The Midwife centers around the newly resurfaced relationship between Claire (Catherine Frot), a talented but tightly wound midwife and single mother, and Beatrice (Catherine Deneuve), the estranged, free-spirited mistress of Claire's deceased father.
Bertolucci's directorial debut La Commare Secca is based on a book by Pasolini and tells the story of a prostitute who is brutally murdered in a park near the Tiber River in Rome. The police track down all visitors to the park that night with hope of catching the killer the story is told in flashbacks as each suspect gives their account.
After breaking up with her enigmatic girlfriend Antonia, 35-year-old English Literature teacher Julia is thrown into a totally unforeseen new life when she moves into an idyllic beachside house with best gay friend Hugo and his friend Lisa. Evenings are spent indulging in wistful heart-to-hearts about the trials and tribulations of loves past and present. But before long, crunch time comes in the shape of Lisa’s beautiful cousin Helena, who encourages Antonia to learn to love once again. A tender, enriching exploration of the passions and pangs one can experience when both deeply in and out of love, So Hard To Forget is a film about falling back in love, and how it really isn’t so different from that ‘first time’.
A performance of Mozart's 'Cosi Fan Tutte' performed by the Monteverdi Choir and the English Baroque Soloists. Conducted by John Eliot Gardiner.
Following in the witty and gory footsteps of Shaun of the Dead, comes Cuba's first full-length horror film, Juan Of The Dead!Juan Of The Dead tells the blood-drenched tale of a slacker who decides to save Cuba from an invasion of cannibalistic zombies. As the zombies turn Havana into a gory circus of flying limbs and severed heads, the nightly news anchors continue to calmly assert the government line, that the attacks are not the work of the undead but dissidents in the pay of the United States.Scattered with allusions to traumatic moments in Cuba's recent history, this is a zombie film with real satirical bite.
From producer Jennifer Lopez comes a danceable dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry You Got Served) he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton the two find that their music and cultures have more in common than they ever imagined. But to bring their musical hybrid to the world can they survive the grudges and gunplay that await them back in New York City?
Set against the backdrop of Sydney's Italian-Australian community this emotionally charged drama follows a feisty heroine's struggle to balance the pressures of school family and friends while at the same time coming to understand herself...
Alejandro Amenabar's first film Tesis has impressive restrain for a debut, as you might expect from the man who went on to make Open Your Eyes and The Others. It's also the most intelligent consideration of the urban myth of snuff films seen onscreen in recent years. Ana Torrent is a priggish young student writing a thesis on violence in movies and finds out more than she wants to know. From the opening shots of her fascinated attempt to see a suicide victim mashed on the Madrid metro to her ambivalent involvement with Chemo (Fele Martinez)--a sinister nerd, obsessed with collecting dubious videos--and her flirtation with one of their principal suspects, Torrent portrays a traditionally plucky heroine along with her darker, more complicit and self-destructive side. As in his later work, Amenabar achieves maximum terror with minimum effect--dark rooms, gazes averted from torture we never see--because of his rich sense of the complexity of human character. What terrifies us here is the sense of our own demons. On the DVD: the DVD, which is presented in a 1.85:1 letterboxed video ratio and has Dolby Digital sound, comes with optional English subtitles, an intelligent, if slightly earnest documentary about the making of the film, a filmography, the theatrical trailer and a review article by the excellent Roger Clark. --Roz Kaveney
Have we gone too far? The future is here. Bioterrorism. Designer babies. Frankenfoods. Suddenly Humanity possesses the ability to play god. But is it progress-or madness? Will cutting-edge science be our salvation? Or our demise? ReGenesis is a 13-part dramatic series about NorBAC an organization formed to investigate questionable advances in biotechnology. The Pandora's box of biotech is wide open. It's a modern gold rush where billions will be made and g
Two things make it impossible to consign Josef von Sternberg's seedily atmospheric 1930 masterpiece The Blue Angel to the archives of museum land: it was the first film to put Marlene Dietrich in front of an international audience; and it features a towering performance from Emil Jannings as the professor whose fall from grace is precipitated by his obsession with Dietrich's archly vampish showgirl Lola-Lola. On both counts The Blue Angel remains a potent, vibrant work which still has moments of real relevance. Dietrich's performance is indeed hypnotic: von Sternberg lights her face and exposed flesh--shoulders and thighs--in a way that clearly indicates the erotic charge she generates among the men in the Blue Angel night club, and in Jennings in particular. Before our eyes his repressed, puritanical self-will disintegrates and his fate is sealed. The pivotal moment is, of course, when Dietrich teases her audience with "Falling in Love Again", her stockinged and suspendered legs astride a beer barrel, a top hat rakishly on her head. It would become the signature tune of her cabaret act in later years but here she delivers it with a far less studied, throwaway cheeriness; how, indeed, can it be her fault if men cluster around her like moths around a flame? This is the raw material on which an icon was built, but there is much else to fascinate in the film itself: you can still smell the pungent grim reality of a trouper's life on the road; and the professor's pathetic efforts to control his class of unruly boys still resonates today... this is an essential piece of film history. On the DVD: The Blue Angel is presented in its German and English-language versions, both restored and digitally remastered. As far as the sound quality is concerned this is of limited benefit since there is a great deal of distortion on both versions. But thanks to the picture restoration we can see how von Sternberg treats Dietrich: her face becomes a radiant, mocking pool of light always in contrast with the dark, grainy characters around her. The English version (in truth, only the Dietrich/Jannings scenes were shot in each language) is slightly pruned, missing a key scene in which the professor's repressed sensitivity is established at the very beginning. So despite some erratic sub-titling, the German version remains definitive. And it also reveals the worldliness of the original lyrics to Friedrich Hollander's classic songs: "I Was Made for Love from Head to Toe" suggests a rather more robust attitude than the vague whimsy of "Falling in Love Again." A final thought: releasing films of this importance on DVD surely creates an opportunity to put them in context by including documentary and factual resources, but this release has no extras of any kind. At the very least it cries out for an authoritative commentary. --Piers Ford
A well-dressed lady thief (Betty Amann) steals a precious stone from a jewellery shop. The aged jeweller prefers to let the young woman go but the policeman who catches her explains he is obliged to pursue the case further. She tries to seduce the policeman (Gustav Frohlich) and he gradually succumbs to her charms but her criminal background dooms their relationship when an argument leads to murder... One of the last great German Expressionist films of the silent era Joe May's 'A
Paris 1900: a couple are horribly murdered by a masked man with a metal claw who rips their hearts out. The sole survivor and witness to the massacre is a young girl. Twelve years later in Rome a new wax museum is opened whose main attractions are lifelike recreations of gruesome murder scenes. A young man bets that he will spend the night in the museum but is found dead the morning after. Soon people start disappearing from the streets of Rome and the wax museum halls begin filli
Cristina Reiner is notified of her father's death and is summoned to Monserrat Mansion for the reading of his will. Other members of her strange, accursed family are found there awaiting. When Death finally visits the castle in the person of an elegantly attired Queen of Darkness, Cristina is approached by the ghost of her father, who advises her to flee the castle and her cold-skinned, bloodthirsty relatives. But is it already too late?
Though this graphic 1996 version of HG Wells' The Island of Dr Moreau was roasted by critics, it's an utterly fascinating failure, largely due to the performances of David Thewlis, Val Kilmer and especially Marlon Brando in the title role as a mad (and in this case outrageously bizarre) scientist whose experiments in crossbreeding humans with animals have gone terribly awry. Thewlis plays the wayward scholar who is rescued at sea by Kilmer and brought to Moreau's island to discover the doctor's unnatural "children". Fairuza Balk plays Moreau's half-cat daughter, but it's Brando and Kilmer (in one scene doing a killer Brando impersonation) who steal the show, along with the astounding make-up effects created by Stan Winston. A guilty pleasure by any measure, this movie has definite cult-favourite potential. --Jeff Shannon, Amazon.com
It's not just a dance...it's a passion! Robby Rosa former lead singer of the super group Menudo stars in this sexy story of young dreams dangerous passions and dance-floor fireworks! With special performances by Salsa legends Celia Cruz and Tito Puente this high-energy musical sizzles with breathtaking choreography and all the spice of red-hot salsa! In a nightly escape from his day job as a mechanic Rico (Rosa) enters his true element: the wild exuberance of the East L.A. ""La
London dweller Christina is called to a castle in a small village for the reading of her father's will. Soon after meeting her peculiar family her nights are filled with strange apparitions and supernatural happenings.
Sometimes the game of love requires a little cheating... Emilio Martinez-Lazaro's Madrid musical comedy: sex love lies bed-hopping and mistaken identities!
Sultry sopranos and contraltos brood in candle-lit churches or at the top of a shopping mall escalator; a shaven-headed tough menaces enemies with a knife, singing of vengeance and death in a terrifying counter-tenor rasp; a couple sing of fulfilment in the back of a limousine. Jonathan Keates remarks in his accompanying lecture that the heroes and heroines of Handel's opera are real people, whose passions transcend the baroque libretti they are singing; by taking them out of full-bottomed wigs and panniered frocks and putting them at large in contemporary London at night, this interesting documentary reminds us of the immediacy of these arias. This would not work, of course, were not the performances exemplary in their own right and presented with a driving urgency that takes us away from the pieties of the oratorio tradition and reminds us what a superb and popular man of the theatre Handel was. --Roz KaveneyOn the DVD: The DVD comes with the narration in English, French and German, and subtitles in those languages. The arias are also playable as audio only. --Roz Kaveney
The year is 1938 and Spain is being torn apart by civil war. As one of several cordial collaborations between General Franco and Adolph Hitler a small Spanish film crew is invited to Berlin's prestigious UFA Studios to shoot two versions of a popular Andalucian musical one in Spanish and one in German. Initially the group is more than happy to have escaped the misery of their war-torn country. However they soon begin to doubt the fortune of their predicament when the German Minist
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