Unconventional drama directed by and starring Shane Caruth. When Kris (Amy Seimetz), a graphics designer, is unfortunate enough to find herself the subject of the attentions of a thief (Thiago Martins) who employs somewhat unusual methods, her life rapidly goes downhill. In order to get her to transfer her savings to him, the thief implants a parasitic organism into Kris then leaves her to the equally unfavourable attentions of a pig farmer, who transfuses the parasite from Kris into a pig, c...
Out of this world" is probably the best way to describe the style and content of Westlife's home-coming live performance in Dublin, Where Dreams Come True. It's also a fair description (in the inter-galactic sense) of the short film that opens the concert, when Shane, Kian, Mike, Nicky and Bryan are beamed down to Earth (or more precisely to their native Ireland) from deepest space. Decked out in white for the opening and closing segments of the concert it's easy to see why some fans view the five guys as modern-day angels. Appropriately for the song "Flying Without Wings" the guys manage to perform the song strapped to a scaffolding hoist that gently floats above the audience. Overall the concert is a spectacular all-singing, all-dancing affair that showcases their biggest hits and selected album tracks, aided by an amazing set and stage effects. In places the performance does seem rather twee, especially their rural-themed rendition of "Seasons of the Sun" when the group emerge from behind the set decked in stylish country-wear. The moves performed by the all-female dance troupe to "I Have a Dream" are also plain awful. Tour favourites "When You're Looking Like That" and "Uptown Girl" are the hot highlights of this stunning live release. On The DVD: there are plenty of added extras on this DVD including two documentaries, "Access All Areas" and "World of Our Own". However, neither of these featurettes represent the group in a particularly positive light, with the boys spending most of their time crowing about the numerous number ones they've had and how wonderful they are. The "Access All Areas" documentary depicts the guys in a particularly cruel light--playing football outside their concert arena whilst fans torturously watch on behind a wire fence. The exclusive When Dreams Come True website, which can only be accessed through the DVD-Rom link, is amazing though, with state-of-the-art graphics, animations and content (eg: lyrics of top Westlife songs, multi-media biographies and interviews with the guys). Look out for the bonus music video for "When You're Looking Like That" (never released as a single in the UK).--John Galilee
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Vault of Death", "The Mighty Atom", "City of Fire" and "The Imposters". Amazon.com
Nikolai 'Kolya' Rodchenko a ballet star (Mikhail Baryshnikov) who has defected from the Soviet Union to the West finds himself unexpectedly back in the Soviet Union as a result of his airplane crash-landing in Siberia. Meanwhile Raymond Greenwood (Gregory Hines) a Harlem-born and bred professional dancer disenchanted with America after his Vietnam experiences defects to the Soviet Union. The K.G.B. blackmails the American defector to spy on Baryshnikov and to persuade him to rec
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "The Man from MI5", "Cry Wolf", "Danger at Ocean Deep" and "Move and You're Dead".
"Steep" is a feature documentary about bold adventure, exquisite athleticism and the pursuit of a perfect moment on skis. It is the story of big mountain skiing, a dangerous and exhilarating sport that barely existed 35 years ago.
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "Edge of Impact", "Day of Disaster", Thirty Minutes After Noon" and "Desperate Intruder".
The complete television drama series 'A Very British Coup.' A steel worker is elected as Prime Minister. Based on the novel by Chris Mullen MP.
Thunderbird 6 was the second feature spin-off from the hit Gerry Anderson puppet-animation TV series Thunderbirds, and revolved around a new addition to the line-up of International Rescue's five emergency craft. The plot sees Lady Penelope, Alan, Tin-Tin and Parker as the only passengers on the maiden, round-the-world flight of a futuristic airship, which is hijacked in a bid to capture Thunderbirds 1 and 2. From the moment Alan arrives on a Bond-style jetpack, the film veers away from the TV show into espionage adventure territory, and while the only people International Rescue rescue are their own members, they kill a fair number of baddies. The global tour means there are more locations than ever, and though the story takes a long time developing, the Die Hard-on-an-airship finale delivers the most explosive set piece of Gerry Anderson's career. As for Thunderbird 6, opinion remains divided as to whether it's an ingenious twist or a disappointing gimmick, but the movie's blend of model and live-action footage results in two superbly staged stunt sequences. Predecessor Thunderbirds Are Go (1968) is also available, and the Andersons would make one further feature film, Journey to the Far Side of the Sun (1969). On the DVD: The anamorphically enhanced 2.35:1 ratio image is sharp, full of detail and boasting well-saturated colours, only the briefest moments of damage and some graininess revealing the age of the print. The film was shot in ultra-wide Techniscope, and there are moments were it is very obvious that parts of the original 2.74:1 picture have been cropped at the sides. The mono sound is powerful with no hint of distortion. Extras are the original trailer, galleries of behind the scenes photos and promotional artwork, though the highlight is the highly informative commentary by Sylvia Anderson and director David Lane where they note how they made this film and worked on Captain Scarlet simultaneously.--Gary S Dalkin
Detective Inspector Mike Shepherd arrives in Brokenwood on assignment to investigate a murder. In a town where animosities run deep and memories are long, he soon learns that gossip is the local currency. An experienced officer with a 1971 classic car, a collection of country music cassettes and an indeterminate number of ex-wives, the new woman in Shepherd's life is his assistant, Detective Kristin Sims, a by-the-book investigator, who quickly has to get used to his unique and quirky ways. These seven series are filmed amid the beautiful landscape of New Zealand's North Island, a place where beauty is everywhere to be seen, but there lurks beneath a dark undercurrent and an alarming death rate.
In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan ., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--ones for a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), Rollerball creates a believable society that's been rendered passive and compliant by the homogenisation of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervour toward rollerball and its players. Rollerball now looks like one of those 1970s science fiction films (another example being Logan's Run) that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. --Jeff Shannon, Amazon.com
The International Rescue team is back in another action packed adventure! The combined efforts of the entire team is at full stretch, they'll need to be on top form with cunning assistance of Lady Penelope and Parker to defeat the ring of terrorist who've targeted International Rescue for destruction! The 2015 remake of the TV series is back on UK screens now, this enduring classic is presented on BluRay for the first ever in the UK.
The finale to Hammer's Frankenstein cycle features a young Doctor who is interned in the asylum where Baron Frankenstein supposedly perished after being found experimenting on stolen corpses. In the asylum he meets the mysterious Doctor Victor (Peter Cushing), and gradually comes to realise that Frankenstein is alive and well and continuing his work.
Two teenage dancers - easily distracted Sam (Shiri Appleby) and driven Jules (Larisa Oleynik) - must examine their lives and take a closer look at their futures when Jules is diagnosed with cancer. Based on the popular book by Davida Wills Hurwin and directed by Hoop Dreams producer Peter Gilbert.
From the makers of Miami Ink tattooing has come home... Louis Molloy is a tattoo artist whose work is recognised by millions. From his base in Manchester he was the creator of the most famous tattoo in the world - David Beckham's Guardian Angel. But now Louis is ready for his next big challenge. He's hand-picked three of the best tattoo artists in the business. Together they're going to create the most talked about tattoo studio in Britain - London Ink. For the first time Louis will be managing a team of tattoo artists - each with their own unique creative talent and temperament. He's been working hard on the design for the studio - everything must be perfect. Narrated by Max Beesley London Ink sees stars such as Iwan Thomas Darren Thompson Shane Lynch Alex Kramer and Emily Scott being 'inked'. Watch as their tattooing dreams become a reality... if they decide to go through with it!
The Official 2017 MCE BSB Season Review covers every race from this stunning season, including over 5 hours of high octane action with ex-racer and TV commentator, James Whitham, presenting the highlights of this season's hair-raising, fairing bashing, wheel-to-wheel, close encounters of the biking kind! Features: Official Season Review for British Superbikes Includes every 2017 Race
Shane MacGowan - Montreux 1995
Paranormal Entity Twenty-three year old, Thomas Finley was arrested for the murder of his sister, Samantha, and Edgar Lauren, a Professor and paranormal investigator. Thomas claimed that the victims were attacked by a demonic entity of unknown origin. Days later, he committed suicide . This video found at the scene shows what actually happened inside the Finley home in those final days. Paranormal Entity 2 John Wayne Gacy murdered 33 young men and boys between 1972 and 1978 in ...
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