An Academy Award winner for Best Visual Effects Bedknobs And Broomsticks features a spellbinding mix of live action and animation that makes it one of Disney's most delightfully endearing Classics! Screen legend Angela Landsbury gives a bewitching performance as an amateur witch who reluctantly takes in three precocious orphans. The children soon find themselves swept aboard a flying bed it's magic brass bedknob their ticket to one fantastic adventure after another - including a visit to an enchanted island inhabited by wondrous animated animal characters and the most hilarious soccer match in motion picture history. Now it's your turn to take a ride on Bedknobs And Broomsticks a fun-filled flight of fantasy music and Disney magic for all ages!
Time-travelling adventures to bring extinct creatures back to the present day! ""This series sees me throwing myself into a new challenge: going back in time to rescue prehistoric animals from extinction and bringing them back to the ultimate wildlife sanctuary. Each episode revolves around a different prehistoric adventure as I head backwards in time to save particular creatures. In the process I experience some of Earth's most devastating extinctions and find out what caused them. I witness what killed the mammoths silenced the sabre tooth cats and cause the demise of the dinosaurs. In the Park itself I work with real animals and before the time-travelling adventures I meet with real scientists to gather advice. Once the prehistoric animals are released into the Prehistoric Park their welfare becomes paramount- we even have a full-time vet and park keeper on hand to attend to their every need."" - Nigel Marven
Hands down, this is the best movie (and was one of the first) to come out of the seemingly endless cycle of disaster movies that dominated box offices during the 1970s. It could even be argued that Titanic owes some of its success to the precedent set by this 1972 blockbuster starring Gene Hackman as a priest who leads a small group of survivors to safety from the bowels of a capsized luxury liner. From its stellar cast to its cheesy, Oscar-winning theme song, The Morning After, the movie has all the ingredients of a popular classic, beginning with a New Year's Eve celebration aboard the ill-fated Poseidon and ending as a pop allegory when the Hackman character becomes a Christ-like martyr. Filmed on spectacular sets where everything down is up and the ship's thick hull points in the direction of salvation, this is "a waterlogged Grand Hotel" (in the words of New Yorker film critic Pauline Kael) that is as entertaining as it is unabashedly brainless. The Poseidon Adventure is filled with performances that rise above the limits of the screenplay. It's also the only movie--unless you count her underwater corpse in Night of the Hunter--that lets Shelley Winters strut her stuff as an aquatic heroine. Who could ask for anything more? --Jeff Shannon
Gigglebiz is a comedy sketch show for children of all ages. Hosted by Batfa-winning children's presenter Justin Fletcher. Each 15 minute episode is a series of short funny sketches featuring a variety of eccentric characters who get themselves into all kinds of trouble. ˜Sporty time with Keith Fitt' features all the Gigglebiz favourite characters including Major Boogie, King Flannel, Opera Oliver, Ug & Ig, Arthur Sleep and Rapids Johnson.
Angela Lansbury plays a good witch who uses her powers against the Nazis in World War II and is aided by three children in the effort. This 1971 movie directed by Disney stalwart Robert Stevenson (Mary Poppins) was never up to the studio's best efforts--the music isn't all that good and the idea just doesn't quite catch on. But Lansbury, David Tomlinson and the late Roddy McDowall are good and there are some clever sequences blending animation and live action, most memorably a soccer game between the kids and some cartoon animals. --Tom Keogh
An Affair To Remember In this poignant and humorous love story nominated for four Academy Awards Cary Grant and Deborah Kerr meet on an ocean liner and fall deeply in love. Though each is engaged to someone else they agree to meet six months later at the Empire State Building if they still feel the same way about each other. But a tragic accident prevents their rendezvous and the lovers' future takes an emotional and uncertain turn. Love Is A Many Splendoured Thing William Holden and Jennifer Jones star in one of drama's most endearing and intelligent love stories. Nominated for eight Academy Awards this timeless classic follows the passionate affair of an American correspondent and a Eurasian doctor whose love for each other must overcome racial prejudice and the outbreak of war in Korea. How Green Was My Valley Sixty-year-old Huw Morgan looks back on his life as a boy (Roddy McDowall) in a small Welsh mining town. His reminiscences reveal the disintegration of the closely knit Morgans and his devoted parents (Donald Crisp Sara Allgood) while capturing the sentiments and issues of their time.
CBeebies legend Justin Fletcher gets the nation's under-sixes laughing their socks off with his collection of crazy comedy characters
The whimsical comedy-romance Heaven Can Wait is a delightful example of the small sub-genre of afterlife comedies. The film, which teams then lovers Warren Beatty and Julie Christie for a third time following McCabe and Mrs Miller (1971) and Shampoo (1975), is not a remake of the 1943 supernatural film of the same name, but of the Robert Montgomery classic Here Comes Mr Jordan (1941). Here Beatty is American football player Joe Pendleton, who accidentally dies, decades too early, and is incarnated in a new body which, until recently, was occupied by a ruthless multi-millionaire. James Mason is superb as a most authoritative angel (Mr Jordan), heading a fine cast including Charles Grodin, Buck Henry and Jack Warden. In a sub-plot paralleling The Shop Around the Corner (1940) and revisited in You've Got Mail (1998), Julie Christie plays an English woman outraged that one of the former millionaire's companies is destroying her village, while simultaneously falling in love with the man now occupying the hated millionaire's mortal coil. Much comic and romantic misunderstanding follows, as well as some appealing slapstick, courtesy of Dyan Cannon. Aided by a lovely musical score by Dave Grusin, this is a beautifully played and thoroughly charming bittersweet fantasy about the transcendent power of love. It is a joy for romantics everywhere. On the DVD: Heaven Can Wait comes to DVD in a good 1.77:1 ratio transfer which exhibits just a little grain in some darker scenes. The print shows some very minor, occasional damage, but nothing to complain about in a film of this vintage. The sound is the original mono mix, which is perfectly serviceable. The only extra is the theatrical trailer. --Gary S Dalkin
In this touching family film based on the celebrated novel by Mary O'Hara ten-year-old Kenny McLaughlin a rancher's son deperately wants a horse of his own. When his father finally agrees to let him choose a foal Ken picks Flicka a beautiful but high-spirited filly who comes from a bloodline considered to be hopelessly wild. It is up to Ken to prove Flicka is tamable or risk losing her. Along the way Ken and his family learn some important lessons in this poignant tale of love
Hell Upside Down. One of the most gripping escape films of all time follows ten survivors as they struggle to flee from an ocean liner capsized by a tidal wave. Suspenseful terror combined with the victims' intimate and personal stories results in compelling and heart-stopping drama. The distinguished talents of 15 Academy Award winners along with the incredible special effects make this film a true classic.
In this touching family film based on the celebrated novel by Mary O'Hara ten-year-old Kenny McLaughlin a rancher's son desperately wants a horse of his own. When his father finally agrees to let him choose a foal Ken picks Flicka a beautiful but high-spirited filly who comes from a bloodline considered to be hopelessly wild. It is up to Ken to prove Flicka is tamable or risk losing her. Along the way Ken and his family learn some important lessons in this poignant tale of love patience faith and hope beyond hope.
It was in 1959 that ex-boxer and paratrooper turned screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This television series ran from 1959-1964 and it still looks fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underline the show's attraction for great creative talent both behind and in front of the cameras.There are four more selected episodes from the series on Volume 2. "Time Enough at Last" (episode 8) features Burgess Meredith in a heartbreaking role as the only survivor of nuclear holocaust whose dreams are (literally) shattered before his very eyes. "The Monsters are Due on Maple Street" (episode 22) is Serling at his humanitarian best, issuing a plea against prejudice and intolerance and dissecting the mechanics of mob hysteria all in the space of a half-hour television show. "Nightmare at 20,000 Feet" (episode 123) is one of the Zone's most celebrated set pieces, featuring a pre-Star Trek William Shatner as the paranoid passenger who sees a gremlin on the plane's wing. Directed by Richard (Lethal Weapon) Donner from a script by Richard Matheson, this episode was one of those remade in the 1983 Twilight Zone film. There is more aircraft oddity in "The Odyssey of Flight 33" (episode 54), co-written by Serling with technical dialogue assistance from a TWA pilot, giving the crew's conversation the stamp of authenticity as they plunge back and then forward in time.On the DVD: A neat animated menu with a winking eye guides the viewer "Inside the Twilight Zone", which consists of digests of background information on the individual episodes, as well as a general history of the show, season-by-season breakdown and a potted biography of Serling. --Mark Walker
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras.What's immediately apparent on watching Volume 1 is the quality of the scripts, proving that great writing is timeless. Of the three episodes on this first disc, the screenplays are by Serling himself (episode 47, "Night of the Meek"), Richard Matheson (episode 51, "The Invaders") and Zone regular George Clayton Johnson (episode 81, "Nothing in the Dark"). The acting does full justice to the writers' high standards. Art Carney as the alcoholic department store Santa Claus in "Night of the Meek" provides a theatre-sized one-man masterclass, his close-up performance conveying all the character's desperation then new-found joy. Veteran Agnes Moorehead (who made her screen debut as Charles Foster Kane's mother in Citizen Kane) faces an unusual challenge in Matheson's almost entirely wordless "The Invaders", in which she plays a frightened old woman who is attacked by tiny aliens (when the mystified Moorehead first read the script, which had no dialogue for her at all, she asked "Where's my part?"). In the claustrophobic two-hander "Nothing in the Dark", a fresh-faced Robert Redford is more than usually charming as Gladys Cooper's unwanted visitor who might or might not be Death himself.On the DVD: A neat animated menu with a winking eye guides the viewer "Inside the Twilight Zone", which consists of digests of background information on the individual episodes, as well as a general history of the show, season-by-season breakdown and a potted biography of Serling. --Mark Walker
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras. On the DVD: A neat animated menu with a winking eye guides the viewer "Inside the Twilight Zone", which consists of digests of background information on the individual episodes, as well as a general history of the show, a season-by-season breakdown and a potted biography of Serling. --Mark Walker
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras. On the DVD: A neat animated menu with a winking eye guides the viewer "Inside the Twilight Zone", which consists of digests of background information on the individual episodes, as well as a general history of the show, a season-by-season breakdown and a potted biography of Serling. --Mark Walker
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras. --Mark Walker
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras. On the DVD: A neat animated menu with a winking eye guides the viewer "Inside the Twilight Zone", which consists of digests of background information on the individual episodes, as well as a general history of the show, a season-by-season breakdown and a potted biography of Serling. --Mark Walker
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras. On the DVD: A neat animated menu with a winking eye guides the viewer "Inside the Twilight Zone", which consists of digests of background information on the individual episodes, as well as a general history of the show, a season-by-season breakdown and a potted biography of Serling. --Mark Walker
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