Two films that capture the very essence of Punk. Released simultaneously with the definitive punk CD collection and what is without doubt the most comprehensive and most beautifully produced punk book ever published PUNK.RUDE BOY: Rude Boy takes in the mood of England circa 1978. The Clash tour an England plagued by economic decline unemployment and fascist demonstrations and play some of their best music ever.PUNK IN LONDON: Featuring The Clash and some of punks most important bands including The Adverts X-Ray Spex Subway Sect The Boomtown Rats The Jam Chelsea and the outrageous Wayne County and the Electric Chairs.
The story of a sensitive relationship between two people - young society widow and her chauffeur - unable to change the roles which class and society have imposed on them.
Cinematographer, occasional film director, and, yes, longtime rock star Neil Young personally made (under the silly pseudonym Bernard Shakey) the fascinating, strangely affecting, and feature-length experiment Greendale as an after-the-fact movie to accompany his CD of the same name. Shot with low-tech equipment, the grainy, overlit Greendale sets a dreamy, David Lynch-like mood as Young tells the story of the fictional Green family, who live in a Northern California town that bears their name. Multi-generational anti-war activists and pro-environmental warriors, the Greens become beleaguered in a world of intensifying media scrutiny, corporate arrogance, personal tragedy, and the devil himself (in the form of a dancing dude in a red suit), culminating in the family's disillusionment and renewed commitment. There's no dialogue: The lyrics of Young's song cycle speak for the characters, making Greendale a novel hybrid of music video and visionary movie. --Tom Keogh
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