Steven Spielberg directs Meryl Streep and Tom Hanks in The Post, a thrilling drama about the unlikely partnership between The Washington Post's Katharine Graham (Streep), the first female publisher of a major American newspaper and editor Ben Bradlee (Hanks), as they race to catch up with The New York Times to expose a massive cover-up of government secrets that spanned three decades and four U.S. Presidents. The two must overcome their differences as they risk their careers - and their very freedom - to help bring long-buried truths to light.
From the Academy Award® nominated director Lenny Abrahamson (ROOM) and the Academy Award® winning producers Element Pictures (THE FAVOURITE, ROOM), NORMAL PEOPLE is the unmissable BBC / Hulu series based on the best-selling novel by Sally Rooney. An exquisite and compulsive modern love story about how two people profoundly impact each other's lives, NORMAL PEOPLE tracks the tender but complicated relationship of Marianne (Daisy Edgar-Jones) and Connell (Paul Mescal) from the end of their school days in a small west of Ireland town to their undergraduate years at Trinity College Dublin. This critically acclaimed 12 part series explores just how complicated intimacy and young love can be. Extras: Exclusive unseen footage in DELETED SCENES and AUDITION TAPE, Other Extras: Featurette, Daisy & Paul extended interview, Casting.
Fred, Daphne, Shaggy, Velma and Scooby-Do are back and this time they're up against a dastardly masked villain in control of Mystery Inc's 'monster machine.'
The classic children's TV cartoon show about a cowardly dog and his mystery investigating pals comes to the big screen in a live action version, complete with a computer generated Scooby!
Rebellion is a five-part serial drama which charts the violent birth of modern Ireland. Irish actors, Charlie Murphy, Brian Gleeson and Sarah Greene star in the drama which is set over three weeks in Easter 1916. The story begins in 1914. Europe is at war and Britain is preoccupied with the German threat. But by 1916 in Dublin, the Easter Rising explodes into life and announces the beginning of a campaign for independence that will take another seven years to resolve.
It's 1847 and Ireland is in the grip of the Great Famine that has ravaged the country for two long years. Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, abandons his post to return home and reunite with his family. He's seen more than his share of horrors, but nothing prepares him for the famine's hopeless destruction of his homeland that has brutalised his people and there seems to be no law and order. He discovers his mother starved to death and his brother hanged by the brutal hand of the English. With little else to live for, he sets out on a destructive path to avenge his family.
101 Films presents Ghostwatch (1992), a BBC production that terrified Britain on 31st October 1992. Despite being part of BBC Drama's Screen One series, the presence of trusted presenters, along with the quality of the production, convinced thousands of people that the events depicted on screen were genuine, and taking place live. Title 028 on the 101 Films Black Label, this 30th anniversary edition includes a new documentary on the making of Ghostwatch. Sarah Greene and Craig Charles report from a reputedly haunted London home for the outside broadcast, while Michael Parkinson and Mike Smith stay in the warmth and safety of a BBC studio. The Early family are allegedly being harassed by the ghost 'Pipes', so named as his banging and crashing were initially attributed to bad plumbing. After a deliberately slow start the tension gradually builds, culminating in a terrifying crescendo. Although entirely fictional, the masterly combination of great scripting, intuitive direction and perfect casting made the supernatural pastiche appear frighteningly real. An inspiration to a generation of filmmakers, and years ahead of the profusion of found footage movies that would follow, Ghostwatch is regarded as a classic of the genre and remains as relevant, as terrifying, and as inspirational today. Product Features 'Do You Believe in Ghosts?', a brand new 30th anniversary documentary on the Ghostwatch phenomenon Commentary with film historians Shellie McMurdo and Stella Gaynor Commentary with writer Stephen Volk, producer Ruth Baumgarten and director Lesley Manning Shooting Reality by Lesley
The complete second season of vampire slayer Buffy. Episodes comprise: 1. When She Was Bad 2. Some Assembly Required 3. School Hard 4. Inca Mummy Girl 5. Reptile Boy 6. Halloween 7. Lie To Me 8. The Dark Age 9. What's My Line? (Part 1) 10. What's My Line? (Part 2) 11. Ted 12. Bad Eggs 13. Surprise 14. Innocence 15. Phases 16. Bewitched Bothered And Bewildered 17. Passion 18. Killed By Death 19. I Only Have Eyes For You 20. Go Fish 21. Becoming (Part 1) 22. Becoming (Part 2)
Season Four sees Buffy Willow and Oz going to college at UC Sunnydale. Buffy immediately comes face-to-face with the leader of a gang of vampire thieves named Sunday. If that wasn't bad enough we learn that Buffy's roommate (who naturally has a Celine Dion poster) Kathy is a demon... Episodes Comprise: 1. The Freshman 2. Living Conditions 3. The Harsh Light Of Day 4. Fear Itself 5. Beer Bad 6. Wild At Heart 7. The Initiative 8. Pangs 9. Something Blue 10. Hush 11. Doomed 1
In the summer of 2006, Rob Reilly (Killian Scott, Ripper Street), a smart suited homicide detective and his partner Cassie Maddox (Sarah Greene, Penny Dreadful) are dispatched to investigate a child's murder, and find a community caught between old and new Ireland. On an altar lies the body of a local teenage girl, the talented Katy Devlin. Her body is found in the middle of an archaeological site, threatened by local developers aiming to build a shiny new motorway. The neighbouring estate, Knocknaree, has never quite got its share of the Celtic Tiger and has been blighted by poverty and unemployment for generations. Moreover, this is the not the first time a child of Knocknaree has been lost twenty-one years earlier, in a very different Ireland, three children went missing, and only one came back alive. Memory runs deep in this part of the world, and locals, press and the Dublin Garda soon begin to worry that the cases are linked. Sarah Phelps (The ABC Murders) brilliantly blends the first two books in the Tana French bestselling Dublin Murder series to deliver an eight-part drama full of psychological mystery and darkness.
Brand new BBC Drama starring Hugh Laurie, written by David Hare. Roadkill is a four-part fictional thriller about a self-made, forceful and charismatic politician called Peter Laurence. Peter s public and private life seems to be falling apart - or rather is being picked apart by his enemies. As the personal revelations spiral, he is shamelessly untroubled by guilt or remorse, expertly walking a high wire between glory and catastrophe as he seeks to further his own agenda whilst others plot to bring him down. However events show just how hard it is, for both an individual and a country, to leave the past behind. With enemies so close to home, can Peter Laurence ever out-run his own secrets to win the ultimate prize?
Steven Spielberg directs Meryl Streep and Tom Hanks in The Post, a thrilling drama about the unlikely partnership between The Washington Post's Katharine Graham (Streep), the first female publisher of a major American newspaper and editor Ben Bradlee (Hanks), as they race to catch up with The New York Times to expose a massive cover-up of government secrets that spanned three decades and four U.S. Presidents. The two must overcome their differences as they risk their careers - and their very freedom - to help bring long-buried truths to light.
It s 1847 and Ireland is in the grip of the Great Famine that has ravaged the country for two long years. Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, abandons his post to return home and reunite with his family. He s seen more than his share of horrors, but nothing prepares him for the famine s hopeless destruction of his homeland that has brutalised his people and there seems to be no law and order. He discovers his mother starved to death and his brother hanged by the brutal hand of the English. With little else to live for, he sets out on a destructive path to avenge his family.
Sarah Michelle Gellar returns as the teen thrust into a supernatural world where she must become Buffy The Vampire Slayer. Buffy boasts a rabid fan base and has spawned a spin off Angel based on a troubled vampire played by David Boreanaz. This collection features all 22 episodes of the third season. Episodes Comprise: 1. Anne 2. Dead Man's Party 3. Faith Hope And Trick 4. Beauty And The Beasts 5. Homecoming 6. Band Candy 7. Revelations 8. Lover's Walk
Season 1 of the toy murderin' attention span shatterin' stop-motion mayhem is packed with pop culture p*ss-takes including Zombie Idol and Jesus fighting his nemesis Kill Bill style. Guest starring Scarlett Johansson Sarah Michelle Gellar & Hulk Hogan
In its fourth season, Buffy the Vampire Slayer had to change its formula radically. Two major characters--the vampire-with-a-soul Angel and Cordelia, the queen bitch of Sunnydale High--had gone off to be in their own show, Angel, and soon after the start of the season Willow's werewolf boyfriend Oz left when Seth Green needed to concentrate on his film career. Buffy and Willow started college, where they met new characters like Riley, the All-American Boy with a double life, and Tara, the sweet stuttering witch; but Xander and Giles found themselves at something of a loose end. Several characters were subjected to the radical re-envisioning possible in a show that deals with the supernatural: the blond vampire Spike came back and soon found himself with an inhibitor chip in his head, forced into reluctant alliance with Buffy; the former vengeance demon Anya became passionately smitten with Xander. Not all fans were happy with the central story arc about the sinister Dr Walsh (Lindsay Crouse) and her Frankensteinian creation Adam, though Crouse's performance was memorable. The strength of Season Four was perhaps most in impressive stand-alone episodes like the silent "Hush", the multiple dream sequence "Restless" and the passionate, moving "New Moon Rising", in which Oz returns, apparently cured, only to find that Willow is no longer waiting for him. This was one of the high points of the show as a vehicle for intense acting, perhaps only equalled by "Who Are You?", in which the evil slayer Faith takes over Buffy's body and Sarah Michelle Gellar gets to play bad girl for once. --Roz KaveneyOn the DVD: Buffy Season 4 was a hit and so is this sublime box set. The commentaries for "The Initiative", "This Year'sGirl", "Superstar" and "Primaveral" are all well above average, but are nothing compared to "Hush" and "Restless" where Joss Whedon gives out all the information and insights any fan would dream of. The four featurettes included are a pleasure to watch, especially the evolution of the sets for the show. The scripts, trailers and cast biographies complete the set and make for a decent addition to your Buffy archive. The soundtrack is in 2.0 Dolby surround, but the image is as grainy and dark as the previous seasons on DVD. --Celine Martig
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
The sixth series of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions. Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More With Feeling"). This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humour. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney
In ROSIE, award-winning Irish novelist Roddy Doyle brings his signature brand of warmth and authenticity to a modern story of a Dublin family who have found themselves with nowhere left to go. Hailed as the most important Irish film of the year, ROSIE follows a young mother as she searches to find a room for the night for her family - a tense race against time as the hours count down and their options run out. Set over 36 hours, ROSIE tracks a normal family faced with impossible choices and exposes just how easy it is to slip through the cracks. Directed by Paddy Breathnach, ROSIE is a cinematic tour de force about love, family and how you protect your children when you have nowhere to call home.
Once More With Feeling", a much needed shaft of lightness in Buffy the Vampire Slayer's dark sixth series, demonstrates that a "special" episode can be genuinely special. It preserves the show's continuity for its regular watchers and also delights people who have never experienced it before. This is creator Joss Whedon's tribute to all the masters of the stage musical whom he admires--most obviously Stephen Sondheim--and a chance for his talented cast to display their usual tight ensemble and sing and dance while doing it. The premise is typical Buffy both in its whimsy and its emotional truth--a demon forces the inhabitants of Sunnydale to express their emotions truthfully and uncovers a variety of embarrassing secrets. The actual musical ability of the Buffy cast is variable--Amber Benson as Tara and Anthony Stewart Head as Giles are perhaps the only ones with enough musical talent to carry purely lyrical tunes, but Sarah Michelle Gellar as Buffy is a game little trooper who delivers her various patter songs with her usual efficiency and charm. Emma Caulfield as the ex-demon Anya is the big surprise, her short paranoid riff on the subject of that ultimate evil, bunny rabbits is quite extraordinary; Broadway hoofer Hinton Battle is fabulous as Sweet: "I can bring whole cities to ruin and find time to get some soft shoe in." --Roz Kaveney
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