Much better than your average cop-and-dog movie (such as K-9), Turner and Hooch is really a love story about a control freak (Tom Hanks) who gradually resigns to the messy chaos of a sweet hulk of a pooch named Hooch. The excuse for this relationship is that the dog can identify a murderer and Hanks needs him, but the film is really about such hilarious moments as Hanks bathing Hooch with a long brush, and a wild chase through the streets when the sharp-eyed mutt spots his suspect. Layered over this is a healthy love story between Hanks and animal vet Mare Winningham, who share a terribly sexy scene together--while fully clothed--doing no more than making breakfast. (Hanks directed this scene, though Roger Spottiswoode directed the rest of the movie.) --Tom Keogh
Jodie Foster won her first Oscar for her role in The Accused (1988), based on an actual incident. While out for a night of fun at a poolroom, before her character knows what's happening she finds that the men she's been flirting with have pinned her down for a gang rape. The story centres on the efforts of a district attorney (Kelly McGillis) to press her case, in spite of a wall of silence by the participants--and then to take the unusual step of going after the witnesses as accomplices. Foster is outstanding as a tough, blue-collar woman who persists in what seems like an unwinnable case, despite the prospect of character assassination for standing up for herself. --Marshall Fine
Philip Kaufman's intimate epic about the Mercury astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that Apollo 13 would later become; The Right Stuff is not only just as thrilling, but it is also a bigger and better movie. Combining history (both established and revisionist), grand mythmaking (and myth puncturing), adventure, melodrama, behind-the-scenes dish, spectacular visuals, and a down-to-earth sense of humour, The Right Stuff chronicles NASA's efforts to put a man in orbit. Such an achievement would be the first step toward President Kennedy's goal of reaching the moon, and, perhaps most important of all, would win a crucial public relations/morale victory over the Soviets, who had delivered a stunning blow to American pride by launching Sputnik, the first satellite. The movie contrasts the daring feats of the unsung test pilots--one of whom, Chuck Yeager, embodied more than anyone else the skill and spirit of Wolfe's title--against the heavily publicised (and sanitised) accomplishments of the Mercury astronauts. Through no fault of their own, the spacemen became prisoners of the heroic images the government created for them in order to capture the public's imagination. The casting is inspired; the film features Sam Shepard as the legendary Yeager, Ed Harris as John Glenn, Dennis Quaid as "Gordo" Cooper, Scott Glenn as Alan Shepard, Fred Ward as Gus Grissom, Scott Wilson as Scott Crossfield, and Pamela Reed and Veronica Cartwright are superb in their thankless roles as astronauts' wives. --Jim Emerson
Nastassja Kinski stars as Irena a beautiful young woman on the bridge of sexuality; she discovers love for the first time only to find that the explosive experience brings with it tragic consequences. The tremendous passion of this girl's first romantic love is so strong however it by-passes the chaos around her-including her brother's (Malcom McDowell) extraordinary demands - as it pushes her on to her own bizarre destiny. With a style as timeless as myth Cat People is an erotic
Pimps pushers and armed gangs daily deal in violence and death in a war the police just can't seem to win; until now. A sinister cop leader has recruited a secret vigilante squad. Eradicating the criminal with an incredible new weapon an extra-ordinary serum that gives his team superhuman powers while turning them into subhuman crossbreeds. Fantastically strong and ferocious these strange warriors are fighting tooth and claw to sweep the scum of the streets...permanently. A daily breed it's sometimes hard to tell who the real animals are as the 'pack' get increasingly out of control.
On June 10th 1904, James Joyce, one of this century's greatest modern writers, was a young man grasping for funds and desperate to make his mark as a writer.
Based on Tom Wolfe's novel of the same name, The Right Stuff is a spectacular and thrilling epic that chronicles the fledgling years of the American space programme, from breaking the sound barrier to putting the first man into orbit. Rather than focusing on the technological advances that made this possible, writer-director Philip Kaufman pays tribute to the daring and heroic air-force test-pilots, most notably Chuck Yeager, John Glenn and "Gordo" Cooper , whose competitive desire to be the fastest and the highest drives them to keep "pushing the outside of the envelope". Despite its grand historical scale, the movie is grounded in the emotional highs and lows of these men and their long-suffering wives, delicately balancing their personal achievements and failures with the invasive media frenzy surrounding NASA's attempts to better the rival Soviet space effort. The Right Stuff has a coherence and pace that belies its sprawling plot, wide array of main characters and a running time of over three hours. This is thanks to an exciting script, a superb cast, Caleb Deschanel's stunning cinematography and--given the dramatic subject matter--a surprisingly humorous edge. Parts of the gruelling astronaut selection process make complete monkeys of the pilots, NASA's unsuccessful first attempts to launch a rocket are shown in all their explosive glory, and Jeff Goldblum and Harry Shearer steal the show as two oddball recruitment officials. On the DVD: The Right Stuff Special Edition comes with a sizeable, if somewhat superficial, second disc of extra features. There are two separate commentary tracks pieced together from a selection of soundbites--one from the cast (including an introduction from technical advisor Yeager) and the other from the production team. Both are played out over an identical, 25-minute sequence of scenes from the film, but only refer occasionally to the action on screen and yield little insight into the film's production. There are also four separate documentaries. The largest of these is John Glenn: American Hero, a 90-minute PBS special charting the legendary astronaut's life and including some great documentary footage of his appearance on Name That Tune (recreated in the film). Realising the Right Stuff (21 mins) and T-20 Years and Counting (10 mins) are both standard selections of cast and crew interviews. The Real Men with the Right Stuff (15 mins) features documentary footage and interviews with the surviving members of the Mercury team (Gordon Cooper, Scott Carpenter and Walter Schirra). Deleted scenes, the theatrical trailer and an "Interactive Timeline to Space" make up the remainder. --Paul Philpott
By day Mark Hunter (Christian Slater) is a painfully shy new kid in a small Arizona town. But by night he's Hard Harry the cynical uncensored DJ of a pirate radio station. Idolized by his high school classmates (who are unaware of his real identity) Harry becomes a hero with his fiercely funny monologues on sex love and rock and roll. But when he exposes the corrupt school principal she calls in the FCC to shut Harry down... An outrageous rebel with a cause Slater gives a bri
A family are falsley accused of child abuse and find themselves guilty until proven innocent while their lives fall apart around them.
A powerful sourcerer from ancient Egypt is one step away from taking over contempory mankind. Only a reborn team of mummies without a clue about the modern world and a resourceful 12 year old boy can stop him. Powerful magic comes up against four fish-out-of-water action-wrapped super-heroes in a fast-paced action-comedy from Ivan Reitman and DIC the people who brought you the animated 'Real Ghostbusters'.
When Jan Scruggs returns from the Vietnam War he feels alienated from the world he left only two short years ago. Jan only feels comfortable when he is in the company of someone with whom he shares a common bond - another Vietnam veteran. Jan forms an idea to heal the wounds of a nation split apart by war and at a veterans' meeting he suggests a memorial to those who fought in vietnam. Jan's idea is met with angry disapproval and so he takes on the memorial as his personal goal determined to honour those who served.
When Jan Scruggs return home from the Vietnam War he feels alienated from the world he left only two short years ago Jan only feels comfortable when he is in the company of someone with whom he shares a common bond - another Vietnam veteran.Jan forms an ideal to heal the wounds of a nation split apart by war; and at a veterans' meeting suggests a memorial to those who fought in Vietnam. Jan's idea is met with angry disapproval and so he takes on the memorial as his personal goal determined to honour those who served.
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