In the Year of the City 2274, humans live in a vast, bubbled metropolis, where computerized servo-mechanisms provide all needs so everyone can pursue endless hedonism. Endless, that is, until Lastday, when anyone who's 30 must submit to Carousel, a soaring, spinning trip to eternity and supposed rebirth. The screen's first use of laser holography highlights this post-apocalyptic winner of a Special Achievement Academy Award® for Visual Effects. Michael York plays Logan 5, a Sandman authorized to terminate Runners fleeing Carousel. Logan is almost 30. Catch him if you can.
Experience a magical adventure, filled with friendship, fun and "paws-itively" cool music in the new 20th Anniversary Edition DVD of Walt Disney's Oliver And Companyfeaturing tail-wagging bonus and new digital mastering!
Controversial, compelling and critically acclaimed, THE SHIELD reinvented the police genre and gave us one of the greatest antiheroes in television history. Vic Mackey, a corrupt cop, runs hie elite Strike Team under his own set of rules, bringing conflict to not only the streets of Los Angeles, but also within his precinct. THE SHIELD showcases acting, directing and writing of the highest caliber.
Disney's next animated feature takes the classic story of 'Treasure Island' and gives it a twenty first century science fiction makeover with alien worlds and other galactic wonders.
Legendary director William Wyler (The Collector, Ben-Hur) concluded his filmmaking career with The Liberation of L.B. Jones, a searing indictment of institutional racism starring Lee J Cobb (The Dark Past), Anthony Zerbe (The Omega Man), and Roscoe Lee Browne (Cisco Pike).When Black funeral director L B Jones (Browne) finds that his pregnant wife Emma (Lola Falana) is having an affair with white policeman Worth (Zerbe), he demands a divorce. Worth and his racist colleagues exact brutal revenge upon Jones, and conspire to cover up their actions with the assistance of the local District Attorney (Cobb)With supporting performances from Barbara Hershey (Hannah and Her Sisters) and Yaphet Kotto (Blue Collar), and with a screenplay by Jesse Hill Ford (adapting his own novel) and Stirling Silliphant (Murphy's War), The Liberation of L.B. Jones is a shocking tale of intolerance and injustice.INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURESHigh Definition remasterOriginal mono audio Audio commentary with journalist and author Bryan Reesman and film critic and filmmaker Mike Sargent (2025)Neil Sinyard on The Liberation of L.B. Jones' (2025): the film historian and writer of A Wonderful Heart: The Films of William Wyler delves into the making of, and reception to, the film Isolated music & effects trackImage gallery: promotional and publicity materialNew and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Fintan McDonagh, archival interviews with writer Jesse Hill Ford and actor Roscoe Lee Brown, archival production report, and film creditsUK premiere on Blu-rayLimited edition of 3,000 copies for the UKAll features subject to change
Computer operator Terry Dolittle (Goldberg) becomes involved in international espionage when a desperate message from a British Intelligence officer appears on her computer terminal...
Robert Redford, usually a pretty good judge of material, got snookered badly in Legal Eagles, an Ivan Reitman comedy which also stars Debra Winger and Daryl Hannah. Redford is a rising assistant D.A. who is prosecuting a woman (Hannah) for theft of a painting by her father. Before he knows whats hit him, hes involved romantically both with the defendant and with her scattered lawyer (Winger). Redford is as good as he can be, given the circumstances but this is a film that doesnt know where its going. Originally intended as a serious film about the legal wrangling over the estate of the late Mark Rothko, this film quickly degenerated when the script was turned over to Jim Cash and Jack Epps Jr, whose sparkling oeuvre includes Turner and Hooch. --Marshall Fine, Amazon.com
Disney does Dickens in this animated version of Oliver Twist, in which a homeless New York City cat falls in with a bunch of mischievous dogs under the leadership of the appealing scoundrel Fagin. The roots of Disney's success with animation in the 1990s begins with this clever, energetic, atmospheric movie, which succeeds in capturing the grim world Dickens conjured. Lyricist Howard Ashman (The Little Mermaid) worked on the songs, the best of which is sung by Billy Joel, who provides the voice of (the Artful) Dodger. --Tom Keogh
In the Year of the City 2274, humans live in a vast, bubbled metropolis, where computerised servo-mechanisms provide all needs so everyone can pursue endless hedonism. Endless, that is, until Lastday when anyone who's 30 must submit to Carrousel, a soaring, spinning trip to eternity and supposed rebirth. The screen's first use of laser holography highlights this post-apocalyptic winner of a Special Achievement Academy Award® for Visual Effects.* Michael York plays Logan 5, a Sandman authorised to terminate Runners fleeing Carrousel. Logan is almost 30. Catch him if you can. SPECIAL FEATURES Commentary by Michael York, Director Michael Anderson and Costume Designer Bill Thomas Vintage Featurette A Look into the 23rd Century
Disney does Dickens in this animated version of Oliver Twist, in which a homeless New York City cat falls in with a bunch of mischievous dogs under the leadership of the appealing scoundrel Fagin. The roots of Disney's success with animation in the 1990s begins with this clever, energetic, atmospheric movie, which succeeds in capturing the grim world Dickens conjured. Lyricist Howard Ashman (The Little Mermaid) worked on the songs, the best of which is sung by Billy Joel, who provides the voice of (the Artful) Dodger. --Tom Keogh
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller Topaz seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh
The Cowboys gave John Wayne one of his juiciest late-career roles as a leather-tough rancher who deserted by his regular help hires 11 greenhorn schoolboys for a cattle drive across 400 treacherous miles.
Shrouded in mysterious legend Tanglewood Mountain raises it's grandiose peaks to the heavens. It is home to the Lords of Tanglewood a group of local youths who find pleasant and harmless moments of escape to a world of youthful fantasy and adventure in their makeshift clubhouse castle on the mountainside and their friend John McKenna (Chuck Norris) a man skilled in the ways of the wild who is determined to protect the wilderness retreat and all of it's inhabitants. John however may not be the only protector of Tanglewood Mountain. Could there be truth in the age-old mysterious legend that recounts tales of ancient warriors who once visited the mountain and were so struck with it's natural beauty they vowed to remain there forever. We'll find out when greedy men find a loophole in the law and prepare to assault Tanglewood Mountain with machinery and equipment that will forever devastate this sanctuary of paradise. The Lords of Tanglewood are forced to battle against both the elements and greed that will leave a spellbound charmed and amazed audience wondering if the legend of Tanglewood Mountain is really fantasy or fact.
A veteran rancher risks everything when he recruits schoolboys to man a dangerous cattle drive. One of John Wayne's solid twilight hits co-starring Bruce Dern and Colleen Dewhurst.
The action comes thick and fast in Spider-Man--The Ultimate Villain Showdown as the web-slinging hero faces a host of fearsome foes, not least of which is his own torturous self-doubt. Kingpin, Dr Octopus and the Green Goblin all put in spirited performances in these animated tales from the 1990s, while a flashback to Spider-Man's origins ties the action together neatly. The writing is somewhat heavy-handed in places and the animation cranky, but the four featured episodes are pacy, the villains suitably evil and a hint of darkness lends a pleasing frisson to the drama. On the DVD: there's limited bonus material on the DVD but what's there is generally worthwhile and entertaining. In addition to an extra episode, "Return of the Green Goblin", a "Rogues Dossier" gives an interactive guide to Spider-Man's foes with statistics, trivia and video interviews with our hero's creator Stan Lee. Lee crops up again in the highlight of the bonus material, "Stan Lee's Soapbox", an engaging 20-minute insight into all things Spidey from a man who obviously loves his job. --Helen Baker
Morgan's Ferry - Bonnie (Kelly McGillis) is an isolated middle-aged woman who has been shunned by the locals in her town for years. When a handsome young man named Sam (Billy Zane) and his friend, Monroe (Henry Rollins), end up ransacking Bonnie's dilapidated house for a supply of food and money, they enter into a bizarre relationship with her. Upon realizing that she is not afraid of or angry about their thievery, Sam becomes fascinated, while the volatile Monroe becomes angry. The events that follow are sure to effect the threesome's lives for years to come.
John Wayne has brawled bare-knuckled gunned down desperadoes fought jungle wars and piloted the skies. But 'The Cowboys' gives him one of his juiciest roles as a leather-tough rancher who deserted by his regular help hires eleven greenhorn schoolboys for a cattle drive across 400 treacherous miles. When the dust settles Wayne gives one of his best performances. In The Cowboys Rex Reed wrote All the forces that have made him a dominant personality as well as a major screen presence seem to combine. Old Dusty Britches can act. Co-starring the equally memorable Roscoe Lee Browne Colleen Dewhurst and Bruce Dern 'The Cowboys' is exciting proof. This version never before released in the UK includes a previously deleted scene.
Robert Redford, usually a pretty good judge of material, got snookered badly in Legal Eagles, an Ivan Reitman comedy which also stars Debra Winger and Daryl Hannah. Redford is a rising assistant D.A. who is prosecuting a woman (Hannah) for theft of a painting by her father. Before he knows what's hit him, he's involved romantically both with the defendant and with her scattered lawyer (Winger). Redford is as good as he can be, given the circumstances but this is a film that doesn't know where it's going. Originally intended as a serious film about the legal wrangling over the estate of the late Mark Rothko, this film quickly degenerated when the script was turned over to Jim Cash and Jack Epps Jr, whose sparkling oeuvre includes Turner and Hooch. --Marshall Fine, Amazon.com
When conman and petty criminal Tom Turner (Kinnear) makes the mistake of attempting to hustle some undercover police officers he is offered the choice of either going to jail or getting a real job. Turner chooses work and finds himself in the Dead Letters Office of the Post Office. After accidentally opening one of the many letters and addressed to God Turner then takes it upon himself to read and reply to as many as he can. Soon his colleagues including Rebecca (LAURIE METCALF) fol
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