Pay no attention to the fact that Timecop is an insult to intelligent science fiction, and that it gradually succumbs to an acute case of the sillies. It is a Jean-Claude Van Damme movie, after all, so check your brain at the door and enjoy this action flick set in the year 2004. Van Damme plays an officer in the Time Enforcement Police, assigned to prevent criminals from travelling to the past with the intent of altering the future. Ron Silver plays the evil politician who plots to retrieve a stockpile of gold from the Civil War to finance his latest campaign. The film is clever to a point, and entertaining if you can ignore the dumb jokes and inconsistencies. Best of all, it's an above-average vehicle for Van Damme (relatively speaking), who gets to kick some villainous butt and share a few scenes with Mia Sara, who plays the Timecop's wife. As Van Damme fans can tell you, this is one of the action star's better movies. -- Jeff Shannon, Amazon.com
The Specialist: Sharon Stone is May Munro a beauty with a fatal past: she's sworn death to the mobsters who murdered her parents. To do the job she recruits ex-CIA explosive experts Ray Quick (Stallone). Miami grows white-hot as May lures the killers and Ray detonates them into ashes. But a vicious mob boss (Roy Stieger) his brash son (Eric Roberts) and a psychotic hired gun (James Woods) with a lethal grudge against Quick won't go without a fight. The passion the two aven
A legendary tale about four Scotish friends who seek to reclaim the symbol of their heritage.
A romantic comedy with an absurdist edge, Just a Kiss begins when Dag (Ron Eldard), a commercial director, sleeps with his best friend's girlfriend, Rebecca (Marley Shelton), a dancer, while she's touring in Europe. When their infidelity is revealed back home in New York City it sets off a cascade of people falling into bed together, including Dag's girlfriend Halley (Kyra Sedgwick), Rebecca's other lover Andre (Taye Diggs) and a waitress at a bowling alley (Marisa Tomei) with strange obsessions and loose morals. Just a Kiss slips to and fro in time and veers in and out of rotoscope animation, but even the live sequences have a cartoonish edge; it's hard to care about what happens to these caricatures, no matter how tight their pants or how skimpy their tank tops. Also featuring Patrick Breen (who wrote the screenplay) and Sarita Choudhury. --Bret Fetzer
Gigi: Scored by the talented team of Lerner and Lowe the movie features splendid musical numbers like Thank Heaven for Little Girls and I Remember It Well where a scruffy tomboy is transformed into a radiant high society beauty in this glorious musical! An American In Paris: Jerry Mulligan (Gene Kelly) is an American G.I. who decides to stay in Paris after the Second World War. Keen to sample some of the city's legendary romantic lifestyle he becomes an art student and joins a colony of painters living in a Montmartre garret. Penniless and starving his pursuit of the experience of the great artists is fast becoming a little too realistic when he is discovered by wealthy heiress Milo Roberts (Nina Foch). She becomes his patron although Jerry soon realises that her interest in him doesn't end with his art! High Society: Beautiful aloof Newport heiress Tracy Lord (Kelly) is about to marry bland businessman George Kittredge (John Lund) but matters become complicated when her ex-husband C K Dexter-Haven (Crosby) moves to her neighbourhood determined to win back her hand. Things go from bad to worse for Tracy when journalist Mike Connor (Sinatra) arrives to cover the wedding for Spy Magazine. When Tracy is forced to choose between her suitors will she realise that safe doesn't always mean the best bet?
A multi-award winning and intensely unique Australian movie that explosively follows in the traditions of Wolf Creek and Chopper, The Horseman is a red-raw insight into one man's quest for very a painful sort of vengeance and retribution.
Married and supposedly retired from duty Sean Dillon (Rob Lowe) is dragged back into the dangerous world of international espionage when a plan is discovered by Brigadier Ferguson (Kenneth Cranham) to kill off the British Royal Family. Dillon must discover who is behind the plot but the suspects are many and varied. Is the IRA involoved Middle East fundamentalists or old guard Russian leaders tightening their fingers on the trigger that will set Britain on the road to a Republic? The stage is set for a deadly game of cat and mouse between former comrades turned adversaries. In such a barren climate of cold hearts can love survive and good finally triumph over evil?
Eric Mason's only ambition is to become an astronaut. When he meets a young waitress he discovers to his delight that her father was the thirteenth man on the moon...
Micawber was ITV's big weapon in the Christmas 2001 television ratings war. With its gritty recreation of Dickensian London and David Jason--a name guaranteed to attract viewers regardless of the programme--in the title role it certainly had all the hallmarks of blockbusting television drama. Jason is certainly a fine Micawber, wringing every ounce of pathos and relentless optimism from one of Dickens' most well loved characters. And he is ably abetted by Annabelle Apsion as his put-upon wife who stands by him through thick and thin and who "never will desert him". The trouble is that if you're going to lift a familiar fictional character out of his original context and give him a whole new life and set of adventures, they really have to match or improve on the original. And Micawber has already been through so much during the course of David Copperfield that stretching him across four episodes and a plot which can only really offer a series of variations on the original theme doesn't give much room for development or dramatic impact. In the writer's corner, Jason's long-term collaborator John Sullivan (creator of Only Fools and Horses) makes a valiant attempt to generate some authentic Dickensian atmosphere. Touches of authentic Victoriana abound in the backstage theatre scenes, a dancing bear, the pawn shop and the highly imaginative flashbacks to the source of Micawber's straightened state. The script tends to combine gritty costume drama with modern comedy in an occasionally uneasy mixture; sometimes we see the ghosts of Del Boy or Pa Larkin rather than Dickens' hapless, pathetic but great-hearted victim of circumstance. But fans of Jason won't complain and there's enough soul in the story to make it compelling. --Piers Ford
The Lion King: Special Edition Disney's epic coming-of-age saga tells of the love between a proud lion ruler Mufasa and his son Simba - a naive and curious cub who just can't wait to be king. But Simba's envious Uncle Scar has other plans and his scheming for the throne leads to Simba's exile from the kingdom he should rightfully rule. Befriended by the hilarious warthog Pumbaa and his manic meerkat companion Timon Simba forgets his regal responsibilities and adopts a carefree lifestyle of Hakuna Matata. The Lion King 2: Simba's Pride Kiara Simba's playfully headstrong daughter and heir to the Pride Lands is on the prowl for adventure. Escaping her bumbling baby-sitters Timon and Pumbaa Kiara runs off to the Outlands which are strictly off limits. There she meets the mischievous Kovu - a young cub chosen to walk in Scar's paw prints. The rift between the Outlanders and Simba's pride deepens as Kiara and Kovu's feeling for each other grow. But will love find a way to bring their very different worlds together as one? The Lion King 3: Hakuna Matata Timon the meerkat and Pumbaa the warthog retell the story of The Lion King from their own unique perspective!
This is a read-along version of the classic Disney movie. Wild Africa is the setting for this tale of a young lion cub whose evil uncle usurps his father's crown and lets hyenas overrun the kingdom. Dodging danger and befriending some oddball characters the cub wanders until the day he's ready to return. Songs by Elton John and featuring the voices of Whoopie Goldberg Cheech Marin James Earl Jones Matthew Broderick Nathan Lane and Jeremy Irons. Academy Award Nominations: 4 including 3 for Best Original Song. Academy Awards: 2 including Best Original Score and Best Original Song (Elton John and Tim Rice: Can You Feel the Love Tonight).
Scum: Alan Clarke's Scum shows a vicious system and doesn't pull any of the punches - or kicks - so relentlessly deployed in the battles between rivals in the power stakes that incarceration promotes. It's the brutal story of life in a modern-day Borstal. Run by the violence and cruelty of both inmates and officers the system is a jungle which brutalizes all within its walls. Carlin who has been transferred from another Borstal for retaliation against violent officers is thrown into this human quagmire - and what follows is a harsh and bitter battle for survival. He realises that the only way is by beating the system at its own game and eventually erupts as leader of a bloody climatic riot. Last Orders: This adaptation of Graham Swift's 1996 Booker Prize winning novel Last Orders by writer/director Fred Schepisi is an affecting movie about death friendship and booze starring a first rate cast of British actors. Jack Dodds (Michael Caine) was a regular guy so why the strange last order to have his ashes thrown off the pier at Margate? And why did his wife Amy (Helen Mirren) refuse to do it? As their Mercedes speeds towards the sea an emotional mystery unfolds where the men try to understand Jack's death by reliving their life through him... the war the children the good times and the bad. The journey becomes a pub crawl full of drink-ups and punch-ups and the men discover that through it all it's your friends who break your heart and... and your friends who mend it. Births Marriages And Deaths: Alan Graham and Terry have been best mates since primary school. Now pushing forty the three friends are still inseparable. Naturally Alan and Graham are going to give Terry a stag night to remember. A big fry-up breakfast bubbly down the dogs for a flutter ten-pin bowling... fantastic. But when the boys pay a late night revenge visit to their despised former headmaster things begin to go disastrously wrong. A tragic accident sets off an unforeseen chain of events revealing terrible secrets. Life will never be the same again.
The ultimate in high-energy adventure these mythical adventures of good vs. evil are non-stop entertainment! The Mummy: Deep in the Egyptian desert a handful of people searching for a long-lost treasure have just unearthed a 3 000 year old legacy of terror... Combining the thrills of a rousing adventure with the suspense of Universal's legendary 1932 horror classic The Mummy starring Brendan Fraser is a true nonstop action epic filled with dazzling visual effects top-
Angie Anderson (Sharon Stone) is a beautiful young woman who harbours a dark childhood secret - one that has kept her from having meaningful relationships with men. She works as a temporary secretary and spends her evenings at home alone working on her doll collection the one source of pleasure in her life. One night in her apartment elevator Angie is brutally attacked by a red-bearded assailant. She fights off the would-be rapist by stabbing him with a pair of scissors. Angie gradually becomes convinced someone is trying to drive her insane. Steve Railsback and Ronny Cox co-star in this pre-Basic Instinct Sharon Stone thriller.
When Laura and Dave Reimuller's son Robbie suffers an epileptic fit it's merely the start of the nightmare. As the fits worsen Robbie becomes little more than a 'laboratory rat' for testing highly dangerous drugs - and Dave and Laura stand by helpless as their delightful little boy turns into a disruptive mentally retarded monster. Driven by despair Laura starts her own research and comes across a possible 'miracle cure' which involves neither drugs nor radical surgery. It's a special diet and much frowned on by Robbie's doctors. But to Laura it's his last chance and she's going to take on the medical establisment. Double Academy Award winner Meryl Streep gives a magnificent performance as a mother fighting for her epileptic son's rights to a miracle cure in this heart-rending but inspiring true story.
Jared, Kate, Rick, and Jessica find themselves stranded in a wreckage yard after their car breaks down during a drag race. Meanwhile, the sheriff’s office receives notice that a convict escaped from a local state prison. As the teenagers mysteriously disappear one by one, the killer grows hungry and the thriller continues to unravel.
It is difficult to know who this compilation of nominees for the 2002 BRIT Awards is aimed at. It is implausible that anybody will like everything here, and it is unbelievable that anyone possessed of rudimentary critical faculties will like more than three or four of the artists whose videos feature in this collection. Given the perennial determination of the BRITs to celebrate all that is mediocre, and the fact that 2001 was less than a vintage year by any standards, "BRIT Awards 2002" is mostly rather dismal viewing. There are a few heartening moments: Kylie Minogue releasing a decent single ("Can't Get You out of My Head") is testament more to the law of averages than her musical abilities, but the video is a small masterpiece of choreography and computer imaging. Destiny's Child and Dido also owe particular thanks to their directors, though it might reasonably be argued that the bulldozer that eventually destroys the house in which Dido simpers along to "Thank You" arrives about four minutes too late. Probably coincidentally, the best three videos (and the best three songs) are all animated affairs: Daft Punk's "Digital Love", Gorillaz' "Clint Eastwood" and Radiohead's typically baleful, and beautiful, "Pyramid Song". On the DVD: That individual tracks can be easily selected is a necessity with a compilation of this sort. The "bonus features" are barely worthy of the phrase: extremely desultory biographies of the artists, and links to the official Web sites of the BRITs and Sony. --Andrew Mueller
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