Before SIN CITY and THE DARK KNIGHT rose, there was THE CROW - the dark, lurid revenge fantasy (The New York Times) from director Alex Proyas (DARK CITY) that entranced audiences and critics alike. Featuring Brandon Lee in his final performance, THE CROW is the tale of young musician Eric Draven (Lee) who, along with his fiancee, is murdered on the eve of their Halloween wedding. Exactly one year after their deaths, Eric is risen from the grave by a mysterious crow to seek out his killers and force them to answer for their crimes.
The Crow set the standard for dark and violent comic-book movies (like Spawn or director Alex Proyas's superior follow-up, Dark City), but it will forever be remembered as the film during which star Brandon Lee (son of martial arts legend Bruce Lee) was accidentally killed on the set by a loaded gun. The filmmakers were able to digitally sample what they'd captured of Lee's performance and piece together enough footage to make the film releasable. Indeed, it is probably more fascinating for that post-production story than for the tale on the screen. The Crow is appropriately cloaked in ominous expressionistic shadows, oozing urban dread and occult menace from every dank, concrete crack, but it really adds up to a simple and perfunctory tale of ritual revenge. Guided by a portentous crow (standing in for Poe's raven), Lee plays a deceased rock musician who returns from the grave to systematically torture and kill the outlandishly violent gang of hoodlums who murdered him and his fiancée the year before. The film is worth watching for its compelling visuals and genuinely nightmarish, otherworldly ambience. --Jim Emerson
The Crow set the standard for dark and violent comic-book movies (like Spawn or director Alex Proyas's superior follow-up, Dark City), but it will forever be remembered as the film during which star Brandon Lee (son of martial arts legend Bruce Lee) was accidentally killed on the set by a loaded gun. The filmmakers were able to digitally sample what they'd captured of Lee's performance and piece together enough footage to make the film releasable. Indeed, it is probably more fascinating for that post-production story than for the tale on the screen. The Crow is appropriately cloaked in ominous expressionistic shadows, oozing urban dread and occult menace from every dank, concrete crack, but it really adds up to a simple and perfunctory tale of ritual revenge. Guided by a portentous crow (standing in for Poe's raven), Lee plays a deceased rock musician who returns from the grave to systematically torture and kill the outlandishly violent gang of hoodlums who murdered him and his fiancée the year before. The film is worth watching for its compelling visuals and genuinely nightmarish, otherworldly ambience. --Jim Emerson
When people think of James Dean, they probably think first of the troubled teen from Rebel Without a Cause: nervous, volatile, soulful, a kid lost in a world that does not understand him. Made between his only other starring roles, in East of Eden and Giant, Rebel sums up the jangly, alienated image of Dean, but also happens to be one of the key films of the 1950s. Director Nicholas Ray takes a strikingly sympathetic look at the teenagers standing outside the white-picket-fence 50s dream of America: juvenile delinquent (that's what they called them then) Jim Stark (Dean), fast-girl Judy (Natalie Wood), lost-boy Plato (Sal Mineo), slick hot-rodder Buzz (Corey Allen). At the time, it was unusual for a movie to endorse the point of view of teenagers, but Ray and screenwriter Stewart Stern captured the youthful angst that was erupting at the same time in rock 'n' roll. Dean is heartbreaking, following the method-acting style of Marlon Brando but staking out a nakedly emotional honesty of his own. Going too fast, in every way, he was killed in a car crash on September 30, 1955, a month before Rebel opened. He was no longer an actor, but an icon, and Rebel is a lasting monument. --Robert Horton, Amazon.com
The modern-gothic original that entranced audiences and critics alike comes to 4K Ultra HD⢠for its 30th Anniversary. THE CROW tells the tale of a young musician brutally murdered alongside his beloved fiancée, only to be risen from the grave by a mysterious crow. Seeking revenge, he battles a criminal underground that must answer for its crimes. This supernatural superhero movie from director Alex Proyas (DARK CITY) was based on the comic book series and stars Brandon Lee in his tragic final performance.
The modern-gothic original that entranced audiences and critics alike comes to 4K Ultra HD for its 30th Anniversary. THE CROW tells the tale of a young musician brutally murdered alongside his beloved fiancee, only to be risen from the grave by a mysterious crow. Seeking revenge, he battles a criminal underground that must answer for its crimes. This supernatural superhero movie from director Alex Proyas (DARK CITY) was based on the comic book series and stars Brandon Lee in his tragic final performance.
A bumper box set of films featuring the iconic Mae West! My Little Chickadee (Dir. Edward F. Cline 1940): Suspected of being in a relationship with local criminal 'the Masked Bandit' Flower Belle Lee (Mae West) is run out of town; and told she can't return until she's earn't some 'respectability' (read marriage). Setting off for calmer shores Flower meets the con-man Cuthbert J. Twillie (W.C. Fields); marrying each other for 'respectability' (or the bag of money on his per
Classic John Ford directed Americana based on the stories of Irvin Cobb. A small town judge in the old south stirs up the place with stinging humour and common sense observations as he tackles prejudices and civil injustices in this warm affectionate and funny look at a slice of American life.
Jim Stark... a kid from a 'good' family - what makes him tick... like a bomb? In one of cinemas most influential and gripping roles James Dean plays Jim Stark the new kid in town whose loneliness frustration and anger mirrored those of most postwar teens - and reverberates more than 40 years later. Natalie Wood (as Jim's girlfriend Judy) and Sal Mineo (in his screen debut as Jim's tag-along pal Plato) were Academy Award nominees for their achingly true performances. Director Nicholas Ray was also an Oscar nominee for this landmark film chosen as one of the Top-100 American Films by the American Film Institute.
Jim Stark... a kid from a 'good' family - what makes him tick... like a bomb? In one of cinemas most influential and gripping roles James Dean plays Jim Stark the new kid in town whose loneliness frustration and anger mirrored those of most postwar teens - and reverberates more than 40 years later. Natalie Wood (as Jim's girlfriend Judy) and Sal Mineo (in his screen debut as Jim's tag-along pal Plato) were Academy Award nominees for their achingly true performances. Dir
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