Spooks: Series 8 opens where series 7 left off: Harry Pearce (head of MI5's section D) has been kidnapped and the rest of the team are racing to solve the mystery of his disappearance before it's too late...
Spooks: Series 8 opens where series 7 left off: Harry Pearce (head of MI5's section D) has been kidnapped and the rest of the team are racing to solve the mystery of his disappearance before it's too late...
This lavish adaptation of Charles Dickens immortal tale follows Pip an orphan given the chance to break free from poverty and live life as a gentleman. The stunning performances by an all-star cast are unforgettable. James Mason is Magwitch the escaped convict Pip helps in an act which is to affect his whole life; Robert Morley plays his kindly uncle; Anthony Quayle is Jaggers the lawyer who intercedes for Pip's anonymous benefactor; and the rich but deeply troubled Miss Havisha
Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson
Based freely on the classic novels by CS Forester, Hornblower is a series of TV films following the progress of a young officer through the ranks of the British navy during the Napoleonic Wars. The series greatest asset is the handsome and charismatic Ioan Gruffudd in the lead role, surely a major star in the making. For television films the production values are very good, though as Titanic, Waterworld and The Perfect Storm demonstrated, filming an aquatic adventure is a very expensive business, and it is clear that the Hornblower dramas simply make the best of comparatively small budgets. No more faithful to Forester's books than the 1951 Gregory Peck classic Captain Horatio Hornblower, the real inspiration seems to have come from the success of Sharpe, starring Sean Bean, which likewise featured a British hero in the Napoleonic Wars. Nevertheless, while rather more easy going than the real British navy of the time, the Hornblower saga delivers an entertaining adventure, greatly enhanced by the presence of such guest stars as Denis Lawson, Cheri Lunghi, Ronald Pickup and Anthony Sher. Firmly settled on HMS Indefatigable and mentored by Captain Pellew (an excellent Robert Lindsay), "The Examination for Lieutenant" finds Spain entering the war in an adventure involving both the Black Death and a lethal fireship.--Gary S Dalkin
Discover the curious relationship between the British and the seas in this series first shown on the BBC. The nation's love affair with the coast will be reawakened for this entertaining and ambitious exploration of the entire UK coastline. Every part of the 9 000-mile coast is covered to explore how we've shaped it - and how it shapes us. Hosted by a team of history and geography experts who investigate everything from life on a nuclear submarine to rebuilding the Titanic using co
Series 2 of the acclaimed BBC factual documentary - uncovering the mysteries and secrets of the spectacular British Coastline.
A woman sets out to make life hell for her ex-husband's new wife.
From the legendary director of Dawn Of The Dead, George A. Romero comes a new take on his terrifying world of the undead.
This DVD features four of the best episodes from the first series of the critically acclaimed animated comedy. Episodes include: 'A Rabbit For All Seasons' 'Colin Pays A Visit' 'Lucy The Adventurer' 'Lucy Blows Her Top
The madcap doctor team are at it again! This time Dr. Burke stows away on a cruise ship when his girlfriend is assigned a modelling job aboard the vessel and ends up as a ship's doctor.
He's Irish he drinks is a touch cynical and when he has time he writes a newspaper column. On the eve of the country's first election as an independent state Dan Starkey's life is about to change after he finds the young woman he has just made love to dead and his only ally is a nun..
First there was an opportunity......then there was a betrayal.Twenty years have gone by. Much has changed but just as much remains the same.Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.Click Images to Enlarge
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
Sequel to 'Best Of The Best'. A member of the US Karate team is murdered. Now the team's fighting skills must be used for real!
From the legendary director of Dawn Of The Dead, George A. Romero comes a new take on his terrifying world of the undead.
Schoolteacher and family man Ed Avery who's been suffering bouts of severe pain and even blackouts is hospitalized with what's diagnosed as a rare inflammation of the arteries. Told by doctors that he probably has only months to live Ed agrees to an experimental treatment: doses of the hormone cortisone. Ed makes a remarkable recovery and returns home to his wife Lou and their son Richie. He must keep taking cortisone tablets regularly to prevent a recurrence of his illness. But the miracle cure turns into its own nightmare as Ed starts to abuse the tablets causing him to experience increasingly wild mood swings...
Discover the curious relationship between the British and the seas in these two series first shown on the BBC.
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
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