"Actor: Sam Lewis"

• Savages | DVD | (06/09/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

  A masked naked clay covered band of jungle primitives are disturbed in the middle of a human sacrifice by the sudden intrusion of a croquet ball. Led by their high priestess they trek through the forest in search of its origins and arrive at an immense deserted manor house. They occupy the mansion which begins to have a civilizing effect on the savages; individual personalities emerge and with them pasts futures family connections ambitions and other trappings of society. Ov

• Catch And Release | DVD | (02/05/2011) from £8.41   |  Saving you £1.58 (18.79%)   |  RRP £9.99

  Jennifer Garner stars in romcom about a woman who discovers her late fiance may not have been as perfect as she thought.

• Catch And Release | Blu Ray | (23/07/2007) from £7.99   |  Saving you £17.00 (212.77%)   |  RRP £24.99

  Jennifer Garner stars in romcom about a woman who discovers her late fiance may not have been as perfect as she thought.

• A Ghost In Monte Carlo | DVD | (29/07/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £4.99

  Based on a novel by Barbara Cartland, A Ghost in Monte Carlo is an undemanding period romp packed full of twists and turns. The perfect cinematic equivalent of Cartland's literary style, the film is a glossy, star-filled but ultimately shallow exercise. Lysette Anthony is the wide-eyed innocent Mistral, released from her convent upbringing into the care of her Aunt Emilie (Sarah Miles). On arriving in glamorous Monte Carlo, she immediately strikes up a relationship with a dashing young lord and sets out to experience her newfound freedom. Matters take an unexpected, darker turn as Mistral finds herself caught up in the plotting of her aunt and in increasing danger. The performances range from Anthony's passable purity to a ludicrously over-the-top turn from Miles. The much-vaunted all-star casting amounts to a series of brief cameos from the likes of Oliver Reed, Joanna Lumley, Lewis Collins and Gareth Hunt--presumably at the request of executive producer Lord Lew Grade. It's fun for what it is but only as long as you leave any critical sensibilities on hold. On the DVD:A Ghost in Monte Carlo is essentially a video release transferred directly to DVD. The sound is digitally remastered and there is a very poor interactive menu to guide you through the various chapters but no extras. --Phil Udell

• Pitch Black / XXX / The Fast And The Furious | DVD | (03/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Pitch Black (Dir. David N. Twohy 2000): It's evil vs. evil in an electrifying showdown that USA Today calls the best excuse to root for the bad guy since Arnold in the original Terminator. The daylight can burn you but the darkness will kill you. From the mind of the writer of The Fugitive comes the pulse-pounding sci-fi thriller Pitch Black. Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness. XXX (Triple X) (Dir. Rob Cohen 2002): This amped action drama stars Vin Diesel as Xander (aka Triple X) a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie Xander pulls an outrageous series of stunts with the help of a band of similar-minded jocks broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody Gibbons (Samuel L. Jackson) a representative from a government agency hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable along with a sizeable team of extra-large Slav bodyguards a laboratory staffed by top scientists and an always-ready gaggle of gorgeous concubines. Non-stop stunts pounding hard-core music elaborate sets and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting aurally engaging highly entertaining success. The Fast & The Furious (Dir. Rob Cohen 2001): A nitro-burning joyride that makes outstanding use of special effects innovative camera work and a nonstop throbbing soundtrack. From the opening sequence the film never drops below the red line. Roaring along at breakneck speed Dom (Vin Diesel) and his crew meet on the streets of L.A. each night to show off their high-powered racers. When new guy Brian (Paul Walker) wants to add his fuel to the fire he can't getup the money to race but offers up his car as collateral. In their tiny jacked compacts Dom Brian and Edwin (Ja Rule) burst into a high-gear race with Brian nearly beating perennial champion Dom. But in the final moments he loses the race and his car. Brian's debt is quickly cleared however when he saves Dom both from the cops and from a potentially violent encounter with Johnny Tran (Rick Yune) a rival gang lord. Dom takes Brian under his wing--a decision that disgusts his gang but delights his sister Mia (Jordana Brewster).

• DW Griffith Collection | DVD | (20/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  The Avenging Conscience:Nightmarish visions of ghouls and devils highlight this D.W. Griffith silent feature based around Edgar Allen Poe's The Telltale Heart and Annabelle Lee. A young man (Henry B. Walthall) finds himself prevented from wooing the girl he loves (Blanche Sweet) due to the tyrannical edicts of his mean old uncle (Spottiswoode Aitken). The poor lad becomes haunted by a series of visions that convince him to murder this interfering relative. After the murder has been planned and executed the man finds himself haunted by still more visions this time of the fire and brimstone variety. An inquiring detective (Ralph Lewis) adds to the ever-mounting paranoia. Birth Of A Nation: The first part of the film chronicles the Civil War as experienced through the eyes of two families; the Stonemans from the North and the Camerons of the South. Lifelong friends they become divided by the Mason-Dixon line with tragic results. Large-scale battle sequences and meticulous historical details culminate with a staged re-creation of Lincoln's assassination. The second half of the film chronicles the Reconstruction as Congressman Austin Stoneman (Ralph Lewis) puts evil Silas Lynch (George Siegmann) in charge of the liberated slaves at the Cameron hometown of Piedmont. Armed with the right to vote the freed slaves cause all sorts of trouble until Ben Cameron (Henry B. Walthall) founds the Ku Klux Klan and restores order and decency to the troubled land. While The Birth Of A Nation was a major step forward in the history of filmmaking it must be noted that the film supports a racist worldview. Broken Blossoms: This strangely beautiful silent film from D.W. Griffith is also one of his more grim efforts; an indictment of child abuse and the violence of western society. An idealistic Asian (Richard Barthelemess) travels to the west in hopes of spreading the Buddha's message of peace to the round-eyed sons of turmoil and strife. Instead he winds up a disillusioned opium-smoking shopkeeper in London's squalid Limehouse District. Down the street a poor waif (Lillian Gish) suffers horrific abuse at the hands of her boxer father (Donald Crisp). When fortune delivers the battered girl into the Asian's tender care a strange and beautiful love blossoms between them a love far too fragile to survive their brutal environment. Intolerance: D.W. Griffith's biggest most ambitious spectacle uses stories from different times and places to illustrate humanity's intolerance of religious differences throughout the ages. The most visually impressive of these chronicles is the fall of Babylon for which Griffith built the largest sets in Hollywood and filled them with thousands of extras; there's also Christ's crucifixion and the massacre of the Heugenots in 15th century France. The most emotionally involving tale is the modern one about a poor girl (Mae Marsh) whose life is repeatedly ruined by the zealotry of social reformers. The image of a mother (Lillian Gish) rocking her child in a cradle links the stories. At one point angels reach down from heaven to stop soldiers in midbattle making it clear that Griffith intended this follow-up to The Birth Of A Nation as a message of global peace and love Way Down East: Innocent Anna is sent by her poverty-stricken mother to visit rich relations in Boston where she is seduced into a sham marriage by a smooth-talking scoundrel. When she becomes pregnant he abandons her; later the baby dies. Now a social outcast she changes her name and eventually finds shelter at the estate of the sternly religious Squire Bartlett. She falls in love with his handsome son but cannot divulge to him her terrible secret for fear of his father's righteous