Hell Drivers sees James Bond (Sean Connery), Doctor Who (William Hartnell), one of the men from UNCLE (David McCallum), the Prisoner (Patrick McGoohan) and a Professional (Gordon Jackson), all supporting Stanley Baker in this hard-as-nails British action picture realistically set in a bleak late-1950s England. Baker plays Tom Yately, an ex-con who takes the only job he can get--truck driving at breakneck speeds for a corrupt manager (Hartnell) and brutal foreman (McGoohan). The constant short runs and competition between the drivers makes for an intense atmosphere which inevitably explodes into violence. Baker's only friend is an Italian ex-POW played sensitively by Herbert Lom, while Peggy Cummings is a remarkably free-spirited heroine for a British film of the time. Baker himself is superb, quietly tough, and broodingly charismatic, McGoohan is compellingly malevolent and Hartnell simply chilling. The film is consistently engrossing and often exciting, even when the plot spirals into melodrama towards the finale. One has to wonder where the police are during all this mayhem, but the fact that the screenplay, by John Kruse and Cy Endfield, received a BAFTA nomination suggests the scenario was at least reasonably realistic. Endfield also directed this, the second of six films he would helm for Baker, the most famous of which would be the all-time classic, Zulu (1964). On the DVD: Hell Drivers is presented in an anamorphically enhanced ratio of 1.77:1. This means a little of the original 1.96:1 VistaVision (70mm) image is cropped at the sides, which is just noticeable in a few shots. The print used is excellent, with only very minor damage, and the mono sound is fine. The disc also includes Look in on Hell Drivers, a 1957 TV programme that offers interviews with Stanley Baker, Cy Endfield and Alfie Bass, as well as comments from genuine truck drivers confirming the realism of the story, and a contemporary 15-minute television interview with Baker, which focuses on Hell Drivers, Sea Fury(1958) (also directed by Cy Endfield) and Violent Playground (1958). The original trailer rounds out an excellent package. --Gary S Dalkin
In the year 2707, earth's natural resources have been exhausted by mankind. Battle rages between the soldiers of four leading Corporations: the Capitol, Bauhaus, Mishima and Imperial.
Based on the novels by Bernard Cornwell, Sharpe (1993-7) ran to 14 full-length television films that follow the adventures of the titular soldier through the later years of the Napoleonic Wars. The programmes are an outstanding achievement for the small screen, dominated by Sean Bean's central performance as the heroic, troubled outsider who turns out to be a resourceful and loyal leader. Bolstered by a strong supporting cast, particularly Daragh O'Malley as Harper and (in later episodes) Abigail Cruttenden as Jane, Sharpe is often visually striking, the action tense and gripping. Consistency is maintained by all 14 episodes being directed by Tom Clegg. On the DVD: Sharpe's sound is full-bodied stereo while the very "sharp" picture has been transferred slightly letterboxed at 14:9. Though looking much better than the original TV transmissions the occasionally cropped framing makes it apparent the films were shot in 16:9 widescreen, so it is regrettable they have not been transferred to DVD in that format. Otherwise these are first-rate releases. --Gary S Dalkin
With epic battle scenes reminiscent of Tora! Tora! Tora!, Battle of the Pacific is a classic war movie told from both Japanese and American perspectives.
The final season of Will And Grace is here! But dry your eyes and turn off the Gloria Gaynor as there's still bucket loads of laughs to enjoy before your favourite foursome ride off into the sunset. From Will's gay penguin crusade to Jack's soaring career on OutTV and Grace's ""arranged"" marriage to Karen's secret career a shady slums-landlord this final set of wacky adventures is the funniest yet. If this isn't enough to heal your hurt Season 8 also features two live episodes and a special appearance from Britney Spears amongst others! Guest stars include Alec Baldwin Jason Biggs Richard Chamberlain Harry Connick Jnr Blythe Danner Taye Diggs Debbie Reynolds Britney Spears and Lily Tomlin. Episodes comprise: 1. Alive And Schticking 2. I Second That Emotion 3. The Old Man And The Sea 4. Steams Like Old Time 5. The Hole Truth 6. Love Is In The Airplane 7. Birds Of A Feather Boa 8. Swish Out Of Water 9. A Little Christmas Queer 10. Von Trapped 11. Bathroom Humour 12. Forbidden Fruit 13. Cop To It 14. I Love L. Gay 15. The Definition Of Marriage 16. Grace Expectations 17. Cowboys And Iranians 18. Buy Buy Baby 19. Blanket Apology 20. The Mourning Son 21. Partners n' Crime 22. Whatever Happened To Baby Gin? 23. The Finale
Written by David Leland and directed by Alan Clarke, Made in Britain is a slice of horrible but not inaccurate life from 1982. It holds a terrific early performance from Tim Roth as a skinhead with a swastika caste-mark tattoo, who constantly bares shark-like teeth as he spits embittered, articulate defiance at caring social workers and truncheon-wielding policemen alike. Sixteen-year-old Trevor (Roth) is remanded to an assessment centre before sentencing, but remains determined to disobey the rules imposed on him by any authority figures and spends the whole 73-minute play challenging the system to smack him back down, by vandalising the Job Centre, using his case-file as a toilet, stealing cars, victimising members of the "immigrant community" and shouting bile at people. The cycle that will lead him to an adult life in prison is explained to him with blackboard diagrams, but he believes he's better off keeping his hatred burning than toeing the line to end up as a no-hoper in a society that prizes obedience over conscience. It was originally televised as one of four Leland-filmed dramas about different aspects of the British education system, which made it seem less monomaniacal in its focus on an extreme case. There's no denying that it's an honest portrait of a monster calculated to terrify even the most concerned liberals which still manages to celebrate his self-destructive defiance. A film for television rather than a TV play, it has very strong language but the violence is all in Roth's face.On the DVD: No extra features here, but it does come with optional English sub-titles, and the theme song by the Exploited over the menu. --Kim Newman
One of the very best Stephen King film adaptations, The Dead Zone is imbued with an ever-present atmosphere of dread. Shot in a permanently wintry Canada (standing in for New England), the icy backdrops are subtly employed by director David Cronenberg to accentuate the storys fatalistic tone. Cronenbergs welcome emphasis for the most part on psychological terror over physical shocks (something of a change of direction for him after The Brood and Scanners) is further enhanced by composer Michael Kamens marvellously chilly music score and Christopher Walkens understated yet dominating central performance as high school teacher Johnny Smith, who wakes from a coma following a car crash to learn that he has been cursed with the gift of second sight. That his uncanny ability is indeed a curse and definitely not a blessing is made abundantly clear: even when Johnny is able to save peoples lives, there is always a price to pay. The cosmic law of Karma is grimly unforgiving. Herbert Lom, as Johnnys sympathetic doctor, sums up the characters plight, "Some things just werent meant to be." And even when Johnny learns the terrible secret of future Presidential candidate Greg Stillson (a villainous Martin Sheen), he knows he cannot act without accepting the fatal consequences. Brooke Adams, as the love of Johnnys life, and Tom Skerrit, as the quietly desperate sheriff on the trail of a serial killer, are excellent in support. On the DVD: this disc comes with a chunky accompanying booklet with background notes on the film, cast and director, as well as a script excerpt for the originally planned pre-credits sequence (in the finished film we assume Johnnys second sight is a result of the car accident--this earlier screenplay follows the book more closely). The movie itself--which features the "scissor-suicide" scene uncut--is accompanied by a chatty and informative commentary from film critics Stephen Jones and Kim Newman (a regular Amazon.co.uk contributor). Both the 1.85:1 anamorphic widescreen picture and the Dolby 5.1 sound are adequate if unexceptional. --Mark Walker
In the grim darkness of the 41st Millennium the only force that stands between humanity and alien hordes are the genetically enhanced super-soldiers known as Ultramarines. But when a select squad of scarred veterans and raw recruits responds to a distant planet's distress beacon they'll discover that a horrific evil has been unleashed. And amidst a living nightmare of chaos carnage and daemonic fury these steel battle-brothers must now survive the ultimate enemy: Themselves. The voices of Terence Stamp (Superman II Wanted) John Hurt (Alien Hellboy) and Sean Pertwee (Dog soldiers Event horizon) star in this intense CGI animated sci-fi/action thriller and the first-ever feature-length movie interpretation of the Warhammer 40 000 game universe. Special Features: Into the void - Making Ultramarines Between chaos and darkness - The world of the space marines Creating the Daemon Animated graphic novel Ultramarines prequel
The Tower of London stands on the bank of the Thames one of the most stately and recognisable symbols of Britain. For over 900 years it has served the nation in many ways - as a fortress palace prison treasure house armoury and Royal Mint. Since it was founded by William the Conqueror it has seen both fabulous opulence and the darkest of deeds spectacular pageantry and insidious intrigue. Kings have been murdered here and Queens put to the axe. Spies and traitors have been exec
The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), but the movie itself is one of the weaker ones of the Sean Connery phase of the 007 franchise. The story concerns an effort by the evil organisation SPECTRE to start a world war, but the not-so-super villain behind the plot is the awfully civilised Donald Pleasence. The thin script is by Roald Dahl (shouldn't we have expected a better Bond nemesis from the creator of mad genius Willy Wonka?), and direction is by British veteran Lewis Gilbert (Alfie). But the movie can't hold a candle to Dr. No, From Russia with Love, or Goldfinger. --Tom Keogh, Amazon.comOn the DVD: This was another troubled production according to the insightful "making of" documentary: director and producers luckily avoided boarding a plane out of Tokyo that crashed and killed everyone on board; the Japanese actresses couldn't speak English and one threatened suicide if she was dropped from the part; and the aerial cameraman filming the helicopter fight had his leg sliced off by a rotor blade. Maurice Binder's evocative main title designs are the subject of the second documentary, "Silhouettes", in which his colleagues voiceboth their admiration of his art and frustration at his chaotic working practices. The commentary is another edited selection of interviews with principal cast and crew. An animated storyboard sequence, trailers, radio spots and a handsome booklet add up to another winning entry in this series. --Mark Walker
Jimmy Muir (Sean Bean) comes from a typical gritty northern town where there are only two options: working down the pit or in a factory. But Jimmy has other ideas - he dreams of becoming a professional footballer. Encouraged by his girlfriend Annie (Emily Lloyd) he plays every week for the local amateur team. But when he's spotted by local talent scout Ken (Pete Postlethwaite) Jimmy finally has the chance to fulfil his life's ambition. Confronted by a bitter and unsupportive father hard-drinking friends and a lifetime of bad habits... has Jimmy the will to achieve his ultimate goal?
The continuing adventures at the Barbershop where Calvin (Ice Cube) finds his premises under threat from a big name chain of barbers who are taking over the smaller family run ventures in the neighbourhood...
When their academy's existence is threatened by local developers military cadets take extreme measures to protect their honour...
21 grams is the weight we lose when we die, and this moving drama tells of three very different people brought together by the common bond of death.
Murder On The Orient Express: The first of several lavish Christie adaptations from producers John Brabourne and Richard Goodwin introducing Albert Finney as the first screen Hercule Poirot. This 1974 production of Agatha Christie's 1934 classic is a judicious mixture of mystery murder and nostalgia. Which member of the all-star cast onboard the luxurious train perforated the no-good American tycoon with a dagger twelve times? Was it Ingrid Bergman's shy Swedish missionary; or Vanessa Redgrave's English rose; Sean Connery as an Indian Army Colonel: Michael York or Jacqueline Bisset; perhaps Lauren Bacall; Anthony Perkins or John Gielgud as the victim's impassive butler. Finney spreads unease among them with subdued wit and finesse. Arguably the most successful screen adaptation of a Christie novel in addition to Bergman's Oscar for Best Supporting Actress 'Murder On The Orient Express' achieved nominations for Best Actor Screenplay Photography Costume Design and Music Score. (Dir. Sidney Lumet 1974) Death On The Nile: Peter Ustinov makes his debut as Agatha Christie's brilliant Belgian detective Hercule Poirot in this lavish and star-studded follow-up to Murder On The Orient Express:. As Poirot enjoys a luxurious cruise down the Nile a newlywed heiress is found murdered on board and every elegant passenger becomes a prime suspect. Can Poirot identify the killer and motive before the ship of clues reaches the end of its murderous journey? Bette Davis David Niven Angela Lansbury Maggie Smith Mia Farrow George Kennedy Olivia Hussey Simon MacCorkindale Jane Birkin Jack Warden and Lois Chiles co-star in this sumptuous Oscar-winning classic adapted by Anthony Shaffer (Sleuth) and filmed on location throughout exotic Egypt. (Dir. John Guillermin 1978) The Mirror Crack'd: Mirror mirror on the wall who is the murderer among them all? The year is 1953. The small English village of St. Mary Mead home to Miss Jane Marple is delighted when a big American movie company arrives to make a movie telling of the relationship between Jane Grey and Elisabeth I starring the famous actresses Marina Rudd and Lola Brewster. Marina arrives with her husband Jason and when she discovers that Lola is going to be in the movie with her she hits the roof as Lola and Marina loathe each other on sight. Marina has been getting death threats and at a party at the manor house Heather Babcock after boring Marina with a long story drinks a cocktail made for Marina and dies from poisoning. Everybody believes that Marina is the target but the police officer investigating the case Inspector Craddock isn't sure so he asks Miss Marple his aunt to investigate... (Dir. Guy Hamilton 1980) Evil Under The Sun: Evil is everywhere. Even in paradise... Hercule Poirot is called in to investigate a case for an insurance company regarding firstly a dead woman's body found on a moor and then a important diamond sent to the company to be insured turns out to be a fake. Poirot discovers that the diamond was bought for Arlena Marshall by Sir Horace Blatt and Arlena is on her honeymoon with her husband and step-daughter on a tropical island hotel. He joins them on the island and finds that everybody else starts to hate Arlena for different reasons - refusing to do a stage show stopping a book and for having an open affair with Patrick Redfern another guest in full view of his shy wife. So it's only a matter of time before Arlena turns up dead strangled and Poirot must find out who it is.... (Dir. Guy Hamilton 1982)
The story of larger-than-life politician Willie Stark, who transcended the poverty of the Great Depression to become the governor of Louisiana.
With a reputation synonymous with law and order, Commissioner James Gordon is one of the crime world's greatest foes. Everyone knows the name. But what is known of Gordon's rise from rookie detective to Police Commissioner? And what did it take to navigate the layers of corruption that secretly ruled Gotham City, the spawning ground of the world's most iconic villains -- the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker? GOTHAM is the origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (The Mentalist, Rome), this one-hour drama follows one cop's rise through a dangerously corrupt city teetering on the edge of evil and chronicles the genesis of one of the most popular super heroes of our time. Brave, earnest and eager to prove himself, the newly minted detective Gordon (Ben McKenzie) is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue), as the two stumble upon the city's highest- profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes' hauntingly intense 12-year-old son, Bruce (David Mazouz), toward whom the young detective feels an inexplicable kinship. Moved by the boy's profound loss, Gordon vows to catch the killer. As he navigates the often-underhanded politics of Gotham's criminal justice system, Gordon encounters imposing gang boss Fish Mooney (Jada Pinkett Smith), and many of the characters who will become some of DC Comics' most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor). Although the crime drama follows Gordon's turbulent and singular rise through the Gotham City police department, it also focuses on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee) -- a friendship that will last them all of their lives and will play a crucial role in helping the young boy eventually become the crusader he's destined to be.
Joss Whedon, the Oscar®* and Emmy®-nominated writer/director behind Buffy the Vampire Slayer and Angel, now applies his trademark wit in this breathtaking epic. Captain Malcolm Reynolds, a hardened veteran (on the losing side) of a galactic civil war, now ekes out a living aboard his ship, Serenity. He leads a small, eclectic crew, but when Mal takes on two new passengers - a young doctor and his telepathic sister - he gets much more than he bargained for. The pair are fugitives from the coalition dominating the universe, and so Serenity finds itself caught between the unstoppable military force of the Alliance, the horrific, cannibalistic fury of the Reavers - and another danger lurking at the very heart of the spaceship... Special Features: FEATURE COMMENTARY WITH WRITER/DIRECTOR JOSS WHEDON AND CAST MEMBERS NATHAN FILLION, ADAM BALDWIN, SUMMER GLAU AND RON GLASS DELETED & EXTENDED SCENES OUTTAKES TAKE A WALK ON SERENITY FUTURE HISTORY - THE STORY OF EARTH THAT WAS
All Allyson and her friends want is a peaceful grown-up evening of dinner and conversation...a long-needed mums' night out. But in order to enjoy high heels adult conversation and food not served in a paper bag they need their husbands to watch the kids for three hours - what could go wrong?
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