Disney's 1992 animated feature Aladdin is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). --Tom Keogh
Boasting a strong female cast including Judy Geeson (10 Rillington Place), Stephanie Beacham (Tam-Lin) and Victoria Tennant (Flowers in the Attic) and co-financed by Run Run Shaw of the Shaw Brothers, Inseminoid is among Norman J Warren's most widely seen films and his most infamous. Once listed as a ˜video nasty', this science-fiction horror concerns a small crew of scientists who are terrorised by a creature on a distant planet. Comparisons with Ridley Scott's Alien have been ever-present, though Inseminoid has a charm all of its own it may not have the gloss or the budget, but it's certainly a great deal of fun. Special Features 2K restoration, supervised and approved by director Norman J Warren Original mono audio Audio commentary with Warren and assistant director Gary White (2004) The BEHP Interview with Norman J Warren Part Two (2018, 67 mins): archival video recording, made as part of the British Entertainment History Project, featuring Warren in conversation with Martin Sheffield Norman J Warren at the Manchester Festival of Fantastic Films (2011, 62 mins): archival video recording of the director in conversation with horror author John Llewellyn Probert Subterranean Universe (2004, 45 mins): archival documentary on the making of Inseminoid, featuring interviews with Warren, actors Stephanie Beacham, David Baxt and Barry Houghton, and others Alien Encounter (2019, 6 mins): actor Trevor Thomas recalls playing the part of Mitch Electronic Approach (2004, 13 mins): archival interview with composer John Scott Original theatrical trailers Horror Planet teaser trailer TV spot Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing
It's trouble in space, as a crew of astronauts brings a little something extra back on their bargain spaceship. One explorer goes mental and hijacks the tram inside a space mining facility, then another gets her foot caught and amputates it with a hedge trimmer. A third (Judy Geeson, looking like a poor man's Angie Dickinson) is impregnated by a big slimy-looking alien and then the trouble really starts. She has the rest of her crewmates on the run as the gestating little monsters inside her command her to KILL KILL KILL, eventually smashing up the control room aboard the ship and generally causing trouble. The plot elements will ring familiar bells for sci-fi fans, dating back to Alien and even the mouldy 50s classic It! The Creature from Beyond Space, with an alien stowaway and paranoid, suspicious crew members aboard a claustrophobic spacecraft. The movie's cheesy look is unavoidable throughout, with sets about on a par with an episode of the original Star Trek. However, there's a rather high gore quotient, wonderfully hammy performances (Geeson has a shriek that rivals any 50s scream queen) and a fairly repulsive (and inexpensive) alien. Fans of B-movie sci-fi should find that Inseminoid will deliver some fairly familiar goods in a pleasingly trashy package. --Jerry Renshaw
Satan's Slave (1976): Following the death of her parents a young woman is sent to live with her uncle only to find that the mansion is a haven for a devil-worshipping cult... Prey (1978): A cannibalistic alien lands in the heart of wealthy England. Assuming the form of a local man the alien is introduced to the eccentric household of a lesbian and her neurotic lover... Terror (1979): Royal ancestors feel the wrath of the curse of a condemned witch whose espou
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