"Actor: Ron O Neal"

• The Stranger | DVD | (07/03/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £3.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Horror I | DVD | (02/04/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  1. Scream Bloody Murder (Dir. Robert J. Emery 1972) 2. A Bucket of Blood (Dir. Roger Corman 1959) 3. Hell Penitentiary (Dir. Sergio Garrone 1985) 4. Hellraiser III (Dir. Anthony Hickox 1992) 5. Carnival of Souls (Dir. Herk Harvey 1962) 6. Don't Look in the Basement (Dir. S.F. Brownrigg 1973) 7. House on the Haunted Hill (Dir. William Castle 1959) 8. Ghoulies IV (Dir. Jim Wynorski 1994) 9. Don't Ring the Doorbell (Dir. Karen Arthur 1978) 10. Eat and Run (Dir. Christopher Hart 1986) 11. The Creature from Black Lake (Dir. Joy N. Houck Jr. 1976) 12. Queen of Blood (Dir. Curtis Harrington 1966) 13. Giant Spider Invasion (Dir. Bill Rebane 1975) 14. Demon Under Glass (Dir. Jon Cunningham 2002) 15. Flesh of the Beast (Dir. Terry West 2003) 16. Home Sweet Home (Dir. Netie Pena 1981) 17. Flesh Eater (Dir. Bill Hinzman 1989) 18. Night of the Living Dead (Dir. George A. Romero 1968) 19. Dead One (Dir. Barry Mahon 1961) 20. Silent Night Bloody Night (Dir. Theodore Gershuny 1974)

• A Force of One | DVD | (06/08/2012) from £8.99   |  Saving you £1.00 (11.12%)   |  RRP £9.99

  A team of undercover narcotics agents is conducting an investigation when things mysteriously begin to go haywire. One by one, the squad members are eliminated by an assassin. To help identify the karate killer, the police enlist the aid of karate champion, Matt Logan (Chuck Norris). Initially disinterested, he is galvanized into action when his adopted son is killed by the villains. He eventually tracks down the serial killer (Bill Wallace), a traitor within the police force, and brings his reign of terror to an end in a no holds barred climactic karate battle between the two men.

• Stolen Youth | DVD | (04/03/2002) from £4.99   |  Saving you £-1.00 (N/A%)   |  RRP £3.99

  He's handsome talented and half her age. But Nina Talbot always gets what she wants. Abby and Nina: they're the best of friends - until a forbidden passionate affair threatens to devastate their friendship. Abby Hewitt has high ambitions for her 18 year old son Paul and who better to give Paul advice than glamorous free spirit Nina a hugely talented designer. Abby sends Paul to stay with Nina in San Francisco in the hope that Nina will persuade him to take up a university place in the city. But the plan backfires. Instead Paul becomes totally infatuated with Nina a woman twice his age. And Nina finds Paul the perfect companion - passionate and irresistible. It seems like the perfect secret relationship - until a horrified Abby stumbles upon the affair...

• Bridge Too Far, A / The Battle Of Britain / The Great Escape | DVD | (04/10/2004) from £16.23   |  Saving you £3.76 (23.17%)   |  RRP £19.99

  A Bridge Too Far: In September 1944 flush with success after the Normandy Invasion the Allies confidently launched Operation Market Garden a wild scheme intended to put an early end to the fighting by invading Germany and smashing the Reich's war plants. But a combination of battlefield politics faulty intelligence bad luck and even worse weather led to the disaster beyond the Allies' darkest fear. The Great Escape: One of the most ingenious and suspenseful adventure films of all time The Great Escape is a masterful collaboration between director John Sturges (The Magnificent Seven) screenwriters James Clavell ('Shogun') and W.R. Burnett and composer Elmer Bernstein. Based on a true story. The Battle Of Britain: This is a spectacular retelling of a true story that shows courage at its inspiring best. Few defining moments can change the outcome of war . But when the outnumbered Royal Air Force defied unsurmountable odds in engaging the German Luftwaffe they may well have altered the course of history!

• Like Father Like Son | DVD | (17/05/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  A typical High School senior and his father are about as close as they can get: except they're about to get even closer! In a split-second father and son accidentally change bodies leaving the dad about to sit a biology exam and cope with bullies and adolescent girlfriend problems while the son has the Jaguar the Gold Card and a major career enhancement!

• A Force of One | DVD | (15/01/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  He hears the silence. He see's the darkness. He's the only one who can stop the killing. A Force Of One brings to the screen the first full contact Karate bout to be shown in a Hollywood movie.In this all-action thriller Matt Logan (Chuck Norris) six times undefeated World Champion is enlisted by the California State Police Department to assist in the investigation of a multi-million dollar cocaine trafficking ring.At first reluctant to help Logan is gently persuaded by undercover D.E.A agent Amanda Rust.In an electrifying climax Matt Logan duels with his nemesis Bill ""Superfoot"" Wallace - a conflict that only one of them will walk away from alive ...

• King Of Bandit Jing - Vol. 3 - Episodes 8 To 10 | DVD | (17/05/2004) from £24.65   |  Saving you £-4.66 (N/A%)   |  RRP £19.99

  No priceless bauble or exquisite jewel is safe from the leering eyes and stealthy hands of Jing the King of Bandits. With a heart of gold and girl-crazy albatross sidekick Kir Jing steals his way through one exciting adventure after another! Don't Drop The Por Vora! Our heroes are on a quest to find the Systema Solari but first they must deliver a dangerous cargo of two Por Vora. Trouble is waiting for them around every turn but that won't stop Jin from doing his best to

• King Of Bandit Jing - Vol. 2 - Episodes 5 To 7 | DVD | (15/03/2004) from £24.65   |  Saving you £-4.66 (N/A%)   |  RRP £19.99

  No priceless bauble or exquisite jewel is safe from the leering eyes and stealthy hands of Jing the King of Bandits. With a heart of gold and girl-crazy albatross sidekick Kir Jing steals his way through one exciting adventure after another! The Little Girl From Technicolor Town: Jing and Kir find themselves on a whirlwind rescue mission in the Technicolor Town of Pompier to save a young girl placed on the auction block after being transformed into an art masterpiece. The

• The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £4.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• On the Edge (Ice T) | DVD | (09/02/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

  There's a war going down in the hood. A local basketball hero caught deep in the drug game gets his best friend killed when he couldn't pay a debt. Now Dakota Smith is fighting mad and he's going up against Slim the big pimp and Felix a cold-booded assassin to save the young man's life.

• Edward G. Robinson - Scarlet Street / The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture". But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he's living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp

• Sniper - 23 Days Of Fear In Washington D.C. | DVD | (13/09/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £51.99

  SNIPER - 23 DAYS OF FEAR IN WASHINGTON DC tells the story of the 23 day shooting spree that gripped Washington DC. Charles Dutton stars as Chief Charles Moose, whose job it is to piece together the clues and apprehend the sniper on the rampage.

• Final Countdown, The (3-Disc Limited Edition/4K UHD + Blu-ray + CD) | Blu Ray | (25/05/2021) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

• Silent Night Bloody Night | DVD | (26/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  Maniacs have taken over the asylum! The new owner of a mansion discovers it was once a mental home. When he visits his inheritance he sets about investigating some old crimes that took place at the mansion scaring the local populance in the process.

• Stolen Youth / Separate Lives | DVD | (21/10/2002) from £9.99   |  Saving you £-3.00 (N/A%)   |  RRP £6.99

  Stolen Youth: When Abby's 18-year-old son Paul becomes passionately involved with her best friend Nina emotions and passions run high. Separate Lives: Ex-homicide detective Tom Beckwith (James Belushi) is hired by psychologist Lauren Porter (Linda Hamilton) to watch her every move. Haunted by a secret fear that she is leading a dangerous double life Lauren confronts a dark incident from her past.

• The Stranger | DVD | (18/10/1999) from £4.99   |  Saving you £8.00 (160.32%)   |  RRP £12.99

  The legendary story that hovers over Orson Welles' The Stranger is that he wanted Agnes Moorehead to star as the dogged Nazi hunter who trails a war criminal to a sleepy New England town. The part went to Edward G. Robinson, who is marvellous, but it points out how many compromises Welles made on the film in an attempt to show Hollywood he could make a film on time, on budget and on their own terms. He accomplished all three, turning out a stylish if unambitious film noir thriller, his only Hollywood film to turn a profit on its original release. Welles stars as unreformed fascist Franz Kindler, hiding as a schoolteacher in a New England prep school for boys and newly married to the headmaster's lovely if naive daughter (Loretta Young). Welles, the director, is in fine form for the opening sequences, casting a moody tension as agents shadow a twitchy low-level Nazi official skulking through South American ports and building up to dramatic crescendo as Kindler murders this little man, the lovely woods becoming a maelstrom of swirling leaves that expose the body he furiously tries to bury. The rest of the film is a well designed but conventional cat-and-mouse game featuring an eye-rolling performance by Welles and a thrilling conclusion played out in the dark clock tower that looms over the little village. --Sean Axmaker

• Zombie Death House | DVD | (07/06/2010) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

  In this graphically violent exploitation film an insane colonel tests out his newly invented virus HV8-B designed to significantly alter the behavior of convicts serving life sentences. As soon as they are injected the unwilling subjects become mad-killers. Later they become slimy walking corpses in various states of decay constantly oozing highly contagious bodily fluids that infect the whole cellblock. Soon the uninfected inmates begin to riot. Now only wrongly-imprisoned Vietnam-vet Dennis Cole can stop the crazed colonel from turning them into killer zombies.

• The Stranger | DVD | (17/11/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• The Stranger | DVD | (02/02/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp