotry of social reformers. The image of a mother (Lillian Gish) rocking her child in a cradle links the stories. At one point angels reach down from heaven to stop soldiers in midbattle making it clear that Griffith intended this follow-up to The Birth Of A Nation as a message of global peace and love Way Down East: Innocent Anna is sent by her poverty-stricken mother to visit rich relations in Boston where she is seduced into a sham marriage by a smooth-talking scoundrel. When she becomes pregnant he abandons her; later the baby dies. Now a social outcast she changes her name and eventually finds shelter at the estate of the sternly religious Squire Bartlett. She falls in love with his handsome son but cannot divulge to him her terrible secret for fear of his father's righteous
An Affair To Remember:In this poignant and humorous love story nominated for four Academy Awards Cary Grant and Deborah Kerr meet on an ocean liner and fall deeply in love. Though each is engaged to someone else they agree to meet six months later if they still feel the same way about each other. But a tragic accident prevents their rendezvous and the lovers' future takes an emotional and uncertain turn. Love Is A Many Splendoured Thing: Set in Hong Kong at the time
This blistering little black comedy was well ahead of its time when released in 1947. Originally Orson Welles had wanted Chaplin to star in his drama about a French mass murderer named Landru but Chaplin was hesitant to act for another director and used the idea himself. He plays a dapper gent named Henri Verdoux (who assumes a number of identities) a civilised monster who marries wealthy women then murders them (as we meet him he's gathering roses as an incinerator ominously bel
The UV copy is only available in the UK and Ireland. Industrious high school senior, Vee Delmonico (Emma Roberts), has had it with living life on the sidelines. When pressured by friends to join the popular online game NERVE, Vee decides to sign up for just one dare in what seems like harmless fun. But as she finds herself caught up in the thrill of the adrenaline-fueled competition, partnered with a mysterious stranger (Dave Franco), the game begins to take a sinister turn with increasingly dangerous acts, leading her into a high stakes finale that will determine her entire future.
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