After witnessing the brutal murder of his family Jack Brooks (Trevor Matthews) is left with an unquenchable fury that he is constantly fighting to control. Now working as a local plumber and struggling in a relationship with his girlfriend Eve (Rachel Skarsten) Jack's life has become a downward spiral. One night Jack attempts to fix Professor Crowley's (Robert Englund) old rusted pipes but unknowingly awakens an ancient evil. Lured by this demonic power Crowley discovers a monstrous black heart that quickly forces its way inside him. Possessed by the heart by beating in his chest the Professor starts a slow gruesome transformation. Only then does Jack realise he can't run away from his past and quickly discovers the true purpose of his inner rage.
You'd think a black comedy about murder, tackiness, and sexual perversion would quickly become dated, but Eating Raoul (1982) feels surprisingly fresh and delightful. When Mary Bland (Mary Woronov) gets assaulted by one of the repulsive swingers from the neighbouring apartment, her husband Paul (Paul Bartel) rescues her with a swift blow from a frying pan--only to discover a substantial wad of cash in the swinger's wallet. A lure-and-kill scheme follows, which nicely fills their nest egg until a slippery thief named Raoul (Robert Beltran of Star Trek: Voyager, making his film debut) stumbles onto the truth and insists on getting a share. When Raoul starts demanding a share of Mary as well, Paul has to take drastic steps. The key to Eating Raoul isn't the sensational content, but the blithe, matter-of-fact attitude Bartel and Woronov take to it; their sly underplaying makes the movie sparkle with wicked wit. --Bret Fetzer
Once Upon a Time in America has a chequered history, having been chopped from its original 229-minute director's cut to 139 minutes for its theatrical release. The longer edition presented here benefits from having the complete story (the short version has huge gaps) about turn-of-the-century Jewish immigrants in America finding their way into lives of crime, as told in flashback by an ageing Jewish gangster named Noodles (Robert De Niro). On the other hand, it's almost four hours long, and this sometimes-indulgent Sergio Leone film is no Godfather. Still, it is notable for the contrast between Leone's elegiac take on the gangster film and his occasional explosive action, as well as for the mix of the stoic, inexpressive De Niro and the hyperactive James Woods as his lifelong friend and rival. --Marshall Fine
Scarface (Dir. Brian De Palma 1983): In the spring of 1980 the port at Mariel Harbour was opened and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami... wealth power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name - Scarface! Al Pacino gives an unforgettable performance as Tony Montana one of the most ruthless gangsters ever d
To avoid being charged with arson after burning down a circus Hot Lips Barton (Bob Hope) and Scat Sweeney (Bing Crosby) stow away on an ocean bound ship. Aboard the vessel the duo fall for Lucia Maria de Andrade (Dorothy Lamour) who is under the spell of her evil aunt (Gale Sondergaard) who has arranged a marriage for the young beauty. This film was in good hands since many of Hope's best collaborators worked on the picture. Director Norman Z. McLeod went on to direct Hope in four
Lots of action and an abundance of music take center stage in this classic Roy Rogers' western. The action takes place in the frontier town of Caliente California shortly after that state's admittance to the Union. It is a turbulent time when land-hungry settlers fortune hunters and outlaws threaten the existence of the Old Spanish dons and their sprawling ranchos. Roy stars as the right-hand man for one of the Spanish aristocrats Don Miguel (Frank Puglia). Another of the original Spanish-Americans Delgado (Jack LaRue) robs Don Miguel's son of $40 000 and places the blame on the upstart American settlers. It's up to Roy to settle accounts which he does in an exciting fight at the edge of the ocean.
West of the Pecos (1945): Robert Mitchum stars in this well plotted exciting Zane Grey Western. Thurston Hall and his daughter Barbara Hale are accosted by robbers en route to their Texas ranch from Chicago. This is only the start of their troubles as they encounter hold-ups horse stampedes and outlaws. Hiring Robert Mitchum and his sidekick to run their ranch leads to further problems because of Mitchum's checkered past. Plot twists and Suspense highlight this old west cla
Scarface (Dir. Brian De Palma 1983): In the spring of 1980 the port at Mariel Harbour was opened and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami... wealth power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name - Scarface! Al Pacino gives an unforgettable performance as Tony Montana one of the most ruthless gangsters ever depicted on film in this gripping crime epic inspired by the 1932 classic of the same title. Casino (Dir. Martin Scorsese 1995): Robert De Niro Sharon Stone and Joe Pesci star in Director Martin Scorsese's riveting look at how blind ambition white-hot passion and 24-carat greed toppled an empire. Las Vegas in 1973 is the setting for this fact-based story about the Mob's multi-million dollar casino operation - where fortunes and lives were made and lost with a roll of the dice... Carlito's Way (Dir. Brian De Palma 1993): Al Pacino is an ex-druglord fighting to escape his violent treacherous past in his crime-action tour de force from acclaimed director Brian DePalma. Sprung from prison on a legal technicality by his cocaine-addled attorney (Sean Penn) former drug kingpin Carlito Brigante (Pacino) stuns the local underworld when he vows to go straight. Taking a job managing a glitzy low-life nightclub he tracks down his onetime girlfriend (Penelope Ann Miller) and rekindles their romance promising he's changed for good. But Carlito's dream of going legitimate is undermined at every turn by murderous former cronies and even deadlier young thugs out to make a name for themselves. Ultimately however his most dangerous enemy is himself. Despite good intentions Carlito's misguided loyalties and an outmoded code of ""honour"" will plunge him into a savage life-or-death battle against the relentless forces that refuse to let him go.
From the director of "Airplane" comes the third instalment in the scary spoof franchise.
When beloved mentor Judge Pettitt (Richard Farnsworth) is murdered lawyer Sandy Albright (O'Neill) is faced with the agonising task of having to defend his alleged killer. But even before the suspect a migrant worker who may or may not be guilty can be brought to trial Sandy finds herself in a life or death battle with a vigilante posse and a corrupt police deputy who will stop at nothing including cold-blooded murder to ensure that neither she nor her client survive to see their
No one stays at the top forever. Robert De Niro Sharon Stone and Joe Pesci star in Martin Scorsese's riveting look at how blind ambition white-hot passion and 24-carat greed toppled an empire. Las Vegas in 1973 is the setting for this fact-based story about the Mob's multi-million dollar casino operation - where fortunes and lives were made and lost with a roll of the dice... In an era of over-the-top glitz Sam 'Ace' Rothstein (De Niro) is riding high as front man for the Mob's multi-billion dollar Las Vegas operation. To protect their 'investment' the bosses send in Ace's boyhood pal - hot-headed enforcer Nicky Santoro (Pesci). It's a winning hand: Ace's brain and Nicky's muscle... until sexy wildcard Ginger McKenna (Stone) turns up the heat. This gripping fact-based tale boasts extraordinary performances a sizzling soundtrack and a dizzying look beneath the glamorous facade beyond the closed doors and behind the eyes of the men and women whose fortunes - and lives - were made and lost with the roll of a dice. Sharon Stone's performance so impressed the Academy that they granted her first and only Oscar (thus far) for a magnificent performance as the glamorous hustler Ginger McKenna.
Maniacal outlaws thirsting for blood! Corrupt capitalists profiting from the suffering of the common folk! Desperate people pushed to violent revenge! The Italian western has never been grittier than in this quartet of later-period cult classics, in which the trademark cynicism of the genre escalates into the radical pessimism of the late 1960s / early 1970s world. In Paolo Bianchini's I Want Him Dead (1968), American actor Craig Hill (The Bloodstained Shadow) stars as an ex-Confederate soldier who vows revenge after his sister is raped and murdered, in so doing setting him on a collision course with a dastardly plot to disrupt peace talks between the North and South. Next, in Edoardo Mulargia's El Puro (1969; a.k.a. The Reward's Yours The Man's Mine), western icon Robert Woods (My Name is Pecos) gives arguably his greatest performance as a legendary gunfighter forced to emerge from hiding after the bounty hunters on his tail murder the tender-hearted barmaid (Rosalba Neri, Smile Before Death) who offered him a new life. Then, in Mario Camus' Wrath of the Wind (1970), genre superstar Terence Hill (They Call Me Trinity) shows his darker side as an assassin who finds his conscience when he and his brother (Mario Pardo, Knife of Ice) are hired by a ruthless landholder (Fernando Rey, The French Connection) to kill the leaders of a growing labor movement. Finally, Fabio Testi (What Have You Done to Solange?) and Tomas Milian (Don't Torture a Duckling) star in Lucio Fulci's The Four of the Apocalypse (1975), in which a quartet of misfits go from sharing the same jail cell to embarking on a savage odyssey that will lead to torture, rape and cannibalism. Preyed upon by a ruthless bandit, the foursome fight for their lives until the time comes for revenge. Four of the Italian western's hardest, cruelest, bloodiest classics erupt from the screen in this feature-packed box set from Arrow Films. Featuring dazzling High Definition restorations and a wealth of bonus materials, Savage Guns delivers from both barrels! 4-DISC SPECIAL EDITION CONTENTS ¢ 2K restorations of all four films from the original 35mm camera negatives ¢ High Definition Blu-ray⢠(1080p) presentations of all four films ¢ Italian and English front and end titles on all four films ¢ Restored original lossless mono Italian and English soundtracks on all four films ¢ English subtitles for the Italian soundtracks ¢ Optional English subtitles for the deaf and hard of hearing for the English soundtracks ¢ Introductions to each film by journalist and critic Fabio Melelli ¢ Reversible sleeves featuring original artwork and a slipcover featuring newly commissioned artwork by Gilles Vranckx DISC 1 I WANT HIM DEAD ¢ Audio commentary by critics Adrian J. Smith and David Flint ¢ The Man Who Hated Violence interview with director Paolo Bianchini ¢ Cut and Shot interview with editor Eugenio Alabiso ¢ Nico Unchained archival interview with composer Nico Fidenco ¢ English theatrical trailer ¢ Image gallery DISC 2 EL PURO ¢ Two versions of the film: the 98-minute cut, presented in Italian and English, and the longer, 108-minute version, assembled from the original camera negative and an archival print and presented in both Italian and a hybrid English/Italian mix* ¢ Audio commentary by critics Troy Howarth and Nathaniel Thompson ¢ Interview with actor Robert Woods ¢ An in-depth appreciation of the soundtrack and its composer, Alessandro Alessandroni, by musician and disc collector Lovely Jon DISC 3 WRATH OF THE WIND ¢ Alternate, 106-minute Spanish-language version of the film, featuring additional and extended scenes not found in the Italian or English versions ¢ Audio commentary by author and critic Howard Hughes ¢ The Days of Wrath interview with camera operator Roberto D'Ettorre Piazzoli ¢ They Call It... Red Cemetery! a short film from 2022 by filmmaker Francisco Lacerda, serving as a love letter to the spaghetti western genre ¢ Alternate Revenge of Trinity opening titles ¢ Image gallery DISC 4 THE FOUR OF THE APOCALYPSE ¢ Audio commentary by author and producer Kat Ellinger ¢ It Takes Four previously unreleased interview with production manager Roberto Sbarigia ¢ In-depth appreciation of the film by author, critic and Lucio Fulci scholar Stephen Thrower ¢ In-depth appreciation of the soundtrack and its composers, Franco Bixio, Fabio Frizzi and Vince Tempera, by musician and disc collector Lovely Jon ¢ Restored Theatrical trailer ¢ Image gallery * For some scenes and dialogue lines in the long version, the Italian audio is either lost or was never produced. These are presented in Spanish with English subtitles.
Scary Movie A parody of modern horror films about a group of teenagers who are being terrorised by a serial killer. Some of the send-ups include: Scream I Know What You Did Last Summer The Blair Witch Project The Sixth Sense and The Matrix. Scary Movie 2 All your favourite Scary Movie characters are back in a laugh-packed sequel that scares up even more irreverent fun than the original! Marlon Wayans Shawn Wayans and Anna Faris lead a stellar cast that takes extreme pleasure in skewering Hollywood's most frightening feature films and spoofing popular culture. Also starring Regina Hall Christopher Kennedy Masterson Tori Spelling plus Tim Curry Chris Elliott and James Woods - nothing's sacred and anything goes in this outlandish must-see comedy...
In the 1980's The Z channel changed the way films lit up the airwaves unleashing little seen masterpieces and inspiring a generation of cinema's maverick icons. This is the incredible story of what happened next...
Zane Grey (1872-1939) was one of the most popular authors of western fiction ever, and 60 years after his death many of his 78 books, such as Riders of the Purple Sage, are still in print. In the silent era Hollywood filmed many of his stories with stars such as Tom Mix and Jack Holt. Grey knew the west well, particularly the deserts of Arizona and Utah, and demanded accurate locations for the films. Later, however, many of these films were remade, sometimes two or three times, without Grey's involvement, and the relation between novels and films grew much looser. The films are quintessential B-moveis: black and white, just over an hour, featuring minor stars and formulaic plots with some music and comedy thrown in. Committed fans of the western genre will not be disappointed, and others will derive pleasure from the delightful Jane Greer in Sunset Pass and Tim Holt, son of Jack, in the other three films. The location shooting, mostly in the Lone Pine area of California, has an authentic feel. Titles are: Under the Tonto Rim (1947); Thunder Mountain (1947); Sunset Pass (1946); Wild Horse Mesa(1947). On the DVD: This box set contains two DVDs, each of which include two movies deriving from Zane Grey novels. Print quality and sound is generally acceptable, though Under the Tonto Rim has poor definition and is a bit scratchy. Aspect ratio is 14:9. The DVDs contain no extras of any kind. --Ed Buscombe
Starring an unbelievably hip all-star cast including John Travolta Uma Thurman Andr 3000 Steven Tyler and The Rock and bursting with the hottest music in the biz Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer decides to try his hand in the music industry he romances the sultry widow of a recently whacked music exec poaches a hot young singer from a rival label and discovers that the record industry is packin' a whole lot more than a tune!
Once Upon a Time in America has a chequered history, having been chopped from its original 229-minute director's cut to 139 minutes for its theatrical release. The longer edition presented here benefits from having the complete story (the short version has huge gaps) about turn-of-the-century Jewish immigrants in America finding their way into lives of crime, as told in flashback by an ageing Jewish gangster named Noodles (Robert De Niro). On the other hand, it's almost four hours long, and this sometimes-indulgent Sergio Leone film is no Godfather. Still, it is notable for the contrast between Leone's elegiac take on the gangster film and his occasional explosive action, as well as for the mix of the stoic, inexpressive De Niro and the hyperactive James Woods as his lifelong friend and rival. --Marshall Fine
Scarface: In the spring of 1980 the port at Mariel Harbour was opened and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami... wealth power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name - Scarface! Al Pacino gives an unforgettable performance as Tony Montana one of the most ruthless gangsters ever depicted on film in this gripping crime epic inspired by the 1932 classic of the same title. Casino: Robert De Niro Sharon Stone and Joe Pesci star in Director Martin Scorsese's riveting look at how blind ambition white-hot passion and 24-carat greed toppled an empire. Las Vegas in 1973 is the setting for this fact-based story about the Mob's multi-million dollar casino operation - where fortunes and lives were made and lost with a roll of the dice...
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