In the wake of defeating Boros and his mighty army, Saitama has returned to his unremarkable everyday life in Z-City. However, unbeknownst to him, the number of monsters appearing is still continuously on the rise, putting a strain on the Hero Association's resources. Their top executives decide on the bold move of recruiting hoodlums in order to help in their battle. But during the first meeting with these potential newcomers, a mysterious man calling himself Garou makes his appearance. Claiming to be a monster, he starts mercilessly attacking the crowd.
What might have been a one-note family comedy becomes something more thanks to the comic brilliance of co-stars Nathan Lane and Lee Evans, as well as the distinctive, dark-fable look given the film by a little-known director named Gore Verbinksi (could he be the next Tim Burton?). Lane and Evans play idiotic brothers who inherit a house and all but destroy it in pursuit of one small, pesky mouse. The guys are always the butt of the sight gags--most of which are very funny--but their considerable powers as slapstick artists are also at play. The climactic scene at an auction was the funniest scene in any American movie in 1997, the year of Mouse Hunt's release. --Tom Keogh
Show Aikawa is back as the superhero like no other in maverick director Takashi Miike (Audition, One Missed Call) and screenwriter Kankuro Kudo's (Go, Ping Pong) subversive and darkly satirical sequel to their 2004 homage to the golden era of Japan's tokusatsu TV shows. It's 2025, and our hero Shinichi finds himself waking up minus memory, zebra stripes and zebra powers in an authoritarian dystopian future. Tokyo has been taken over by a sinister ultra right-wing governor named Kozo, who has reconstructed and rechristened the capital as Zebra City and mandated a twice-daily five-minute purge called Zebra Time in which all crime is legal and his Zebra Police readily pitch themselves into the resulting free-for-all. It's a society dominated by screens, and the screens dominated by a sultry pop diva named Zebra Queen, who just happens to be Kozo's daughter. Can Shinichi regain his Zebraman powers to thwart the Kozo and the Zebra Queen's plans to export their dark vision across the world? HIGH-DEFINITION BLU-RAY PRESENTATION IN 1.85:1 ASPECT RATIO ORIGINAL JAPANESE STEREO AND 5.1 SURROUND SOUND AUDIO TRACKS AUDIO COMMENTARY BY JOE HICKINBOTTOM BRAND NEW FILMED INTRODUCTION BY TOM MES ZEBRAMAN 2: ATTACK ON ZEBRA CITY MAKING OF DOCUMENTARY INTERVIEW WITH DIRECTOR TAKASHI MIIKE INTERVIEW WITH RIKI ABE INTERVIEW WITH SHOW AIKAWA INTERVIEW WITH MASAHIRO INOUE INTERVIEW WITH RIISA NAKA ORIGINAL THEATRICAL TRAILERS AND TV SPOTS STILLS GALLERY BOOKLET ESSAY BY JONATHAN WROOT ORIGINAL AND NEWLY COMMISSIONED ARTWORK BY LUCAS PEVERILL
Usato and the two most popular kids in school are summoned to a new world to defeat a demon lord, except Usato wasn't in the plan. But after he shows a rare gift for healing magic, a brutal woman trains him to rescue people - by getting him totally jacked.
An affectionate homage to the heyday of Japan's tokusatsu superhero TV shows, directed by Takashi Miike (Audition, 13 Assassins) and written by Kankuro Kudo (Go, Ping Pong), Zebraman stars the legendary Show Aikawa as Shinichi, a teacher facing a midlife crisis, as his family collapses around him. To escape from the bitter reality of his daily he existence, Shinichi takes to secretly dressing up as Zebraman, the eponymous hero of an obscure 1970s TV series from when he was a kid that was cancelled after just seven episodes. Meanwhile, as his life collapses around him, aliens are at large and readying themselves to take over planet Earth. Can Shinichi overcome his lack of confidence to channel his childhood fantasies into saving the world? HIGH-DEFINITION BLU-RAY PRESENTATION IN 1.85:1 ASPECT RATIO ORIGINAL JAPANESE STEREO AND 5.1 SURROUND SOUND AUDIO TRACKS OPTION ENGLISH AUDIO TRACK BRAND NEW FILMED INTRODUCTION BY TOM MES MAKING OF DOCUMENTARY DELETED SCENES ZEBRAMAN PREMIERE ARCHIVE INTERVIEW WITH TAKASHI MIIKE ARCHIVE INTERVIEW WITH SHOW AIKAWA 1978 TV SERIES TRAILER ZEBRAMAN THEME SONG THEATRICAL TRAILER TV SPOT STILLS GALLERY BOOKLET ESSAY BY MARK PLAYER ORIGINAL AND NEWLY COMMISSIONED ARTWORK BY LUCAS PEVERILL
Following a betrayal, a young man left for dead is reborn as a powerful devil-human hybrid after merging with his pet devil and is soon enlisted into an organization dedicated to hunting devils.Chainsaw Man: Season 1 - Deluxe Limited Edition¢ Limited to 1,000 units for the UK market.¢ Exclusive Blu-ray Steelbook - Chainsaw Man: Season 1.¢ Original Series Soundtrack: Music from Kensuke Ushio, 2 x 12 Colour Vinyl LPs.¢ A 144-page colour booklet (history, story-board, artists', comments, sketches )¢ 6 exlibris (bookplate).¢ 1 lenticular art card.¢ 1 numbered certificate of authenticity
Ferocious, dynamic yakuza thriller from Kinji Fukasaku Eureka Entertainment to release WOLVES, PIGS AND MEN; Kinji Fukasaku's blood-soaked yakuza masterpiece. Presented on Blu-ray from a new 2K restoration. The first print run of 2000 copies only will exclusively feature a limited edition O-card slipcase. A standout yakuza film directed by a master of the genre in Kinji Fukasaku (Battles Without Honour and Humanity), Wolves, Pigs and Men is an uncompromising treatise on brutality and brotherhood starring Rentarô Mikuni (Harakiri), Kin'ya Kitaôji (Battles Without Honour and Humanity: Final Episode) and the inimitable Ken Takakura (Abashiri Prison). Kuroki (Mikuni), Jirô (Takakura) and Sabu (Kitaôji) are three brothers born into poverty. Kuroki, the eldest, finds an escape from his squalid beginnings by turning to organised crime - and soon both Jirô and Sabu have followed him into the yakuza lifestyle. But none of the brothers see eye to eye, each of them showing more loyalty to their criminal comrades than to their siblings. Following a stint in prison, Jirô convinces Sabu to help him pull off a potentially lucrative heist, leading to a series of betrayals and horrifically violent acts that will test the bonds of blood to their breaking point. Blending the staple themes of the Japanese gangster film with narrative and aesthetic qualities borrowed from the French New Wave and American film noir, Wolves, Pigs and Men stands as one of the finest yakuza movies of the 1960s. The Masters of Cinema series is proud to present the film on Blu-ray for the first time in the UK from a new restoration of the original film elements by Toei. 1080p HD presentation on Blu-ray from a restoration of the original film elements supplied by Toei | Original Japanese audio track (uncompressed LPCM mono) | Audio commentary track by Jasper Sharp | Interview with screenwriter Jun'ya Satô | Interview with producer Tatsu Yoshida | Interview with Kinji Fukasaku's biographer, Sadao Yamane | Trailer | PLUS: A collector's booklet featuring new writing by Japanese cinema expert Joe Hickinbottom
In the wake of defeating Boros and his mighty army, Saitama has returned to his unremarkable everyday life in Z-City. However, unbeknownst to him, the number of monsters appearing is still continuously on the rise, putting a strain on the Hero Association's resources. Their top executives decide on the bold move of recruiting hoodlums in order to help in their battle. But during the first meeting with these potential newcomers, a mysterious man calling himself Garou makes his appearance. Claiming to be a monster, he starts mercilessly attacking the crowd.
Japan's legendary King of Cult Teruo Ishii (Horrors of Malformed Men, Shogun's Joy of Torture) delivers four dramatized tales of real-life crimes of passion involving women across the ages in this grotesque anthology featuring the stories of the Hotel Nihonkaku Murders, the notorious poison wife and last woman in Japan to be executed by beheading, Oden Takahashi, the brutal serial killer Yoshio Kodaira and the story of Sada Abe, the infamous castratice featured in Nagisa Oshima's In the Realm of the Senses. 88 Films is proud to present this unflinching look at female pathology drawn from Japan's criminal casebooks for the very first time outside Japan.
Truth is STRANGER that fiction. The line between belief and reality is challenged in this dark and mysterious psychological thriller where citizens across Musashino City are being assaulted and terrorised. Now, two detectives must figure out the truth about lit Slugger. Includes Episodes 1-13 + Special Features: Episode 1 Storyboard Paranoia Radio Episode Commentaries Japanese Commercials Promotional Videos Textless Opening and Ending Songs
Here is just one of the many mishaps chronicled in Tora! Tora! Tora!: "Sir, there's a large formation of planes coming in from the north, 140 miles, 3 degrees east." "Yeah? Don't worry about it." The epic film shows the bombing of Pearl Harbour from both sides in the historic first American-Japanese coproduction: American director Richard Fleischer oversaw the complicated production (the Japanese sequences were directed by Toshio Masuda and Kinji Fukasaku, after Akira Kurosawa withdrew from the film), wrestling a sprawling story with dozens of characters into a manageable, fairly easy-to-follow film. The first half maps out the collapse of diplomacy between the nations and the military blunders that left naval and air forces sitting ducks for the impending attack, while the second half is an amazing re-creation of the devastating battle. While Tora! Tora! Tora! lacks the strong central characters that anchor the best war films, the real star of the film is the climactic 30-minute battle, a massive feat of cinematic engineering that expertly conveys the surprise, the chaos and the immense destruction of the only attack by a foreign power on American soil since the Revolutionary war. The special effects won a well-deserved Oscar, but the film was shut out of every other category by, ironically, the other epic war picture of the year, Patton. --Sean Axmaker, Amazon.com
Beginning with an explosive, six-minute montage of sex, drugs and violence, and ending with a phallus-headed battle robot taking flight, Takashi Miike's unforgettable Dead or Alive Trilogy features many of the director's most outrageous moments set alongside some of his most dramatically moving scenes. Made between 1999 and 2002, the Dead or Alive films cemented Miike's reputation overseas as one of the most provocative enfants terrible of Japanese cinema, yet also one of its most talented and innovative filmmakers. In Dead or Alive, tough gangster Ryuichi (Riki Takeuchi) and his ethnically Chinese gang make a play to take over the drug trade in Tokyo's Shinjuku district by massacring the competition. But he meets his match in detective Jojima (Show Aikawa), who will do everything to stop them. Dead or Alive 2: Birds casts Aikawa and Takeuchi together again, but as new characters, a pair of rival yakuza assassins who turn out to be childhood friends; after a botched hit, they flee together to the island where they grew up, and decide to devote their deadly skills to a more humanitarian cause. And in Dead or Alive: Final, Takeuchi and Aikawa are catapulted into a future Yokohama ruled by multilingual gangs and cyborg soldiers, where they once again butt heads in the action-packed and cyberpunk-tinged finale to the trilogy. Each of them unique in theme and tone, the Dead or Alive films showcase Miike at the peak of his strengths, creating three very distinct movies connected only by their two popular main actors, each film a separate yet superb example of crime drama, character study, and action filmmaking. SPECIAL EDITION CONTENTS: High Definition digital transfers of all three films Original uncompressed stereo audio Optional English subtitles for all three films New interview with actor Riki Takeuchi New interview with actor Sho Aikawa New interview with producer and screenwriter Toshiki Kimura New audio commentary for Dead or Alive by Miike biographer Tom Mes Archive interviews with cast and crew Archive making-of featurettes for DOA2: Birds and DOA: Final Original theatrical trailers for all three films Reversible sleeve featuring original and newly commissioned artwork by Orlando Arocena
The director of Dead or Alive, Takashi Miike, made his name on the international scene with Audition, a chilling psychological thriller that builds from a quiet start towards a prolonged torture sequence almost too unbearable to watch. But such deliberate pacing isn't typical of Miike, whose movies often assault the viewer with an onslaught of slam-bang action that makes John Woo look like Eric Rohmer. Dead or Alive, his most successful cops-vs-yakuza thriller to date, kicks off with six non-stop minutes of machine gun-paced violence, sex and slaughter, all set to a pounding heavy-metal beat. Thereafter things calm down a little, though not much. Given Miike's penchant for murky, livid-toned visuals and skewed camera angles, it's not always too easy to work out exactly who's doing what to whom, but the general outline's clear enough. The Tokyo underworld is being torn apart by a turf war between the yakuza gangs and the invading Chinese triads. Ambitious yakuza member Ryuichi isn't above playing both sides off against each other in his bid for power, while police detective Jojima, himself none too scrupulous in his methods, is out to destroy the gangs. Into this conventional plot framework Miike piles enough warped characters and bizarre, twisted happenings to fuel half-a-dozen Tarantino movies, while cheerfully borrowing--and inflating--key moments from such hard-boiled gangster-noirs as The Big Heat and Kiss Me Deadly. One character deep-fries his own hand, a stripper is drowned in a paddling-pool filled with her own excrement, and the literally apocalyptic finale, the showdown to end all showdowns, will leave you gasping. The appallingly prolific Miike, who regularly makes about five movies a year, has since directed two sequels--the first only three months after the original.--Philip Kemp
'Visitor Q' presents a harrowing absurdist take on the reality TV phenomenon depicting the chilling disintegration of a dysfunctional family and seals Miike's reputation as one of world cinema's most daring and dangerous cinematic visionaries. In Miike Takashi's outrageous taboo-busting satire Vistor Q shamed reporter Kiyoshi Yamazaki visits one of Japan's many comfort houses to make a documentary about sex and violence amongst the nation's youth and is surprised to encounter h
Beginning with an explosive, six-minute montage of sex, drugs and violence, and ending with a phallus-headed battle robot taking flight, Takashi Miike's unforgettable Dead or Alive Trilogy features many of the director's most outrageous moments set alongside some of his most dramatically moving scenes. Made between 1999 and 2002, the Dead or Alive films cemented Miike's reputation overseas as one of the most provocative enfants terrible of Japanese cinema, yet also one of its most talented and innovative filmmakers. In Dead or Alive, tough gangster Ryuichi (Riki Takeuchi) and his ethnically Chinese gang make a play to take over the drug trade in Tokyo's Shinjuku district by massacring the competition. But he meets his match in detective Jojima (Show Aikawa), who will do everything to stop them. Dead or Alive 2: Birds casts Aikawa and Takeuchi together again, but as new characters, a pair of rival yakuza assassins who turn out to be childhood friends; after a botched hit, they flee together to the island where they grew up, and decide to devote their deadly skills to a more humanitarian cause. And in Dead or Alive: Final, Takeuchi and Aikawa are catapulted into a future Yokohama ruled by multilingual gangs and cyborg soldiers, where they once again butt heads in the action-packed and cyberpunk-tinged finale to the trilogy. Each of them unique in theme and tone, the Dead or Alive films showcase Miike at the peak of his strengths, creating three very distinct movies connected only by their two popular main actors, each film a separate yet superb example of crime drama, character study, and action filmmaking. SPECIAL EDITION CONTENTS: High Definition digital transfers of all three films Original stereo audio Optional English subtitles for all three films New interview with actor Riki Takeuchi New interview with actor Sho Aikawa New interview with producer and screenwriter Toshiki Kimura New audio commentary for Dead or Alive by Miike biographer Tom Mes Archive interviews with cast and crew Archive making-of featurettes for DOA2: Birds and DOA: Final Original theatrical trailers for all three films Reversible sleeve featuring original and newly commissioned artwork by Orlando Arocena FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the films by Kat Ellinger
THE ANCIENT GOD DAIMAJIN ARISES! The Daimajin Trilogy saw Daiei's Kyoto studios bringing its own iconic movie monster to life in a unique but short-lived series that transplants the Golem legend to Japan's Warring States period of the late-16th century. In Daimajin, directed by Kimiyoshi Yasuda (Yokai Monsters, Zatoichi on the Road), the young son and daughter of the benevolent feudal lord Hanabusa flee to the mountains when their parents are slain by the treacherous usurper Odate. Ten years later, when the elderly priestess who has harboured them is also murdered, the rage of the slumbering ancient god that lies beneath the crumbling giant stone idol hidden deep in the forests in the mountains is invoked. In Return of Daimajin, Kenji Misumi (Tale of Zatoichi, Lone Wolf and Cub) brings his usual stylistic flourish, as the wrathful deity is roused from his new home on an island in the middle of a lake by the violent incursions of a vicious warlord. In the final film, Wrath of Daimajin, by veteran jidaigeki director Kazuo Mori, four young boys make a perilous trip to elicit the help of the ancient mountain god in freeing their family members who have been enslaved by a tyrannical lord. Remarkably overlooked in the West, these three thrilling tales of feudal oppression and divine retribution meted out by the iconic stone warrior of the title combine lavish period detail with jaw-dropping special effects. Special Features: High Definition Blu-rayTM (1080p) presentation of the three Daimajin films Lossless original Japanese and dubbed English mono audio for all film Optional English subtitles Illustrated collector's 100 page book featuring new essays by Jonathan Clements, Keith Aiken, Ed Godziszewski, Raffael Coronelli, Erik Homenick, Robin Gatto and Kevin Derendorf Postcards featuring the original Japanese artwork for all three films Reversible sleeves featuring original and newly commissioned artwork by Matt Frank DISC ONE DAIMAJIN Brand new audio commentary by Japanese film expert Stuart Galbraith IV Newly filmed introduction by critic Kim Newman Bringing the Avenging God to Life, a brand new exclusive video essay about the special effects of the Daimajin films by Japanese film historian Ed Godziszewski Alternate opening credits for the US release as Majin - The Monster of Terror Trailers for the original Japanese and US releases Image gallery DISC TWO RETURN OF DAIMAJIN Brand new audio commentary by Japanese film experts Tom Mes and Jasper Sharp My Summer Holidays with Daimajin, a newly filmed interview with Professor Yoneo Ota, director of the Toy Film Museum, Kyoto Film Art Culture Research Institute, about the production of the Daimajin films at Daiei Kyoto From Storyboard to Screen: Bringing Return of Daimajin to Life, a comparison of several key scenes in Return of Daimajin with the original storyboards Alternate opening credits for the US release as Return of the Giant Majin Trailers for the original Japanese and US releases Image gallery DISC THREE WRATH OF DAIMAJIN Brand new audio commentary by Asian historian Jonathan Clements Interview with cinematographer Fujio Morita discussing his career at Daiei and his work on the Daimajin Trilogy Trailers for the original Japanese release Image Gallery
From the acclaimed director of Akira this release is one the big Anime releases of the year! At the top of the world the ancient artefact known as Noah's Ark has been uncovered. An elite band of agents known as the Spriggan are all that stands between mankind and annihilation. Some of the best animation ever produced makes this title a `must have' for fans of anime.
Even more mayhem in the chronically over-challenged and understaffed secret ideological organization of ACROSS (with a total membership of 2) whose goal is to conquer the city of F. Also contains your complete daily requirements of martian princesses afro-wearing action heroes mysterious governmental agencies space butlers deranged comic book authors androgynous prisoners in iron masks annoying roommates removable moustaches and a generous supply of adorably cute aliens bent o
Excel Excel secret agent and agent of disaster and her trustworthy (although decidedly unhealthy) fellow agent Hyatt are back and once again they're out to conquer the city of F for the glory of the secret ideological agency of Across! Whether they're up against murderous monkeys possessed detectives or men with excessively inflamed anuses you can bet they'll give it their all or die trying! In fact you can usually bet on the latter. The most deranged duo to ever dangle their
In war-torn Shogunate Japan Azumi (Aya Ueto) is a beautiful young girl who has been trained from childhood with nine other orphans to become a fearless assassin. Martial arts master Gessai (Yoshio Harada) has raised the ten children in complete seclusion in the hope that his protgs will one day defeat the merciless warlords and restore peace to the land. To test that they are the ruthless killers they will need to be for the mission Gessai orders them to pair off and fight to the
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