A remake of the classic Peter Cook & Dudley Moore comedy, with Brendan Fraser as the young man given seven wishes in order to turn his life around from Liz Hurleys sultry Satan.
A biographical record of Rudolf Nureyev's dedication which enabled him to climb to fame as the world's foremost male ballet dancer.
Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial best-seller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism, and Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by satanic disfiguration. One of the most frightening films ever made, The Exorcist was mysteriously plagued by troubles during production, and the years have not diminished its capacity to disturb even the most stoical viewers. --Jeff Shannon
If you think you know Fritz Lang's Metropolis backwards, this special edition will come as a revelation. Shortly after its premiere, the expensive epic--originally well over two hours--was pulled from distribution and re-edited against Lang's wishes, and this truncated, simplified form is what we have known ever since 1926. Though not quite as fully restored as the strapline claims, this 118-minute version is the closest we are likely to get to Lang's original vision, complete with tactful linking titles to fill in the scenes that are irretrievably missing. Not only does this version add many scenes unseen for decades, but it restores their order in the original version. Until now, Metropolis has usually been rated as a spectacular but simplistic science fiction film, but this version reveals that the futuristic setting is not so much prophetic as mythical, with elements of 1920s architecture, industry, design and politics mingled with the mediaeval and the Biblical to produce images of striking strangeness: a futuristic robot burned at the stake, a steel-handed mad scientist who is also a 15th Century alchemist, the trudging workers of a vast factory plodding into the jaws of a machine that is also the ancient God Moloch. Gustav Frohlich's performance as the hero who represents the heart is still wildly overdone, but Rudolf Klein-Rogge's engineer Rotwang, Alfred Abel's Master of Metropolis and, especially, Brigitte Helm in the dual role of saintly saviour and metal femme fatale are astonishing. By restoring a great deal of story delving into the mixed motivations of the characters, the wild plot now makes more sense, and we can see that it is as much a twisted family drama as epic of repression, revolution and reconciliation. A masterpiece, and an essential purchase. On the DVD: Metropolis has been saddled with all manner of scores over the years, ranging from jazz through electronica to prog-rock, but here it is sensibly accompanied by the orchestral music Gottfried Huppertz wrote for it in the first place. An enormous amount of work has been done with damaged or incomplete elements to spruce the image up digitally, and so even the scenes that were in the film all along shine with a wealth of new detail and afford a far greater appreciation for the brilliance of art direction, special effects and Helm's clockwork sexbomb. A commentary written but not delivered by historian Ennio Patalas covers the symbolism of the film and annotates its images, but the production information is left to a measured but unchallenging 45-minute documentary on the second disc (little is made of the astounding parallel between the screen story in which Klein-Rogge's character tries to destroy the city because the Master stole his wife and the fact that Lang married the actor's wife Thea von Harbou, authoress of the Metropolis novel and screenplay!). There are galleries of production photographs and sketches; biographies of all the principals; and an illustrated lecture on the restoration process which uses before and after clips to reveal just how huge a task has been accomplished in this important work. --Kim Newman
A ballet in three acts by Rudolf Nureyev from the Palais Garnier. The story follows the doomed love affair between a warrior and a bayadere who is later killed by her rival...
After being commissioned by the 1936 Olympic Committee to create a feature film of the Berlin Olympics Riefenstahl shot a documentary that celebrates the human body by combining the poetry of bodies in motion with close-ups of athletes in the heat of competition. Includes the marathon men's diving and American track star Jesse Owens' sprint races at the 1936 Olympic Games. The production tends to glorify the young male body and some say expresses the Nazi attitude toward athletic prowess. Includes the lighting of the torch at the stadium and Adolf Hitler looking on in amazement as Jesse Owens wins an unprecedented four Gold Medals.
Nadya is a very special 14-year-old girl. With amazing psychic powers and trained as an assassin, she is recruited by the Russian army during World War II to become a member of First Squad, a special fighting unit specializing in combating paranormal forces. When she is the last member left standing in a brutal attack, she is returned to the unit for a special project – to bring her comrades back from the dead to fight Von Wolff, a 700-year-old spirit brought back to life to help the Nazis take over the world. First Squad is a compelling and action-packed new animated movie filled with drama and suspense, containing stunning, atmospheric visuals from Studio 4C, the acclaimed animation studio behind The Animatrix and Halo: Legends.
Hidden (aka. Cache) (2005): Writer/director Michael Haneke delivers a masterpiece of unsettlement with Hidden (Cache). Life seems perfect for Georges (Daniel Auteuil) and Anne (Juliette Binoche) a bourgeois Parisian couple who live in a comfortable home with their adolescent son Pierrot (Lester Makedonsky). But when an anonymous videotape turns up on their doorstep showing their house under surveillance from across the street their calm life begins to spiral out of control. Subsequent videotapes arrive accompanied by mysterious drawings and gradually Georges becomes convinced that he's being tormented by a figure from his past. But when he confronts him the man assures Georges he is innocent. A growing sense of guilt begins to rise in Georges as he recalls his less-than-angelic childhood yet for some reason he's unable to be completely honest with Anne. Soon their happy home is an emotional battleground leading to a climax that is breathtaking in its ferocity and ambiguousness. The Time Of The Wolf (2003): Michael Haneke directs this nightmarish vision of a post-apocalyptic world in which society has completely broken down. Isabelle Huppert plays Anne who flees the city with her husband Georges and their two children in the hope of finding safe refuge at the family's country home. But soon after arriving they learn they have made a terrible mistake and must embark on a gruelling odyssey through a country totally devastated by disaster without even the most basic of utilities such as water and electricity. Demonstrating yet again his unique and uncompromising cinematic vision Haneke assembles an all star cast for this typically challenging tense and gripping drama. The Piano Teacher (2001): The Piano Teacher is a powerful and controversial drama from award-winning Austrian film-maker Michael Haneke (Funny Games Code Unknown). Isabelle Huppert gives a performance of astounding emotional intensity as Erika Kohut a repressed woman in her late thirties who teaches piano at the Vienna Conservatory and lives with her tyrannical mother (Annie Girardot) with whom she has a volatile love-hate relationship. But when one of Erika's students the handsome and assured Walter Klemmer (Benoit Magimel) attempts to seduce her the barriers that she has carefully erected around her claustrophobic world are shattered unleashing a previously inhibited extreme and uncontrollable desire. Code Unknown (2000): Paris. A very busy boulevard. Someone throws a crumpled piece of paper into the outstretched hands of a beggar-woman. This is the bond which for an instant links the trajectories of several very different characters : Anne a young actress is on the threshold of making it in the cinema. Her boyfriend Georges is a war photographer he is rarely in France. His father is a farmer. Georges' younger brother Jean has no interest in taking over the farm. Amadou is a music teacher in an institute for deaf-mute children. His father a taxi driver originates from Africa. His little sister is deaf and it's because of her that Amadou has chosen his profession. Maria comes from Romania and sends home the money she gets from begging. Having been deported she goes back home to spend some time with her family before embarking on another humiliating journey to France. What do they have in common these characters and those whose path they cross?
Created as an IMAX movie based on the novel by father/son team Walter and Steven Farley Disney's Young Black Stallion tells the story of a wild colt who befriends a young girl in the Arabian desert eventually becoming her equine soul mate and champion racehorse. Set in 1946 North Africa the story begins as Neera gets separated from her desert caravan by an ambush of soldiers. Alone and lost she discovers a colt among the drifts and in time they forge a friendship of interdepende
Inspired by a famous 1971 psychological experiment, Oliver Hirschbiegel's German-language movie Das Experiment finds a group of 20 volunteers randomly divided into 12 prisoners and eight guards and asked to play out their roles for a fortnight while scientists study their reactions. A conflict arises between undercover reporter Fahd (Moritz Bleibtreu), a con with a hidden agenda and the apparently mild-mannered Berus (Justus von Dohnanyi), a guard with a megalomaniac streak. The film begins as a psychological drama as ordinary people settle into the game, with joking displays of resistance by the "prisoners" greeted with increasing brutality from the "guards", but detours into suspense and horror as Fahd, who needs the experiment to get out of hand in order to make his story more saleable, deliberately ratchets up the tension between the factions only to see the situation spiral nightmarishly out of control as various test subjects in both camps edge closer to snapping. With a terrific display of ensemble acting and unforced use of the currently popular claustrophobic semi-documentary look, Hirschbiegel's movie takes its time to get underway, with apparently irrelevant cutaways to Fahd's outside girlfriend (Maren Eggert), but works up to a powerful second half that delivers a sustained symphony of psychological and physical anguish. On the DVD: Das Experiment on disc has an excellent-looking anamorphic widescreen transfer with English subtitles. The only extra feature is the trailer. --Kim Newman
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
In the era when one could still but only dream of a comprehensive restoration of Fritz Lang's silent sci-fi epic Metropolis, esteemed pop artist/producer and pioneering electronic composer Giorgio Moroder followed his work on Brian De Palma's cult-classic Al Pacino vehicle Scarface by assembling his own version of Lang's 1920s classic. The result was a zeitgeist-infused, high-kitsch/high-art amalgam of some of the quintessential cinema images and then-contemporary 1980s pop-chart melodrama. For millions around the world, it is this version of Metropolis – featuring music by Moroder himself and artistes such as Adam Ant, Pat Benatar, Freddie Mercury, Bonnie Tyler, and Jon Anderson – which first comes to mind whenever mention is made of the Lang original or, indeed, the iconic imagery and power of silent cinema.
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Berg�res show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavil...
A rare Anglo-Czech co-production, 90° in the Shade is a fascinating, little-seen drama directed by Jirà Weiss (Romeo, Juliet and Darkness) and co-written by David Mercer (Morgan: A Suitable Case for Treatment). Set at the height of summer, the film concerns shop assistant Anne Heywood (The Fox), and two men who will affect her life: James Booth (The Man Who Had Power Over Women), the married man with whom she is having affair, and Rudolf HrusÃnský (The Cremator), an auditor who has family problems of his own. Filmed simultaneously in English and Czech versions, Indicator is proud to present both cuts on Blu-ray for the first time ever.
If you think you know Fritz Lang's Metropolis backwards, this special edition will come as a revelation. Shortly after its premiere, the expensive epic--originally well over two hours--was pulled from distribution and re-edited against Lang's wishes, and this truncated, simplified form is what we have known ever since 1926. Though not quite as fully restored as the strapline claims, this 118-minute version is the closest we are likely to get to Lang's original vision, complete with tactful linking titles to fill in the scenes that are irretrievably missing. Not only does this version add many scenes unseen for decades, but it restores their order in the original version. Until now, Metropolis has usually been rated as a spectacular but simplistic science fiction film, but this version reveals that the futuristic setting is not so much prophetic as mythical, with elements of 1920s architecture, industry, design and politics mingled with the mediaeval and the Biblical to produce images of striking strangeness: a futuristic robot burned at the stake, a steel-handed mad scientist who is also a 15th Century alchemist, the trudging workers of a vast factory plodding into the jaws of a machine that is also the ancient God Moloch. Gustav Frohlich's performance as the hero who represents the heart is still wildly overdone, but Rudolf Klein-Rogge's engineer Rotwang, Alfred Abel's Master of Metropolis and, especially, Brigitte Helm in the dual role of saintly saviour and metal femme fatale are astonishing. By restoring a great deal of story delving into the mixed motivations of the characters, the wild plot now makes more sense, and we can see that it is as much a twisted family drama as epic of repression, revolution and reconciliation. A masterpiece, and an essential purchase. On the DVD: Metropolis has been saddled with all manner of scores over the years, ranging from jazz through electronica to prog-rock, but here it is sensibly accompanied by the orchestral music Gottfried Huppertz wrote for it in the first place. An enormous amount of work has been done with damaged or incomplete elements to spruce the image up digitally, and so even the scenes that were in the film all along shine with a wealth of new detail and afford a far greater appreciation for the brilliance of art direction, special effects and Helm's clockwork sexbomb. A commentary written but not delivered by historian Ennio Patalas covers the symbolism of the film and annotates its images, but the production information is left to a measured but unchallenging 45-minute documentary on the second disc (little is made of the astounding parallel between the screen story in which Klein-Rogge's character tries to destroy the city because the Master stole his wife and the fact that Lang married the actor's wife Thea von Harbou, authoress of the Metropolis novel and screenplay!). There are galleries of production photographs and sketches; biographies of all the principals; and an illustrated lecture on the restoration process which uses before and after clips to reveal just how huge a task has been accomplished in this important work. --Kim Newman
From director Juraj Herz comes this horror classic of Czech New Wave cinema about a Cremator who begins to lose his mind and turns his business into a chamber of torture of murder! Based on the novel of the same name by Ladislav Fuks the film centres around a truly chilling lead performance by Rudolf Hrusinsky as the demonic death obsessed Karl Kopfrkingl. He is the owner of a crematorium in the early stages of the Nazi occupation of Czechoslovakia who finds in the situation an opp
L'Italiana in Algeri, Rossini's first real hit as a writer of comic opera, is one of those almost unsinkable works difficult to get entirely right. Michael Hampe's production for the 1987 Schwetzinger festival captures both its charm and its sense of menace--the court of the Bey is both a setting for farce and a place in which the Italian characters are at the mercy of a despot who will not necessarily find things funny. Gunther von Kannen's Mustafa is a convincing Bey of Algiers, with all the arrogance of power and the vulnerability to mockery that goes with it. His adversary, the tough witty proto-feminist Isabella, is given real presence in Doris Soffel's performance--it is entirely credible, listening to her throaty mezzo, that everyone else should be more-than-a-little in love with her. The slightly effete tenor of Robert Gambill as her lover Lindoro makes him a perfect partner in intrigue for her. Conducting Rossini is not just a matter of winding the crescendos up and letting them go; Ralf Weikert is particularly fine in the complicated finale of Act One with its imitations of bells and drums and its complicated vocal lines. The DVD comes with menu material in English, French, German and Spanish, and with English, French and German subtitles; the stereo sound is particularly crisp. --Roz Kaveney
Hailed as one of the greatest directors of silent films and after the coming of sound Fritz Lang was one of the most influential and innovative artists of the twentieth century and in the history of cinema. Released to mark the 80th Anniversary of the epic Metropolis this Box Set contains five of the filmmaker's most legendary works in their recently restored forms spread across eight discs and supplemented with a host of extras. The two-part film Dr. Mabuse the Gambler is one of the most sensational crime thrillers ever filmed and mirrors German society of the 1920s in all its crime-ridden decadence. Its sinister theme is dominated by terror as the power-crazed Mabuse (Rudolf Klein-Rogge) masterminds the worlds most dangerous gang of counterfeiters thieves and murderers wielding hypnotic powers with an iron fist to obtain total obedience to his will. Inspired by the towering Manhattan skyline Metropolis is a science fiction classic. Sixteen months in the making with a cast of over thirty seven thousand the film cost over two million dollars at 1920s prices. Set in the year 2026 a mammoth city is ruled by the super efficient industrialist Joh Fredersen (Alfred Abel). On the surface the city appears to be a utopian dream with wealthy inhabitants living in palatial apartments set in colossal glass and concrete spires but underground it's a different story. Armies of slaves work gruelling hours to maintain the luxurious lifestyles of their masters. The tense balance of these two societies is soon realized when the workers revolt and destroy everything in sight. Fritz Lang's penultimate silent film Spione is a flawlessly constructed labyrinthine spy thriller. An international spy ring headed by Haghi (Rudolf Klein-Rogge) uses technology threats and murder to obtain government secrets. As master spy president of a bank and music hall clown Haghi leads several lives using instruments of modern technology to spearhead a mad rush for secrets - secrets that assert his power over others. Like a brand the letter 'M' has made its mark on film history as one of the most chilling serial killer films ever produced; its disturbing theme having lost none of its power or impact. Sinister dark and foreboding M tells the story of Hans Beckert (Peter Lorre) as the globe-eyed child murderer hunted by both the law and the underworld of Berlin. Fritz Lang resuscitated the evil genius Dr Mabuse ten years after making Dr Mabuse the Gambler in the sequel The Testament of Dr Mabuse. The sequel picks up the story with Mabuse's capture madness and incarceration. Even though he has been locked away in an asylum for ten years his crime organisation is still perpetrating an insane orgy of wanton destruction threats shoot-outs thefts explosions bombings burnings and floods. Rudolf Klein-Rogge reprises his role as Dr Mabuse. Banned by the Nazis The Testament of Dr Mabuse is one of Fritz Lang's most inventive crime thrillers and one of cinema's most accomplished early talkies.
In the little village of Holstenwall on the Dutch border fairground hypnotist Dr Caligari put on show a somnambulist called Cesare who has been asleep for twenty-three years. At night dressed in a black body-stocking and with a ghostly white face he slithers through the town murdering people on the doctor's orders. Robert Weine's silent black and white classic is now available digitally re-mastered on DVD for the first time!
The story of Raymonda takes place in the Middle-Ages and is set in the south of France. Raymonda is a young noblewoman waiting for the return of her fianc Jean de Brienne a knight who is on a crusade in the Holy Land. Meanwhile however the Saracen knight Abderachman appears on the scene and first of all pays her court but then uses force to try and make her bend to his will. Thanks to the warning and help of a ghost who is thought to be an ancestor and patron saint of her family
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