After the end of his workday staid schoolteacher Jim explores the disco's and secret meeting places of London's gay underground unable to reconcile his sexual identity with the rest of his life - until the strain of living a lie threatens to take its toll at last.
Parts is the story of a man and a woman in love in a place full of lies deception death and danger. It is a story of a place called Clonus where nothing occurs by chance and everyone will die by the horror of freezing to be used later for their body parts. It is the story of the accidental love affair of Richard and Lena who are unwitting clones not people and of the doctors and guides and their lies and surveillance. But most of all it is the story of Richard who uncovers the truth and plots to escape. Parts is a film involving the realities of today's miracle science with the drama and shock of a horror thriller It is the story of what happens when science and nightmare merge.
The first volume in Jeff Kinney's wildly popular Web and book series hits the screen in this live-action adaptation. The impish Zachary Gordon, who recalls Wonder Years-era Fred Savage, plays Greg Heffley, who enters middle school determined to become class favourite. It won't be easy. His best friend, Rowley (the sweetly funny Robert Capron), is a big, redheaded lug who embarrasses him at every turn. Greg's obnoxious teenage brother, Rodrick (Devon Bostick), advises him to keep his head down, but Greg believes he needs to excel at something to achieve his goal. Smart, but small for his age, he tries wrestling and safety patrolling, but nothing seems to fit. During gym class, he and Rowley meet wise-beyond-her-years newspaper reporter Angie (Chloë Moretz, (500) Days of Summer), who finds popularity overrated. Greg isn't convinced, but the harder he tries, the more boorish he becomes, until even Rowley abandons him. After a humiliating encounter with some high school bullies, though, Greg learns what really matters: self-respect (he also discovers that the dreaded "cheese touch" is just a myth). Berlin-born director Thor Freudenthal (Hotel for Dogs) avoids any dull or sentimental patches, which should please kids and adults alike (an upbeat modern-rock soundtrack doesn't hurt). Rachael Harris and Steve Zahn could use more face time as the terminally un-cool Heffley parents, but Harris's rhythm-impaired moves at the mother-son dance provide one of the best laughs. Kinney fans will also appreciate the way Freudenthal weaves stick-figure drawings from Greg's journal throughout this zippy entertainment. --Kathleen C. Fennessy
A young girl and her grandfather are torn apart by her parents divorce. She finally makes a stand for herself which lays the groundwork for mending the fractured ties.
Three film adaptations from the novels of the woman known to millions as 'The Queen Of Suspense'. Pretend You Don't See Her (Dir. Rene Bonniere 2002): After witnessing the brutal murder of a client a real estate agent becomes entangled in the homicide investigation and races to uncover the motives behind the killing before she becomes the next victim. Loves Music Loves To Dance (Dir. Mario Azzopardi 2001): A talk show producer faces her own guilt when she discovers
This value-for-money Zombie Double Feature is billed as "Flesh Creepers, Volume 1", and offers a double billing of George A Romeros classic Night of the Living Dead (1968) and Steve Sekelys rather less fondly remembered Revenge of the Zombies (1943). Night of the Living Dead is a masterpiece, but it has also slipped through a copyright loophole which means it has been issued on video and DVD by a great many distributors in as many variant versions. This one isnt ruined by colorisation or dodgy new footage as a couple of rival releases are, but it is soft-looking print, free of censor cuts but very washed-out-looking. The background notes inexcusably get the date of the film wrong, crassly tagging it "think Blair Witch 1964", and mention the existence of extras-filled special DVD editions, which rather rubs in the fact that this no-frills effort has none of the commentaries or documentaries found on other releases. Revenge of the Zombies is a sluggish hour-long wartime B-picture, with John Carradine underplaying for once as a Nazi scientist creating an army of zombies (ie: a handful of shuffling extras) in the Louisiana swamplands. Comedy relief Mantan Moreland has the best moments and the trudging-around-the-backlot zombies ("things walkin aint got no business to be walkin") are fun, but it isnt especially good of its kind. On the DVD: The Zombie Double Feature presents both films in "horrorscope", which means letterboxing and blurry image. The only extra is a list-like essay about the habits of flesh-eating zombies in Romero films.--Kim Newman
Breakout is a 1975 jailbreak vehicle for Charles Bronson and wife Jill Ireland. It also stars Robert Duvall as Jay Wagner, framed by his wealthy but scheming grandfather (John Huston) and sentenced to 28 years in a Mexican jail. Ireland plays his concerned wife who enlists the help of small-time pilot Nick Colton (Bronson) to get Duvall out of jail in an audacious escape plot. While supporting actors such as Randy Quaid as Bronson's sidekick bring a little enthusiasm to their parts, the major players do not. Bronson and Ireland deliver their parts with the stiltedness of a first run-through, while Robert Duvall's mind seems entirely elsewhere, as if he's unable to believe he's involved in such an inauspicious project. His character seems strangely indifferent to his fate, an indifference which spreads swiftly to the audience. The escape sequence takes an eternity to arrive and when it does is almost breathtakingly underwhelming. Only the gruesomely depicted death of a bad guy, slashed to pieces by a propeller on a runaway, strikes a pleasingly jarring note. Otherwise, you almost feel sorry for this film, so manifestly unloved is it by those who conceived and participated in it. On the DVD: Breakout on disc is presented in anamorphic widescreen format. There are no extras other than subtitles. --David Stubbs
America has become a society steeped in violence and most decent ordinary people are sick of it. Or are they? From two of the world’s most controversial filmmakers Quentin Tarantino and Oliver Stone comes one of the most controversial films ever made. Meet Mickey (Woody Harrelson) and Mallory (Juliette Lewis) - the most terrifying and relentless cold-blooded killers imaginable. Rejected by society these two lost souls embark on a murderous rampage. But as the body count soars so too does their notoriety and before long the greedy tabloid press has made them into cult heroes. In the media circus of life Mickey and Mallory have just become the main attraction...
A young girl and her grandfather are torn apart by her parents divorce. She finally makes a stand for herself which lays the groundwork for mending the fractured ties.
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