It s just another day in your typical Middle America town. The children diligently head off to school, fathers leave for the office and mothers spend their day working hard to make certain the family returns to a clean house and a warm dinner on the table. Today may begin like every other day in this town of good, solid values, but children become suspicious when their mothers begin developing some very peculiar appetites. FLESH EATING MOTHERS is a non-stop cult action/comedy that tells the story of a kid s worst nightmare: becoming dinner! Extras Interview with Director Interview with Producer Trailer
Grave Of The Vampire (Dir. John Hayes 1974): In a dark deserted graveyard populated almost exclusively by rotting corpses lies a 400 year old creature more undead than alive. It's been some time since he last fed and now he's hungry again... but this time he wants something more than blood! Disturbed by an amorous couple he ventures from the grave to bequeath his horrific legacy killing the boyfriend and planting the seed for his son and heir - a half-breed doomed to live in purgatory. Years later understanding his true nature the half-human vampire seeks to wreak his vengeance against his blood-sucking father culminating in a bloodthirsty and apocalyptic confrontation that goes straight for the jugular! Flesh Eating Mothers (Dir. James Aviles Martin 1989): On the rampage through small town America comes a new threat to national security... evil vicious mindless zombies mums with the ability to eat anyone anywhere anytime!
A cult 50's B-movie about a rebellious youth fresh from reform school who hooks up with the bad influence pusher who got him put away to form a local marijuana ring. They deal the demon weed to the local small town high school kids in the hope of getting them hooked. Before long these youngsters are hopelessly addicted rampaging through the town with crime insanity and death the inevitable results.
Winner of the Camera d'Or for Best First Feature at the 1984 Cannes Film Festival Stranger Than Paradise not only launched Jim Jarmusch's career but also earned him recognition from critics as one of today's more inventive and creative filmmakers. Lounge Lizard musician John Lurie stars as Willie a disenchanted New Yorker who along with his best friend Eddie (Richard Edson) and cousin Eva (Eszter Balint) decides it's time to leave behind their boring lives in search of ""paradise."" But as their unforgettable road trip to Florida unfolds they find that amidst the sunshine blue skies and palm trees their pursuit of happiness is constantly road-blocked by the very thing they can't run away from... themselves.
Permanent Vacation (1980): In downtown Manhattan Allie a twenty-something guy (Chris Parker) whose Father is not around and whose Mother is institutionalized is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few strange and surreal characters along the way. Stranger Than Paradise (1984): Winner of the Camera d'Or for Best First Feature at the 1984 Cannes Film Festival Stranger Than Paradise not only launched Jim Jarmusch's career but also earned him recognition from critics as one of today's more inventive and creative filmmakers. Lounge Lizard musician John Lurie stars as Willie a disenchanted New Yorker who along with his best friend Eddie (Richard Edson) and cousin Eva (Eszter Balint) decides it's time to leave behind their boring lives in search of ""paradise."" But as their unforgettable road trip to Florida unfolds they find that amidst the sunshine blue skies and palm trees their pursuit of happiness is constantly road-blocked by the very thing they can't run away from... themselves. Down By Law (1986): In one of the hippest comedies ever made three misfits find themselves thrown together in a New Orleans jail cell. There's Zach the unemployed DJ Jack the small-time pimp and Bob the crazy Italian tourist. Unavailable for many years this cult hit stars Tom Waits John Lurie and the Oscar-winning director and star of Life is Beautiful Roberto Benigni. A film that firmly established Jim Jarmusch as the coolest director on the American independent scene.
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