"Actor: Sharon Gurney"

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  • DeathlineDeathline | DVD | (17/04/2019) from £12.98   |  Saving you £4.00 (36.40%)   |  RRP £14.99

    When students Alex (David Ladd - A Day of Flanders) and Patricia (Sharon Gurney - Jason King) discover a dying man in their local underground station they spark off an investigation that reveals a sinister and macabre plot that even sends shivers down the spines of hardened police officers Calhoun (Donald Pleasence - Halloween You Only Live Twice) and Rogers (Norman Rossington - Saturday Night & Sunday Morning A Hard Day's Night). Prominent people it seems have be

  • Death Line [Blu-ray]Death Line | Blu Ray | (27/08/2018) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

    Donald Pleasence gives a memorable performance as an idiosyncratic police inspector hot on the trail of a nest of inbred subterranean cannibals in this notoriously violent arthouse slasher movie from the early 1970s. A long-time cult favourite, Death Line features stylishly grim imagery from Oscar-nominated cinematographer Alex Thomson and a rumbustuously sleazy soundtrack from Wil Mallone and Jeremy Rose. Remastered from original film elements it is presented here as a brand-new High Definition transfer in its original theatrical aspect ratio. When a philandering politician goes missing on the Underground, the subsequent police investigation uncovers a terrifying secret kept hidden since the 1800s. Who or what is turning the Underground tunnels into a Death Line..?

  • Women In Love [1969]Women In Love | DVD | (02/08/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

    Before director Ken Russell's name became synonymous with cinematic extravagance and overkill, he actually directed what is one of the most passionate and involving adaptations of DH Lawrence in recent memory. Oliver Reed and Alan Bates star as friends who fall in love with a pair of sisters (Jennie Linden and Glenda Jackson, who won an Oscar for the role). But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Bates and Linden learn to give themselves to each other; the more withdrawn Reed cannot, finally, connect with the demanding and challenging Jackson. Shot with great sensuality, Women in Love was surprisingly frank for its period (1970) and includes one of the most charged scenes in movie history: Bates and Reed as manly men, wrestling nude by firelight. --Marshall Fine

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