This huge 1993 hit for Robin Williams and director Chris Columbus (Home Alone), based on a novel called Alias Madame Doubtfire by Anne Fine, stars Williams as a loving but flaky father estranged from his frustrated wife (Sally Field). Devastated by a court order limiting his time with the children, Williams's character disguises himself as a warm, old British nanny who becomes the kids' best friend. As with Dustin Hoffman's performance in Tootsie, Williams's drag act--buried under layers of latex and padding--is the show, and everything and everyone else on screen serves his sometimes frantic role. Since that's the case, it's fortunate that Williams is Williams, and his performance is terribly funny at times and exceptionally believable in those scenes where his character misses his children. Playing Williams's brother, a professional makeup artist, Harvey Fierstein has a good support role in a bright sequence where he tries a number of feminine looks on Williams before settling on Mrs Doubtfire's visage. --Tom Keogh
Charles (Grant) is witty and charming but at the age of 32 is looking like a serial monogamist. His life has been full of girlfriends but he just can't commit to any of them. The more weddings he and his close circle of friends attend the less they want to get married themselves. Until one particular Saturday at one particular wedding Charles meets Carrie (MacDowell)... Instantly smitten Charles begins to pursue her only to learn that she is ready to take the plunge with som
Scott Walker: 30 Century Man explores Scott Walker's music and career from his early days as a jobbing bass player on the Sunset Strip to mega-stardom in Britain's swinging 60's pop scene and finally to his transformation into a composer of true genius; an uncompromising and serious musician working at the peak of his powers. Featuring interviews with friends collaborators and fans including among others: David Bowie Radiohead Jarvis Cocker Brian Eno Damon Albarn Neil Hannon Marc Almond Alison Goldfrapp Sting Dot Allison and many more Scott Walker: 30 Century Man paints a fascinating portrait of the ultimate cult artist. Exclusive behind the scenes footage of the making of Walker's new album 'The Drift' his first album in 10 years will delight fans whilst introducing new audiences to a man who has inspired god-like devotion from his fans worldwide.
Eastwood portrays a mysterious stranger who emerges out of the heat waves of the desert and rides into the guilt-ridden town of Lago. After committing three murders and one rape in the first 20 minutes The Stranger is hired by the town to protect it from three gunmen just out of jail. The Stranger then paints the entire town bright red renames it ""Hell "" and supplies Divine retribution in a fiery climax.
Andre Morell stars as Professor Bernard Quatermass in this landmark television classic. Now available on Blu-Ray for the very first time, in a brand new high-definition remaster from the original film elements. When a strange capsule is unearthed at an archaeological excavation in London, an unexploded bomb is initially suspected. However, with a history of supernatural events in the area going back many centuries and with events at the dig site about to take an unexpectedly alien turn, the origins of the capsule are soon revealed to be far more distant than anyone could have imagined. When the capsule is finally opened, something is unleashed upon the streets of London that nobody can control and mankind's past and future collide with devastating consequences. Includes an 8-page collectors booklet SPECIAL FEATURES: Brand new commentaries featuring members of the original cast and crew. Presented by Toby Hadoke. A newly compiled photo gallery, including images of a number of previously unreleased images from the show's original production. A complication of alternate title sequences from the BBC Archives. Making Demons visual effects featurette. Archive documentary content, covering the 1958 production.
When it was released in 1994 Four Weddings and a Funeral quickly became a huge international success, pulling in the kind of audiences most British films only dream of. It's proof that sometimes the simplest ideas are the best: in terms of plot, the title pretty much says it all. Revolving around, well, four weddings and a funeral (though not in that order), the film follows Hugh Grant's confirmed bachelor Charles as he falls for visiting American Carrie (Andy McDowell), whom he keeps bumping into at the various functions. But with this most basic of premises, screenwriter Richard Curtis has crafted a moving and thoughtful comedy about the perils of singledom and that ever-elusive search for true love. In the wrong hands, it could have been a horribly schmaltzy affair, but Curtis' script--crammed with great one-liners and beautifully judged characterisations--keeps things sharp and snappy, harking back to the sparkling Hollywood romantic comedies of the 30s and 40s. The supporting cast, including Kristin Scott Thomas, Simon Callow and Rowan Atkinson (who starred in the Curtis-scripted television show Blackadder) is first rate, at times almost too good: John Hannah's rendition of WH Auden's poem "Funeral Blues" over the coffin of his lover is so moving you think the film will struggle to re-establish its ineffably buoyant mood. But it does, thanks in no small part to Hugh Grant as the bumbling Charles (whose star-making performance compensates for a less-than-dazzling Andie MacDowell). Though it's hardly the fault of Curtis and his team, the success of the Four Weddings did have its downside, triggering a rash of far inferior British romantic comedies. In fact, we had to wait until 1999's Notting Hill for another UK film to match its winning charm--scripted, yet again, by Curtis and starring Grant. --Edward Lawrenson
A policeman is shot dead and two South London boys stand accused of his murder. The verdict and the sentence passed the crime. Both the verdict and the sentence were subsequently quashed. This is the case that shocked the nation.
Writer/Director Cameron Crowe's affable twentysomething romantic comedy is less a tale of tortured love than a prescient portrait of a culture on the cusp of Generation X--that is Seattle, circa 1991. One-time Rolling Stone journalist Crowe, ever aware of pop trends, lovingly details a society newly beguiled by slackers, answerphones, self-analysis, the coffee-house fetish, post-AIDS safe sex and, most importantly, grunge music--Smashing Pumpkins, Mudhoney and Jane's Addiction pepper the soundtrack, while various Pearl Jam players cameo as members of the film's fictional grunge wannabes Citizen Dick. In the midst of all this sits a cosy residential apartment block, a perfect setting for the emotional crises of on-again, off-again, on-again couples Steve and Linda (Campbell Scott and Kyra Sedgwick) and Cliff and Janet (Matt Dillon and Bridget Fonda). Steve is a sensitive transport engineer whose game-playing backfires when he meets Linda, an environmental activist with a fear of rejection. Cliff is a feckless rock musician, and front man for Citizen Dick, whose inability to commit to Janet is forcing her to take desperate measures. Will the couples split? Will they reunite? And will they learn a little something about life, maturity and commitment along the way? As you'd expect from the man behind the cutesy teen classic Say Anything (his directorial debut), Crowe's relationship resolutions are often simplistic and sentimental ("You rock my world!" and "You belong to me!" are two such vocal denouements). And this, combined with a rambling narrative often makes the movie feel longer than its 95 minutes (an inter-title announcing "The Theory of Eternal Dating" sums it up). Nonetheless, there's enough wit, comic digression and tap-along gaiety elsewhere to make Singles an enjoyably slight romantic placebo. --Kevin Maher
Lawman J.D. Cahill can stand alone against an army of bad guys. But as a widower father he's on insecure footing raising two sons; particularly when he suspects his boys have stepped outside the law...
Clint Eastwood's second film as a director (and his first Western) is a variation on the "man with no name" theme, starring Eastwood as the drifter known only as "the Stranger". He rides into the desert town of Lagos and is quickly attacked by three gunmen. Recovering with the aid of a local dwarf (a memorable role for Billy Curtis), the Stranger is hired by the intimidated townsfolk to fend off a band of violent ex-convicts. After teaching the citizens self-defence and instructing them to paint the entire town red and rename it "Hell", the Stranger vanishes. He reappears when the marauding criminals arrive, and delivers justice and teaches the townsfolk a harsh lesson about moral obligation. Is he a figure from their past or a kind of supernatural avenger? Combining humour with action, High Plains Drifter is both a serious and tongue-in-cheek tribute to the Westerns that made Eastwood a household name. --Jeff Shannon, Amazon.com
Based on Jane Smiley's novel The Age of Grief Secret Lives Of Dentists is an honest but sympathetic look at the strains of modern marriage. David Hurst (Campbell Scott) is a disillusioned small-time dentist who suspects his wife is having an affair after seeing her kiss a mystery man. Preferring to brood he begins to imagine conversations with an angry patient (Denis Leary). As his grief leads to a variety of bizarre acts violence never seems far away
Dimples: Temple stars as a young singer who entertains the New York crowds providing the window of opportunity for her pick pocket of a grand father to carry out his work. A rich lady sees the young girl peforming - and after discovering her grim existence with her grand father - offers her an opportunity to rise out of lifestyle... The Littlest Rebel: Shirley Temple's father a rebel officer sneaks back to his rundown plantation to see his family and is arrested. How
Clint Eastwood's second film as a director (and his first Western) is a variation on the "man with no name" theme, starring Eastwood as the drifter known only as "the Stranger". He rides into the desert town of Lagos and is quickly attacked by three gunmen. Recovering with the aid of a local dwarf (a memorable role for Billy Curtis), the Stranger is hired by the intimidated townsfolk to fend off a band of violent ex-convicts. After teaching the citizens self-defence and instructing them to paint the entire town red and rename it "Hell", the Stranger vanishes. He reappears when the marauding criminals arrive, and delivers justice and teaches the townsfolk a harsh lesson about moral obligation. Is he a figure from their past or a kind of supernatural avenger? Combining humour with action, High Plains Drifter is both a serious and tongue-in-cheek tribute to the Westerns that made Eastwood a household name. --Jeff Shannon, Amazon.com
Victorian scientist and philanthropist Sir Hugo Cunningham (Robert Stephens) believes his experiments in photographing the dying at the very moment of their passing have somehow captured images of the victims' souls leaving their bodies. But when he unfortunately records on moving film the accidental death of his son and his fiance he discovers the apparition he has captured on film is moving toward the victims rather than away from them. Sir Hugo theorizes that it must be the m
A film student follows a Melbourne-based hitman in this Australian hit.
Through the centuries the evil within the Lamp has always chosen a Keeper to let loose its force on the world. When a museum curator's daughter discovers the latest acquisition a Lamp a strange force draws her towards it. She has now become the Keeper of the Lamp and the victim of its terrible powers. Under its evil spell she persuades five of her high school friends to spend the night in the museum. There follows a horrific confrontation between good and evil. Mummies rise from the dead bodies are snapped in two. The final battle is about to begin.
Set in Melbourne, Australia, Hit-man Ray Shoesmith (Scott Ryan) discovers that his next door neighbour, Max (Massimiliano Andrighetto), happens to be a film student and decides to ask him to document his life with the intention of releasing the footage in the event of an early death.Ray goes about doing his everyday business which includes making intimidating threats of violence while documenting his actions to the camera.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy