This Happy Breed' is a splendidly acted classic portraying how an ordinary British family lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. The inhabitants of 17 Sycamore Road are ordinary people with their irritable in-laws their just plain folks camaraderie and their unshakeable belief that no matter how hard the times are Mother England is forged of good stock and common sense will somehow prevail. This is a wonderful adaptation of Noel Coward's play written by Anthony Havelock-Allan and directed by David Lean who brought us the critically acclaimed classic 'Brief Encounter'.
Robert Newton takes up the role of the British pirate turned semi-respectable citizen Long John Silver in these episodes from 1955.
Contains 2 classic Pirate feature films Long John Silver's Return To Treasure Island starring Robert Newton and Captain Kidd starring Charles Laughton & Randolph Scott. Plus 8 classic T.V episodes of The Adventures Of Long John Silver
Featuring Long John Silver's Return To Treasure Island and Captain Kidd! Long John Silver's Return To Treasure Island: The pirate adventure sequel to the classic Treasure Island. Robert Newton reprising his bravura performance as the one-legged buccaneer saving Jim Hawkins and the Colonial Governor's daughter from the evil Captain Medosa. Naturally there is more to his rescue plan than meets the eye; Jim has a medallion which is the key to finding more
Robert Newton takes up the role of the British pirate turned semi-respectable citizen Long John Silver in these 8 episodes from 1955. Episodes Comprise: 1. The Necklace 2. Pieces of Eight 3. The Orphan's Christmas 4. Execution Dock 5. The Eviction 6. The Pink Pearl 7. The Tale of a Tooth 8. The Ship of the Dead
Mary an orphan girl goes to live with her Uncle Joss landlord of the Jamaica Inn. Working as a barmaid at the inn Mary discovers that her uncle is the head of a gang of pirates who prey upon wrecked ships that have foundered in the heavy seas. When she then finds out that the gang lure the ships to their doom in the first place her life is put in danger...
Blackbeard's Ghost (Dir. Robert Stevenson 1968): Award-winning actor Peter Ustinov stars in this hilarious fantasy as the ghost of the legendary pirate Blackbeard. The once blackhearted scoundrel materializes in a small New England town cursed to wander in limbo until he performs a good deed. He gets his chance when he decides to help a local college track team... that hasn't a ghost of a chance of winning! Blackbeard finds himself full of team spirit and dispensing his own brand of invisible coaching... in this warmhearted comedy that will have you laughing from his first fade-in to his final fade-out! Treasure Island (Dir. Byron Haskin 1950): In this swashbuckling high-seas adventure Walt Disney has vividly brought to life Robert Louis Stevenson's thrilling tale of buccaneers and buried gold - presented for the first time in it's original uncut theatrical version! Authentic locales and musket-roaring action set the stage for the stouthearted heroics of young Jim Hawkins (Bobby Driscoll) and the skullduggery of that wily one-legged pirate Long John Silver.
James Mason stars in this powerful suspense drama as Johnny McQueen the leader of a quasi-IRA group. When he's wounded in a botched robbery he becomes the object of an intense police manhunt and must scramble desperately about Belfast in an attempt to escape. Kathleen (Kathleen Ryan) the woman who loves him also takes off in pursuit of Johnny hoping to reach him before the police do.
Odd Man Out is a British classic from 1947 that fits the film noir definition in almost every respect. It's one of the milestones of its era, highlighted by what is arguably the best performance in the illustrious career of James Mason, here playing the leader of an underground Irish rebel organisation, who is seriously wounded when a payroll heist goes sour. Left for dead by his accomplices on the streets of Belfast he's forced to hide wherever he can find shelter and as his gunshot wound gradually drains his life away, his lover (Kathleen Ryan) struggles to locate him before it's too late. Although the IRA and Belfast are never mentioned by name, this film was a daring and morally complex examination of Northern Ireland's "troubles" and the compelling tragedy hasn't lost any of its impact. A study of conscience in crisis and the bitter aftermath of terrorism, this was one of the first films to address IRA activities on intimately human terms. Political potency is there for those who seek it, but the film is equally invigorating as a riveting story of a tragic figure on the run from the law, forced to confront the wrath of his own beliefs in the last hours of his life. It was this brilliant, unforgettable film that established the directorial prowess of Carol Reed, whose next two films (The Fallen Idol and The Third Man) were equally extraordinary. --Jeff Shannon
It's generally acknowledged that the Master of Suspense disliked costume dramas, and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to quit Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and émigré German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--du Maurier adaptations, Rebecca and The Birds.--Philip Kemp
British film noir made in 1948 by the Gainsborough Studio, set in the Italian alps and full of post war intrigue and espionage. Engles (Robert Newton), a film director, offers his old friend and film extra Neil Blair (Dennis Price), an intriguing assignment. Blair is to travel to a remote Italian ski lodge and pose as a film script writer working on his next project. The real purpose of Blair s visit is to observe the visitors to the resort who include Wesson (Stanley Holloway) a photographer, and the mysterious Countess Forelli, who Blair quickly realises is travelling under an alias. The story begins to unfold with the arrival of Keramiko (Herbert Lom), a mysterious Greek gentleman, and when an attempt is made on Blair s life the real reason for his presence at the resort, and that of the other guests, soon becomes clear...
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