Ken Russell's flamboyant treatment of The Who's rock opera about a deaf dumb and blind boy who develops an extraordinary ability at pinball. Under his sinister stepfather's influence he achieves fame and a cult following but his almost messianic status also spells the beginning of his destruction... Featuring musical contributions from a host of rock stars including Elton John Eric Clapton and Tina Turner.
Harold Pinter's first full-length stage play, The Birthday Party, was 10 years old when William (The Exorcist) Friedkin directed it for the cinema in 1968. In some ways, it was already a period-piece by then, Pinter's use of a combination of silence and excruciatingly banal dialogue to generate precipitous dramatic tension having been absorbed by contemporary theatrical mythology long since. Are the sinister McCann and Goldberg real? Or do they exist only in Stan's head? At the end, we're none the wiser. But Friedkin's claustrophobic direction, with the tormented Stan as its focus, has taken us through a master study in understated horror. The handheld camera, so fashionable in modern television drama, has rarely been used to such hypnotic effect. As Stan, Robert Shaw is mesmerising in his descent to animal-like submission. Sydney Tafler's Goldberg and Patrick Magee 's McCann make a truly terrifying double act. Cult television fans will appreciate an early appearance by Helen Fraser (these days best known as a sadistic prison warder in Bad Girls) as the easily seduced neighbour. Now that Friedkin's film is itself over 30 years old, the scent of mothballs ought to be even more pronounced. Its decrepit seaside boarding house setting and the drabness of the peripheral players are redolent of the distinctly non-swinging side of the 1960s in which it was made. But more than anything, The Birthday Party is about unspecified terror and the sort of inner demons that lurk in all of us. On the DVD: Excellent sound quality helps to make this a compellingly theatrical experience: never has the noise of tearing newspaper been more menacing. And the picture quality retains the grainy authenticity of the original print. Special features include brief backgrounders on the history of the play and Friedkin's career, and a slide show of still s from key scenes. --Piers Ford
The hills are once again alive with the sound of screaming in Wes Craven's hugely entertaining follow-up to his own groundbreaking 1977 The Hills Have Eyes. A motocross team on their way to trial a new super-fuel head out across the desert lead by Rachel, who, unbeknownst to the rest of the group, is a survivor of the cannibal clan which menaced the Carter family several years before. Opting to take an ill-advised shortcut across the desert, the busload of youngsters drive straight into the path of the remnants of Rachel's demented cannibal kin - the menacing Pluto, and a hulking, blood-hungry brute by the name of The Reaper. Made by Wes Craven immediately prior to his smash-hit A Nightmare on Elm Street, The Hills Have Eyes Part II diverges from the grim tone of its predecessor in favour of fun action-horror thrills and spills replete with mutants, motorbikes, and - oh yes - dog flashbacks! Limited Edition Contents: Brand new 2K restoration from original film elements High Definition Blu-ray (1080p) presentation Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing Brand new audio commentary with The Hysteria Continues Blood, Sand, and Fire: The Making of The Hills Have Eyes Part II - brand new making-of documentary featuring interviews with actor Michael Berryman, actress Janus Blythe, production designer Dominick Bruno, composer Harry Manfredini and unit production manager/first assistant director John Callas Still gallery Original Theatrical Trailer 6 Postcards Reversible fold-out Poster Limited Edition 40-page booklet featuring new writing on the film by Amanda Reyes and an archival set visit from Fangoria Reversible sleeve featuring original and newly commissioned artwork by Paul Shipper
Holly Hunter plays a network news producer who, much to her chagrin, finds herself falling for pretty-boy anchorman William Hurt. He is all glamour without substance and represents a hated shift from hard news toward packaged "infotainment", which Hunter despises. Completing the triangle is Albert Brooks, who provides contrast as the gifted reporter with almost no presence on camera. He carries a torch for Hunter; she sees merely a friend. Written and directed by James L. Brooks, Broadcast News shows remarkable insight into the people who make television. On the surface the film is about that love triangle. If you look a little deeper, however, you will see that this behind-the-scenes comedy is a very revealing look at obsessive behaviour and the heightened emotions that accompany adrenaline addiction. It is for good reason this was nominated for seven Academy Awards (though it did not win any). There are scenes in this movie you cannot shake, such as Hunter's scheduled mini-breakdowns, or Brooks' furious "flop sweat" during his tryout as a national anchor. Watch for an uncredited Jack Nicholson as a senior newscaster. --Rochelle O'Gorman
1950s sci-fi horror produced by Howard Hawks. After an unknown spacecraft crashes near a remote scientific outpost in the Arctic, a US Air Force crew is dispatched from Alaska to investigate. They frantically begin to recover the craft, which is encased in ice, and find a frozen body buried nearby. They take it back to their base and, while they argue over how to proceed with their discovery, the alien life form escapes and begins feeding on any living creature it can find...
Whilst financier James Ryder (Harry H. Corbett) discusses a potential take-over deal he is unaware that Mrs. Cragg (Peggy Mount) is busy polishing the floor beneath his desk. After Ryder leaves Mrs Cragg retrieves an un-smoked cigar from the wastepaper bin wraps it in a crumpled telegram and takes it for her next cleaning client Colonel Whitforth (Robert Morley). The Colonel gladly accepts the cigar but is even more excited by the contents of the telegram which allow him and Mrs Cragg to make a cool ''5 000 on the stock market! But when the city financiers decide to redevelop the cleaners' houses they soon find out that the ladies who do will not be moved!
A feature-length documentary about Roger Corman's life, career and remarkable influence on modern moviemaking.Blue jeans, sock-hops and drive-in movies: the Fifties were America's age of innocence. But stalking the depths of its post-nuclear bliss, mass paranoia became fuel for Joseph McCarthy's brand of Red Scare terror propaganda. Bomb shelters were a deluxe feature in every American home, government-sponsored educational reels promised an imminent nuclear threat from across the Atlantic, and Hollywood, Babylon of the western world, hung on the brink of collapse. It was here, in the last-ditch machinations of a dying juggernaut, that a mild-mannered, civil engineer's son would become the most influential force in modern moviemaking. Corman's World tracks the triumphant rise of Hollywood's most prolific writer-director-producer, the true godfather of independent filmmaking.
A frightened young man races his truck down a dirt road constantly looking back in terror. He is being pursued by some unseen menace! Undoubtedly it is this menace that is responsible for a series of mysterious food truck robberies and the main suspect is the 60-foot tall Colossal Man! Previously presumed dead he is discovered living in a desolate mountain range in Mexico insane and horribly disfigured his face covered in scar tissue and missing an eye. Every effort of communicating with the giant fails and the military drugs him and transports him back to America where he promptly escapes to wreak havoc on an unfortunate city!
Based on the unfinished novel by F. Scott Fitzgerald celebrated actor Robert De Niro heads a powerhouse cast as ruthless motion-picture studio head Monroe Stahr. Tony Curtis Robert Mitchum Jeanne Moreau Theresa Russell Anjelica Huston and Jack Nicholson contribute supporting performances in this richly detailed 1930's epic.
A feature-length documentary about Roger Corman's life, career and remarkable influence on modern moviemaking.Blue jeans, sock-hops and drive-in movies: the Fifties were America's age of innocence. But stalking the depths of its post-nuclear bliss, mass paranoia became fuel for Joseph McCarthy's brand of Red Scare terror propaganda. Bomb shelters were a deluxe feature in every American home, government-sponsored educational reels promised an imminent nuclear threat from across the Atlantic, and Hollywood, Babylon of the western world, hung on the brink of collapse. It was here, in the last-ditch machinations of a dying juggernaut, that a mild-mannered, civil engineer's son would become the most influential force in modern moviemaking. Corman's World tracks the triumphant rise of Hollywood's most prolific writer-director-producer, the true godfather of independent filmmaking.
Recently widowed Matt Calder (Robert Mitchum) and his young son begin a new life in the breathtaking rugged Northwest wilderness where Matt is robbed and beaten by ruthless gambler Harry Weston (Rory Calhoun). When Weston's beautiful fiance (Marilyn Monroe) then decides to nurse Calder back to health the insanely jealous Weston risks all their lives by taking them on a ride down a treacherous river...
Three beautiful young women who meet by chance decide to follow their dreams of stardom to Malibu. As they become more accustomed to the Los Angeles lifestyle they each explore fantasies they never knew existed.
On a small island off the California coast it's July 4th and tourists are washing up dead in Babylon Bay... Aquanoids is a sea creature horror film that delivers a healthy dose of horror combined with a sexy star breathtaking scenery extensive underwater photography state of the art creature effects and a fast paced story with enough action to make anyone have to come up for air....
You Were Never Lovelier (1942) In this lavish Hollywood musical, the headstrong daughter (Hayworth) of a powerful Argentine hotelier has to contend with her father's attempts to get her to marry...; ; Cover Girl (1944) Rusty Parker (Hayworth), a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career...; ; Gilda (1946) In the story of Gilda, Johnn...
A tough realistic war film that centers around a small platoon at a remote firebase in Vietnam. The platoon are sent relentlessly on search and destroy missions. On one particular mission the Platoon move into a village catching and killing a band of Viet-Cong they then destroy the arms cache. As the Platoon moves out of the village they discover they are surrounded by a battalion. They make for a rendezvous point where they will be lifted out by helicopter they manage to fight their way to the helicopter pick-up point most of the platoon are now dead and the handful of men left become trapped at the bottom of the ravine.
Dracula Prisoner Of Frankenstein (1972): Yesterday they were cold and dead. Today they're hot and bothered! When Dracula despatches another innocent victim Dr. Seward decides it's time to eradicate the evil count once and for all. However when Dr Frankenstein reanimates the lifeless Count in an attempt to create the perfect master race it's a three way battle between the man the vampire and the monster. Plus a werewolf thrown in for good measure! Curse Of Frankenstein
The Fan (Dir. Tony Scott 1998): Gil Renard (Robert De Niro) is a big baseball fan. Separated from his wife and son and down on his luck Renard's love of baseball becomes an obsession and he stalks his favourite baseball celebrity Bobby Rayburn (Wesley Snipes). When Rayburn falls into a career slump Renard's obsession takes a deadly turn and he secretly vows to stop at nothing including murder to restore his idol's reputation. About Schmidt (Dir. Alexander Payne 2002): Warren Schmidt (Nicholson) has arrived at several of life's crossroads all at the same time as he is forced to deal with an ambiguous future as he enters retirement. Soon after his wife of 42 years passes away and he must come to terms with his only daughters marriage to a man he does not care for. With no job no wife and no family Warren is desperate to find something meaningful in his thoroughly unimpressive life. Warren sets out on a journey of self-discovery exploring his roots across Nebraska and facing up to the failure that his life has become. 15 Minutes (Dir. John Herzfeld 2001): Robert De Niro stars as homicide detective Eddie Flemming a man who knows how to handle high-profile murders. But now with a crime that has ended in a grisly fire and a pair of Eastern European killers on a rampage across the city Flemming must team up with a rival: the low-key Arson Investigator Jordy Warsaw played by Ed Burns.
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