Bullies beware: payback s a bitch, revenge is sweet, and if you cross Patty, you ll be her next treat. Insatiable is a dark, twisted revenge comedy starring Debby Ryan, Dallas Roberts, and Alyssa Milano. For years, Patty (Debby Ryan) has been bullied, ignored, and underestimated by those around her because of her weight. But now that she finds herself suddenly thin, Patty is out for payback against anyone who has ever made her feel bad about herself. Bob Armstrong (Dallas Roberts), a disgraced attorney whose true passion is coaching beauty pageant contestants, is the only one who sees Patty s potential, and takes her under his wing - first as a legal client, and then as a pageant contestant whom he coaches toward becoming the top pageant queen in the country. But Bob and his wife Coralee (Alyssa Milano) have no idea how deep Patty s rage goes, or how far she will go to exact revenge on anyone who has ever wronged her.
What happens when you put a bunch of bodacious California babes behind the wheel of a busy carwash? Jack McGowan's about to get the wild and wacky answer! When the na''ve midwesterner comes to L.A. to run his ailing uncle's carwash he makes a few wrong turns and ends up at the beach. He is rescued by a foxy business major Melissa Reese who convinces Jack to let her run the business for a cut of the action. Things get hilariously out of hand as melissa and her bubbly friends dress for success in the skimpiest bikinis - or nothing at all!
Everyone has to start school so join in the adventures and dilemmas of Timothy an enthusiastic five-year old raccoon who is starting at Hilltop Playschool. Meet his classmates including Yoko the kitten the Franks Fritz Nora and others who learn a lot not only from their teacher Mrs. Jenkins but from each other as well. Episodes comprise: 1. Timothy Goes To School 2. Yoko 3. On The Fritz 4. The Great Obstacle Race 5. Small Change 6. Shy Charles 7. Don't Lose It Lilly 8.
In answer to many enthusiasts' questions about how to perform various tricks and techniques a compilation of 38 skills for the mountain bike are demonstrated clearly and simply so that the keen enthusiast can learn how to master the art of mountain bike trials.
Handsome loner Mark Taffin is a professional debt collector in a small Irish community. When a vicious crime syndicate tries to move in with its plans to build a dangerous chemical plant Taffin is recruited as a last resort and soon finds himself fighting for his life...
In their sixth season trying to return to the Alpha Quadrant, the crew of Voyager continues to find signs that they may be close to home. They ran across another Federation starship in the season 5 cliffhanger, "Equinox," which is concluded in action-packed fashion. Then they benefit from a brief communications link to home thanks to the ongoing efforts of The Next Generation's Lt. Reginald Barclay (Dwight Schultz), occasionally assisted by Counsellor Troi (Marina Sirtis). "One Small Step" sets Voyager on the trail of NASA's first manned mission to Mars (one of the bonus features details Robert Picardo's post-Trek work with NASA). In other episodes, Torres (Roxann Biggs-Dawson) tests the limits of Klingon honor ("Barge of the Dead"), Tuvok (Tim Russ) stretches his emotions ("Riddles), Paris (Robert Duncan McNeill) and Kim (Garrett Wang) embark on a new holdeck program, wrestling superstar the Rock makes a gimmicky guest appearance ("Tsunakatse"), a former crew member returns ("Fury"), and the crew discovers a group of abandoned Borg children ("Collective"). The two most interesting characters continue to be the Doctor (Picardo) and Seven of Nine (Jeri Ryan). The former stretches out numerous times ("Tinker, Tailor, Doctor, Spy," "Virtuoso," "Life Line"), and we learn more about Seven's Borg past in "Survival Instinct" and the season closer, in which Seven discovers that during regeneration she can enter a dream world called Unimatrix Zero. There she meets a number of mutated Borg who can exist in this world in their pre-assimilation state and who also present an idea for destroying the collective from within. The Borg Queen, however, discovers the plan and ends the season in a nightmarish cliffhanger that recalls the great Next Gen episode "The Best of Both Worlds." --David Horiuchi
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history. As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatising the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. Critically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers. Where the earlier film employed a complex non-linear structure and epic-scale production values to dramatise one of the bloodiest battles of World War II and its traumatic impact on American soldiers, Letters reveals the battle of Iwo Jima from the tunnel- and cave-dwelling perspective of the Japanese, hopelessly outnumbered, deprived of reinforcements, and doomed to die in inevitable defeat. While maintaining many of the traditions of the conventional war drama, Eastwood extends his sympathetic touch to humanise "the enemy," revealing the internal and external conflicts of soldiers and officers alike, forced by circumstance to sacrifice themselves or defend their honour against insurmountable odds. From the weary reluctance of a young recruit named Saigo (Kazunari Ninomiya) to the dignified yet desperately anguished strategy of Japanese commander Tadamichi Kuribayashi (played by Oscar-nominated The Last Samurai costar Ken Watanabe), whose letters home inspired the film's title and present-day framing device, Letters from Iwo Jima (which conveys the bleakness of battle through a near-total absence of colour) steadfastly avoids the glorification of war while paying honorable tribute to ill-fated men who can only dream of the comforts of home. --Jeff Shannon
After proving its long-term potential in the second series, Star Trek: Voyager served up some of the best episodes in its entire seven-year history. The second-season cliffhanger was intelligently resolved in "Basics, Pt II", and the fan-favourite "Flashback" placed Tuvok (Tim Russ) aboard the USS Excelsior from Star Trek VI, under the command of Captain Sulu (Star Trek alumnus George Takei). It was a brilliant example of inter-series plotting, just as "False Profits" was a Ferengi-based sequel to the NextGen episode "The Price". The two-part time-travel scenario of "Future's End" is a Voyager highlight, with clear echoes (including dialogue lifted verbatim!) of Star Trek's classic "The City on the Edge of Forever", featuring delightful guest performances by actress-comedienne Sarah Silverman and Ed Begley Jr. Character-wise, the series belonged to Kes (Jennifer Lien, whose tenure on the series was now near its end), Neelix (Ethan Phillips), and the Doctor (Robert Picardo), who shined (respectively) in "Warlord", "Fair Trade", and the surprisingly touching "Real Life" (the latter directed by "Potsie" himself, Happy Days veteran Anson Williams). By infecting B'Elanna (Roxanne Dawson) with a fellow officer's "Blood Fever", Voyager delved into the turbulent Vulcan ritual of Pon Farr, while the cliffhanger "Scorpion" introduced the relentless, Borg-destroying villains of Species 8472, which would pose a continuing threat in subsequent episodes. Series 3 had a few clunkers (the guilty pleasure "Macrocosm" puts Janeway in stripped-down "Ripley" mode against invading macro-viruses, and Ensign Kim is an awkward "Favourite Son" to a bevy of babes), but for every misstep there's a strong science-fiction concept, like the highly-evolved Hadrosaurs in "Distant Origin", which doubles as a compelling indictment of institutionalised repression. Overall, this is rock-solid Trek, and the DVD features are equally engaging, albeit growing more perfunctory (especially the series 3 summary) with each full-series release. Don't forget the Easter Eggs hidden on the special-features menus, however; they contain some of the set's happiest surprises. --Jeff Shannon
Series 2 of Star Trek: Voyager represents a vital blossoming of the series' potential. As Captain Janeway, Kate Mulgrew maintained Starfleet integrity in the lawless expanse of the Delta quadrant and became the ethical conscience of her still-uneasy Maquis/Starfleet crew, whose unanimous loyalty would be dramatically proven in "The '37's" (a first-season hold-over). Janeway's moral guidance would also assert itself in "Death Wish" (a "Q" episode featuring NextGen's Jonathan Frakes) and "Tuvix", in which life-or-death decisions landed squarely on her shoulders. Series 2 brought similar development to all the primary characters, deepening their relationships and defining their personalities, especially Robert Beltran as Chakotay (in "Initiations" and "Tattoo"), now firmly established as Janeway's best friend (and nearly more than that, in "Resolutions") and command-decision confidante. Solid sci-fi concepts abound in Series 2, although "Threshold" is considered an embarrassment (as confessed by co-executive producer Brannon Braga in a self-deprecating "Easter Egg" interview clip). It was a forgivable lapse in a consistently excellent season that intensified Janeway's struggle with the villainous Kazon, exacerbated by a Starfleet traitor in cahoots with the duplicitous Cardassian Seska (played by Martha Hackett, featured in a lively guest-star profile). The psychologically intense "Meld" (featuring a riveting guest performance by Brad Dourif) was a Tuvok-story highlight, and the aptly titled "Basics, Pt 1" provided an ominous cliffhanger, including a second planetary landing (in a season full of impressive special effects) that left Voyager's fate in question. DVD extras are abundant and worthwhile, especially the season 2 retrospective and "A Day in the Life of Ethan Phillips" (who plays Neelix under a daily ordeal of latex makeup). Several Easter egg surprises--including a music video performance by Tim Russ (Tuvok)--are hidden (but easily found) among the "Special Features" menus on disc 7. All in all, this was one of Voyager's finest seasons, leaving some enticing questions to be answered in season 3. --Jeff Shannon
A contemporary mystery thriller starring Amy Ryan (Gone Baby Gone) and Michael Shannon (Johan Hex) as a private detective hired to trail a man. Gradually the man's identity is revealed as someone who went missing after 9/11 presumed dead...
Acclaimed director John Frankenheimer's definitive staging of Eugene O'Neill's play. Eugene O'Neill's masterpiece is often referred to as the greatest work of 20th century American theatre centring on a crowd of misfits wastrels anarchists alcoholics prostitutes and barflies drinking away their troubles and making grandiose plans. When Hickey arrives for his yearly drunken bender to celebrate landlord Harry Hope's birthday each character's dreams and aspirations melt away wi
Michael Oblowitz directs this horror starring Taylor Cole, Ryan Donowho and Kimberly Estrada. Five psychology students who are conducting an extrasensory perception experiment over a weekend begin to lose touch with reality. As the students start to doubt each other's abilities to separate past, present and dream they begin to wonder if there is a reason why they have been chosen to work together? What is it that connects them? A dirty secret will reveal itself.
Must see episodes in Voyager Season 5 include 'Drone' in which Seven of Nine raises her 'offspring' a Borg drone from the 29th century only to see him destroyed. Season 5 also includes the feature-length 'Dark Frontier' in which Seven is captured and returned to the Borg Queen; 'Someone To Watch Over Me' in which the Doctor discovers he has a major crush on a certain female crew member and 'Equinox' in which a Starfleet captain and his crew are found to have been killing aliens in
Titles Comprise: Smokin' Aces: When a Las Vegas performer-turned-snitch named Buddy Israel (Piven) decides to turn state's evidence and testify against the mob it seems that a whole lot of people would like to make sure he's no longer breathing... Smokin' Aces 2: Assassins' Ball: Federal agents once again match wits with a cadre of creative killers in the high-octane feature-length film Smokin' Aces 2: Assassins' Ball. Walter Weed (Tom Berenger) is an unassuming desk jockey at the FBI when the Bureau uncovers a plot to assassinate him. A team of degenerate psychotic assassins dispatched by mystery man Hal Leuco to win a huge bounty includes a resourceful beauty that has a unique method of killing her prey (Martha Higareda) a power-tool wielding psychopath (Vinnie Jones) and a deadly master of disguise (Tommy Flanagan). Also in the hunt is the fan-favourite Tremor family from the original film featuring nymphomaniac gun-nut (Autumn Reeser) and her lethal kinfolk (Maury Sterling Michael Parks and C. Ernst Harth). Baker (Clayne Crawford) the agent in charge of the operation puts himself and his team in the line of fire to defend Weed but it's not until the smoke clears on the film's explosive climax that the surprising identity of the plot's mastermind is revealed. Executive produced by Joe Carnahan (Narc) the writer-director behind the shockingly edgy hit Smokin' Aces and directed by P.J. Pesce ('Lost Boys: The Tribe') Smokin' Aces 2: Assassins' Ball features a sexy cast whip-smart script and hyper-kinetic visuals. And with the return of infamous assassins Lazlo Soot and the Tremor Brothers from the original theatrical film audiences will experience a furious frenzy of explosive action that will keep them guessing until the very last scene. Both the Blu-ray and DVD editions include the rated and unrated versions of the movie and an arsenal of explosive bonus features. Starring Tom Berenger (Training Day) Clayne Crawford (Brooklyn to Manhattan) Martha Higareda (Street Kings) Ernie Hudson (Heroes) Michael Parks (Grindhouse) Autumn Reeser (Entourage) and Vinnie Jones (X-Men: The Last Stand Lock Stock and Two Smokin' Barrels) as well as returning stars from the original theatrical release Tommy Flanagan (Sin City) Maury Sterling (Smokin' Aces) and Christopher Michael Holley (Smokin' Aces).
Volume Eight Four Classic Black and White Episodes! Elly Becomes A Secretary: Jed becomes bank president for an afternoon and manages to win the banker of the year award for Milburn Drysdale. Jethro's Friend: The Clampetts take a pampered 11 year old boy in tow and show him how to really enjoy himself. Hair Raising Holiday: Granny defies medical opposition to her own brand of mountain medicine. Granny's Garden: Granny thinks the Clampett mansion will ma
Secrets Of The Clown
After seven long years trying to return home, it's no surprise that the seventh season of Voyager was emotional. It begins with the resolution to season 6's "Unimatrix Zero", in which Janeway (Kate Mulgrew), Torres (Roxann Biggs-Dawson), and Tuvok (Tim Russ) must find a way off the Borg Cube and Seven of Nine (Jeri Ryan) faces the loss of the precious bit of humanity she has just discovered. "Human Error" focuses on Seven's further attempts to explore her human side (a romance comes from out of the blue). And if Seven isn't the cast's most fascinating character, it's the other crew member struggling to find his not-quite-human identity, the Doctor (Robert Picardo). In "Body and Soul," the Doctor gets to experience physical life in the body of--who else?--Seven. He writes a novel in "Author, Author," and in the first of a pair of excellent two-parters, "Flesh and Blood," he explores what it means to be a hologram in the midst of a deadly situation involving the Hirogen. In the second two-parter, "Workforce," the crew is kidnapped and brainwashed into becoming ordinary laborers on a planet with a worker shortage, but Janeway is forced to question whether she wouldn't prefer this version of a normal, stable life. The seventh season also saw the first Trek wedding since Dax-Worff, the return of the old Federation-Maquis conflict, the continuing efforts of Lt. Reginald Barclay (Dwight Schultz) to bring Voyager home, Kim (Garrett Wang) taking command twice (once with the help of the Emergency Command Hologram), the return of Q, and Neelix's discovery of a group of fellow Talaxians. The final episode, "Endgame," is less concerned with misty-eyed goodbyes than with a bending of conventional views of the space-time continuum that leads to an exciting showdown with the Borg queen (Alice Krige, repeating her role from Star Trek: First Contact but making her first appearance on Voyager). DVD bonus features include the usual season recap, a 12-minute featurette on the final episode, and a crew profile of the Doctor. --David Horiuchi
Four Weddings And A Funeral (Dir. Mike Newell 1993): The champagne is flowing - and so is the fun - in this romantic comedy about two people who belong together but just can't seem to tie the knot. Ushering in two Academy Award nominations and starring Hugh Grant (Notting Hill) Andie MacDowell (Michael) and a superb ensemble cast that includes Oscar-nominee Kristin Scott Thomas. Charlie (Grant) is always the best man but never the groom. Determined to avoid even a hint of commitment this handsome English gentleman is notoriously late to every wedding. But today he's in for a surprise because not only did he forget the ring...but he also just caught a glimpse of the girl of his dreams. French Kiss (Dir. Lawrence Kasdan 1995): Meg Ryan and Kevin Kline are a Paris match made in heaven in this hilarious adventure-filled romantic comedy. Straight-laced Kate (Ryan)has her future all planned out: marry her fiance Charlie (Timothy Hutton) and live happily ever after. What she didn't count on was Juliette the beautiful French woman Charlie falls for on a business trip to Paris! Determined to win him back Kate jumps on a plane where she meets Luc (Kline) a petty thief whom she immediately dislikes. But when Luc sneaks a stolen necklace into Kate's purse she finds herself travelling through France with him on a trip full of surprises: the biggest one being that this con man is stealing her heart! A sexy savvy and very funny romantic romp French Kiss is a passionate heartfelt reminder that life can always surprise you.
A sensitive ex-con trucker (Lamas) has to come hom to help fight mobsters from whom his brother stole 5 million dollars...
Titles Comprise:An American Tail In Don Bluth's animated fable An American Tail, when a mouse family leaves Russia and emigrates to America, they believe the New World is a land without cats. The film, a heartfelt homage to the countless real stories of immigrants who came to the United States at the turn of the 20th century, follows the humorous and dramatic adventures of Fievel (Phillip Glasser), the family's innocent son who ends up arriving alone in New York only to have to stay clear of the cats he thought he'd never see again.An American Tail 2: Fieval Goes WestLook out pardners, there's a new mouse in town!Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan. Unaware of this, the Mousekewitz's begin their journey west, while their true cat friend, Tiger, follows intent on following his girlfriend gone in the same direction.An American Tail 3: The Treasure Of Manhattan Island:Fievel the Mouse returns in the third installment in the An American Tail series. Fievel (voice of Thomas Dekker) and his friend Tony Toponi find a map that they believe points to a treasure buried somewhere beneath Old New York, and the plucky rodent is determined to find it. However, what he discovers under the city is a tribe of Native American mice who were driven underground by prejudiced European immigrants. Fievel makes new friends with the outcasts, and he comes to realize that they have the same right to live freely in America as anyone else.
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