Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna and Helena Bonham Carter team up in the action adventure Ocean's 8.Five years, eight months, 12 days...and counting. That's how long Debbie Ocean (Sandra Bullock) has been devising the biggest heist of her life.She knows what it's going to takea team of the best in their field, starting with her partner-in-crime Lou Miller (Cate Blanchett). Together, they recruit a crew of specialists: jeweller Amita (Kaling); street con Constance (Awkwafina); expert fence Tammy (Paulson); hacker Nine Ball (Rihanna); and fashion designer Rose (Bonham Carter).
Sarah Lancashire returns in the acclaimed BBC thriller written by Sally Wainwright. No-nonsense police sergeant Catherine Cawood is back heading up her team of dedicated police officers in the Calder Valley in West Yorkshire. While on duty, she makes a gruesome discovery - a body. The victim's injuries bear a striking similarity to a string of other murders over the previous few months, suggesting a serial killer is on the loose. But the case becomes even more shocking when it emerges that Catherine knows the victim - something that could have serious repercussions for both herself and her family.
The Wedding Date (Dir. Clare Kilner 2005): In this sparkling romantic comedy Debra Messing plays Kat a never-married New Yorker who is invited to her parents' London home for her younger sister's wedding. What should be a joyous occasion bodes disaster for Kat however when she discovers that the best man will be none other than her ex-fianc who two years before inexplicably dumped her. In a desperate attempt to face the ordeal with dignity Kat hires Nick (Dermot Mulroney) a charming and handsome professional male escort to pose as her new boyfriend and escort her to the wedding. Even more valuable to Kat than Nick's good looks and charisma is his keen insight into human behavior--a well-learned trick of his trade. Over the course of the weekend Nick takes on the role of the bride's therapist the father's ideal son-in-law the groom's new best friend and the object of every woman's affection. For Kat what starts out as a pretend relationship with Nick begins to turn into something entirely unexpected: a second chance at love. My Big Fat Greek Wedding (Dir. Joel Zwick 2002): In this hit ethnic comedy Toula (Nia Vardalos) is a thirty-year-old ugly duckling whose life is going nowhere while she works long hours in her family's Greek diner (called Dancing Zorba's). She then decides to give herself a radical makeover lands a new job in her aunt's travel agency and falls for a hunky sensitive vegetarian teacher (John Corbett). They soon decide to get married but her family have a history of getting hitched exclusively to other Greeks. My Big Fat Greek Wedding is a warm funny comedy adapted by writer/star Vardalos from her own one-woman show. The Wedding Singer (Dir. Frank Coraci 1998): It's 1985 and Robbie Hart (Adam Sandler) is the ultimate master of ceremonies until he is left at the altar at his own wedding. Devastated he becomes a newlywed's worst nightmare - an entertainer who can do nothing but destroy other people's weddings. It's not until he meets a warm-hearted waitress named Julia (Drew Barrymore) that he starts to pick up the pieces of his heart. The only problem is Julia's about to have a wedding of her own and unless Robbie can pull off the performance of a lifetime the girl of his dreams will be gone forever...
Return of the Living Dead III is the third go-round for a premise intended as both a sequel to and a satire of the George A Romero Living Dead films. This could just as easily have been an entry in director Brian Yuzna's Re-Animator series, and indeed the plot nugget seems derived from the last shot of Re-Animator itself, as a devoted youth (J. Trevor Edmond) revives his freshly dead girlfriend (Mindy Clarke) with trioxin, a military zombie-making gas, and learns to regret his actions. Though it has some left-field ideas--the heroine turns herself into a DIY Hellraiser Cenobite poster-girl with extreme body piercing to distract herself from the desire to eat her boyfriend's brain--and effective action, it is still confined by its low budget and thus stuck with ordinary acting, a minimal plot and too many dumb developments. The central thread is the necrophile/SM romance, which ends up in a liebestod clinch in the army base's furnace, but there's a sub-plot about a quartet of zombified gang members which serves mainly to get some violence going every few minutes. Clarke is a striking presence, studded with bits of metal like a punk porcupine, but her performance flat lines even before her death in a motorcycle crash and revival as a zombie, while the rest of the cast--with the honourable exceptions of Kent McCord as a senior officer and Basil Wallace as a mystical down-and-out--are typified by Sarah Douglas' strident militarist mad scientist, who wants to put zombies in armoured exoskeletons and deploy them as combat troops. Nevertheless, this is gruesome fun for the fans, with some imaginative zombie mutilation effects. On the DVD: It's a no-frills full-screen transfer. The only extra is a 50-second trailer.--Kim Newman
Every episode from all 5 seasons of the action-packed adventures of Angel Investigations in a single supremely collectible box set! The vampire Angel leaves Sunnydale for Los Angeles where he uses his powers to help people. Meanwhile spoiled Cordelia is trying to make her way in the City of Angels - and her path is destined to cross with Buffy's true love!
Vampire-slayer Buffy Summers moves to Sunnydale, a Californian community located above the "Hellmouth", a phenomenon which explains the local graveyard's overpopulation of vampires and other supernatural beings. Angel, a mysterious loiterer, starts flirting with Buffy and gives her helpful tips on how to cope with the local nasties. However, he turns out to be a vampire, which complicates the future of their relationship. Buffy makes friends with school outcasts Willow, a computer nerd, and geeky Xander. But she excites the enmity of high-school princess Cordelia. The season's prime villain is the Master, a Nosferatu-looking vampire lurking under the town. Giles, Buffy's mentor, looks things up in books and demonstrates the exact same look of puzzlement actor Anthony Head used to demonstrate in those horrifying instant coffee ads. --Kim Newman
Waking Ned When Ned Devine dies from shock after winning the lottery two longtime friends in his Irish village Michael (David Kelly) and Jackie (Ian Bannen) discover the body and agree Ned would want them to benefit from his good luck. They embark on an outrageous scheme to claim the ticket. But first they have to get all the village folk to go along with their plan! Evelyn Times are tough in Dublin Ireland. But no one has it tougher than Desmond Doyle when his wife runs off and his beloved daughter Evelyn and two young sons are sent to an orphanage by the government. Enlisting the help of loyal friends (Julianna Margulies Stephen Rea) and a feisty American lawyer (Aidan Quinn) he takes his case to Ireland's Supreme Court in a history-making quest to topple an ironclad law...and win back custody of his children. In America A coming of age story seen through the eyes of 11 year old Christy the daughter of a young Irish immigrant couple trying to find their way in America...
Based on stories from the bestselling book "The Girls' Guide To Hunting And Fishing". Sarah Michelle Gellar stars in this funny and disarmingly wise romantic comedy set against the exhilarating backdrop of New York City.
The seventh and final season of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counselor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless," and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever), in which a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/supervillain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me," in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
Take Hollywood romantic comedy at its fluffiest, stir in a few Farrelly Brothers-style bodily-function jokes, season with pratfalls, add a soupcon of Hitchcock and you've got Head Over Heels, the perfect way to while away 85 minutes without putting the least strain on your brain cells. Our heroine, Amanda, is a shy retiring young lady with a dusty museum job and a non-existent love-life. (She's played by the dishy blonde Monica Potter, which gives you a fair idea of this movie's grip on reality). Having moved into a palatial Manhattan apartment (yeah, right) shared with four wannabe supermodels she meets--via a randy Great Dane--the handsome guy from across the courtyard. But it seems he has a deep, dark secret in his life. Mark Waters' film gets a lot of mileage out of poking fun at the bubble-headed attitudes of the model girls, which might well provoke mutterings about pots and kettles in more censorious quarters. But the whole confection's so innocuous and eager to please that it's hard to stay as irritated with it as it deserves. Potter (or occasionally her body double) executes her pratfalls gamely, her flatmates pose elegantly, and Mr Maybe-Right Freddie Prinze Jr grins boyishly--even if his subsequent metamorphosis into an action hero takes a bit of swallowing. Waters' direction keeps things moving briskly enough to prevent us musing on the idiocy of the whole enterprise. The insert inside the box suggests that "if you enjoyed this title" you should try Taxi Driver or Being John Malkovich. Could someone at Columbia TriStar be having a little joke? On the DVD: not much to mention. There's a trailer, brief cast and director biogs, production notes and a 12-minute shooting-of featurette in which, as usual, everybody was just wonderful and they all adored each other from the get-go. Anamorphic widescreen (2.35:1) and Dolby Digital 5.1 sound ensure a suitably glossy presentation. --Philip Kemp
Ronna needs to make some extra cash. Simon wants to escape to Vegas for the weekend. Adam and Zack want to stay out of trouble. But it's not just another night in the life of these unusual characters. They're about to embark on a wild ride that won't end until the sun comes up.
A vast Pokémon habitat amid the hustle and bustle of the big city seems like the perfect new home for a group of five Genesect. The arrival of these Mythical Pokémon quickly becomes a problem, though: their nest threatens the city s power supply, and they keep attacking those who approach it. The arrival of the Legendary Pokémon Mewtwo who sympathizes due to its own origins only makes things worse, and the confrontation quickly rages out of control! Can Ash and friends stop these two powerful Pokémon before they destroy the city?
At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship... Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favour of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humour. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart
This television adaptation of D H Lawrence's 'Sons and Lovers' stars Sarah Lancashire as Gertrude Morel who is trapped in an unhappy marriage to Walter (Hugo Speer) a heavy-drinking brutish uneducated miner. As Gertrude becomes estranged from Walter she channels her love and life expectations into her sons- particularly Paul (Rupert Evans). As Paul matures tension develops in his relationship with Gertrude and his love for two other women causes a fatal battle of strangulating po
The fifth season of Joss Whedon's hit series started out in excellent form as slayer extraordinaire Buffy Summers (Sarah Michelle Gellar) did battle with the most famous of vampires (that Dracula guy) and then went on to spar with another nemesis, little sister Dawn (Michelle Trachtenberg). Wait--Buffy has a teenage sister? Where has she been the past four years? And why is everyone acting like she's always been around? Turns out that young Dawn is actually "The Key," a form of pure energy that, true to its name, helps open the gates between different dimensions. To protect said key from falling into the wrong hands, a group of monks gave it human form and sent it to the fiercely protective Buffy for safekeeping, creating new memories of Dawn for everyone as if she'd existed... well, always. Why all the super secrecy? There's this very, very, very bad girl named Glory (Clare Kramer) who wants the key very badly, and will do anything to get it. Oh, and by the way, Glory isn't just a run-of-the-mill demon... she's way worse. Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful centre of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart
A specially created box set containing all 7 seasons of Buffy The Vampire Slayer: over 100 hours of vampire ass-kicking action!
The fifth season of Buffy the Vampire Slayer is about illusions and the truth that they often reveal; suddenly Buffy has a younger sister, has always had a younger sister. Michelle Trachtenberg as the moody, gawky Dawn achieves the considerable triumph of walking into an established stock company of well-known characters--Xander, Willow, Giles and so on--with the perfect assurance of a long-term member of the cast. Of course, nothing is as it seems; even Glory, the mad brain-sucking beauty in a red dress who is the villain of the year, turns out to be even more than she seems. Sarah Michelle Gellar as Buffy manages to convey heartbreak, self-involvement and real heroism as her relationship with her emotionally dense soldier boyfriend Riley hits the shoals and the blonde vampire Spike starts to show an altogether inappropriate interest. This season is also about the hard truth that there are some enemies it is impossible to fight. Even being around Buffy and Dawn is dangerous for their friends, as Glory and her minions proceed by a process of elimination. The eventual confrontation, when it comes, is genuinely shocking. Meanwhile, the vampire Spike's obsessed desire for Buffy takes them both to some very strange places and Willow and Tara have their love tested in the most gruelling of ways. And in the quietly upsetting episode "The Body", the cast produce their most impressive performances yet as they have to deal with another enemy they cannot fight. --Roz Kaveney
Fasten your seatbelts for the flight of a lifetime! What do pilots and cabin crew get up to both in and out of uniform? Mile High is the sexy drama series which follows the lives and loves of six airline crew from sharing a house in London to travelling across different countries and time zones. Young and sexy they work hard and play even harder!
The sixth season of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions. Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More, with Feeling"). This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humour. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney
For anyone interested in voyeurism, role playing, class envy and sexual humiliation, The Servant is an essential buy. Directed by Joseph Losey, scripted by Harold Pinter, it probes away remorselessly at areas other British film-makers would not go near. Dirk Bogarde, the golden boy of 50s British cinema, is transformed into a scheming, unctuous butler, Barrett. Hired by dapper young toff Tony (James Fox), he proceeds gradually to take over his master's life. In one scene, he seduces Tony's fiancée (Wendy Craig). Tony is soon slavering over the voluptuous but vaguely sinister Vera (Sarah Miles), whom he has been told is his butler's sister (in fact, she's Barrett's mistress). Gradually, the lines between master and servant are blurred. Tony becomes beholden to his butler's every whim.Nobody does queasy quite as well as Losey. The American-born director relishes the chance to disrupt the smooth workings of what seems a typical upper-class household. Compared to the bland comedies made at Pinewood in the late 50s, The Servant couldn't help but seem groundbreaking. Thanks to his performance, Bogarde, who'd starred in so many of those comedies, was at last taken seriously as more than a matinee idol. The critics adored the film, which was first released at around the time of the Profumo crisis. "Even if I make 10 better pictures in my lifetime", Losey observed, "I don't suppose one could expect to have such unanimous appreciation and approval again". --Geoffrey Macnab
Please wait. Loading...
This site uses cookies.
More details in our privacy policy