Pittsburgh (Dir. Lewis Seiler 1942): Charles 'Pittsburgh' Markham rides roughshod over his friends his lovers and his ideals in his trek toward financial success in the Pittsburgh steel industry only to find himself deserted and lonely at the top. When his crash comes he finds that fate has dealt him a second chance. Dakota (Dir. Joseph Kane 1945): John Devlin helps Dakota wheat farmers save their land from swindling entrepeneurs who hope to make a fortune selling it to the railroad for its right-of-way.
One of the funniest teams to emerge from Hollywood's classic comedy conveyor belt The Three Stooges (or technically four since Shemp later replaced Curly in the team) were the kings of slapstick comedy throughout the 1930s and 40s. Although one of their number might get hit all three end up feeling the pain!Brideless GroomVoice teacher Stemp has to get married before six o'clock in order to inherit a fortune and faces a race against time to find even a reluctant bride.Disorder In The CourtThe Stooges are witnesses at the murder trial of their friend. Although they cause mayhem during the day they do manage to uncover the real murderer's identity.Malice In The PalaceDesert restaurant owners the Stooges set out to recover the stolen Rootin Tootin diamond from thieves.Sing A Song Of Six PantsThe Stooges are struggling tailors who are heavily in debt. Their only hope of salvation is collecting a big reward for the capture of a fugitive robber who happens into their store.
Unless you're a die hard Stooges fan you might be surprised to learn that there were four - not three - Stooges. In 1930 the Stooges were part of a vaudeville comedy team called `Ted Healy and His Rocketeers'. Healy employed his boyhood pal Moe Howard his brother Shemp and their friend Larry Fine as `Stooges' or `Second Bananas'. Before long Hollywood called and the public's obsession with the Three Stooges has never stopped. Shemp was replaced by his kid brother Jerry `Curly'
Africa Screams (Dir. Charles Barton 1949): Abbott and Costello go on an African safari armed with a secret map which will lead them to hidden diamonds... Jack And The Beanstalk (Dir. Jean Yarbrough 1952): Bud and Lou take on a babysitting job and find themselves involved in the Jack And The Beanstalk fairy tale! One of the very few colour films that Abbott and Costello made beginning in black and white but then turning into a full on colourful fairy tale. One of the
Abbott and Costello go on an African safari armed with a secret map which will lead them to hidden diamonds.
Abbott and Costello go on an African safari armed with a secret map which will lead them to hidden diamonds... Please note: This is a NTSC disc.
Abbott & Costello Classic Comedies three-disc collector's set consists of oddments from the latter days of their career that have fallen into public domain; which means you don't get their best routines or classiest productions, and indeed find the double act doing fairly tired schtick as Costello is chubbily chicken-hearted and Abbott grumpily money-grubbing. Africa Screams is a 1949 safari parody, with Costello running away yelping from sundry alligators, gorillas (including a Kong-sized giant), cannibals ("Chief have sweet tooth for little fat man") and lions amid backlot jungles as Abbott competes with stock villains for a fortune in diamonds. Jack and the Beanstalk, from 1952, finds the duo attempting to sell themselves as children's entertainers in a Wizard of Oz-influenced fairytale book-ended by sepia modern-day segments. The magical story unfolds in wonderfully gruesome cheap colour with some of the worst musical numbers ever committed to film ("he's perpendicular-la-la") as Jack the Clod (Costello) and Mr Dinkelpuss the Butcher (Abbott) climb the beanstalk and plod around the Giant's lair until the story runs out. Possibly the most interesting item is the third disc, which offers an episode of the Colgate Comedy Hour (aka The Abbott and Costello Show) from the 1950s. It shows the pair doing live routines closer to their original vaudeville act than their film roles (including an amazingly cruel bit in which Abbott slaps Costello every time he says the word "tin"). A loose plot about Latin American intrigue, with Lou hired to stand in for an assassination target "El Presidente", makes room for speciality guest stars ranging from child xylophonist Baby Mistin to four starlets (including Jane Russell and Rhonda Fleming) harmonising on a "Happy Easter" medley. Best of all, and now funnier than the comedy, are original hard-sell ads for household products like "Ajax, the foaming action cleanser" and "Halo, the shampoo that glorifies your hair". --Kim Newman
Bud Abbott and Lou Costello set off on a trip to Africa when Lou claims to know the whereabouts of a cache of diamonds. The zany comics are at peak form in this nonsensical foray into the jungle.
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