Real-life couple Kurt Russell and Goldie Hawn star in this enjoyable 1987 comedy by Garry Marshall (Pretty Woman) about an imperious heiress (Hawn) who loses her memory after a boating accident and is identified as the wife of a handyman (Russell). Russell's character brings her "home" to his messy house and unruly kids and the laughs follow as the aristocratic Hawn tries fitting in. Marshall delivers the comic goods, the leads are entertaining (Russell needs to do more comedy) and the supporting cast is made up of happily familiar faces, including Roddy McDowall, Edward Herrmann, and Marshall favourite Hector Elizondo in an unbilled bit part. --Tom Keogh
Using puppetry techniques inspired by Gerry Anderson's Supermarionation sagas, South Park creators Trey Parker and Matt Stone skewer U.S. politics and celebrity activism with their hilarious and controversial satire about a high-tech international law enforcement agency that recruits a renowned Broadway thespian to help them mount a series of ill-conceived anti-terrorist campaigns. Parker and Stone provide voices along with Kristen Miller and Daran Norris.
Obsessive scientist Dr. Pretorious and his assistant Crawford Tillinghast have invented 'The Resonator'. A device intended to stimulate the brain's Pineal gland and expand the powers of the mind. The machine gives them more than they bargained for however when a parallel universe inhibited by slimy creatures ready to prey on humans reveals itself. Pretorious meets a sticky end and returns as a grotesque, deformed being and all manner of depravity ensues. Special Features: Stuart Gordon on From Beyond. Gothic Adaptation: An Interview with writer Dennis Paoli. The Doctors is in: An Interview with Barbara Crampton. Monsters and Slime: The FX of From Beyond. Directors Perspective. The Editing room: Lost and Found. An Interview with the Composer. Commentary with Stuart Gordon, Brian Yuzna and Jeffrey Combs. A Photo montage. Storyboard to film comparison.
Obsessive scientist Dr. Pretorious and his assistant Crawford Tillinghast have invented 'The Resonator'. A device intended to stimulate the brain's Pineal gland and expand the powers of the mind. The machine gives them more than they bargained for however when a parallel universe inhibited by slimy creatures ready to prey on humans reveals itself. Pretorious meets a sticky end and returns as a grotesque, deformed being and all manner of depravity ensues. Special Features: Stuart Gordon on From Beyond. Gothic Adaptation: An Interview with writer Dennis Paoli. The Doctors is in: An Interview with Barbara Crampton. Monsters and Slime: The FX of From Beyond. Directors Perspective. The Editing room: Lost and Found. An Interview with the Composer. Commentary with Stuart Gordon, Brian Yuzna and Jeffrey Combs. A Photo montage. Storyboard to film comparison.
Escape Room: Tournament of champions is the sequel to the box office hit psychological thriller that terrified audiences around the world. In this instalment, six people unwittingly find themselves locked in another series of escape rooms, slowly uncovering what they have in common to survive and discovering they've all played the game before.
Escape Room: Tournament of champions is the sequel to the box office hit psychological thriller that terrified audiences around the world. In this instalment, six people unwittingly find themselves locked in another series of escape rooms, slowly uncovering what they have in common to survive and discovering they've all played the game before.
With the original conspiracy plot arc fallen into a muddle of loose ends no-one could possibly fathom, once-hungry lead actors on the verge of big screen careers and making demands for more time off or shots at writing and directing, and the initial wish list of monsters-of-the-week long exhausted, it's a miracle The X Files is still making its airdates, let alone managing something pretty good every other show and something outstanding at least once every four episodes. Season seven opens with a dreary two-parter ("Sixth Extinction" and "Amor Fati") and winds up with the traditional incomprehensible cliffhanger ("Requiem"), but along the way includes a clutch of shows that may not match the originality of earlier seasons but still effortlessly equal any other fantasy-horror-sf on American television. Highlights in this clutch: "Hungry", a brain-eating mutant story told from the point of view of a monster who tries to control his appetite by going to eating disorder self-help groups; "The Goldberg Variation", a crime comedy about a weaselly little man who has the gift of incredible good luck, which means Wile E Coyote-style doom for anyone who crosses him; "The Amazing Maleeni", guest-starring Ricky Jay in a rare non-fantastic crime story about a feud between stage magicians that turns out to be a cover for a heist; "X-Cops", a brilliant skit on the US TV docusoap Cops with Mulder and Scully caught on camera as they track an apparent werewolf in Los Angeles (season-best acting from David Duchovny and Gillian Anderson); "Theef", a complex revenge drama with gaunt Billy Drago as a hillbilly medicine man stalking a slick doctor; "Brand X", a horror comic tale of corruption in the tobacco industry; "Hollywood AD" (written and directed by Duchovny), in which Tea Leoni and Garry Shandling are cast as Scully and Mulder in a crass movie version of a real-life X file; and "Je Souhaite", a deadpan comedy about a wry, cynical genie at the mercy of trailer trash masters who haven't an idea what to wish for. Among the disasters are: "Fight Club", a grossly laboured comedy; "All Things", Gillian Anderson's riotously pretentious religious-themed writing-directing debut; "En Ami", written and understood by William B Davis, the cigarette-smoking villain; and the very silly "First Person Shooter", the lamest killer video-game plot imaginable courtesy of distinguished guest writer William Gibson. Still essential, despite the occasional pits, but yet again you go away thinking that the next season had better come up with some answers. --Kim Newman
It has become traditional for The X-Files to kick off each new season with a humourless conspiracy two-parter, and Season 9 is no exception: in The X Files: Nothing Important Happened Today David Duchovnys Mulder is gone, along with everything in his apartment, and Gillian Andersons Scully is mostly at home with her perhaps-telekinetic baby, which leaves the bulk of the investigation to promising new characters Doggett (Robert Patrick) and Reyes (Annabeth Gish).The A-plot features Lucy Lawless as a water-breathing terminatrix who could be an alien, a government experiment or a mermaid without it making any difference, but too much time is spent on impossible-to-follow subplots about internal FBI politics and everyones intricate backstory (if ever a release needed a "previously..." prologue, this is it). Usually, the series gets over these heart-sinking openers and livens up a bit, but this time theres a feeling that this is the end of the line for a thoroughly battered premise.Chris Carter joins Gene Roddenberry in the exclusive category of producer-creators who turn in the worst scripts for their own shows, and all the strengths of The X-Files (shivers, wit, provocative ideas) are missing in action here as the engine grinds on empty.On the DVD: The X-Files: Nothing Important Happened Today on disc arrives with two three-minute filler featurettes, focusing on Gishs character and the making of this show. The good news is that this anamorphic widescreen release is the best The X-Files has ever looked in a television format, showing that however dramatically exhausted it might be, the show remains technically impressive. --Kim Newman
As with earlier releases, The X-Files: Providence splices together two episodes, "Provenance" and "Providence", into a pseudo-movie. Again, the results fall way below the series average as the long-dead alien conspiracy business is flogged, with a lot of running around and ominous rumbling still not adding up to anything like an actual story. FBI agent Neal McDonaugh (of Minority Report) inexplicably survives a flaming motorcycle crash, leaving behind brass rubbings taken from an alien spaceship, then shows up and tries to murder Scully's psychokinetic baby, who is promptly kidnapped by a UFO cult. In Part 2, Scully (Gillian Anderson) and Reyes (Annabeth Gish) fend off enemies and friends within the bureau as they track down the cultists, who are having trouble with a spaceship they've dug up, and a typical pointless climax has things happen without the characters doing anything to contribute. Even at this late, post-Duchovny stage in the game, The X-Files has turned out some fine stand-alone episodes, but these dreary wallowings go a long way towards explaining why only diehards are still watching. After the child says "I made this" at the end of the credits, it's becoming very hard not to shout "well, clean it up then". On the DVD: The X-Files: Providence, as with Nothing Important Happened Today, arrives in a great-looking anamorphic widescreen transfer. There are two slight promotional "featurettes"--three-minute clips/talking heads promos focusing on the episode "Providence" and actor Cary Elwes' character. --Kim Newman
Teenagers working at the local mall sneak in supplies and wait until the mall locks up for an intimate party night. The mall has a sophisticated robot security system that goes into attack mode after a malfunction and kills the human security guards. Now the teens must run for their lives and try to find a way out of the mall using the materials they find within it...
The sixth series of The X-Files picks up after the events of the big-screen movie. So it is that "The Beginning" attempts to fit the film into the TV chronology before moving on to tackle plot points left dangling from series five's "The End" (note the guard asleep at the nuclear power plant console is named Homer!). Between story arc threads are several pleasing one-off excursions: time travel to a Bermuda Triangle boatload of Nazis ("Triangle"); further temporal escapades akin to Groundhog Day ("Monday"); a demonic baby case featuring genre stalwart Bruce Campbell ("Terms of Endearment"); and "The Dreamland, Parts 1 and 2", in which David Duchovny gets to play someone else via personality switching. Back in the conspiracy scheme of things, Mulder chases "S.R. 819", a Senate resolution tying conspiracies together; "Two Fathers" and "One Son" indicates that the abductee experiments are intended to cure the black oil disease; and the year finishes with "BioGenesis", in which a beach-buried UFO has Scully and the audience wondering if we are from Mars. --Paul Tonks
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
Films included: Fifteen & Pregnant Based on a true story. Tina Spangler is just another happy kid at fourteen. At fifteen she's pregnant and faces the choices of abortion adoption or the lonely life of a single parent. Abandoned by her boyfriend she has only one person to turn to - her mother a single parent herself. What starts out as a hopeless tale could re-unite this shattered family. The War Bride With all the men away to war Lily (Anna Friel) falls madly in love and marries a handsome Canadian soldier Charlie Travis (Aden Young). But Charlie is shipped off to the front and Lily discovers she's expecting his baby not knowing if she will ever see him alive again. Lily receives instructions from the Canadian Embassy that she is to be shipped across the sea to her new Canadian in-laws. Remember Me Women of Valor For the Moment The Crossing Along for the ride Two Ex-Lovers One Open Road. Patrick Swayze (Dirty Dancing) and Melanie Griffith (Working Girl) are Ben and Lulu. Years ago they had an intense passionate affair a relationship that ended very badly. Now fifteen years later he's a successful married writer who gets a desperate call . . . Lulu needs his help. Chaotic and confused she reveals a huge secret that they alone must deal with. Together on a fiery cross-country journey they will find a new direction that points to their future. Hidden in America Map of the world Sigourney Weaver stars as Alice Goodwin a mother of two and part-time school nurse who has moved from the city to help her husband Howard (David Strathairn) run a farm in rural Wisconsin. Single minded and outspoken Alice has her own way of looking at life and not everyone in the community takes to her. Tragedy strikes when Alice is minding the children of her best friend and neighbour Theresa Collins (Julianne Moore) and Theresa'a two year old daughter Lizzy strays into a pond and drowns. Alice has barely begun to recover from the event which has left her guilt stricken and filled with self hatred when she is arrested and accused of abusing a young boy at her school. Already on the verge of a nervous breakdown she is plunged into an even worse nightmare as she is shunned by the community spat on by her neighbours and left languishing in prison after Howard fails to raise the money for her bail. If Only He loved her like there was no tomorrow Jennifer Love Hewitt stars as a talented young singer/songwriter who's met the love of her life (Paul Nicholls Bridget Jones: The Edge of Reason) while studying classical music in London. Unfortunately on the very day they have a major fight she's involved in a terrible accident. But when fate miraculously intervenes her grief-stricken boyfriend gets a second chance to relive the tragic day and hopefully change their destiny in this gripping romantic drama.
From the makers of the revolutionary films 'Down And Double Down' comes 'Third Down' a film that will change the direction of freeriding forever. 'Third Down' features the best riding the sickest terrain and of course a killer soundtrack! Follow V-Dub Krispy Gibb and others on adventures through France Scotland Utah Nevada and California.
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