This CinemaScope treatment of Frank Loesser's hit Broadway musical Guys and Dolls is a deeply rewarding visual and musical experience. Frank Sinatra turns in one of his best screen performances running a close second to Marlon Brando and Jean Simmons, looking adorable and singing sweetly. In essence this is a piece of photographed theatre mounted on a handsome scale. The striking set designs and a brilliantly executed soundtrack are courtesy of two Broadway craftsmen Oliver Smith and conductor Jay Blackton. Photographer Harry Stradling brings a meticulous eye for detail when his camera stationed on the auditorium side of the frame, peers into Miss Adelaide's bathroom cupboard as she views the lines of medicine bottles in her celebrated "lament". Sinatra, in his vocal prime, sings a new number to Adelaide (Vivian Blaine)--arranged by Nelson Riddle--and Brando and Simmons strike chords in all their scenes from their opening duet "I'll Know" through to their evening out at a Havana bistro where she gets pie-eyed on a Bacardi milk-shake, tipsily wondering "If I were a Bell". Stubby Kaye also from the Broadway cast recreates the show-stopping "Sit Down You're Rockin' the Boat". Michael Kidd's choreography for "Luck Be a Lady" is razor-sharp and superbly captured in the CinemaScope format, though the formalised staging of the opening ought to have been rethought for this medium. The biggest pity is that Loesser amended some of his lyrics and replaced several tunes from his original score with inferior material. On the DVD: The DVD trailer hosted by Ed Sullivan makes much of the $1,000,000 cheque producer Samuel Goldwyn paid for the rights and the previews of the picture he obtained for his weekly television show. There's no denying that the remastered stereophonic soundtrack captures the Broadway sound to thrilling effect without it being overglamorised. The picture looks splendid too--never settle for the compromise version we've endured all these years on television! --Adrian Edwards
This CinemaScope treatment of Frank Loesser's hit Broadway musical Guys and Dolls is a deeply rewarding visual and musical experience. Frank Sinatra turns in one of his best screen performances running a close second to Marlon Brando and Jean Simmons, looking adorable and singing sweetly. In essence this is a piece of photographed theatre mounted on a handsome scale. The striking set designs and a brilliantly executed soundtrack are courtesy of two Broadway craftsmen Oliver Smith and conductor Jay Blackton. Photographer Harry Stradling brings a meticulous eye for detail when his camera stationed on the auditorium side of the frame, peers into Miss Adelaide's bathroom cupboard as she views the lines of medicine bottles in her celebrated "lament". Sinatra, in his vocal prime, sings a new number to Adelaide (Vivian Blaine)--arranged by Nelson Riddle--and Brando and Simmons strike chords in all their scenes from their opening duet "I'll Know" through to their evening out at a Havana bistro where she gets pie-eyed on a Bacardi milk-shake, tipsily wondering "If I were a Bell". Stubby Kaye also from the Broadway cast recreates the show-stopping "Sit Down You're Rockin' the Boat". Michael Kidd's choreography for "Luck Be a Lady" is razor-sharp and superbly captured in the CinemaScope format, though the formalised staging of the opening ought to have been rethought for this medium. The biggest pity is that Loesser amended some of his lyrics and replaced several tunes from his original score with inferior material. On the DVD: The DVD trailer hosted by Ed Sullivan makes much of the $1,000,000 cheque producer Samuel Goldwyn paid for the rights and the previews of the picture he obtained for his weekly television show. There's no denying that the remastered stereophonic soundtrack captures the Broadway sound to thrilling effect without it being overglamorised. The picture looks splendid too--never settle for the compromise version we've endured all these years on television! --Adrian Edwards
Impoverished Broadway peddler ""Apple Annie"" (Bette Davis) has a problem. Her daughter Louise (Ann-Margret) educated abroad since infancy is coming for a visit and bringing her wealthy fianc with her. The problem is that Louise has believed all her life that Annie's a wealthy dowager and the poor old woman doesn't know what to do! Enter ""Dave The Dude"" (Glenn Ford) - a big-hearted racketeer - who enlists aid to pass Annie off as a high-society grande dame so Louise can marry her fa
Hollywood legends Marlon Brando Frank Sinatra Jean Simmons and Vivian Blaine (from the original Broadway cast) are dazzling in this masterpiece unleashing a spectacular song-and-dance show that's loaded with entertainment. The slickest big-time New York City gamblers Sky Masterson (Brando) and Nathan Detroit (Sinatra) can't resist making or taking a bet on anything. So when a pretty missionary (Simmons) sets up shop in the neighbourhood Nathan stakes a grand that Sky can't sed
The sparkling series featured the irresistible William Powell and Myrna Loy chemistry as husband and wife sleuths who solved murders with the aid of their wire-haired terrier Asta. Set in the glamorous world of 1930s upper-class Manhattan The Thin Man and its sequels established the standard for witty comedy clever dialogue and urbane one upmanship. This fantastic collection includes 'The Thin Man' 'After the Thin Man' 'Another Thin Man' 'Shadow of the Thin Man' 'The Thin Man
Meet The Invisible Man: Two bumbling private eyes help a man wrongly accused of murder who has become invisible to help clear his name. Go To Mars: Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras... More classic comedy from messers Bud and Lou.
The Big Sleep:One of the most satisfying and sheerly entertaining movies ever to come out of Hollywood this marvellous 1946 classic adaptation of Raymond Chandler's hard-boiled novel is the perfect vehicle for the real-life team of Humphrey Bogart and Lauren Bacall whose sultry zingy dialogue adds spice to what has to be the most intricate and most exciting thriller plot ever filmed. In the hands of screen play writers William Faulkner Leigh Brackett and Jules Furthman and master director Howard Hawks who slings the lamps low and keeps violence crackling this movie zips along down Chandler's mean Los Angelino streets as Bogie's world-weary cynical private eye Philip Marlowe begins a search for a missing chauffeur that turns into a blackmail hunt with a pretty girl at each turn and a corpse on each corner. The sexual undercurrents are torrid the repartee remarkable the whole just simply terrific. To Have And Have Not:Help the Free French? Not world-weary gunrunner Harry Morgan (Humphrey Bogart). But he changes his mind when a sultry siren-in-distress named Marie asks ""Anybody got a match?"" That red-hot match is Bogart and 19-year-old first-time film actress Lauren Bacall. Full of intrigue and racy banter (including Bacall's legendary whistling instructions) this thriller excites further interest for what it has and has not. Cannily directed by Howard Hawks and smartly written by William Faulkner and Jules Furthman it doesn't have much similarity to the Ernest Hemingway novel that inspired it. And it strongly resembles Casablanca: French resistance fighters a piano-playing bluesman (Hoagy Carmichael) and a Martinique bar much like Rick's Cafe Americaine. But first and foremost it showcases Bogart and Bacall carrying on with a passion that smolders from the tips of their cigarettes clear through to their souls. Key Largo:A hurricane swells outside but it's nothing compared to the storm within the hotel at Key Largo. There sadistic mobster Johnny Rocco (Edward G. Robinson) holes up and holds at gunpoint hotel owner Nora Temple (Lauren Bacall) and ex-GI Frank McCloud (Humphrey Bogart). McCloud's the one man capable of standing up against the belligerent Rocco. But the postwar world's realities may have taken all the fight out of him. John Huston co-wrote and compellingly directs this film of Maxwell Anderson's 1939 play with a searing Academy Award winning performance by Claire Trevor as Rocco's gold-hearted boozy moll. In Huston's hands it becomes a powerful sweltering classic. The Dark Passage:Bogey's on the lam and Bacall's at his side in Dark Passage Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry a prison escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Irene Jansen Vincent's lone ally. In a supporting role Agnes Moorehead portrays Madge a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas the post-surgery Vincent tells her: ""Don't change yours. I like it just as it is.""
Titles Comprise: The Big Sleep: One of the most satisfying and sheerly entertaining movies ever to come out of Hollywood this marvellous 1946 classic adaptation of Raymond Chandler's hard-boiled novel is the perfect vehicle for the real-life team of Humphrey Bogart and Lauren Bacall whose sultry zingy dialogue adds spice to what has to be the most intricate and most exciting thriller plot ever filmed. In the hands of screen play writers William Faulkner Leigh Brackett and Jules Furthman and master director Howard Hawks who slings the lamps low and keeps violence crackling this movie zips along down Chandler's mean Los Angelino streets as Bogie's world-weary cynical private eye Philip Marlowe begins a search for a missing chauffeur that turns into a blackmail hunt with a pretty girl at each turn and a corpse on each corner. The sexual undercurrents are torrid the repartee remarkable the whole just simply terrific. To Have And Have Not: Help the Free French? Not world-weary gunrunner Harry Morgan (Humphrey Bogart). But he changes his mind when a sultry siren-in-distress named Marie asks Anybody got a match? That red-hot match is Bogart and 19-year-old first-time film actress Lauren Bacall. Full of intrigue and racy banter (including Bacall's legendary whistling instructions) this thriller excites further interest for what it has and has not. Cannily directed by Howard Hawks and smartly written by William Faulkner and Jules Furthman it doesn't have much similarity to the Ernest Hemingway novel that inspired it. And it strongly resembles Casablanca: French resistance fighters a piano-playing bluesman (Hoagy Carmichael) and a Martinique bar much like Rick's Cafe Americaine. But first and foremost it showcases Bogart and Bacall carrying on with a passion that smolders from the tips of their cigarettes clear through to their souls. Key Largo: A hurricane swells outside but it's nothing compared to the storm within the hotel at Key Largo. There sadistic mobster Johnny Rocco (Edward G. Robinson) holes up and holds at gunpoint hotel owner Nora Temple (Lauren Bacall) and ex-GI Frank McCloud (Humphrey Bogart). McCloud's the one man capable of standing up against the belligerent Rocco. But the postwar world's realities may have taken all the fight out of him. John Huston co-wrote and compellingly directs this film of Maxwell Anderson's 1939 play with a searing Academy Award winning performance by Claire Trevor as Rocco's gold-hearted boozy moll. In Huston's hands it becomes a powerful sweltering classic. The Dark Passage: Bogey's on the lam and Bacall's at his side in Dark Passage Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry a prison escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Irene Jansen Vincent's lone ally. In a supporting role Agnes Moorehead portrays Madge a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas the post-surgery Vincent tells her: Don't change yours. I like it just as it is.
Meet That Guild Gal...She gives as Good as She Gets! A man awakens in a Honolulu hospital with no memory of his identity. He has three personal items: a wallet a letter from an angry ex-lover and a note from one Larry Cravat and apparent business associate. Searching for Cravat the amnesiac heads to Los Angeles enlisting the help of a saloon singer (Nancy Guild) her boss (Richard Conte) and a police lieutenant (Lloyd Nolan). When he starts asking questions he's blindsided by goons and chased by cops... But ultimately makes a shocking discovery.
The exhilaratingly unhistorical adventures of pirate Captain Kidd revolving around treasure and treachery!
The Falcon (Tom Conway) is trying to take a well-earned vacation - but a chance encounter with a gangster's moll turned aspiring actress leads him into deadly danger on the set of a big new Hollywood musical production.Accompanied by a wisecracking lady cabbie who knows her way around Tinsel Town, the Falcon discovers a dead body on a sound stage. Someone is out to wreck the filming of 'Magic Melody' at any cost - even if it means murder.The dead man was the star - a wealthy playboy hated by his wife. Was she to blame? Or was it the jealous gangster whose girlfriend was two-timing him? Or maybe it was the director), who everyone hated?As the Falcon starts to ask questions, he quickly discovers that, in the movie business, nothing is ever what it appears to be...
Treasure Of The Sierra Madre: Greed and the lure of gold affects the lives of three men prospecting in the dangerous Sierra Madre mountains... To Have And Have Not: A jaded American charter boat captain risks his life to help a group of French freedom fighters and an attractive young woman with whom he falls in love. They Drive By Night: Two brothers struggle as truck drivers when one comes to harm the other is accused of his friend's murder...
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