All 12 episodes from the first two series of the BBC drama starring Sarah Lancashire as a police sergeant in a rural West Yorkshire valley. In series 1, Catherine Cawood (Lancashire) receives a visit from Kevin Weatherill (Steve Pemberton), a distressed member of the Yorkshire community she oversees, and is drawn into a ransom case in which the life of Ann Gallagher (Charlie Murphy) is at stake. Kevin employed local thug Ashley Cowgill (Joe Armstrong) to kidnap Ann in the hope of extracting a ransom from his boss, and his remorse has come too late to prevent the crime. Can Catherine get to the girl in time? In series 2, while investigating a case of sheep-stealing, Sgt Cawood discovers the decomposed body of a murdered prostitute who she later discovers is the mother of Tommy Lee Royce (James Norton). This revelation places Catherine at the centre of the investigation as a possible suspect while Royce continues to torment her from inside his cell with the help of his new accomplice Frances (Shirley Henderson). While she takes on a new case of human trafficking, Catherine deals with more complications in her personal relationships and is recommended by her bosses to undertake a course of counselling therapy.
A key film of the British New Wave, Saturday Night And Sunday Morning was a great box-office success - audiences were thrilled by its anti-establishment energy, the gritty realism of its setting, and most of all by a working-class hero of a fresh and outspoken kind. Based on Alan Sillitoe's largely autobiographical novel, the film is set in the grim industrial streets and factories of Nottingham, where Arthur Seaton spends his days at a factory bench, his Saturday evenings in the local...
A New York advertising exec travels to a small Southern town to collect an inheritance but finds he must create a succcesful gospel choir before he can collect. Cuba Gooding Jr and Beyonce Knowles team up for a belting musical comedy.
When Terms of Endearment was released in 1983, director and writer James L Brooks was lauded for his depiction of a complex mother/daughter relationship. For his leading ladies he chose actresses with two of the strongest personalities in Hollywood, but armed with an exceptionally witty script and endless patience he eventually drew magnificent performances from Shirley Maclaine as Aurora and Debra Winger as her daugher Emma, assisted considerably by Jack Nicholson's considerate professionalism. As the philandering retired astronaut who beds Maclaine and then provides her with surprising support in the film's dark later moments, Nicholson shines with comic brilliance which earned him an Oscar. It was no secret that Maclaine and Winger could barely contain a mutual antipathy on set. Yet they strike sparks off each other on screen. When comedy turns to tragedy with the development of Emma's cancer, the laughs continue even while the tear ducts are being given a good work out. In the glory days of Hollywood, this would have been acknowledged a great "women's picture" and its weepy credentials are impeccable. It stands out as a warm, accessible work that admirably rejects sugary sentiment in favour of the realistic rough edges that characterise most human relationships. On the DVD: Presented in 1.78:1 anamorphic widescreen with a Dolby Digital 5.1 soundtrack, this DVD is ideal for home cinema viewing. The picture and sound quality are fine, benefiting Michael Gore's gentle, memorable music and bringing the best out of Andrzej Bartkowiak's luminous photography. In addition to the original theatrical trailer, the major extra is the director's commentary in which James L Brooks reminisces with coproducer Penney Finkelman and production designer Polly Platt. They look back at their impressive work with a touching degree of wonder and apprentice directors should take note when Brooks recalls his steep learning curve in managing his leading ladies. --Piers Ford
A top notch tale of revenge augmented by carefully choreographed Kung Fu action!
A prominent young playwright upsets her mother in an interview and is soon kidnapped by her mother's lifelong friends, who slowly reveal the truth about her mother's turbulent history.
Too terrifying to even have a name, It is a seemingly invincible monster that is hell-bent on killing everyone on a mission to Mars. A rescue ship travels out to Mars to retrieve the only survivor of a space probe that has experienced some sort of cataclysm. That survivor, Col Ed Carruthers (Marshall Thompson) is accused of murdering his fellow crewmen. But Ed claims that the killer was a Martian monster, and hopes to prove his assertions by signing up for a second journey to the Red Planet. Before long, the crew members of this second expedition are being systematically killed off, and it looks as though Ed is up to his old tricks. As it turns out, however, Ed was telling the truth: there is a monster on board, the savage descendant of the once-mighty Martian civilization, who snuck on board when an irresponsible crew member left the door open. The monster stays alive by absorbing the vital body fluids of its victims-and there seems to be no way to stop this parasitic creature! Will they be able to destroy the monster before it manages to feed on them all?
A film by Mike Nichols of Carrie Fisher's semi-autobiographical novel, Postcards from the Edge is an intermittently hilarious, occasionally tear-stained account of an actress' struggle with addiction and with her competitive star mother. Meryl Streep turns in yet another flawlessly perfect performance as Suzanne, who is coping with cleaning up while making yet another idiot cop film. Shirley Maclaine is effective and overpowering as her hard-drinking Old Hollywood star mother perpetually trying to remould her daughter, singing Sondheim songs at parties, showing off her still-perfect legs and occasionally driving into trees. Among the many guest stars, Dennis Quaid is self-effacingly unpleasant as an unreliable boyfriend, Gene Hackman charismatic as a fatherly director and Annette Benning impressive in a cameo as a starlet rival. Nichols' standard slickness is very much on display here; this is perhaps too obviously manipulative a film in which the emotional detail is never quite as impressive as the central performances and script deserve. On the DVD: The DVD takes the rather subversive risk of giving the commentary role to Carrie Fisher, who discusses entertainingly how the screenplay evolved from her original novel, occasionally making clear that certain sentimentalisations of the characters were not her idea; she argues coherently that the film makes Meryl Streep's character a little too much the martyr. She also gives us a lot of faintly scurrilous Hollywood and family gossip. It also provides the theatrical trailer and filmographies for the director and major players. --Roz Kaveney
Shirley Temple's father a rebel officer sneaks back to his rundown plantation to see his family and is arrested. However a yankee takes pity upon him and sets up an escape; unfortunately for all concerned the escape is foiled and all the captured officers are sentenced to execution. Enter Shirley and ""Bojangles"" Robinson to beg President Lincoln to intercede.
Strauss: Elektra (Levine Metropolitan Opera Orchestra)
We're getting ready to blow our horn like we've never blown it before! Let 76 trombones lead the big parade from the Great White Way into your home. It's the Music Man the screen version of one of Broadway's all-time blockbusters a skyburst of Americana as irresistible as 4th of July fireworks.
Paramount proudly presents Best Picture Oscar® winner Terms of Endearment for the first time on 4K Ultra HD.This quintessential dramedy-directed, produced, and written for the screen by James L. Brooks (based on a novel by Larry McMurtry)- features a powerhouse cast that includes Shirley MacLaine, Debra Winger, Jack Nicholson, Danny DeVito, Jeff Daniels and John Lithgow. Spanning three decades, it follows the ups and downs of a mother-daughter relationship with honesty, heart, and laughs. Both critically acclaimed and a box office blockbuster, it has endeared as a fan favourite 40 years after its release. Product Features Blu-ray Special Features: NEW FILMMAKER FOCUS With James L. Brooks Commentary by Director James L. Brooks, Co-Producer Penney Finkelman Cox & Production Designer Polly Platt
In the cactus-studded Mexican backcountry of the 1860s, a surly drifter who could easily be mistaken for the Man with No Name becomes protector and lethal helpmate to a red-haired nun wanted by the French for aiding the Juarista revolutionaries. Essentially a two-character showcase for the newly stellar Clint Eastwood and what was beginning to seem the poststellar Shirley MacLaine (subbing for Elizabeth Taylor), this sardonic study in testy collaboration, mutual deception and distrust, and slightly creepy sexual attraction is highly rated by a fairly small number of critics--chiefly, one suspects, for the dual-auteur cachet of having been directed by Don Siegel and based on a story by Budd Boetticher. Others deem it an undersauced spaghetti Western and find that the stars grate on the viewer as well as each other. Cinematography by the great Gabriel Figueroa is some consolation, but... if only Boetticher had been allowed to direct. --Richard T. Jameson
Diabolique is Jeremiah Chechik's 1996 revamped version of the 1955 French film noir tale of two teachers at a boys school conspiring to kill the headmaster (played in the remake by Chazz Palminteri of Jade and The Usual Suspects). The three assemble an intriguing triangle of revenge and deceit as the headmaster's abused and humiliated wife and mistress team up to get even. Mia Baran is the fragile wife with a delicate heart condition, portrayed by Isabelle Adjani (Queen Margot), and Sharon Stone (Basic Instinct) is the plotting, contemptuous mistress. Together they set out to wreak an unfortunate revenge, but as the story reveals itself, miscalculations abound as hidden agendas and secret lives are unexpectedly exposed. Chechik's new look and timeless setting give film noir audiences something neoteric and seductive to play with. A welcomed change to the film's story line is the fresh addition of Kathy Bates as a daunting private detective. Fans of Stone's will not be disappointed with the latest version of her "I-could-give-a-damn smoldering broad" technique and anyone not yet familiar with Chazz Palminteri will love watching him succeed as the ultimately despicable headmaster. --Michele Goodson
The Carry On which caused a national sensation when a daffodil replaced a thermometer - you know where! The Carry On team have picked up their stethoscopes and bed pans for a strong dose of hospital humour. Hattie Jacques is the infamous matron doing battle with the patients in the second series of the world famous Carry On series.
Joy (Shirkey Henderson) is married to a man with an unresolved 'affliction' and recieves visitations from her deceased ex-lover. Her sister Trish (Allison Janney) meets an unlikely new suitor (Michael Lerner) who she hopes will bring stability to her family while her husband (Ciaran Hinds) is just out of prison and keen to reconnect with his son. Helen (Ally Sheedy) the third sister is feeling intense pressure from her family and her Hollywood success. Ten years after the critically acclaimed Happiness director Todd Solondz returns to the familiar themes and characters with Life During Wartime and presents us with a tale thats poignant funny disturbing shocking and sad while creating a resonant portrait of modern life and love.
When Chicago police officer Sharon Pogue (Jennifer Lopez) is saved from a bullet by a mysterious stranger, it proves a life-changing experience.
An American woman and a Middle-Eastern man embark on an affair in this quality drama.
Too terrifying to even have a name, It is a seemingly invincible monster that is hell-bent on killing everyone on a mission to Mars. A rescue ship travels out to Mars to retrieve the only survivor of a space probe that has experienced some sort of cataclysm. That survivor, Col Ed Carruthers (Marshall Thompson) is accused of murdering his fellow crewmen. But Ed claims that the killer was a Martian monster, and hopes to prove his assertions by signing up for a second journey to the Red Planet. Before long, the crew members of this second expedition are being systematically killed off, and it looks as though Ed is up to his old tricks. As it turns out, however, Ed was telling the truth: there is a monster on board, the savage descendant of the once-mighty Martian civilization, who snuck on board when an irresponsible crew member left the door open. The monster stays alive by absorbing the vital body fluids of its victims-and there seems to be no way to stop this parasitic creature! Will they be able to destroy the monster before it manages to feed on them all?
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