If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly 90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine
Comedy set in World War Two, starring James Robertson-Justice and Leslie Phillips. Sir Ernest Pease (Robertson-Justice) is a self-important scientist who is sent undercover on a bombing mission to monitor the effectiveness of his latest invention, a new-fangled radar. When the plane is attacked, he parachutes to safety - only to be sent to a POW camp, where he takes on the alias of Lieutenant Farrow. There, the somewhat happy-go-lucky bunch of Brits suspect their acerbic new fellow prisoner of being a spy, and all sorts of culture clashes and misunderstandings ensue.
Join Hugh ""Bulldog"" Drummond in two of his groovy sixties adventures! Deadlier Than The Male (Dir. Ralph Thomas 1966): For Hire: Deadly Weapons! - Blonde Brunette Redhead A rarely seen 1966 tongue-in-cheek spy thriller starring Richard Johnson as Hugh Bulldog Drummond investigating the attempted sabotage of oil deals and assassination of a Persian King. Elke Sommer co-stars. Some Girls Do (Dir. Ralph Thomas 1969): Hugh ""Bulldog"" Drummond returns! Drummond'
It's 1992 and the miners of Grimley Colliery are facing uncertainty. Not only is their pit under threat but the Grimley Colliery Band is on the verge of breaking up - that is until Gloria (Tara Fitzgerald) arrives. As the only female member of the band she somehow manages to rekindle their enthusiasm for the forthcoming National Championship as well as rekindling a childhood romance with Andy (Ewan McGregor).
In his final TV role, Arthur Lowe (Dad's Army, Pardon the Expression) plays a popular but old-fashioned mathematics master attempting and largely failing to keep order among the unruly boys of Form IIIA at Burgrove Preparatory School, in the fictional rural town of Wilminister. Set in the 1940s, A. J. Wentworth, B.A. skillfully adapts the writings of H.F. Ellis which first appeared in diary form in Punch and later in The New Yorker, before being published in book form; the character of the beleaguered schoolmaster, played to perfection by Lowe, was inspired by Ellis's own experiences as a teacher.The mild-mannered, accident-prone Mr. Wentworth shows an unceasing dedication to the school and its reputation. But he has two major adversaries to deal with: Burgrove's headmaster, the snobbish Reverend R. G. Saunders (Harry Andrews), better known as 'Squid' by the pupils, and the formidable, frequently combative Matron (Marion Mathie Lucia)...
This is Earth the year 2100 and these are the adventures of cult hit Space Patrol! Newly remastered in High Definition from the original film elements for this Blu-ray edition, the series has never looked better! Join Galasphere 347 and its intrepid crew on their voyages around the solar system: heroic Captain Dart, elfin Slim, sausage-mad Husky, Irish genius Professor Haggerty, mad Martian parrot Gabbler and, keeping them all on a tight rein (and an even tighter budget), Colonel Raeburn and his super-efficient secretary, Marla!
A groundbreaking comedy and a subtle satire of the UK building industry in the 1960s (which is still frighteningly relevant today!) an excellent cast of comedians in their early days (Ronnie Barker Richard Briers Peter Butterworth Bernard Cribbins) will have you rolling in the aisles!
Well, the gang's all here, but Carry On Cruising isn't one of the classics of the series. This may be partly due to the film's well-intentioned stab at some sort of authenticity, being set as it is on a genuine cruise liner rather than in a studio full of cheap sets. It swiftly becomes apparent that the cramped environment isn't well suited to the kind of slapstick which is usually a key ingredient in any Carry On film. Veteran couch spuds will recall that the TV series Triangle was similarly disadvantaged, except that it wasn't supposed to be funny. As ever, though, the brilliant cast-in-residence manage to make the most of the situation. The plot, such as it is, deals with the tribulations which beset a world-weary captain (James) when he realises he's been saddled with a crew of misfits and incompetents (practically everybody else) on a cruise which is of course supposed to offer its passengers every comfort and convenience. If there's a single outstanding performance it has to be that of Lance Percival's chef, whose cheeriness as he presides over his various culinary experiments is extremely funny in a menacing sort of way. On the DVD: The DVD issue has no additional features. --Roger Thomas
The marketing department of a pharmaceutical company decide to enlist a dentist to endorse its brand of toothpaste despite the fact that they would be struck off for doing so. They hire two post-graduates who sign the contracts without even reading them first. Declaring the toothpaste rubbish the graduates decide to make a better tooth-cleaner worthy of being struck-off!
Sir Ernest Pease KBE FRS (James Robertson Justice) is a cantankerous and crotchety old professor. Testing one of his new radar inventions (and travelling incognito as Lt. Farrow RN) the plane he is travelling is shot down and he is incarcerated as a POW. His overbearing and abrasive manner leads his fellow inmates into believing he is a German spy but when they discover who he actually is they realise that his escape is vital to the war effort. Written by Henry Blyth (The Bul
In 1962's On the Beat, Norman Wisdom's Pitkin, the most famous incarnation of his riotous buffoon character, is dreaming of something better as usual. Pitkin wants to follow in his father's footsteps and become a policeman, but being decidedly on the short side, has to settle for washing police cars. Of course it's not long before Norman is impersonating an officer of the law. Wisdom also plays his nemesis here, the German General Schreiber, as well as the chief suspect in a series of jewel robberies which only Pitkin's chaotic antics can solve. Terence Alexander effectively reprises his character from The Square Peg (1958), and Wisdom regular David Lodge, previously seen costarring in The Bulldog Breed (1960), is also on hand, though otherwise the supporting cast is less stellar than before. By the time of 1955's Man of the Moment, Wisdom was firmly established as Britain's favourite movie comedian, his shy, helpful and good-natured "gump" character forever unintentionally causing catastrophe in the great tradition of Charlie Chaplin. However, while Chaplin ventured into politics in Modern Times (1936) for satirical purposes, when Norman's minor civil servant here accidentally becomes the UK delegate at a conference in Geneva the emphasis is on farce and pratfalls. The plot sees Norman sticking up for the rights of the fictional kingdom of Tawaki against less-than-honest government interests, while his new-found status brings the attention of the ladies, including the return of his Trouble in Store (1953) costar Lana Morris. Continuing his collaboration with veteran director John Paddy Carstairs, the film is a polished laughter machine that continues to entertain. --Gary S Dalkin
Alistair a hair tonic salesman is not very happy about welcoming back a father who twenty-three years earlier went out to fetch some cigarettes. He decides to spy on his father and discovers that he is still the drunken disgrace that he used to be. Alistair decides that drastic action must be taken to stop this awful man....the outcome is outrageous!
When Maddy (Debbie Rochon) goes to a party with her new boyfriend Shawn (Danny Wolske) she only wants to meet his friends and have a good time. They tell her about their 'Murder Club' and invite her to join. Confused but intrigued Maddy really wants to be part of the group. Before she can join the 'Murder Club' members are being killed off one by one...
This is Earth - the year 2100. These are the adventures of 'Space Patrol', unseen on British television since 1968, now rescued and restored to delight the many fans of this cult puppet classic.; ; The Swamps Of Jupiter:; Captain Dart and his crew are sent to investigate the loss of contact with a scientific base on Jupiter and encounter Martian fur trappers who are killing the native Loomi creatures for their heat-retaining skins.; ; The Wandering Asteroid:; The Space Patrol crew accept a da...
Having proved himself a war hero in The Square Peg (1958), Norman Pitkin, Norman Wisdom's most famous incarnation of his riotous buffoon character, is here demobbed and, as usual for a Wisdom movie, dreaming of something better. Norman wants to follow in his father's footsteps and become a policeman, but being decidedly on the short side, has to settle for washing police cars. Of course it's not long before Norman is impersonating an officer of the law. As in The Square Peg, Wisdom also plays his nemesis here, the German General Schreiber, as well as the chief suspect in a series of jewel robberies which only Pitkin's chaotic antics can solve. In fact, as if emphasising that On the Beat really is The Square Peg with different uniforms, Terence Alexander, who later found fame as Charlie Hungerford in the long running BBC series Bergerac, also returns, albeit playing a different character. Wisdom film-regular David Lodge, previously seen co-starring in The Bulldog Breed (1960) is also on hand, though otherwise the supporting cast is less stellar than before. Solid if very predictable feel-good entertainment, Wisdom's particular brand of charming anarchy proves again his box-office formula could withstand endless variations. --Gary S Dalkin
Please wait. Loading...
This site uses cookies.
More details in our privacy policy